1930s Necklaces

This is a great looking handmade necklace, bracelet, or pocket watch chain. Each link is hand constructed in solid white gold and hand engraved, and done with kiln fired black enamel...

Featuring a mixed rectangular cut aquamarine weighing approximately 20.50 carats Transparent light blue in color and set with grooved tabs in scroll motif mounting Set below a pierc...

A stunning, fine and impressive antique 1.77 carat diamond and 14 karat white gold and platinum set Art Deco pendant; part of our diverse antique jewellery and estate jewelry collect...

An impressive antique 1930s 0.87 carat diamond and platinum pendant; part of our diverse antique jewelry and estate jewelry collections. ...

Silver and approx 85ct rock crystal. Signed and dated 1937. The pendant is 6,7 cm long on a 59 cm long chain. Wiwen Nilsson (1897-1974) - An Art Deco Silversmith in the Age of Modernism. Wiwen Nilsson was born in Copenhagen, Denmark in 1897. Born as Karl Edvin, but since he did not like his christening name, he was, within the family, called Wiwen. He was the son of Karolina and Anders and grew up with his sister Edith. In 1897 the family moves to Lund, Sweden when the father takes over the gold and silversmith company J.P. Hasselgren & Son. In 1906, Wiwen began at Katedralsskolan in Lund and finished school when he graduated fifth grade in 1912. It was common to continue up to sixth grade and then high school, but Wiwen who does not thrive in a school environment wants to become a pianist or aviator instead. However, as the father is a recognized jeweler and court supplier, the son's career is already marked. Instead, he embarks on an educational journey with the goal Königliche Zeichenakademie in Hanau am Main, Germany. The school is Germany's oldest and most prestigious goldsmith's school. Wiwen enrolled on the fourth of August in 1913 and studied drawing, workshop work, engraving and hammering work. The education comes to an abrupt end with the outbreak of the First World War in 1914, and he instead continues his education in his father's workshop, where he stays until 1919. He does, however, make two breaks, the first quarter of 1917 he enrolled at the Technical Society's School in Copenhagen where he studied modeling, among other things, and in 1917-1918 he did his military service in Stockholm. In 1919 he applied for and received his companion letter, at the same time he received the Swedish Craft Organization's large medal in silver for his professionalism. In 1920 he is again at the school in Hanau, Germany where he stays until 1921 and practices with the jewelry company Chr. Kissling also in Hanau. At school, he mainly studies drawing and chiseling, a type of relief technique that was very popular during the 17th century. Wiwen is driven by his own design language and thinks that the prevailing technique under the influence of Danish designers is a setback in the development of chiseling. During his time in Hanau, he visits several arts and craft exhibitions and comes into contact with the Wiener Werkstätte and the Wiener Werkbund, among others. At the same time as he is studying, he writes travel stories where it emerges that he believes that Sweden's conservatism inhibits the development of arts and crafts, something he himself wants to change. Back in Sweden in 1921, he was appointed the company's artistic designer. In 1923, the company participates in the Gothenburg exhibition, but here Wiwen receives devastating criticism. His creations are considered ugly and meaningless, a critic writes that it is a typical case of poor material sense. In 1924, Wiwen Nilsson travels to Paris. Just like in Hanau, he studies chiseling, silver, drawing and modeling at the Académie de la Grande Chaumiére (now Académie Charpentier). One of France's foremost art schools where, among others, Siri Derkert (1888-1973) and Bror Hjorth (1894-1968) have also studied. In Paris he became acquainted with Georg Jensen (1866-1935), in whose workshop he chiseled for a period. He also meets and hangs out frequently with Jules Schyl (1893-1977) and Gösta Adrian-Nilsson, GAN (1884-1965). The meeting with GAN becomes extremely important and came to influence and refine Wiwen's own design language and together they hold a joint exhibition in 1925 in Lund. From 1925 until the end of the 1920s, Wiwen Nilsson produces a large amount of church silver. He designs and manufactures for, among others, Allhelgonakyrkan in Lund, Knästorps and Tottarps kyrka in Skåne. In total, Wiwen's workshop manufactures 677 objects for churches, of which 483 are found in churches within the diocese of Lund and 194 in other Swedish churches. Some are also sent internationally to the Church of Sweden in Paris, Berlin, Copenhagen and churches in West Germany, Iceland and to Zululand in South Africa. His church silver unmistakably bears the same design language as his profane works. All with the same angular but harmonized and modernist shapes, not infrequently his vessels like jugs and lid boxes are often hexagonal or octagonal. In 1925 he participated in the Exposition Internationale des Arts Décoratifs et Industriels à Paris (World Exhibition) where he received a gold medal in Class 10, the category for crafts and art industry in metal. Other exhibitors included C.G. Hallbergs Guldsmeds AB and Jacob Ängman...

