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Guilloche Enamel Solid Sterling Silver Water Lily Picture Frame
About the Item
Exceptional, hand fabricated one-of-a-kind blue guilloche enamel picture frame.
No detail overlooked on this piece of art.
The enamel scrollwork was created using a very rare 1875 Ornamental Lathe. These types of machines were used by such artisans as Faberge to create their works.
Formal Description of Picture Frame:
Cast sterling silver round bezel, rose-engine-turned with a wavy form in both the axial and radial
directions, and modeled with a textured and patinated channel on the face; the blue guilloché
enamel plate engraved with an aligning moiré pattern and pierced by 3 apertures for photographs;
the apertures with sterling silver millgrained rims separated by three silver lily pads, each topped
with a silver water lily flower and half-pearl, and all centered on a larger silver lily flower and
pearl; the rear cover of sterling silver, engine-turned with a spiral pattern and secured by small
thumbscrews with further, tiny lily flower heads; supported by a hinged sterling silver strut.
Diameter 6"
Weight 18.68 try ounces. Primarily from the solid silver.
Design Development:
The case for this piece began as an exploration of the simultaneous use of two modes of Rose
Engine operation that are normally employed only individually, namely the rocking mode, in
which forms are created that are radially wavy, i.e. wavy from left-to-right, and the pumping
mode, in which forms are created that are axially wavy, i.e. wavy from front-to-back. With the
machine properly configured for simultaneous pumping and rocking, I created a wax casting
model 6" in diameter, hollowed to a uniform wall thickness to facilitate a good casting.
The engraving underneath the enamel was designed to create the impression that the case was a
continuation of the waves radiating from the moonstone at the center of the enamel. The color
was chosen to invoke Water; the moonstone to invoke the Night. The lily appliquees just seemed
a natural fit in this moonlit aquatic scene.
Construction:
The central guilloche enamel began as Fine Silver sheet that was engine turned on the same Rose
Engine that was used to create the model for the case. It was then domed, pierced for the
photograph apertures and appliquee attachment, and finally enameled.
The wax for the case was created on the Rose Engine as described. It was successfully cast in
Sterling after several attempts, with some difficulty owing to its large size. The casting was then
lathe turned to establish true surfaces for fitting the enamel. Threaded inserts for securing the
back cover were laser welded into place. The wavy surfaces were all hand finished and the
channel was textured by hand with a punch.
The three lily pad appliquees were hand fabricated from silver sheet and wire, including the
wrinkled panels of reticulated silver. The water lily flowers were built up in hand-pierced layers
of sterling sheet and shaped into settings for the little half-pearls, then fitted with threaded
fasteners for attachment, including those that secure the back panel.
The three inner frames were first turned on the lathe in wax, and then cast in Sterling. Fabricated
cylindrical walls were fitted to the apertures in the enamel and then soldered to the back surfaces
of the rough castings. The castings were then finished and millgrained, again on the lathe. Finally
glass plates were cut and ground to fit into the inner frames.
The back is a sheet of engine turned Sterling, attached by 4 screws to the tapped holes in the case.
The strut was first fabricated in silver, then molded and cast. To this was soldered a fabricated
hinge assembly that is bolted to the back plate of the frame.
Materials Used:
Fine Silver - 999
Sterling Silver - 925
Reticulation Silver - 800
Pearls
Glass
Paperboard and Fabric for photo backing
Artist Bio: Bill Brinker
I’ve been passionately metalsmithing since 1971, and professionally since 1981.
After 14 years as a pro custom jeweler in the Denver/Boulder area I joined Andreas von Zadora’s stable of technical specialists in 1995 as a goldsmith and enamelist.
My CAD skills soon made me the Project Manager for Zadora’s most complicated and challenging commissions. Consequently I regularly collaborated with highly accomplished jewelers, setters, gemstone cutters, hand engravers, watchmakers, clockmakers and mechanical engineers, in Europe and the USA.
I was the technical designer and Project Mgr for scores of Object commissions that cost over $50k to make, plus 3 major works that sold for $1M or more.
Zadora’s company went bankrupt in 2008 Financier Crisis.
After that I worked for Todd 2011-2015. I’ve been freelancing and developing new products since then.
- Creator:Brinker Studio
- Metal:
- Stone:Freshwater Pearl
- Stone Cut:
- Weight:18.68 t oz
- Dimensions:Diameter: 6 in (152.4 mm)
- Place of Origin:
- Period:
- Date of Manufacture:2017
- Condition:
- Seller Location:Boulder, CO
- Reference Number:1stDibs: LU2880216528192
Engraving
About the Seller
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- ShippingRetrieving quote...Shipping from: Boulder, CO
- Return PolicyPlease be advised, certain types of customizations are not eligible for returns.
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