Vintage Serigraph Titled "Discourage"

Square vintage 1970s slopes mirror attributed to Neal Small. All original.

This abstract painting on board was a gift to friends Ed and Diane in 1985 Born in Philadelphia, PA on April 27, 1907. By the 1930s Kohn had settled in Los Angeles. For several years he taught art in the San Fernando Valley...

Abstract painting signed D. Filov. Unique frame shape and beautiful color scheme. Dmitry Filov was born in 1953 in St. Peterburg. The age of maturity is being passed in the Crimea...

Beautiful soft paint palate of lines and columns on canvas by William Havlicek. Dr. William J. Havlicek has over 40 years of experience in fine art/studio production and exhibition,...

Layers of paper and paint make this artwork stand out on it's own. Unsigned.

Oil on canvas painting of geometric shapes signed Brink.

"Aerie" by Helen Frankenthaler, Signed and with edition number 99/128. Sheet size is 29.5 x 38.75 inches, framed in a 12 karat white gold frame using acid free materials with UV plex...

Mario Schifano "Acerbi" Year: 1990s Medium: Materic serigraph Edition: 99/199 Frame size: 110 x 80 x 5 cm Signed and numbered.

One of the most prolific and recognizable artists alive today, Ron English has bombed the global landscape with unforgettable images, on the street, in museums, in movies, books and ...

A framed original Op Art serigraph from the 'Octagon V' series by German artist Jurgen Peters, in vibrant yellow, orange and green. Includes statement of authenticity.

Robert Mangold "Distorted Square Within a Circle", 1973 Aquatint etching, Roman Numeral edition of 10 aside from the numbered edition of 50. Full sheet. Signed dated and numbered in...

A set of three prints by influential American artist Elaine Sturtevant, studying circular motion and riffing/ripping (depending on your views on copyright) off the works of Robert Rauschenberg, Marcel Duchamp and Alexander Calder. Labelled and Each signed 'Sturtevant' and from an edition of 60. Sturtevant was born in Lakewood, Ohio (USA) and spent the first years of her artistic life working in New York - where in 1956, she began to manually reproduce paintings and objects created by her contemporaries with results that cannot immediately be identified from an original. Sturtevant intentionally turns the concept of originality on its head... All of her works are copies of the works of other artists; none is an original. She initially focused on works by such American artists as Roy Lichtenstein, Claes Oldenburg, Jasper Johns, and Andy Warhol. In the late 1960s, she concentrated on replicating works by Joseph Beuys and Duchamp. Since the early 1980s, she has focused on the next generation of artists, including Robert Gober, Anselm Kiefer, Paul McCarthy, and Felix Gonzalez-Torres. She masters painting, sculpture, photography and film in order to produce a full range of copies of her chosen artist's work. In most cases, her decision to start copying an artist happened before those artists achieved broader recognition. Nearly all of the artists she chose to copy are today considered iconic for their time or style. This has given rise to discussions amongst art critics on how it has been possible for Sturtevant to identify these now famous artists at such an early stage. A notable incident in her career emphasizes just *how* technically talented she is at assimilation and reproduction of an artistic style: In 1965 a Jasper Johns flag...