Vintage Portfolio Vues De Provence France Serigraphs, Set of 7

"Walk By The Sea" wood cut print on paper by Frank C. Eckmair (1930-2012) American. Signed, numbered 131/250 and titled in pencil along bottom margin. Unframed, age toning, edge wear.

Serigraph on paper by Betty Lieberman Gerald (20th Century) Texas. Titled Seas & the Winds on His Palm from the Amahl & the Night Visitors series. Signed and dated in pencil along lo...

Conversation By Jack Perlmutter (1920-2006) Washington DC serigraph on paper. Unframed. Signed, inscribed and titled in pencil along lower margin, age toning.

Vintage mid-20th century serigraph on paper of blue and white horse by Woody Crumbo (1919-1989) Potawatomi Tribe, Oklahoma. Signed and titled Ghost Horse ...

Vintage Eucalyptus tree landscape serigraph on artists cardboard, circa 1910 by Paul Lauritz (1889-1975) California. Signed in print lower left co...

Vintage mid-20th century serigraph on paper of blue and white horse by Woody Crumbo (1919-1989) Potawatomi Tribe, Oklahoma. Signed in print, titled Spirit...

This rare portfolio by Mordinoff from the 1970s contains 24 limited edition original prints of a highly stylized erotic nature. Mordvinoff born in St. Petersburg Russia in 1911 studi...

Antique print titled 'Plan idéal du Jardin et de l'Hotel d'Orléans'. Copper engraving of the garden design for a hotel. This print originates from 'Jardins Anglo-Chinois à la Mode' b...

Hand signed limited edition serigraph entitled "Provence" by Arthur Second, circa 1980. The print is in very good vintage condition and is numbered 8 / 150; it is signed in lower rig...

A set of three prints by influential American artist Elaine Sturtevant, studying circular motion and riffing/ripping (depending on your views on copyright) off the works of Robert Rauschenberg, Marcel Duchamp and Alexander Calder. Labelled and Each signed 'Sturtevant' and from an edition of 60. Sturtevant was born in Lakewood, Ohio (USA) and spent the first years of her artistic life working in New York - where in 1956, she began to manually reproduce paintings and objects created by her contemporaries with results that cannot immediately be identified from an original. Sturtevant intentionally turns the concept of originality on its head... All of her works are copies of the works of other artists; none is an original. She initially focused on works by such American artists as Roy Lichtenstein, Claes Oldenburg, Jasper Johns, and Andy Warhol. In the late 1960s, she concentrated on replicating works by Joseph Beuys and Duchamp. Since the early 1980s, she has focused on the next generation of artists, including Robert Gober, Anselm Kiefer, Paul McCarthy, and Felix Gonzalez-Torres. She masters painting, sculpture, photography and film in order to produce a full range of copies of her chosen artist's work. In most cases, her decision to start copying an artist happened before those artists achieved broader recognition. Nearly all of the artists she chose to copy are today considered iconic for their time or style. This has given rise to discussions amongst art critics on how it has been possible for Sturtevant to identify these now famous artists at such an early stage. A notable incident in her career emphasizes just *how* technically talented she is at assimilation and reproduction of an artistic style: In 1965 a Jasper Johns flag...

Two Ilya Bolotowsky serigraphs. One is signed on the bottom right and then numbered and.

These five rare hand coloured engravings with wooden gilded frames were made in France, circa 1900. The charming saynètes depict different months o...