Antique Spanish Jet Amulet Pendant with Figa

Cross Pendant with Rock Crystals Spain or Portugal, late 17th - early 18th century Silver, gold, rock crystal Weight 9.1 gr.; Dimensions 56.3 × 38.8 mm. An elaborate and elegant cross pendant made of silver with rock crystals in closed settings. The center consists of a larger round gemstone surrounded by five irregular-shaped stones forming the cross. The openwork arms have a triangular shape and are formed of facetted rock-crystals in foliate settings. The obverse side of the cross consists of a layer of gold. An extension with two stones and an angular shaped frame is hooked into the pendant loop, probably to be worn on a velvet band. The pendant is in good, wearable condition. After the Reformation, cross pendants were worn mainly in Catholic countries by men, women, and children. During the seventeenth century, the designs became ever more intricate, and the crosses were often embellished with gemstones, such as rock crystals in this example. These were sourced along the Alpine regions of France, Switzerland, Austria, and Southern Germany. The stones gave the appearance of diamonds. The foliate settings are characteristic of late seventeenth- and eighteenth-century jewelry made in Spain...

BADGE WITH ST. JAMES THE GREAT Northern Spain, 16th century Silver, jet Weight 18.2 grams; dimensions 44 × 43 × 12 mm Round pendant with high-relief image of St. James the Great of Santiago de Compostela carved in jet. The saint is flanked by two pilgrims (their heads defaced); each holds a staff and rosary in his hand. Silver mount with plain flat backplate, corded wire surround and toothed edge as setting. Four pendant loops for sewing onto a hat or cloak. According to the Roman naturalist Pliny, jet, the material of which this pin was made, prevented snakebite and was “thrown up by the sea.” The first quality would certainly have been reassuring for a pilgrim who owned this object and who had to make long journeys over unfamiliar terrain. The second quality made jet an especially fitting material to honor St. James, given that his body arrived in Spain mysteriously, carried there “by the sea” from the Holy Land. Santiago de Compostela was a major center for jet carving from the late Middle Ages, and highly polished jet was a desirable and common material for pilgrimage souvenirs. One even finds scallop shells, the pilgrim’s badge...

Reliquary Pendant with Christ on the Cross Germany, c. 1480–1500 Gilded silver Weight 35 grams; dimensions 69 × 46 × 8 mm A mixture of forms gives t...

Pendant with Virgin Mary as Queen of Heaven Western Europe, Southern Germany (?), Italy (?), c. 1550-1560 Gold, enamel, diamonds, and pearls Weight 13.2 gr; Length 36.9 x 31.2 mm (incl. pearls) This sumptuous image exudes regal power. It portrays the Virgin Mary as Queen of Heaven wearing a dress and crown studded with seven large diamonds and set against a translucent, rich blue celestial background. Far removed from the tender, humble Virgin seen in German and Netherlandish artworks of the period, she is a majestic ruler, mouth sternly set, head tilted upward, and face in full profile. The oval pendant cast in high gold relief with a central medallion, the single figure filling the space, echoes jewelry portraits of the aristocracy during the Renaissance, which similarly offset the ruler’s image against a blue field composed of enamel or lapis lazuli, symbolic of divine power Only the rays of the shining gold halo that emerge behind the Virgin’s head and her long flowing hair (instead of neatly coiffed) distinguish her from female ruler portraits of the period. Three studded pearls, forming an axis, also recall pendants of European rulers. Wealth, royal status, and divine power come together in this opulent pendant. Portraits of the period show similar small oval pendants worn by women in the square of the garment or by men nestled inside multiple chains below the base of the neck. PROVENANCE European Private Collection LITERATURE Compare images from ancient Rome, for example a sardonyx cameo with female head (Kugel 2000, no. 18; Milan, c. 1550), and a pendant with gold, pearls, and enamel in the Staatliche Museum Kassel (Schmidberger/Richter 2001, no. 43; France, c. 1555-1560). For ruler pendants with blue backgrounds see a pendant of King Frances I...

ROSARY BEAD WITH WENDEKOPF Germany, 16th century Bone Weight 12 grams; dimensions 29 × 23 × 24 cm A double-sided bead made of bone with a finely carved head of Christ on one side an...

RELIQUARY PENDANT IN BOOK FORM Probably southern Germany, 1630–40 Gilded silver, verre églomisé Weight 13.2 grams; dimensions 42 × 25 × 12 mm; opens to 40 mm Gilded silver pendant in book form with hinged, lid, corded wire surround, and engraved spine. The front cover of the book is set with a plaque depicting Moses receiving the Law in verre églomisé, and the back cover shows the Sacrifice of Abraham. The scenes are in gold against a red background. When opened, the book reveals two portraits, probably of a husband and wife, wearing seventeenth-century dress. The costumes suggest a date c. 1630-40; the wife holds a daisy. Trefoil-shaped pendant loop on top and bottom, and book clasp. As in the scenario described for the assemblage of these pendant miniature books (see no. 34), this book may have satisfied the desires of a particular patron, perhaps even one of the Jewish faith. The images that have been chosen for the four verre églomisé inserts are somewhat unusual within the group of comparable objects; on the front is Moses, on the back is the Sacrifice of Isaac. On the inside, instead of an iconic or doctrinal image, one sees portraits of the patron and his wife, in their finest dress, contents reminiscent of a modern locket...

We acquired this dragon plus eight other nephrite amulets in 2020. In order to better understand our acquisition, we had the lot verbally appraised by David Ha of Ha Dynasty Jewelry...

Subtle and achingly beautiful, this antique hand-carved jade pendant depicts a feline curled in contentment. The carving was most likely created near the turn of the previous century (circa 1899) though it could be older. The jade is white nephrite, among the most prized varieties of jade and known more commonly as "mutton fat...

Miniature wildlife artist, Paul Eaton from England, hand sculpted a horse head pendant (3/4"w x 5/8"h x 3/8"d) which is elegantly framed with one or two drop freshwater pearls (...

Miniature wildlife artist, Paul Eaton from England, hand sculpted a Greyhound dog head pendant (3/4"w x 1/2"h x 3/8"d) which is elegantly framed with one or two drop freshwater pearls (2"h). The bespoke Greyhound dog sculpture is made into jewelry you can wear close to your heart. Paul Eaton possibly the world's best miniature sculptor of animals is also a professional gold/silversmith. Born in London Paul Eaton soon moved to the countryside where his love of wildlife started thus enabled him to produce sculpture with finite detail. Paul carves his original sculptures from wax, then casts in metals. Each are cast individually and hand finished. Paul Eaton’s jewelry can be customized with any animal in Sterling, 9ct, 18ct and any combination of metal or stones. The Greyhound pendant...

Miniature wildlife artist, Paul Eaton from England, hand sculpted a sterling silver Doberman dog head pendant which is elegantly framed with one or two drop freshwater pearls. ...

Miniature wildlife artist, Paul Eaton from England, hand sculpted a Retriever dog head pendant which is elegantly framed with one or two drop freshwater pearls. The bespoke Retriever...