Rare Qajar Gold and Enamel Parasol Cane Handle

A Rare Gold, Enamel and Jewelled Cutting / Carving Service. The handles 18th century, Switzerland and the blades 19th century, England. Comprising a knife and a fork, the handles decorated with blue, green and white gold enamel panels of flowers...

A rare 18K gold, enamel and diamond mounted carved labradorite turkey bird sculpture on a petrified wood base, attributed to Manfred Wild, Idar-Oberstein, ...

A Rare Alexis Falize Antique Gold and Cloisonné Enamel Locket, Circa 1867 This exquisite oval-shaped locket, crafted circa 1869, epitomizes the fusion of French artistry and Japanese aesthetic that characterized Alexis Falize's work during the late 19th century. The obverse features a meticulously rendered cloisonné enamel scene of a bird perched gracefully on a branch, while the reverse presents a serene landscape, showcasing Falize's mastery of the cloisonné technique and his deep appreciation for Japanese motifs.​ The locket is housed in its original Japanese silk box, reflecting the authenticity and preservation of this remarkable piece. Falize, a distinguished Parisian jeweler (1811–1898), was profoundly influenced by Japanese and Chinese art, integrating Oriental motifs and palettes into his creations. This fascination was part of the broader Japonisme movement that swept through Europe following Japan's opening to Western trade in 1854, introducing Japanese decorative arts to a captivated Western audience.​ Employing the cloisonné enamel technique—a method prevalent in traditional Japanese and Chinese metalwork—Falize delineated intricate designs using fine metal wires to create compartments (cloisons), which were then filled with vibrant enamels. This locket exemplifies such craftsmanship, with its vivid colors and precise detailing. Notably, Falize collaborated with esteemed enameller Antoine Tard, renowned for his Oriental-style cloisonné enamels. Tard's exceptional skill earned him accolades, including a gold collaborator’s medal at the 1867 Exposition Universelle in Paris. Their partnership produced some of the most celebrated cloisonné jewels of the era.​ Comparable works by Falize are held in prestigious institutions worldwide. The British Museum houses a gold locket adorned with cloisonné enamel by Falize, highlighting the significance of his work in their collection. The Metropolitan Museum of Art features a reversible brooch attributed to Falize, further exemplifying his expertise in cloisonné enamel. Additionally, the Cleveland Museum of Art acquired a similar cloisonné locket marked by Falize, underscoring the widespread recognition of his craftsmanship. The Victoria and Albert Museum and the Schmuckmuseum in Pforzheim also include Falize's cloisonné enamelled lockets in their collections, attesting to the enduring legacy of his work. ​ In the realm of private collections, Wartski London has featured rare cloisonné...

A Rare Mughal Indian Gold and Enamel Mother of Pearl Spoon with Diamonds Discover the exquisite craftsmanship of Mughal India with this rare and...

An antique yellow gold, black and white enamel, and rhodonite agate parasol handle, comprising a handle formed of polished pink agate, with decoration in white and black enamel, with detailing in 18 karat yellow gold. This elegant antique parasol...

Edwardian parasol handle made in France. Very beautiful and elegant piece, created in Paris France during the Edwardian and Belle Epoque periods, back in the 1900. This fabulous parasol handle has been designed with French neo-classic patterns in the style of Louis XVI. Crafted by assembling pieces made up in 18 karats yellow gold, carved citrine and amber color faux tortoise. The baton is fitted with a screw to attach to any parasol or cane. The round gold parts on top are made with multiple leaf motifs, bows, tassels and floral clusters, typical from the Belle Epoque period. Gemstones: The top part is mounted, with 1 cylinder cabochon cut of natural translucent citrine quartz of about 120 carats. Birthstone: Citrine, for the month of November. Weight: 66.95 Grams, (42.91 Dwt). Measurements: 248 mm by 20 mm (9.75 x 0.79 Inches). Hallmarks: Both gold parts are stamped with French marks; the head of the eagle for the assay and warranty of the 18kt gold and the maker's maitre mark inside a lozange cartouche. Edwardian era, like the Georgian and Victorian eras before it, derives its name from the reign of the English King, Edward VII (1901-1910). Edwardian jewelry is known for representing femininity while incorporating a lot of the color white. Think diamonds, pearls and white metals like platinum and white gold. Diamonds often had an Old Mine or European cut and sapphires were a popular choice for a pop of color. They tended to be made from platinum and diamonds – the more, the merrier – and used fashionable, intricate techniques such as filigree and millegrain. Edwardian rings are works of art and best worn alone or alongside a simple wedding band...

Ramp up your allure with a turn-of-the-century parasol handle. Silver and amber cylinder mounted to cone with enameled stylized vertical leafing branches on green guilloche basket-we...

A rare Mughal Enamel and Diamond Cup, early 19th Century The Mughal cup is finely decorated with a combination of red, white, blue, green "Meenakari" ename...