Flemish 17th Century Verdure Tapestry 9'2 x 15'3

Antique flemish verdure tapestry, 9'6 x 12'2. This antique Flemish tapestry, probably from Brussels is a pure verdure, no humans, just one bird and no animals disturb the sylvan tran...

Flemish 19th century tapestry, a picturesque country scene with a stream winding its way through and two houses depicted. The swans enjoying themselves standing on the leaves with tw...

19th century French Verdure tapestry, circa 1850, 5'7 x 9'1. A wool and silk tapestry depicting a goose in a verdure wooded scene trees and leaves enhanc...

Brussels late 17th century tapestry, "Asia" from a Four Continents series. Designed by Lodowijk van Schoor, Woven in the Workshop of J. van der Borcht I Size: 9'4 high x 18' wide. Wool, silk and metal thread pattern wefts This extremely colorful and attractive late Baroque Flemish tapestry with a popular iconography is the product of two important figures in 17th century Brussels weaving. J. van der Borcht I (circa 1650–1713) was a master weaver and tapestry entrepreneur who established a most distinguished family tapestry firm and was followed by J. van der Borcht II, Jasper van der Borcht, Pieter van der Borcht and Jan Frans van der Borcht, taking the operations into the mid18th century. Their wealthy patrons allowed the firm to engage some of the best designers and as a result the artistic quality, as well as the sheer technical execution, is always high. The Van der Borchts wove tapestry series (or single pieces) of Mythological Scenes, Months, Allegories, Armorials, Triumphs of the Gods, The Continents, as well as more down-to-earth genre scenes designed or inspired by David Teniers II or Teniers III. Their artist designers included, besides the Teniers, Jan van Orley, Augustin Coppens, Gerard Lairesse, Phillipe de Hondt, and the Antwerp-born Lodowijk van Schoor (circa 1650–1702), the designer of U-1362. Van Schoor was the successor of David Teniers III. He was the designer or co-creator of about fifteen sets of tapestries. His cartoons were utilized and copied in both the Northern and Southern Netherlands, and continued popular well into the 18th century. His style, especially in his later works, is more harmonious and refined than Teniers and he avoided genre scenes with peasants. Van Schoor sometimes collaborated with other artists, for example Lucas Aertschellinck (1620 – 1699) who specialized in landscape backgrounds as in the set of Mythological Scenes” woven circa 1700 in the Van der Borcht shop. He did not collaborate on this tapestry, Van Schoor’s figures are graceful and his color schemes vivid, in keeping with the best of contemporary Flemish tapestry. Van Schoor’s designs influenced artists working at great remove from Brussels, even so far as the Florentine workshop of Bernini and Demignot where a Van Schoor inspired “Four Continents” set was woven in the early 1720s. The “Four Continents” or “Four Parts of the World” was a popular theme in the 17th and 18th centuries for tapestry patrons. Each continent was identified by native peoples and animals: America (North and South together) by Indians and the Turkey bird...

French 17th century Baroque silk damask textile 2'1 x 5'1. Going for Baroque? Everything is dramatic. Think Caravaggesque paintings. Sculptures carved furniture. Everything is designed to impress. This textile, originally a section of a longer bolt, displays more than one repeat of a bold, complex cartouche and acanthus pattern in yellow-ochre and raspberry-red. The twisting foliage makes it three dimensional. What a great wall piece! You don’t have to be fluent in art history or in the language of period decoration to appreciate this eye-catching object. It is a full loom width and is mounted on board ready to hand. And the furnishing context can be modern. Think of it as another piece of wall candy, like an abstract painting. Condition for a textile of this age is good. The cranberry...

A French tapestry depicting in a bucolic atmosphere the first stage in wine making (gathering the grapes before extracting the juice). The workers, or peasants, bring basketful of wh...

Large Flemish verdure tapestry from the 17th century, featuring a tranquil scene in a woodland setting, with stately trees at right and left in the foreground, with an exotic bird resting in the grass beneath their shadow, and further trees in some grassy knolls in the middle distance and background. Enclosed within a scrolling foliate border. Wool with silk inlay. Complete with backing. Tapestries make integral part of the Flemish cultural heritage. Most of the tapestries have religious, mythological and historical subjects as well as hunting and harvest scenes. They are known for their high quality and extended use of colors. The oldest ones were made in the 13th century. The most important production centers were Doornik and Arras. These two centers got a lot of assignments of the Dukes of Burgundy. In the 14th century tapestries...

A finely woven silk and wool tapestry, depicting a wooded landscape, with a bird resting on a tree trunk and ostrich plumes in each corner.

This is a gorgeous antique square 17th century flemish Verdure landscape tapestry without figures in a beautiful and rich summer scene of a countryside with lush trees and vegetation...

Immense 17th Century Flemish wool verdure tapestry Flemish, 17th Century Height 323cm, width 424cm This very large and exquisite tapestry was crafted in wool in Flanders during the ...

Flemish 17th century Verdure tapestry. 4' wide x 9'2" height. A beautiful scene of lush flowers, life like trees and bushes. Handsome bi...

This is a gorgeous antique 17th century Flemish verdure landscape tapestry depicting a beautiful and rich summer scene of a countryside with lush trees and vegetation, with two figur...