A sumptuous pair of George III carved giltwood wall brackets

An elegant and refined George III giltwood and carton-pierre oval pier glass, late 18th Century, with egg and dart border below a husk-swagged urn cresting, a...

Englishcirca 1770 - 1780 Fine George III 18th century period carved giltwood oval mirror attributed to John Linnell. The carved and well-drawn oval medallion mirror with pearled and reed-gadrooned borders and a beaded slip, is below a surmounted carved urn with protruding wheat sheaf. The crisply carved swaggered urn has a fluted border centralised bow and flanked by ram-masks, issuing husk trails. The urn is supported on an 'Ionic' scrolled and fluted capital pedestal adorned with a shell and a beaded base. The trailing husks that flank the mirror are complemented with a vase-capped medallion apron with a pearled framed border and six carved flowered paterae. A vase-capped medallion frame with a pearled border framed by six flowered patterae features on a design by John Linnell, dated 1774 (H. Hayward and P. Kirkham, William and John Linnell, London, 1980, vol. II, fig. 196). A mirror with an identical carved apron was supplied to Sir Penistone Lamb, 1st Viscount Melbourne (1748-1819) for Brocket Hall, Hertfordshire, or Melbourne House, Piccadilly, London. Possibly by descent to Admiral of the Fleet Lord Walter Kerr, G. C. B., Brocket Hall, Hertfordshire, sold Mssrs. Foster house sale, 9 March 1923, lot 944, 'An oval mirror, in carved and gilt frame, 26 in. wide'. Possibly acquired at that sale by Sir Charles Nall-Cain, Bt., 1st Lord Brocket (d. 1934) and by descent. A closely related but pair of mirrors, with additional husk festoons draped from the rams' mouths and eight rather than six paterae, was exhibited by Edward Nield at the Antique Dealer...

A pair of carved and gilded wall lights, each defined most elegantly as a single curving branch enhanced by upswept acanthus leaves and clusters of ...

Sold as a set. A dramatic and distinctive 19th Century large oval wall mirror, the assured carving and decoration of the flower-studded foliag...

An exceptional pair of mid-18th century carved and water gilt wall brackets profusely carved with acanthus leaves and swags of plump roses, ripe fruits, harebells and flower heads. ...

A magnificent pair of late 18th century George III giltwood wall brackets fashioned as bunches of lilies suspended below festoons of 7...

A spectacular and exceptionally rare pair of English, possibly Irish, George III circa 1800 wall brackets or shelves in 'Rustic' style, the cusped shaped tops in original 'red ochre' paint with period brass hanging tabs, the tapering 'bodies' composed of fully gilded twigs and rootwood in original finish. Provenance: The collection of Sir John Boorman at The Glebe, Annamoe, County Wicklow, Ireland. The 'Rustic' style in design emerged in Great Britain from the 'Picturesque' movement within Romanticism of the 18th century as a quiet rebellion against the formality of Baroque and Neoclassical architectural styles and was largely ephemeral due to it's inherently specific application; that it being intended for the 'cottage orné', follies, and grottos of the landed gentry. Frances Collard states "Rustic furniture, particularly that made of untrimmed branches and roots, appeared in the designs of Thomas Chippendale and Thomas Johnson and were featured in an anonymous work published by Josiah Taylor's 'Architectural Library, "Ideas for Rustic Furniture", from 1790-5". The Duke of Buccleuch...

Originally gilded or painted. With a gadrooned edge to the demilune shaped shelf, the bracket with a rocaille carved shell and pierced scroll and flower head carving. From a Newport ...