Boucheron Art Nouveau Diamond, Sapphire, Plique-à-Jour Enamel Cicada Brooch

Created around 1910, this Edwardian pendant necklace is composed of diamonds, plique-à-jour enamel and platinum. The scrolling floral and foliate motif pendant is composed of old Eur...

Likely created circa 1903-1907, this plique-à-jour enamel and natural pearl pendant brooch with chain by René Lalique is set in 18K gold. The modified triangular form, composed of chased 18K gold, centers two stalks of seaweed among pale green plique-à-jour enamel seawater, symmetrically bordered by rampant lions joined at the top at the tips of their tufted tails, the reverse counter enameled, suspending a natural saltwater pear-shape pear with rose tones. A work of subtle homage to Brittany and its wild coastline, this flowing form harmoniously combines motifs evoking the marine flora and history of this noble-spirited region of France so beloved of late 19th century artists. Product Details: Item #: N-21379 Artist: René Lalique Country: France Circa: 1903-1907 Materials: 1 natural saltwater pearl (measuring approximately 9.85 x 8.62 mm); Plique-à-jour Enamel; 18K Gold Signed: LALIQUE Documentation: Accompanied by GIA report #6237144602 dated December 13, 2023, stating that the pearl is natural and of saltwater origin. Macklowe Gallery Curator's Notes: French artists like Monet and Gaugin discovered the "emerald coast" of Brittany, Western France, in the 1880s. They captured the independent spirit of the inhabitants, dressed immaculately in their distinctive regional attire, engaged in traditional rural and seaside pursuits such as haymaking, tending animals, fishing, and journeying in groups on foot through the countryside to attend mass. Another activity that captured the artists' imagination was the more unusual activity of the seaweed harvest. Gaugin and others captured these Breton "Goemoniers'" quiet dignity as they performed this backbreaking work, raking, drying and burning the massive stacks, variously employing horsedrawn carts or the more strenuous hand barrows...

In the 1930s, the creative women at the House of René Boivin returned to naturalistic themes—like this blue sapphire "Feuille," or "Leaf," brooch—as many mainstream jewelers were looking elsewhere for inspiration. Madame Jeanne Boivin brought back armfuls of leaves from her long walks in the forest, and encouraged designer Juliette Moutard...

Designed by David Webb in 1965, this 18K gold and white enamel tiger brooch is set with diamonds and emeralds. The 18K gold tiger with white champlevé enamel stripes, pear-shaped cabochon emerald eyes, and round brilliant-cut diamond streak and collar is sculpted turning to prowl forward, with her tail still furled around her. Webb’s design beautifully captures the agility and natural elegance of the rare white tiger to create a sleek and chic jewel. Item #: BO-20599 Artist: David Webb, New York Country: United States Circa: 1960s-1970s Size: 2.50” length x 1.25” width Materials: 32 round brilliant-cut diamonds (approximate total weight 1.25 carats); 2 pear-shape cabochon emeralds (approximate total weight .34 carat); 18K gold; Platinum Signed: WEBB PLAT 18K Literature: A similar David Webb white enamel...

Wonderful American Art Nouveau 14k Plique a Jour Brooch of enameled poppies on a pale green plique a jour ground. Flowers modeled in high relief w...

Do you love Art Nouveau jewelry? From your dreams to your imagination comes this extraordinary antique brooch! This stunning piece of art history is perfect for any jewelry collecto...

A unique dragonfly brooch. It features enameled Plique-a-Jour wings, which are enamel without a backing making a “window” allowing light to pass. Adding to that are round brilliant c...

Consisting of a swirling foliate motif with five conch pearl buds and green plique-á-jour enamel leaves. Measurement: 3.8 x 2.5 cm. Stamp: "750" Weight: 7.5 grams.