Maison Gripoix Hand Made Pate de Verre Beads

Unusual Madeleine Riviere rare Maison Gripoix bead and crystal collar. The two strand necklace has pendant drops which have hand poured mottled glass over each pate de verre topaz Gr...

French Poured Glass Faux Jade Beads from the 1950's. Double strand with hand made mottled Gripoix glass beads and spacers in variegated jade tones with gilt filigree clasp. 17.5" s...

Art Deco Ruby pate de verre rondel bead necklace with pave ball spacers from Maison Gripoix. Hand made ruby glass rondels. 1920's France. Excellent condition.

Attractive and unusual French multi strand necklace composed of five strands of amber, topaz and citrine pate de verre vari sized round beads with natural wood bead stations. Nice ...

Francoise Montague hand poured pate de verre glass necklace in dreamy shades of yellow . Can be worn long or doubled- as shown in images.By former artisans of the atelier of Gripoix(...

The start of plastic jewellery was seen in the middle of the 19th century and it became very popular in the 1920's and 30's. Celluloid was the first quality of plastics which was used, then followed Bakelite and Catalin. The invention of Bakelite took place in 1909. Sometime later Catalin was produced. Catalin was easy for mass production and at the same time affordable. Du Pont is the pioneer in the field of Lucite and made it popular in the 1930’s as an alternative to Bakelite which was an expensive grade of plastic. Because of its versatility it became a popular choice for costume jewellery and became even more popular in 1950s for its Jelly Belly Jewellery...

Glittering crystal glass beaded graduated necklace ca 1960 The elegant necklace is designed with three graduated rows of pale lavender milky opal color elongated glass beads Juxta...

This antique rare hand-pressed-glass necklace features semi-translucent grape-green large beads that are capped with gilt-brass filigree. Based on the combination of bead seams, spring-ring clasp, and metal findings on the unmarked faux Chinese-jade necklace, it dates to the late Victorian period most likely from Western Europe. Around WWI, hand presses, which stamped molten glass into a mold to create a bead with a hole and a seam, were often used to produce costume jewelry as a cottage industry in Germany and the Czech region. This was while there was a lack of factory machine presses and finishing tumblers that used sand to polish out the seam lines. Another reason that the cloudy green beads can be identified as atypically hand-pressed is that they are more opaque and therefore harder and less prone to breaking during formation than fully-translucent glass, which was better suited for automated-machine pressing. Also the green beads are an unusual swirled color including white, which suggests that their production was more limited than machine-pressing would enable. Without the bead-seams, this necklace could be mistaken for one by Coco Chanel. Her 1920s couture...