Dominique Aurientis Gripoix glass Shield Earrings New, Never Worn

Stunning Swarovski Earrings. Never worn, New old stock from the 1980s. Measuring 1.19 in x 1.19 in square. This is out of a massive collection of Contemporary designer clothing as we...

Pair of Lagerfeld Earrings, clips on's. Matching Brooch listed as well on our storefront. Earrings Measures 1.21 inch or 30.78mm top to bottom .98 inches or 25.11mm at the widest. T...

Cartier Egyptian Revival Coral Diamond & Onyx Earrings A pair of 18 karat yellow gold earrings set with 2 large cabochon corals framed by 100 round c...

Stamped "Made In France" on their antique brass back-plates like the initial unbranded couture costume-jewelry commissioned by French Gabrielle "Coco" Chanel beginning in 1924, these floral-motif wired earrings with early handcrafted brass flat clips are decorated with button-like cultured mother-of-pearl disks mixed with Parisian organically-coated lampwork glass, which we photographed in indoor sunlight for the most accurate iridescent ecru colors. The pair were designed by Chanel to accessorize a one-of-a-kind clothing ensemble (likely including cultured-pearl buttons) for a client of this pearl-associated couturier whose earliest one-of-a-kind jewelry such as pieces for herself--unlike other 1920s fashion designers--sometimes mixed real and faux gems. The intricate glass artistry, wired cluster arrangement and earring findings are characteristic of one of Chanel's first Parisian paruriers, Louis Rousselet, who was a lampwork master with a workshop since 1920 that became recognized for faux-pearl glass beads and wire-work construction. As the three-piece flat-brass lever clips without hinge-holes on both sides predate Rousselet's wire-horseshoe clips, they can be dated like the patinated brass hardware to the mid-1920s. The beads of various sizes and ecru colors that are wired to each earring include five round flat graduating iridescent mother-of-pearls, along with lampwork glass replicating nine baroque pearls, five round pearls and two seed pearls. There are natural imperfections on the green-and-rose-reflecting cultured pearls, while there is some nacre-enamel loss on the glass beads that is not eye visible. On closer view, one of the central round glass beads has a lighter blister, which appears like the texture of some uncultured pearls. Of note, Chanel did not include a brand signature on any of her couture costume jewelry prior to the mid-1950s. As many of her clients who came to Paris for their couture-clothing fittings were foreign, the coordinated unique jewelry that was expected to leave the country was merely stamped "Made In France" or "France". We acquired these earrings in The States along with a similar set with fewer but larger "petals, berries and leaves", which we priced the same in a different listing despite the slightly greater size and weight of this pair. So we know that they both were created for a single commission of multiple unique earrings with like lampwork-glass shapes and findings to be paired with the button-like mother-of-pearls provided by Chanel. While we have acquired over a dozen pre-signature pieces commissioned by the founder, these are the earliest earrings that we have discovered by Chanel. We have never found a single match to contradict our recognition of her early couture creations nor to attribute them to another designer. Further, Art Deco couture...