Enamel Drop Necklaces

Belle Epoque pin designed by Cartier. Colorful and very rare stick pin made during the Edwardian-Belle Epoque period. This beautiful piece was created in Paris France by the jewelry house of Cartier, back in the 1900. Carefully crafted in two parts made up of solid platinum, yellow and white gold of 18 karats. Embellished with a central panel decorated with engine turned guilloche topped with purple glossy enamel. Accented with thirty-five natural earth mined rose cut diamonds and the settings are finished with millegrain. Diamonds: Mounted in millegrain settings, with 35 old rose cut diamonds, 0.30 carats, G/H color, SI-1 clarity. Weight: 2.35 Grams, (1.51 Dwt). Measurements: 70 mm by 12 mm (2.76 x 0.47 Inches). Hallmarks Stamped with French marks, the maker's maitre mark CA inside a lozange cartouche, the head of the eagle for the assay and warranty of the gold, the four digits serial numbers and signed, "CARTIER PARIS 3840". Cartier The move to the rue de la Paix coincided with a period of extraordinary economic growth and affluence in France and the world. Cartier was also growing and expanding and had started to shift their emphasis from retailing to design and manufacture. Although they produced a small number of pieces in the Art Nouveau style, Cartier paid scant attention to the movement. They made their distinguishing mark in pioneering the use of platinum in creating the delicate and graceful Garland style that came to be associated with the Belle Époque. The discovery of the great diamond deposits in South Africa in the late 1860’s engendered the popularity of extravagant diamond jewelry. The technical advances in the manufacturing of platinum enabled designs of great intricacy, strength and flexibility such as found in the spectacular résille designs of Cartier. (See Edwardian Jewelry: 1901-1915). Cartier marked the beginning of the twentieth century by opening branches in London and New York, where their wealthiest and most dedicated clientele resided. The 1902 coronation of Edward VII occasioned a large number of commissions from England’s leading families. Records indicate that Cartier produced twenty-seven tiaras alone for the coronation and the event was instrumental in convincing the firm to seek a permanent presence in London. Indeed, by 1904 they had achieved their first of fifteen royal warrants being appointed official purveyor to the court of King Edward VII. The London branch came to thrive under the tutelage of Alfred’s youngest son, Jacques Cartier, establishing London based design and manufacturing workshops. Opening a Cartier store in New York was a natural progression as many of America’s wealthiest families and business magnates had been traveling to Paris for some time to purchase their jewels from Cartier. By 1906 Alfred had largely retired and Louis and his brother Pierre operated the Cartier business jointly. One of their first major decisions was to establish a New York presence and workshop in 1909 under the skilled direction of Pierre. Indicative of his business skills, Pierre famously secured Cartier’s present location, an elegant Beaux-Arts mansion at 653 Fifth Avenue, from industrialist Morton F. Plant in 1917. The building changed hands in exchange for $100 and a double strand of natural pearls, admired by Plant’s wife and valued at one million dollars, the asking price for the mansion. While the Fifth Avenue location remains priceless to the firm, when the pearls came up for auction in 1957, they fetched a mere $170,000. (From Lang's with thanks). Edwardian Jewelry This Period was during the King Edward VII, after whom this period of jewelry history is named, reigned over England for only nine years, yet the style of jewelry known as “Edwardian” was created roughly between 1890 and 1920. Edwardian-era rings tend to be larger, opulent pieces, and stacked ring designs were popular. The metal surfaces of the rings were often diamond-encrusted for additional shimmer. Each of these rings is a work of art, showcasing a bygone era of grace, elegance and the royalty the Edwardian era is named for. Guilloché This term is used in fine jewelry or objects de Vertu to enhance the appearance of boxes, frames, brooches, rings or pendants. Guilloché enamel refers to metal pieces that have been given the Guilloché treatment and then covered with a translucent layer of enamel, giving the geometric patterns underneath the enamel a colorful hue. Millegrain This is a jewelry technique which refers to the textural effect of a close-set line of metal beads that are typically used as a border on the edges or bezels of jewelry. Literature: Sotheby's fine jewels, London September 17 1021, Lot 146 for an identical piece illustrated with the original box Collateral: It is accompanied by the original Cartier presentation green jewelry box...

Designed as a cable link chain centering a lavalier-style surmount and drop pendant Featuring round and oval cut peridot bezel set throughout Transparent light green and weighing a...

A stunning antique Victorian 0.55 carat diamond, pearl and enamel, 12 karat yellow gold and silver set necklace; part of our diverse antique jewelry and estate jewelry collections. This stunning, fine and impressive antique antique pendant has been crafted in 12k yellow gold and silver. The pierced decorated pendant has a central floriated design, embellished with hand painted enamel decoration; a single pearl ornaments...

An antique enamel and gold navette station necklace, with a navette shaped pendant locket, painted with cherubs, amongst a classic scene, of a pedestal, urn, flowers and foliage, on ...

Comprised of a stylized twisted wire cable chain suspending a peacock feather motif plique-a-jour station. Transparent matte green and peachy orange in color with light saturation. ...

Necklace is comprised of a green gold link chain with stylized floral bar stations. Suspending a substantial whiplashed enhancer pendant via two 14 karat gold spring ring clasps. Pen...

An Important Carlo and Arthur Giuliano enamel, diamond and sapphire necklace signed C & AG, the necklace comprising pierced feathered scrollwork sections finely enamelled with black...

Necklace is comprised of elongated cable links with stylized serpent stations Each station is highly rendered while clutching an emerald cabochon in its mouth Very well matched bri...

Edwardian vintage watch pendant in original condition! Designed in 14K yellow gold and Platinum with blue enamel. The necklace with chain and watch measures 21" long, the watch measu...

A fine and impressive antique French enamel and 18 karat yellow gold pendant by Bardonnaud, Limoges; part of our diverse jewelry and estate jewelry collections. This fine and impressive antique pendant has been crafted in 18k gold. The French pendant displays a central oval shaped enamel panel which features the profile of a lady in vibrant metallic blue, white and yellow clothing, against a red background. This central enamel panel is surrounded by an unembellished 18k yellow gold frame. The central setting is surrounded by a completely separate unembellished halo design. The enamel panel is secured in place within the halo design with eight evenly placed supports. The pendant is signed to the reverse with the maker's mark 'Bardonnaud, Limoges'. This 1900s pendant is suspended from a contemporary 18k yellow gold 45.72cm/18" trace chain via an integrated ring loop attachment, and secures to the reverse with a conventional ring bolt clasp fastening. This French pendant has been independently tested using state of the art technology (Niton XL2 Analyzer) and verified as 18k gold. Condition This antique Limoges pendant...

Rare Jugenstil pendant for Theodor Fahrner. It is stamped `FM' (Ferdinand Morawe) but the contemporary literature confirms Olbrich's authorship several times. Documented Olbrich jewe...