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Austrian Art Nouveau Diamonds 2 Carats Gold Brooch c1900
About the Item
Made circa 1900
Finest golden art nouveau brooch with various diamonds (vintage cuts / 2.0 carat).
This piece of jewellery is of most elegant appearance - it is excellently shaped: the brooch consists of various stylized leaves connected to each other (reticulated type) / some diamonds have the function of flower's blossoms / as a whole, this stunning brooch is looking like a marvellous jewellery piece decorated with floral elements.
Gold (14 carat gold / 585)
Austrian (viennese) manufacturing.
Height: 5.4 cm 2.12 inches
Width: 3.5 cm 1.37 inches
Shipping fees:
Usd $ 45.- (= insured / insurance cover existing)
Excellent condition
There aren't any imperfections existing
- Metal:14k Gold
- Stone:Diamond
- Weight:2 ct
- Dimensions:Height: 2.12 in (53.85 mm)Width: 1.37 in (34.8 mm)
- Style:Art Nouveau
- Place of Origin:Austria
- Period:1900-1909
- Date of Manufacture:MADE CIRCA 1900
- Condition:there aren't any imperfections existing.
- Seller Location:Vienna, AT
- Reference Number:1stDibs: LU6481227102
About the Seller
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The Art Nouveau period was a short lived but worldwide movement which reached its peak at the end of the 19th Century and the first decade of the 20th Century. It had its roots in the Pre Raphaelite and Arts and Crafts movements in Britain in the 1860’s. Artists, such as William Morris, took their inspiration from the flora and fauna of nature and rejected the mass industrialisation and mechanisation of the Victorian age.
Art Nouveau continued with this theme and has a distinctive appearance with soft, curved shapes and lines and often depicted natural designs such as flowers, birds and the female form. Before the Art Nouveau period, the emphasis had been to design pieces with an emphasis on gem stones, diamonds, rubies emeralds etc. However, during the Art Nouveau period, jewellers adopted the idea of using other semi–precious stones “from nature” such as agate, garnet opal, moonstone, aquamarine and experimented with a wide variety of new techniques e.g. enamelling.
The “New Art” style became a worldwide movement encompassing all disciplines of the arts, and world class artists as far afield as Gaudi with his “modernisme” architecture in Spain, Louis Comfort Tiffany in New York with objects, Galle Glass in France and the Liberty & Co Archibald Knox designs in Britain, Jugendstil in Northern Europe and Faberge in Russia.
The movement flared brightly but briefly and by 1910 it was already going out of style to be replaced by Art Deco.
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