Comprised of white gold fancy cable link chain centering a platinum bar link station with drop pendant Featuring a pear-shaped black opal cabochon measuring 8.5 x 11.0 mm Translucen...

An Art Deco pearl and diamond pendant, with the centre filled with rows of cultured / natural seed pearls, which were added more recently, surrounded by a rose cut diamond set frame,...

This stylish necklace dates from the 1930s and was created by Jakob Bengel. Condition Report: Excellent The Details... This necklace is constructed from chrome plated metal. It is...

Art Deco period ca. 1930s Bohemian Garnet Necklace featuring clusters in Gilt Silver and chain in solid 18K Yellow Gold with C-lock. No markings on the pendant. Chain hallmarked 18K...

Art Deco lariat necklace or belt, featuring silvery glass beads on grey thread. Length 182 cm / 71.6 inches by 1.8 cm / .7 inches width. This ...

Medal in 18 karat yellow and white gold, eagle head hallmark. Antique medal in geometric form, depicting the profile of the haloed Virgin Mary on yellow gold. The geometric white gol...

Attention Father of the Bride: This Art Deco 18K white gold and diamond tiara is an exceptionally rare and gorgeous jewel. Created entirely by hand in the 1930s, this semi-flexible ...

This beautiful and rare necklace dates from the 1930s and was created in Germany by the Schrieber and Hiller company. Condition Report: Excellent The Details... This necklace is c...

Necklace of fine pearls in baroque form in creamy-white oriental pearl. The rectangular platinum clasp is adorned at the top with an antique cushion-cut diamond. A safety chain in 18...

Miriam Haskell jewellery is some of the most prized and beautiful costume jewellery from the 20th century. The intricate designs coupled with their novel colours and materials have ...

Comprised of 0.5 mm white gold cable link chain suspending an oblong drop pendant Pierced with streamlined motifs and bead set with old Eu...

Medal in 18 karat yellow gold, eagle's head hallmark. Magnificent antique medal, shuttle-shaped and engraved with a haloed Virgin Mary and roses on a partially enameled gros bleu background. It is surrounded and surmounted by fine pearls. The back is engraved with initials and the date June 18, 1933. Pendant sold alone without its presentation chain. Signed Dropsy on the front. Height : 3.8 cm approximately, width : 17 mm approximately, thickness : 1.4 mm approximately. Total weight of the jewel : 2.7 g approximately. Authentic antique jewel - French work from the 1930s. Some missing enamel. Our opinion : This antique art deco medal...

Gold and Diamond Pendant for women : 46x Brilliant Cut Diamonds with a total weight of 0.33cts. in G/VS quality : 12mm Australian Natural Pearl in Extra quality : 18kt White Gold : 2...

Featuring a relatively heavy fringe of dangling Russian-gilt brass bars and contrasting French-blue textural hand-pressed glass beads topped with filigree caps to resemble flower bud...

This exquisite vintage pendant is a true masterpiece of intricate artistry and rare gemstone beauty. Rendered in lustrous platinum with delicate filigree detailing, it showcases an e...

One of the most marvelous reverse carved & painted "Essex Crystals" that I have ever seen - this sizable pendant features a Snowy Owl or Arctic Owl in a detailed winter landscape with snow clad trees and running river. The detail is superb, as is the condition of the painting and rock...

Year: 1930s Item Details: Metal Type: 14K Yellow Gold [Hallmarked, and Tested] Weight: 3.8 grams Diamond Details: Old European Brilliant, .03ct, F Color, SI Clarity Measurement: 1.5 ...

One Art Deco Carved Lapis Lazuli 14k Yellow Gold Necklace. Featuring six carved pieces of pyrite-speckled lapis lazuli. Crafted in 14 karat yellow gold with purity marks. Circa 1930....

With an organic flora motif characteristic of American Miriam Haskell's first designer Frank Hess, this 1930s Russian-gilt brass oval-link chain necklace features a tiered bib of fre...

Year: 1930s Item Details: Metal Type: 14K Yellow Gold [Hallmarked, and Tested] Weight: 3.3 grams Diamond Details: .04ct Old European Brilliant, G-H Color, VS Clarity Measurement: 1.4...

