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Vintage Henri Mattise Nude with Oranges Nu aux Oranges Lithograph Print 16"

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  • Vintage Henri Matisse Beasts of Sea National Gallery Framed Abstract Print
    By Henri Matisse
    Located in Dayton, OH
    "Vintage framed print of Henri Matisse’s “Beasts of the Sea” (1950), housed at the National Gallery of Art, Washington, D.C. “Henri Matisse (31 De...
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  • 2 Vintage Circular Fruit Still Life Lithograph Prints w Dragon Mark
    Located in Dayton, OH
    Pair of vintage lithograph prints showing still life of fruit (grapes, peaches, apples, oranges) accented with a grasshopper, a bluebird, and butterflies. Printed as a round image wi...
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  • 2 Vintage Elizabethan 16th Century Court Scene Framed Prints 41"
    Located in Dayton, OH
    Two vintage Elizabethan court scene prints. One features Queen Elizabeth banishing a pheasant, while the other features praying clergy and weeping women. The elaborate attire and d...
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  • Vintage J. Tallan Dance at Colonel White 1987 Dayton Ohio Lithograph Print 32"
    Located in Dayton, OH
    Rare vintage Dance at Colonel White pencil signed lithograph print showing figures dancing in a crowded hall. Pencil signed, dated, titled and numbered along lower edge - J. Tallan 1987, 10/10. Rounded burgundy plastic frame; white and burgundy layered mat. Colonel White High School was built in 1929 in Dayton Ohio. It stood on the corner of Wabash and Niagara in Upper Dayton View until it was demolished in 2008. Colonel White was named for Colonel William Jeremiah White...
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    Vintage 1980s Expressionist Prints

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  • 4 Alvar Sunol Renaixent Renaissance Embossed Surrealist Lithograph Prints
    By Alvar Sunol Munoz-Ramos
    Located in Dayton, OH
    Suite titled “Renaixant” (Renaissance) of four framed, original and embossed lithograph prints on Arches by Alvar Sunol Munoz-Ramos, pencil signed and numbered 122/185. circa 1977. Featuring surrealist scenes with gothic architecture and ghosts / angels / muses / musicians and doves. Alvar is known for his technical expertise. He is passionate about his concept of el oficio, the commitment to his vocation and appreciation for the traditional artistic values bequeathed by the masters. Renaissance artists, especially Piero della Francesca, Vermeer and Balthus, are particularly admired by him. He views his work as an inheritance from and devotion to Catalonia, specifically Romanesque art, yet imbued with a modern sensibility. His themes, though varied, remain steadfast in their revelations about the human condition and complexities, about love and peace. Time is a prominent and recurring theme, referencing history and art history. Alvar Suñol Munoz-Ramos was born on January 29, 1935, in Montgat, a Catalan fishing village on the Mediterranean coast near Barcelona. He started painting oils at age twelve, and at age seventeen was accepted at the Escuela Superior de Bellas Artes de San Jorge, the prestigious fine art school in Barcelona. Before graduating from the Belles Artes, he gave his first solo ex- hibition at Galleries Layetana in Barcelona in 1957. Alvar also won the Bolsa de Viaje Alhambra de Granada, a summer scholarship study trip to Granada. At age 18, he entered a painting in a competition for the Young Painters Prize sponsored by the City of Barcelona. His painting won the grand prize, and it is now in the permanent collection of the Museum of Modern Art, Barcelona, Spain. Due to his early artistic successes, Alvar received many invitations for shows in other Spanish cities. During his military service, he submitted one of his canvases for the Institut Francais an- nual painting competition in Barcelona. The Institut Francais awarded him the grand prize and a scholarship to study in Paris. Alvar arrived in Paris to paint in 1959. He met Juan Fuentes, a fellow Spaniard and director of the prestigious Parisian Galerie Drouant. Fuentes encouraged Alvar in his painting and brought Alvar's first group of Paris oil paintings to the gallery. Fuentes' gallery sold the paintings in one week. In 1960 Alvar returned to Barcelona to marry his childhood sweetheart, Rosella Berenguer. They returned to Paris and lived there for ten years. Alvar's paintings were exhibited in the United States for the first time at the Monede Gallery, New York in 1962. Alvar produced his first original lithographs for a one-man show at Galerie Drouant in 1963. Since a decisive solo exhibition in Paris in 1963, Alvar has exhibited regularly throughout Europe, the United States, Canada and Japan. For a comprehensive list of Alvar's museum and private exhibitions, please see the additional in- formation provided. Alvar's hometown of Tiana hosts one of his permanent public installations. In September 2001, a commissioned mixed media mural by Alvar was unveiled. The mural reflects on the four seasons and is affixed to The Four Seasons Building, named in reference to Alvar's mural. In 2003, city officials in Montgat, Spain, commissioned Alvar to create another permanent public installation: an 18-foot sculpture titled Mediterranea dedicated to the city's personality and seaside character, which now stands in the newly opened Plaza de Mallorquines. Perhaps one of the most prestigious honors Alvar has received was in 2006 when Restaura, a Spanish real...
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    Vintage 1970s Renaissance Prints

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  • Antique John Gould Ornithological Myiabeillia Hummingbird Lithograph Print
    By John Gould
    Located in Dayton, OH
    "Antique mid to late 19th century colored lithograph print of Myiabeillia typica (Abeille's Hummingbird) drawn by John Gould, lithographed by H.C. Richter, printed by Hullmandel & Walton. From A Monograph of the Trochilidae, or Family of Hummingbirds, published in London circa 1849-61 (supplement printed 1880-87). “John Gould was a prolific illustrator of ornithology and was noted for the beauty of his illustrations. During his lifetime he was responsible for the illustration of over 2,200 different species of birds from around the world. The work for which he is best known is his Monograph of the Trochilidae or the ""Family of Hummingbirds"", which was produced between 1849-1861. Each hand-colored lithograph, many of which are highlighted with shimmering iridescence, presents the tiny jewel-like birds visiting lush flowers and foliage.” “Henry Constantine Richter (7 June 1821 – 16 March 1902) was an English zoological illustrator who produced a very large number of skillful coloured lithographs of birds and mammals, mainly for the scientific books of the renowned English 19th century ornithologist John Gould. Many of the original drawings used by Richter as the basis for his coloured lithographs were by Gould's wife, Elizabeth Coxen, produced before her death in 1841.[1][2] Richter's reputation was overshadowed by that of his much-celebrated employer. Since it was not customary to acknowledge illustrators alongside authors in the titles of publications, his name was forgotten. But in 1978, his great ability and the extent of his contribution to Gould's work came to light, in the work of the researcher Christine E. Jackson.” “Hullmandel & Walton – Lithographic printers, in London. According to BBTI this partnership operated from 1818...
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    Antique 19th Century Unknown Prints

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