Wendingen, Issue 11, Cover by El Lissitzky, 1921

Wendingen, April 1918, lithograph by C. J. Blaauw This is one of the earlier issues of the magazine. In good vintage condition, with minor wear consistent with age and use.

Unique donation lithography by George Braque, printed by Mourlot France in 1965. This rare lithographic poster was created for an exhibition of works at the Louvre Museum in Paris...

Original lithography poster by Pablo Picasso, 1960. Catalogue raisonne: Czwiklitzer 40; Reusse 767 This limited edition poster was made for an exhibition ath the Sala Gaspar Gallery...

"Weight and See" is the monumental monograph by Swiss graphic artist Roger Pfund, printed by Teunen & Teunen in Geisenheim, Germany in 1993. Complimented by a beautiful wooden framed...

Jean Picart Le Doux lithography “Flore de Tropique” circa 1955. Hand signed in pencil to the underside. Manufactured in France.

A beautiful executive desk designed by Guido Faleschini, manufactured by Mariani in Italy around 1970. This eye-catching desk has an L-shaped design and a very impressive appearance because of it’s large size and leather upholstery. One side is the main desk part, the other side holds an additional integrated desk...

Beautiful etching by John Marin (1870-1953) created 1921. Title: Downtown, The El (From the New Republic Set) Medium: Etching Size: 6 7/8 x 8 5/8. Sheet: 10 3/4 x 14. Mat: 16 x 17 3/4 Signed in pencil lower left. Also signed and dated lower right in the plate. In excellent condition with full margins. Presents in an archival mat, unframed. John Marin was a prominent New York architect who became an artist. He was influenced by Cubism and Futurism and was one of the Taos, New Mexico Colony painters in the late 1920s. Marin, born in New Jersey, attended the Pennsylvania Academy of the Fine Arts, studying with Thomas Anshutz, then studied at the Art Students League in New York, and from 1905 to 1909, studied in Europe. In Paris, he associated with the Fauvist circle. He had a long association in New York City with Alfred Stieglitz, who exhibited his work, and in the 1930s, he developed interest in the human figure and marine subjects and oil painting. In Taos, which he visited in 1929 and 1930, he was the guest of Mabel Dodge Luhan...

Engraved metal print on paper of two villagers at rest. Nicely finished in a green lacquered carved wood and gesso frame.

The Chalcography of the Louvre Museum brought...

Vintage poster issued by the Suriname Tourist Bureau, circa 1950. It shows a village and a flight route 'Chicago, New York, Miami, Paramaribo' followed by an airplane. Linen backed.

A fine 19th Century engraving print by Auguste Brouet housed in a period gilt wood frame. This fine print was issued by the Louvre Museum in Paris, France. Measures: 1" Deep x 19" Wide x 19" High Auguste Brouet (1872–1941) was a French etcher and book illustrator. Auguste Brouet was born and raised in a poor family in the popular north-east quarters of Paris and in Les Lilas, in the near suburbs. While apprenticed to a lithographer, he struggled for artistic education through the evening drawing classes of Eugène Quignolot (1858-1918), also briefly attending Gustave Moreau's atelier. Starting from around 1895 he would make a living by working for fashionable artists and also crafting reproductive etchings in color, in the workshop of Eugène Delâtre...

"Aqui Issue No. 6 illustrated pop art by Steve Gianakos. Since the 1970s Steve Gianakos has been reveling in sexism, kiddy porn, cheap comics and col...

Original vintage poster Bitter Campari Spiratello Leonetto Cappiello 1921 oversize Condition backing / material: Linen (backed on acid-free paper and cotton canvas) Printer, publis...