Mimi Di N 1981 GoldGiltMetal Set Pinecone Sprays ConvertiblePendants BeltBuckles

Louise Nevelson, an American modern sculptor who enhanced found objects throughout the 20th Century, in the 1980s transformed found, crushed and gilt m...

Like Alexander Calder's handmade wire jewelry since 1929, whose smallest one-of-a-kind sculptural subjects ranged from aerial acrobats and dancers to mono...

Vase sign: Daum Nancy France. Evidenced by this Daum sculptural colorless blown and hot-shaped lead-crystal heavy vessel vase, the finest irreproducible artistic works in the history of the French glass maker featured ornamental thick glass applications, while its most in-demand ArtDeco-period pieces were made between 1925 and 1935 with very few major pieces remaining in private hands and even less without damage. As a significant gift acquired from Don Jacques Daum in 1950, a similarly shaped, constructed and sized circa-1925 vase with "stylized foliage" motif is in the collection of the French Museum of Decorative Arts in Paris as Inventory #36309. A later-produced clear vase with a similar application motif at the rim, but in a "Champagne" bubbled style, is in the published book about the Leo and Irina Esterkin acquisitions from 1910-1940 titled Daum Art Deco Glass--A Private Collection. On our prime-condition antique vase, applied transparent glass is styled in high relief into a flowing undulating motif that evolved from Daum's Art Nouveau foliage designs. The angular and curvilinear shapes of this vessel epitomize the bold vases, bowls and sculptures for which Daum is best known. Its tiny pencil-etched signature on the side near the bottom reads "Daum (plus the Lorraine-cross symbol) Nancy France", which resembles some published signatures since 1925. Revealing how ahead of its time this particular design was--after WWII in 1945 coinciding with the revitalization of the French glass industry--Daum used...

Influenced by the Art-Nouveau illustrations of Alphonse Mucha, this antique French jewelry box display case is decorated with silvered bronze or ...

Young British Artist (YBA) Philippe Bradshaw (1965-2005) was represented by blue-chip international art galleries when he was the first to reimagine iconic-art images as tapestry-like metal-chain installations in multimedia environments. He is best known for transforming hand-assembled colorful anodized-aluminum links into shimmering semi-transparent layered curtains, whose hanging long strands uniquely amplified the light and sound of his projected camcorder videos and DJ'd music. In Bradshaw's first American exhibition "Disco Damage" in 2001 at NYC's legendary avant-garde art gallery, Deitch Projects, this jewelry-costume sculpture became part of the artist's live-in evolving studio installation. While later celebrating 15 years of art happenings that had occurred at that Soho exhibition space, its gallerist-cum-museum-director Jeffrey Deitch--who was physically scarred during this unforgettable chaotic several-month experience orchestrated by Bradshaw--recounted this show in his retrospective hardcover book "Live The Art". When Bradshaw drowned in the Parisian-river Seine in August 2005 while living the high life of his skyrocketing success in Europe, he left a small body of large installations that is mostly distributed among the world's top private art collections. Notably, the Museum of Contemporary Art in Los Angeles has acquired one of his multimedia works. Last year, another assembly of his chain-curtains made a rare public appearance at new modern-art museum, Heidi Horten Collection, during its inaugural exhibition in Vienna. Since winning a major British visual-art prize in 2000 that marked Bradshaw's art-world ascent following fellow Goldsmiths-College YBAs who were close friends, this sculpture evolved from one of his most elaborate jewelry costumes that he created in London while seducing the American who became his girlfriend. Unlike other pieces of jewelry that he made as gifts to participating acquaintances while video taping...

Dolce & Gabbana featured silk-rose jewelry like this versatile pale-peach seven-inch-diameter accessory on many of the runway looks from the design-duo's Spring/Summer 2000 collection (see photo). The rose is a signature motif of this pair of Italian designers, while the Dolce & Gabbana brand tag is sewn to the back of this piece that was "Made in Italy" in 1999. The unusual "cufflink" hardware on the back of the faux rose enables it to be secured through a buttonhole or as a pendant for a necklace, neckerchief, or narrow belt...

Spectacular natural coral pendant in the shape of a big heart. It has been hand-engraved on both sides and mounted in yellow gold 18 kt. with diamonds, brilliant cut, 0.60 ct. The go...

Natural coral pendant in the shape of a starfish, mounted in 18 kt white gold with 0.40 ct diamonds, brilliant cut. Its total weight is 41.8 g. The counter mesh also has some diamond...

AMULET PENDANT WITH FIGA Spain, c. 1620–1630 Jet, silver, and enamel Weight 60.7 grams; dimensions 85 × 49 × 18 mm Large pendant in the shape of a hand carved from jet with a clinched fist in the figa (Spanish higa) gesture. In the palm of the hand is a heart carved in relief and on the back a six-ray star in a circle. The silver mount covers the wrist like a cuff and is decorated with a frilled border, and on the front with collet-set bosses with silver C-scrolls against blue enamel; on the back is a roundel in relief with floral motif. Domed base for the pendant loop in pea-pod form. The figa (also fica or higa) represents an age-old symbol of protection against the evil eye and other demonic threats. Its origins were pagan and buried deep in antiquity. Roman examples, such as one found recently in an archeological excavation in London, also make it clear that the protective qualities are based in a sexual symbolism–particularly the power of the phallus. The Roman bone figa/phallus in effect represents the phallus twice; that is, the gesture made by the figa hand is generally explained as fingers representing the female genitalia (vulva) penetrated by the phallus of the thumb. But other interpretations are less specific, including explanations that the left hand is the feminine principle, and the right hand is the masculine. In Spain, jet figa are common; we see one in the portrait of Anne of Austria the infanta (p. 75). That is not to say that the objects are not sumptuous or treasured. Jet was a very valuable material, and in many examples like this one, the figa is embellished with beautiful enameling or is even gem-studded. Comparable objects occur in equally sumptuous materials such as rock crystal. The enameled setting allows a dating of these objects that otherwise might prove difficult, given that the production of such objects in Spain is so consistent over centuries. Indeed, there is another, even more elaborately carved example in this collection, attached to the “magic belt” (no. 9). That example may belong to an earlier group. That figa includes deeply excavated carving, including on the upper surface, an M-shaped design that Walter Leo Hildburgh links to the heart shape (as it occurs more explicitly on this example). Hildburgh argues that its presence is especially common on these objects and that it originally represented the Sacred Heart of Mary...

Miniature wildlife artist, Paul Eaton from England, hand sculpted a horse head pendant (3/4"w x 5/8"h x 3/8"d) which is elegantly framed with one or two drop freshwater pearls (...

Miniature wildlife artist, Paul Eaton from England, hand sculpted a Greyhound dog head pendant (3/4"w x 1/2"h x 3/8"d) which is elegantly framed with one or two drop freshwater pearls (2"h). The bespoke Greyhound dog sculpture is made into jewelry you can wear close to your heart. Paul Eaton possibly the world's best miniature sculptor of animals is also a professional gold/silversmith. Born in London Paul Eaton soon moved to the countryside where his love of wildlife started thus enabled him to produce sculpture with finite detail. Paul carves his original sculptures from wax, then casts in metals. Each are cast individually and hand finished. Paul Eaton’s jewelry can be customized with any animal in Sterling, 9ct, 18ct and any combination of metal or stones. The Greyhound pendant...

From Great Britain Paul Eaton VPRMS MAA sculpted a Labrador head with an elegant diamond set collar resting in a heart. The pendant will be a jewelry piece you can wear close to your heart. A perfect bespoke Labrador sculpture...