Trifari PhilippeMidCentury GoldParure TasselEarrings & CrystalDiamanteLinkCollar

Featuring handmade double-spiral filigree links, this vintage collar choker necklace was created by tightly twisting fine silver wire, which was ...

Victorian Belle-Epoque and Edwardian styles transitioned to Art-Deco period jewelry with semi-precious materials and machine-age shapes around WWI when this unique 20-link choker nec...

Created by a gallery-exhibited progressive artist in the 1990s in a way that foreshadowed TheMet museum exhibition "Sleeping Beauties: Reawakening Fashion", this ingenious signed sterling-silver chain link collar necklace features eight convertible pink-gem-accented pendants that can fasten your own pierceable larger elements, such as fresh flower heads or cut felt. It was initially acquired in the late 1990s from the U.S. avant-garde modern jewelry exhibition space Jewelers' Werk based in Washington D.C., which is printed on the included original black box with gold text. The versatile necklace that fastens with a handcrafted filigree floral clasp enables the wearer to choose from a wide variety of objects that can be pierced by the removable prong-set sparkly fuschia studs--from felt balls to folded origami paper--to attach to the likewise removable oxidized sterling cups. The perhaps morganite or crystal studs, whose silver ends are not visible after affixing such objects, can be mixed or interchanged with your own earring stud(s) or dangling pieces to enable more movement when worn. As shown in photos, a buyer can avoid the contact of such interchangeable objects with long hair by removing studded cups towards the back of the neck, whereby symmetrical sterling-stud fasteners that serve to link the chain necklace will discreetly remain. If the collector would like to use all of the sterling cups that surround the neck, one of their studs is missing its crystal, which can be replaced if entirely pink stones are preferred. We photographed the necklace populated with fresh and dehydrating daisy heads, which slowly wilt or dry while worn. With inspiration from TheMet current museum exhibition featuring beautiful contemporary clothes designed to show the passage of time, along with some of its archived fragile fashion based on the fiction-inspired theme "The Garden Of Time...

This antique French Belle-Epoque-period set incudes eight rare ball-cut moonstones beaded on a delicate gilt choker necklace and wire-hook dangle earrings for pierced ears. The necklace features two 12mm gilt-filigree-capped moonstones with atypical adularescence that glows as a sharply defined wide bluish-white circle below the surface. The pearl-like grayish-white moonstones are among beaded stations of cut-glass crystal that are spaced with tiny gilt balls. The matching earrings each feature a 6mm moonstone like the additional four on the necklace. The luminous moonstone beads look like quahog-clam pearls...

The Ruby Limit. Necklace + Earrings + Bracelet 45.20ct. Natural Rubies Full Faceted Oval brilliant cuts Excellent Clean Clarity and Vivid reds. Excellent transparency and blood ...

Berlin iron jewelry was produced in Germany by the Berlin Royal Foundry beginning in 1804. Previously, iron jewelry had been worn primarily during periods of mourning due to the dark color of its black lacquer finish. However, it reached a high point of popularity between 1813 and 1830. To fund the War of Liberation against Napolean, citizens were asked to donate their precious gold in exchange for iron jewelry. The Berlin iron jewelry was sometimes inscribed with a portrait of Frederick William III of Prussia, or with the words "Gold gab ich für Eisen" (meaning "I gave gold for iron") or "Für das Wohl des Vaterlands" ("For the welfare of our country/fatherland"). Almost overnight, Berlin iron jewelry became a symbol of patriotism. Its beautiful fabrication and lacy appearance gave it widespread appeal, eventually reaching popularity in numerous European countries. Authentic Berlin iron jewelry is now very rare, and well-preserved pieces have become very collectible! Cut steel jewelry originated in England in the 17th century and subsequently spread throughout Europe, eventually becoming a popular style of jewelry worn by members of high society during the Victorian era. Made of polished faceted steel studs, the pieces were cut by hand and then assembled and riveted onto a metal back. The faceted steel elements give this type of jewelry a subtle, metallic glitter that resembles cut gemstones. Motifs varied from the simple to the sublime, with multiple layers and densely packed studs. The time-consuming process and the artistry required to create cut steel jewelry made it very valuable and highly sought-after during the Victorian age, particularly to wear during the stage of "secondary mourning." Produced up until the turn of the 19th century, antique cut steel jewelry is now highly collectible. An exceptional Berlin iron and cut steel necklace and earring set from the Georgian (ca1804) era! Crafted in fine Berlin ironwork with delicate cut steel studs and mirrored steel plaques throughout, this well-preserved ensemble is an incredible work of art. The ornate necklace adorns various sized iron-backed links topped with mirrored steel plaques, each one connected together by intricate, lacy Berlin ironwork. The largest link rests at the center, and features an oval-shaped mirrored steel plaque on the front that is adorns a raised iron cameo...

Spectacular Maximalist Robert Wander 18K yellow gold statement necklace comprised of a bold scrolled center medallion surrounded by ten large S-shaped links...

Tiffany and Co X'-motif, ribbed link necklace with matching earrings Total weight of the diamonds is 3.40 carats Diamond 18k yellow gold, Signed Tiffany and Co...