1960s Hanging Wood Monkey on Red Balance Rope

1960s Set of 12 Wood Toy MONKEYS Danish Kay Bojesen Era Jointed Teak & Oak Collection is from different countries; most are from Japan. Some have labels remaining. 5 large 5 medium ...

1960s Large Last Supper Abstract Wall Sculpture Modernist Plaque by Emaus Benedictine Monks of Cuernavaca, Mexico Maker stamp Solid Mahogany ...

1970s Modern Brutalist wall art bronzed metal fish on wood plaque 18.5 w x 8 h x 1.5 d Original preowned unrestored vintage condition. See images provided please.  

1960s Scandinavian Modern Wood Squirrel Personal Valet Brush Style of Kay Bojesen Denmark 5.25 D x 7 H x 1.88 W Preowned original vintage condition S...

Brass Temperature Gauge 1960s Modern Decorative Brass Hanging Temperature Thermometer Gauge Solid Brass and Cork 10 tall 3.5 tall with handle x 1.13 in diameter Preowned original...

1960s from Denmark Dog Wine Bottle Opener Wine Corkscrew Teakwood & Metal Adorable floppy ears 4.75 d x 1.38 w x 3.5 tall Preowned unrestored original vintage...

Pop-Art 1960s hanging screen or room divider. Mod style plastic discs connected by metal chromed hoops in shades of bright orange, brown and white. Can...

Vintage ceramic glazed wall hanging tile. Relief design of a parrot in colorful glazes and high gloss. Hangs from an iron chain. Dimensions: 20W x 47H x 2...

Artist made woven wall hanging of attached panels with oversized ceramic beads on a driftwood hanger, circa 1960s. Artist unknown, although signed with initials.

A wall hanging sculpture made by Britt-Ingrid Persson at her own studio in Sweden in the 1960s of earthenware. The sculpture shall be mounted at the wal...

Duisburger Kunstgewerbe Mid Century Studio Pottery Wall Hanging, Germany, 1960s. Wonderful and quintessentially mid-century studio pottery chained wall hanging, made by Duisburger K...

'Calibrated to Balance' is a unique red, green, yellow, teal and amber hand-blown and cut glass hanging artwork with steel frame by the American and Swiss artists, Philip Baldwin and Monica Guggisberg. Exquisitely handblown and cut to the highest quality and refinement, the elements have been composed and suspended on a steel frame ready for wall hanging. Increasingly the artists have become more sculptural in focus, while seeking to imbue their work with a deep connection to archetypal forms and shapes, and striving for the highest level of craftsmanship. They address eternal symbols of human culture and history, primarily through blown glass, but also using steel, and constructions in other materials. Baldwin (1947, New York) and Guggisberg (1955, Bern) have been a collaborative team for over forty years. They share an instinctive appreciation for the subtle blending of art and design, functionality and abstract expression, combined with a love of material – especially glass. The list of museums and collections which have acquired their works is long and impressive. Individual showings, as well as participation in group shows, have given them opportunities to present their works at leading galleries and in major museums in Europe, Japan and the United States and their works rank among the best to be found in the international glass art scene. Working freelance, they have also designed successful products for international glass manufacturers since 1985. Their clients have included renowned firms like Rosenthal, Steuben, Corning and Venini. Over time their work has developed its own distinctive signature, based in Italian cold-working (battuto) combined with the Swedish overlay process for layering colours. They have been pioneers in adapting these techniques and in creating a distinct expression of their own. Colour, light, texture, pattern, and shape together reveal an undercurrent of meaning and value, adhering to the simplest of forms and clear lines. Over the years they have become more sculptural in focus, while seeking to imbue their work with a deep connection to archetypal forms and shapes, and striving for the highest level of craftsmanship. They address eternal symbols of human culture and history, while embracing contemporary evolution in form and meaning. In recent years large installations and major exhibitions in public spaces, such as Canterbury Cathedral...