Art Nouveau Necklace with Opal Scarab by Antoine Bricteux

An American Art Nouveau enamel, 14 karat bloomed gold and diamond pendant locket. The figure on the heart-shaped pendant locket wears a...

A French Art Nouveau 18 karat gold and enamel pendant by André Rambour. The pendant is designed as a maiden within an enamel iris which is suspended by ...

This Louis Tiffany brooch dating from circa 1909 is composed of favrile glass scarabs and gold. The oval form is bezel-set with 10 glass scarabs with iridescent blue, indigo and green tones, within a delicate wire mount highlighted by gold spherules. A rare and collectible Louis Tiffany brooch of unusual materials, this brooch represents a classic innovation of the artist in the early to middle period of his work in the medium, when he was most engaged in the creation of experimental jewelry. Product Details: Item #: BO-21184 Artist: Louis Comfort Tiffany for Tiffany & Co. Country: United States Circa: 1909 Dimensions: 1.75" length, 3" width Materials: Favrile Glass; Gold; With signed box Signed: Tiffany & Co., with scratched number, possibly A7820 Literature: Jewelry dating from the period 1909-1914 featuring iridescent glass scarabs is pictured in: Janet Zapata, The Jewelry and Enamels of Louis Comfort Tiffany, p. 103-105 Macklowe Gallery Curator's Notes: With their combination of simple naturalism and powerful symbolism of resurrection, favrile glass scarabs represent an important motif and medium in Louis Tiffany's work. In his decades-long career of experimentation in creating precious artistic objects, Tiffany drew inspiration across many cultures and media, with nature as his touchstone. Tiffany had an intense interest in Egyptian art and collected a number of ancient scarabs...

An Art Nouveau 18 karat gold and plique à jour brooch with diamond, amethysts and pearl by Louis Zorra. The brooch has an old mine-cut diamond with an approximate total weight of .65 carat, 21 round bezel-set amethysts with an approximate total weight of 1.10 carats, and a hanging, enamel-capped pearl. Circa 1900. Similar pictured in Imperishable Beauty Art Nouveau Jewelry, by Yvonne J...

A French Art Nouveau 18 karat gold pendant with diamonds, pearls and peridots. The pendant features a plique-à-jour background with rose-cut diamonds with an approximate total weight...

Created by René Lalique around 1901-1903, this plique-à-jour and basse-taille enamel, opal and freshwater pearl thistle of Lorraine bracelet is set in chased 18K gold. The bracelet i...

18ct gold & silver set Art Nouveau Diamond Opal Pendant/Brooch dated circa 1900 Five round opals with an articulated pear shaped opal drop, very well matched with lively play of colours and iridescence in reds, greens, blues and gold. Set in 18 carat yellow gold claw collets Two main transitional cut (old mine) diamonds 0.70ct. Mix of old mine and rose cut diamonds in an 18 carat yellow gold with “silver Set” channel setting , approx 1 ct total. G/H/I, VS2-SI2. Total diamond weight: approx 1.7carats Setting diamonds in gold with a thin layer of silver, “silver set”, was a technique used in the Georgian/Victorian/Art Nouveau period as white coloured gold and platinum were not yet available. A very thin layer of silver was applied to the gold, on which the diamonds were set, to show them off to their best advantage (as the yellow would reflect and distort the white colour of the diamonds). The Art Nouveau period was a short lived but worldwide movement which reached its peak at the end of the 19th Century and the first decade of the 20th Century. It had its roots in the Pre Raphaelite and Arts and Crafts movements in Britain in the 1860’s. Artists, such as William Morris, took their inspiration from the flora and fauna of nature and rejected the mass industrialisation and mechanisation of the Victorian age. Art Nouveau continued with this theme and has a distinctive appearance with soft, curved shapes and lines and often depicted natural designs such as flowers, birds and the female form. Before the Art Nouveau period, the emphasis had been to design pieces with an emphasis on gem stones, diamonds, rubies emeralds etc. However, during the Art Nouveau period, jewellers adopted the idea of using other semi–precious stones “from nature” such as agate, garnet opal, moonstone, aquamarine and experimented with a wide variety of new techniques e.g. enamelling. The “New Art” style became a worldwide movement encompassing all disciplines of the arts, and world class artists as far afield as Gaudi with his “modernisme” architecture in Spain, Louis Comfort Tiffany in New York with objects, Galle Glass in France and the Liberty & Co Archibald Knox designs in Britain, Jugendstil in Northern Europe and Faberge in Russia. The movement flared brightly but briefly and by 1910 it was already going out of style to be replaced by Art Deco. In fitted period box. Detachable 18ct brooch...

18ct gold & silver set Art Nouveau Diamond Opal Pendant/Brooch dated circa 1900 Five round opals with an articulated pear shaped opal drop, very well matched with lively play of colours and iridescence in reds, greens, blues and gold. Set in 18 carat yellow gold claw collets Two main transitional cut (old mine) diamonds 0.70ct. Mix of old mine and rose cut diamonds in an 18 carat yellow gold with “silver Set” channel setting , approx 1 ct total. G/H/I, VS2-SI2. Total diamond weight: approx 1.7carats Setting diamonds in gold with a thin layer of silver, “silver set”, was a technique used in the Georgian/Victorian/Art Nouveau period as white coloured gold and platinum were not yet available. A very thin layer of silver was applied to the gold, on which the diamonds were set, to show them off to their best advantage (as the yellow would reflect and distort the white colour of the diamonds). The Art Nouveau period was a short lived but worldwide movement which reached its peak at the end of the 19th Century and the first decade of the 20th Century. It had its roots in the Pre Raphaelite and Arts and Crafts movements in Britain in the 1860’s. Artists, such as William Morris, took their inspiration from the flora and fauna of nature and rejected the mass industrialisation and mechanisation of the Victorian age. Art Nouveau continued with this theme and has a distinctive appearance with soft, curved shapes and lines and often depicted natural designs such as flowers, birds and the female form. Before the Art Nouveau period, the emphasis had been to design pieces with an emphasis on gem stones, diamonds, rubies emeralds etc. However, during the Art Nouveau period, jewellers adopted the idea of using other semi–precious stones “from nature” such as agate, garnet opal, moonstone, aquamarine and experimented with a wide variety of new techniques e.g. enamelling. The “New Art” style became a worldwide movement encompassing all disciplines of the arts, and world class artists as far afield as Gaudi with his “modernisme” architecture in Spain, Louis Comfort Tiffany in New York with objects, Galle Glass in France and the Liberty & Co Archibald Knox designs in Britain, Jugendstil in Northern Europe and Faberge in Russia. The movement flared brightly but briefly and by 1910 it was already going out of style to be replaced by Art Deco. Detachable 18ct brooch...

Rectangular gold and silver pendant depicting a winged beetle in a fine pearl frame, the corners of which are decorated with lotus leaf motifs. The beetle is entirely set with sapphi...

A handmade art nouveau period enameled flower brooch centered by an Australian opal. The leaves, and stem of flower enameled in green and golden translucent enamel. Hallmarked as 14 Karat gold, with Krementz signature. Measurements: 1" East to west by 1/2" North to south. Weight: 2.8 Grams Circa: 1905...

The Thebes Scarab Pendant: an archaeological revival gold and enamel scarab brooch/pendant, by Robert Phillips, set to the centre with a raised scarab ...

An exceptional piece - Art nouveau Opal Brooch from original catalogue of french jeweller Edouard Aimé Arnould, circa 1910 opal origin - Australia...