Hungarian Pendant Necklaces

These stunningly beautiful black opal doublets are set in polished 14k yellow gold prongs that are dripping with diamonds. The piece has two beautiful emeralds that provide a look th...

An 18 karat (18K) yellow gold charm pendant designed as a mother-of-pearl medal depicting the Virgin Mary within a blue enamel frame surrounded by 64 natural seed pearls. Umarked but...

An 18 karat (18K) yellow gold charm pendant set with plique a jour blue enamel designed as the Virgin Mary with a motif of roses. Engraved with a mo...

Through modern cinema and film, Western society has come to perceive the Egyptian scarab as a destructive and evil entity, but the ancient Egyptian understanding of the beetle was ve...

Jadeite Carved Pendant 14K Yellow Gold The pendant is a beautifully carved jade. The jade is translucent and colored with deep green veins. The carving depicts a star formation, swir...

This is a magnificent piece of Austro-Hungarian Emerald Ruby and Pearl jewelry. It is in the Renaissance Revival style and dates to circa 1870. The...

This Locket Pendant is a magnificent piece of Austro-Hungarian Garnet, Turquoise and Amethyst jewelry. It is in the Renaissance Revival style and dates to circa 1870. The gems are all set in silver gilt as was the custom of the Austro-Hungarian jewels. In the center is a gorgeous Bohemian Garnet cabochon. The garnet is 9mm by 7mm. Surrounding the garnet are Amethyst, Turquoise and Pearls all set in raised cut down collets. The gems continue onto the bale with a Pearl, Turquoise and Amethyst. The locket opens to reveal places for two photos if desired. I love the way the gems are set in the raised settings on the locket creating a visually stunning and dramatic piece. It is very rare to find Austro-Hungarian lockets...

This is an Art Nouveau pendant crafted in 18K yellow gold. Circa 1910. Religious piece is showing the Virgin Mary with a halo made of colourful translucent plique-à-jour enamel. Pe...

An Art Nouveau enamel and diamond dragonfly pendant, the body set with old European and rose-cut diamonds, and bearing green plique-à-jour enamel decorations, the head with two cabo...

The cameo at the center of this exceptional pendant is a stunning example of the art of gem engraving during the Renaissance. It likely dates to the early 17th century and features a sacrificial scene inspired by the Greco-Roman era. The central flaming altar is flanked by two figures preparing to sacrifice a ram, while a figure in a lion skin blowing horns stands in the left corner. The carver brilliantly uses the natural layers of the stone to achieve the illusion of shadow and musculature on the figures. A second, smaller cameo is set at the top of the pendant, while a myriad of multi-colored gems, pearls and enamel adorns the 18K gold setting. A large Baroque pearl suspended from an enamel dragon finishes the design, which embodies the opulence and theatricality of jewels from the Renaissance age. Cameos and intaglios were highly popular amongst wealthy connoisseurs in Renaissance Italy, and owning the finest pieces was the privilege of princes. Although they were often elaborately mounted for display alone, cameos were also frequently worn as pendants, surrounded by enameled and stone-set gold frames. Such pieces were particularly prized by the Medici and Lorraine families, many of which can now be seen at the National Archeological Museum in Florence. Very few Renaissance cameos...

This is a necklace from our Sa'mma = Sky collection. Inspired by the idea that the sky is a universal blanket the covers mankind and connects us all under its pillars.. Ammanii celestial necklace...

Elegant, rare, and dating to the late Qing period (circa 1890s), this hand-carved nearly colorless white nephrite plaque has been etched on both sides. One one, the Chinese mythological figure known as Zhang Guo Lao is depicted riding a mule. On the opposite side, a magpie sits on a branch of cherry blossoms. The magpie is associated with intelligence. The carving is breathlessly simple and excellent; the work executed -of course- without the aid of electricity or modern tools. Measuring 42.54mm x 29.92mm, the plaque has a hole drilled through the center, which is original to the piece. A silver bail is threaded through the hole and a pair of beads -black jade and coral- reside at the bottom. The jade plaque hands from a 1920s silver chain that is 32" in length. Prior to the discovery of and appreciation for the very fine green jadeite from Burma, colorless, opaque, pure white nephrite jade from the Northern mountains of China was the most revered jade; the original "imperial jade, as only members of the royal court could wear or even touch it. Most of what is commercially sold today as "mutton fat...