An antique telephone pendant-charm. Beautiful and very well detailed pendant-charm made in the shape of an early telephone. The charm was created duri...

An antique racing car pendant-charm. Beautiful and very well detailed pendant-charm made in the shape of a antique waterhole. The charm was created dur...

Stand-out Black and White Necklace featuring a combination of Celluloid Beads, Seed Beads, Tubular black beads embedded with a circle of rhine...

A bi-motor plane pendant charm. Beautiful and very well detailed pendant-charm made in the shape of a bi-motor plane. The charm was created during the art deco period back in the 19...

An antique typewriting machine pendant-charm. Beautiful and very well detailed pendant-charm made in the shape of an early typewriting machine. The charm was created during the art ...

An art deco chain designed by Marchisio Napoleone. A beautiful art deco chain, created in Torino Italy at the jewelry atelier of Marchisio Napoleone, back in the 1935. This long cha...

Art-Deco diamonds stations chained necklace sautoir. A classic station long chain created in America during the art-deco period, back in the 1930. It was designed as a sautoir chain...

Pendant in 18K White Gold with the setting of Black onyx accented with Diamonds. There are ten Diamonds here, the largest in the center is brilliant cut Ø 2mm /0.03ct, color ca. F, ...

GIA Certified 5.64 carats, 37 Natural Translucent Jadeite Bead Necklace Art Deco Jadeite Jade is the most rare and valuable form of Jade. The t...

Absolutely Beautiful Set Art Deco Filigree Design Made in Platinum with diamonds through setting Necklace features a beautiful Chandelier like Pendant with pave diamonds and pear cut...

Extraordinary late Deco riviere necklace, 1935 circa Beautifully hand crafted as unique example of solid 18 KT white gold Displayed in the middle neckline a selection of bright white...

Featuring an old European cut diamond weighing approximately 1.20 carat - K color with SI2 clarity Set by stylized split prongs in a pierced ornate mounting depicting scrolling flora...

Rare and unusual Art Deco DeRosa Crystal Baguette Collar of crystal and faux ruby baguettes set into stepped design within articulated pave links. High Art Deco rhodium metal setting...

Fabulous Jakob Bengel Art Deco chrome brickwork and bar necklace, featuring red and black enamel. Measuring length approximately 45 cm / 17.7 inches by width 1.6 cm / .6 inch. The ne...

Most likely made in Germany during the Art Deco period, this vintage unsigned long heavy 12-pendant gold-gilt chain-link bib necklace features ball charms of gold-ringed emerald-gree...

14 Karat yellow gold statement necklace~ 18 inch to 20 inch long ****Spiral of the Chain(twisting in correct direction) will change the length*** Pineapple Tassel Design Circa 193...

One 18k gold and platinum diamond set cross bead-set with one 0.03ct transitional brilliant cut and twenty-two very small rose-cut diamonds, estimated total weight 0.07ct and sixteen...

During the Art Deco period, Miriam Haskell's first designer Frank Hess designed this blue-and-white glass-beaded hand-sewn torsade set of dangle earrings and a choker necklace, whose knotted string is capped with their characteristic Russian-gilt brass flora filigree. Coinciding with the American Great Depression, to offer some less expensive costume jewelry than her initial ready-to-wear styles featuring Parisian hand-crafted materials found in French couture, Haskell reduced the cost of some of her findings by locally sourcing stamped metal and incorporating hand-pressed glass beads from Germany and Czechoslovakia. With a loop, the line from hand pressing the glass can only be found on the blue beads, while the white ones are coated in an organic material like authentic French faux pearls. The ends of the textured cords that string the beaded set were frayed to form a fuzzy opaque dome that hides the knots attached to the filigree caps. No Haskell jewelry was signed before 1947. The unsigned necklace...

Art deco garlands necklace with diamonds. Exceptional diamonds set necklace, created in America during the art deco period, back in the 1935. This beautiful movie star necklace was ...

This is a great looking hand made necklace or bracelet, pocket watch chain. Each link is hand constructed and every other link is done in kiln fired cobalt blue enamel. We have never seen this chain before done with enamel. It's versatile and elegant and the "Swivel" can be used to hang a fob or charm on it. You can hang it on your neck, or wrap it around a few times and wear it a bracelet. If you are looking for a pocket watch chain for a gold and blue enameled watch...

Beautiful Art Deco necklace featuring detailed gold tone and silver tone roses. The necklace is length 39.8 cm / 15.6 inches, and the rose drops are length 9.5 mm / .37 inch. There are three smaller drops at each end which are length 7 mm / .27 inch. We have replaced the bolt ring clasp...

