Framed Kilim Handknotted Textile Panel

Antique embroidered textile chasuble with floral decorative patterns in blue, yellow and pink, likely made in the 17th-18th century in Europe. The piece is framed and has marking on the back paper indicating it to be a gift from William Randolph Hearst...

Gabbeh Persian wool hand knotted rug, of a blue abrash ground featuring a simple geometric pattern, with a label stating "Made in Iran." Dealer: S138XX

Turkish handknotted rug, depicting an abrash geometric pattern, made by Rubin Carpets, made in Turkey. Dealer: S138XX

Turkish handknotted rug, depicting an abrash geometric pattern, made by Rubin Carpets, made in Turkey. Dimensions: 4' 10" H x 2' 10" W. Dealer: S138XX

Mexican Huichol Niereka art textile depicting two figures, one with deer antlers shooting a bow and arrow at an anthropomorphic zoomorphic figure, housed ...

Three stained glass panels, circa 1900. 45.25” H x 10” W. Losses.

A matted and framed Japanese silk panel with elaborate embroidery circa late Meiji to Taisho period (1910-30s). On a bright background, two rooster...

A Japanese silk Fukusa Panel housed in a gilt frame circa late 19th century of Meiji Period. Fukusa is a traditional Japanese textile art used as a wrap for presenting gifts at important occasions. On the deep blue background, the elaborate embroidery work depicts a historical scene where street vendors selling goods to a royal household or an aristocratic residence. The scene focuses on the activities at the front gate where the couriers and servants were busying carrying the goods in. A peasant with straw coat...

A Japanese silk Fukusa Panel housed in a gilt frame circa late 19th century of Meiji Period. Fukusa is a traditional Japanese textile art used as a wrap for presenting gifts at important occasions. On the deep blue background, the elaborate embroidery work depicts three deities of the Shichifukujin (Seven Gods of Fortune...

A Japanese silk embroidery landscape scenery panel depicting a Buddhist pagoda and a temple compound set in a forest with towering pines and...

A large woven textile panel from Nazca culture on the south coast of nowadays Peru circa 600 to 800AD. The panel with short fringes on the end used to be half of a sleeveless tunic (similar to poncho) in which two similar pieces were joined together. Professionally mounted and conversed on a linen-backed wood frame and presented in an acrylic shadow box. The textile was finely woven from a camelid fiber dyed with natural pigments. The work strikes the viewer immediately with its unexpected modernity. The tri-colored geometrical blocks created a zigzagged step design that is visually minimal but bold at the same time. Its repetition evokes a lyrical visual rhythm that is unparallel in the ancient textile art and could easily mistake it as an abstract art from the 20th century. The zigzag step design was one of the unusual abstract motifs used by the pre-Columbian weavers from Nazca, who created some of the most mysterious and soul-stirring work with a minimalism aesthetic that was rarely seen in the ancient world. Considering that the artists were completely isolated without the influences of other cultures, their intrinsic creativity and artistic vision are even more impressive. Reference: James W. Reid, The Lee M...

A Japanese Fukusa Panel with tassels displayed in a gilt frame circa Meiji Period. Fukusa is a traditional Japanese textile art used as a...