Bridal Tiara Art Nouveau Chinese Kingfisher Feather and Gemstone

This strikingly unique Chinese Antique coral necklace from the Art Nouveau-era is an elegant and impressive example of the Chinese art form known as tian-tsui. Tian-tsui refers to ...

Attention Father of the Bride: This Art Deco 18K white gold and diamond tiara is an exceptionally rare and gorgeous jewel. Created entirely by hand in the 1930s, this semi-flexible ...

Created just after the turn of the century (circa 1917), this gilt silver jadeite and tourmaline drop necklace was created in China for the export market. Intricately detailed wirewo...

Naturally-colored South Sea Keshi, baroque Tahitian, luminous Akoya, and Chinese freshwater pearls are strung together with glassy aquamarine and tourmaline crystals to create a luxuriously long -36"- and effortlessly beautiful necklace that you will never tire of wearing. The simple gilded silver hook-and-eye clasp can be worn around the back or off to the side. You can wear this stunning, one-of-a-kind necklace full-length, doubled, or even wrapped several times around your wrist as a bracelet. Layer it with your favorite South Sea or Akoya pearl necklace for an instant update to your jewelry wardrobe. The pearls are all high-quality and were carefully chosen for their beauty and character. Rich eggplant tones combine with pewter, pink, green, silver, and gold to create a statement necklace that doesn't overpower. I love this piece. It's so well-made and Keshi pearls, as you probably already know, are an accident of the pearl culturing process that results in a free-spirited, 100% nacre pearl. In composition, Kwshi pearls are identical to natural, uncultured pearls...

This Art Deco 18K white gold and diamond tiara is an exceptionally rare and gorgeous jewel. Created entirely by hand in the 1930s, this semi-flexible 15" tiara is composed of thirty 9mm long by 3.15 rectangular segments of 18k white gold, each of which is channel-set with four tiny brilliant round diamonds. Each rectangular segment is joined to the other by a bezel-set round brilliant. Beginning three-quarters of the way forward on the tiara are nine upside-down "U" shaped mountings, each of which is set with two round brilliant diamonds on the interior and then three additional diamonds atop the rounded portion of the "U." The diamonds are close-backed, so a perfectly accurate weight cannot be obtained, but using a geological mathematical formula, I estimate the total diamond weight on the frame of the tiara to be approximately 3.8 carats. Not counting the freely-dangling diamond briolettes. There are nine, and they are magnificent, fire-filled, and faceted tears of joy. Each measures approximately 5.45mm x 3.44mm x 2.89mm which, again, by formula, suggests a diamond weight of between .51 -.57 carats. So we will go with the lower number, as we always do here, and this gives us a diamond weight for the briolettes alone of 4.59 carats. Altogether, this simultaneously subtle and spectacular tiara has a total -approximate- diamond carat weight of 8.39 carats. The tiara has a length of approximately 12". This is a tiara that can be worn in several ways. It can "surround" the base of a bun atop the head, or could be similarly positioned lower toward the nape to adorn a chignon, or it could be pinned to the very top of the head where it could secure a wedding veil into position. So this is not a tiara like the Princess of Wales's favorite tiara, The Lover's Knot; but then is a tiara of that scale ever appropriate for one who is not a duchess, a princess of a reigning monarch? This is an absolutely perfect wedding tiara...

This glorious, diabolically clever piece hails from the Art Deco era (circa 1920s). It is a brooch rendered in gleaming platinum and measuring approximately 42mm long and 21mm wide t...

Illustrated in our book: Beatriz Chadour-Sampson & Sonya Newell-Smith, Tadema Gallery London Jewellery from the 1860s to 1960s, Arnoldsche Art Publishers, Stuttgart 2021, cat. no. 231 The diadem is unmarked, but undoubtedly French and possibly by Georges Fouquet or Maison Vever. The design of the female head is reminiscent of drawings and posters by the Czech artist Alphonse Mucha, who worked closely with Georges Fouquet designing jewellery whilst he was living in Paris. Mucha was much influenced by Byzantine culture and made a series titled 'Byzantine heads...

Circa 1910 signed Carter Gough & Co. of Newark New Jersey, Exceptional Art Nouveau Hair Comb, Mounted on Tortoise the 14K Gold workmanship is h...

This outstanding Art Nouveau buckle in the shape of a peacock feather has been designed and executed by Piel Frères, Paris around 1900. An identical buckle is published in Vivienne Becker's book 'Fabulous Fakes', page 91, Grafton Books 1988. The same buckle, executed in silver, is published in 'Pariser Schmuck', catalogue of the exhibition of the same name page 275. That catalogue describes the buckle as ' a peacockfeather with short quill, the eye of the feather is represented by a kidney shaped blue glas cabochon on green green shimmering metal foil'. Piel Frères were an important firm of jewellers based in Paris, they are mentioned in the 3 volume enzyclopedic publication 'La Bijouterie Française ' written by Henry Vever.

Exceptional Tiara by Damiani. Diamonds, pearls Metal: white gold 18K (no rhodium plating). Diamonds weight: 41,50 carats color G-H clarity VVS-VS Japanese pearls: 9,60 grams. Total ...

A magnificent tiara fit for a queen, impressively crafted with over 40 carats of high quality brilliant-cut round diamonds mounted in platinum.

A Victorian diamond set tiara. This striking handmade Victorian yellow gold and silver diamond tiara is of scrolling floral design set to its centre...