Long before Barbie, Elsa Schiaparelli famously embraced "shocking pink" for her Surrealist-aesthetic couture clothing and handcrafted costume jewelry, which she commissioned from Parisian paruriers beginning in the late 1920s--when some of the most expensive jewels were fuchsia Burmese rubies. In this antique glass-beaded sautoir tassel-necklace, 37 "shocking pink" balls are each delicately caged like hot-air balloons by seven textural strands of faux-pearl-and-gold seed beads. These spherical stations are spaced by lustrous white medium-size faux pearls, ending in a four-strand seed-bead tassel that cages four of the fuchsia faux pearls. The beads are strung on bright magenta silk cord without a clasp. Sautoirs were an essential element of flapper style since Schiaparelli's couture-mentor Paul Poiret changed the silhouette of clothing in the 1920s, while the long necklaces remained popular until wartime 1939. To compete with her rival couturier Gabriel "Coco" Chanel, Schiaparelli (1890-1973) relied on the same French glassmakers, Maison Gripoix and Louis Rousselet--the masters of faux pearls at the time who added organic-ingredient coatings to their handmade glass beads. Either glass workshop that was established by the 1920s could have been commissioned to make the progressive hot-pink pearls for this unsigned necklace that dates to the Art Deco period. The design of this highly-textural tri-color sautoir featuring fuchsia spheres particularly suits the style of one of Schiaparelli's most frequent paruriers through the 1930s, Jean Clement. Some of his relevant unsigned work for Schiaparelli is in museum collections like The Met, including highly-textural tri-color sphere-decorated buttons/brooches and a fuchsia-toned metal-rosebud bead necklace. After Schiaparelli had become associated with fuchsia, she made particularly prolific use of this bright magenta in the late 1930s. In her demi-couture collections such as "Circus" and "Comedia del' Arte" (see our 3 photos), fuchsia jackets are adorned with similar colorful spherical glass beads among embroidered appliques and animal/clown brooches, as well as whimsical painted-ceramic buttons...

Original antique Art Deco pendant-brooch studded with diamonds. Fine geometric design of the brooch - three intertwined circles with a centrally embedded old-cut diamond weighing ap...

Art Deco Silver Foiled Murano Beads from the 1930's. Graduated and handmade with silvered foil within aquamarine glass and floral murrine. Handmade and hand knotted, lovely quality. ...

The Art Deco 14K White Gold Diamond & Ruby Filigree Necklace is a stunning tribute to the glamour and sophistication of the Roaring Twenties. Wi...

Fabulous gold plated necklace set with sparkling rhinestones. The necklace has a swag design with a lovely centre pendant. The rhinestones are held on a faceted rod chain with a barrel clasp. Measuring length 43.2 cm / 17 inches, and the centre with pendant is length 4.5 cm / 1.7 inches. Most of the gold plating has worn away to reveal the silvery metal underneath. This is a stylish and beautiful Art Deco...

Designed as a pierced disk form depicting the Parthenon atop a hill with trees and sun Featuring a round cut ruby weighing approximately 0.08 carat Transparent medium red and bezel ...

Art Deco Silver Foiled Murano Beads from the 1930's. Graduated and handmade with silvered foil within purple glass and floral murrine. Handmade and hand knotted, lovely quality. 32"....

This 22" natural and undyed coral bead necklace features 101 tomato-red coral beads strung on silk and individually hand-knotted between each bead. The beads graduate in size from f...

Rare goldtone and copper plated floral necklace with fold over clasp. Marked "Monét." Another variation of this necklace was featured in a 1939 advertisement. Measures: 6 inches long by 5 3/8 inches wide. Center; 1 3/8 inches long. Condition: Very good for its age, some surface wear. Early Monet jewelry was produced in the United States and was not mass produced. During the 1960s and 1970s there was more demand than supply, because the company believed in quality over quantity. Monet's jewelry was of such a high caliber that during the 1980s they produced haute couture jewelry for Yves Saint Laurent...

Fabulous Art Deco fringe necklace collar with classic Deco design olive green glass, interspersed with faceted beads which extend to the rest of the ne...

Prepare to be enchanted by a truly dreamlike piece of jewelry – a magnificent aquamarine pendant set in 14-karat rose gold. At its heart, this resplendent pendant features a stunning...

Schreiber & Hiller stylish Art Deco silver tone link necklace and bracelet set, featuring channel set rhinestones and ornate metalwork. There are nine rhinestones making up each link...