Interactions #54: Suspending, US

By taking ordinary pieces of cotton and transforming them into forceful collages of luminous color, contemporary textile artist Gerri Spilka brings together disparate elements of quilting, modern abstraction, and human interaction to re-imagine work of traditional sewing into a visual narrative on the collective experience. Spilka’s works bypass the purely domestic nature of typical quilting most remarkably for their color, scale, and movement. With some pieces as large as 95 inches, her works often have the presence of murals, or a modernist idea of a grand tapestry. While formally a structural component holding the layers together, the quilting stitches also establish subtle dimension and texture that can be transformed with the use of contrasting thread colors or directional shifts. Spilka hand dyes her fabrics in an antique ringer...

By taking ordinary pieces of cotton and transforming them into forceful collages of luminous color, contemporary textile artist Gerri Spilka brings together disparate elements of quilting, modern abstraction, and human interaction to re-imagine work of traditional sewing into a visual narrative on the collective experience. Spilka’s works bypass the purely domestic nature of typical quilting most remarkably for their color, scale, and movement. With some pieces as large as 95 inches, her works often have the presence of murals, or a modernist idea of a grand tapestry. While formally a structural component holding the layers together, the quilting stitches also establish subtle dimension and texture that can be transformed with the use of contrasting thread colors or directional shifts. Spilka hand dyes her fabrics in an antique ringer...

By taking ordinary pieces of cotton and transforming them into forceful collages of luminous color, contemporary textile artist Gerri Spilka brings together disparate elements of quilting, modern abstraction, and human interaction to re-imagine work of traditional sewing into a visual narrative on the collective experience. Spilka’s work has been widely exhibited nationally and internationally in the U.S., Canada, and Europe. It is held in private collections and in public collections including the International Quilt Museum...

By taking ordinary pieces of cotton and transforming them into forceful collages of luminous color, contemporary textile artist Gerri Spilka brings together disparate elements of quilting, modern abstraction, and human interaction to re-imagine work of traditional sewing into a visual narrative on the collective experience. Spilka’s work has been widely exhibited nationally and internationally in the U.S., Canada, and Europe. It is held in private collections and in public collections including the International Quilt Museum...

By taking ordinary pieces of cotton and transforming them into forceful collages of luminous color, contemporary textile artist Gerri Spilka brings together disparate elements of qui...

By taking ordinary pieces of cotton and transforming them into forceful collages of luminous color, contemporary textile artist Gerri Spilka brings together disparate elements of quilting, modern abstraction, and human interaction to re-imagine work of traditional sewing into a visual narrative on the collective experience. Spilka’s work has been widely exhibited nationally and internationally in the U.S., Canada, and Europe. It is held in private collections and in public collections including the International Quilt Museum...

Fiber Wall Art by Jon. B. Wahling (1938 - 2020) similar to Sheila Hicks or Lenore Tawney. "Wahling was dominating the fiber scene in the U.S. by the l...

Mid 19th Century Pair of Chinese Silk & Metal Embroidery (7" x 1' 9" - 18 x 54)

Large tapestry made of wool, wood and cotton, circa 1970-1980.

Tapestry by Jean Picart Le Doux, circa 1950. "Composition aux instruments de musique" wool print

Tapestry by Jean Picart Le Doux, circa 1950. Wool print.

neo-classical tapestry circa 1950 can be delivered without frame