Austrian German 1900 Sword Pin Jabot 18Kt Yellow Gold Enamel, Diamond And Pearls

Renaissance Revival sword jabot-brooch. An exceptional and very rare jabot type brooch, created in England during the Victorian era, back in the 1880. This piece is fantastic and has been crafted with renaissance revival patterns in the shape of a miniature sword with jewels, in solid yellow gold of 18 karats with accents in carved platinum. The sword is well proportionate and made with gorgeous details. It is completely decorated with twisted woven wires, engravings and chiseled designs. The sword sheath, the grip pommel and the rain-guard are embellished with a fantastic assortment of eleven natural earth mined gemstones; such white colorless diamonds and vivid green demantoids garnets. It is fitted with a sheath to slide the blade very tight, which is attached to a decorative security chain. This magnificent piece should be an important addition to any serious jewelry collection and will be a great conversation piece when you display it with your dress or on the lapel of your jacket. Demantoids Demantoid is the green gemstone variety of the mineral andradite, a member of the garnet group of minerals. Andradite is a calcium- and iron-rich garnet. Ferric iron is the cause of the green in the stone. Although garnets have been known since ancient times, the demantoid variety was not discovered until 1868 in Russia's western central Ural Mountains. The find was an alluvial deposit about 110 km from Ekaterinburg, north by northwest along the Bobrovka River, near the village of Elizavetinskoye. Miners were immediately stunned by the highly refractive nature of the gem material, which is atypical for garnet. They began comparing it to diamond and referred to it as "demantoid", from the old German Demant, meaning diamond. The reason is obvious, with its high brilliance and dispersion. However, as demantoid garnets are quite rare and found in so few locations, they can command quite high prices, especially if they have a particularly lovely horsetail inclusion. Most stones are less than one carat in size after cutting in polishing. Demantoid gems...

An art nouveau enamel pin by Meyle & Mayer. Fabulous antique piece created in the city of Pforzheim in Germany by the Meyle & Mayer company du...

A jabot pin designed by Cartier. Fantastic jabot brooch, created during the art deco period by the jewelry house of Cartier, back in the 1930. This rare colorful piece has been craf...

Belle Epoque pin designed by Cartier. Colorful and very rare stick pin made during the Edwardian-Belle Epoque period. This beautiful piece was created in Paris France by the jewelry house of Cartier, back in the 1900. Carefully crafted in two parts made up of solid platinum, yellow and white gold of 18 karats. Embellished with a central panel decorated with engine turned guilloche topped with purple glossy enamel. Accented with thirty-five natural earth mined rose cut diamonds and the settings are finished with millegrain. Diamonds: Mounted in millegrain settings, with 35 old rose cut diamonds, 0.30 carats, G/H color, SI-1 clarity. Weight: 2.35 Grams, (1.51 Dwt). Measurements: 70 mm by 12 mm (2.76 x 0.47 Inches). Hallmarks Stamped with French marks, the maker's maitre mark CA inside a lozange cartouche, the head of the eagle for the assay and warranty of the gold, the four digits serial numbers and signed, "CARTIER PARIS 3840". Cartier The move to the rue de la Paix coincided with a period of extraordinary economic growth and affluence in France and the world. Cartier was also growing and expanding and had started to shift their emphasis from retailing to design and manufacture. Although they produced a small number of pieces in the Art Nouveau style, Cartier paid scant attention to the movement. They made their distinguishing mark in pioneering the use of platinum in creating the delicate and graceful Garland style that came to be associated with the Belle Époque. The discovery of the great diamond deposits in South Africa in the late 1860’s engendered the popularity of extravagant diamond jewelry. The technical advances in the manufacturing of platinum enabled designs of great intricacy, strength and flexibility such as found in the spectacular résille designs of Cartier. (See Edwardian Jewelry: 1901-1915). Cartier marked the beginning of the twentieth century by opening branches in London and New York, where their wealthiest and most dedicated clientele resided. The 1902 coronation of Edward VII occasioned a large number of commissions from England’s leading families. Records indicate that Cartier produced twenty-seven tiaras alone for the coronation and the event was instrumental in convincing the firm to seek a permanent presence in London. Indeed, by 1904 they had achieved their first of fifteen royal warrants being appointed official purveyor to the court of King Edward VII. The London branch came to thrive under the tutelage of Alfred’s youngest son, Jacques Cartier, establishing London based design and manufacturing workshops. Opening a Cartier store in New York was a natural progression as many of America’s wealthiest families and business magnates had been traveling to Paris for some time to purchase their jewels from Cartier. By 1906 Alfred had largely retired and Louis and his brother Pierre operated the Cartier business jointly. One of their first major decisions was to establish a New York presence and workshop in 1909 under the skilled direction of Pierre. Indicative of his business skills, Pierre famously secured Cartier’s present location, an elegant Beaux-Arts mansion at 653 Fifth Avenue, from industrialist Morton F. Plant in 1917. The building changed hands in exchange for $100 and a double strand of natural pearls, admired by Plant’s wife and valued at one million dollars, the asking price for the mansion. While the Fifth Avenue location remains priceless to the firm, when the pearls came up for auction in 1957, they fetched a mere $170,000. (From Lang's with thanks). Edwardian Jewelry This Period was during the King Edward VII, after whom this period of jewelry history is named, reigned over England for only nine years, yet the style of jewelry known as “Edwardian” was created roughly between 1890 and 1920. Edwardian-era rings tend to be larger, opulent pieces, and stacked ring designs were popular. The metal surfaces of the rings were often diamond-encrusted for additional shimmer. Each of these rings is a work of art, showcasing a bygone era of grace, elegance and the royalty the Edwardian era is named for. Guilloché This term is used in fine jewelry or objects de Vertu to enhance the appearance of boxes, frames, brooches, rings or pendants. Guilloché enamel refers to metal pieces that have been given the Guilloché treatment and then covered with a translucent layer of enamel, giving the geometric patterns underneath the enamel a colorful hue. Millegrain This is a jewelry technique which refers to the textural effect of a close-set line of metal beads that are typically used as a border on the edges or bezels of jewelry. Literature: Sotheby's fine jewels, London September 17 1021, Lot 146 for an identical piece illustrated with the original box Collateral: It is accompanied by the original Cartier presentation green jewelry box...

Brooch in 18 karats yellow gold, owl hallmark and platinum, mascaron hallmark. Lovely pin called jabot pin, it is composed of two round patterns set in checkerboard alternating calib...

Vintage Flower Pin 3.2mm Cultured Pearl Pin measures: 32 x 30mm 18kt. yellow gold 9.4 Grams. pe

18kt White gold Pearl Pin

18kt White gold Pearl Pin