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(attributed to) John Michael Wright
Fine Portrait of a Lady, Margaret Catesby, circa 1660, Manor House Provenance

circa 1660

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Portrait of a Gentleman in Grey Coat & White Cravat, Oil on canvas Painting
Located in London, GB
This exquisite work, presented by Titan Fine Art, is by the notable artist Hans Hysing, who was a noteworthy painter in England; it is significant in its q...
Category

18th Century Old Masters Portrait Paintings

Materials

Canvas, Oil

Portrait of Gentleman in Armour by Table & Helmut c.1685 Aristocratic Provenance
By Johann Kerseboom
Located in London, GB
Portrait of a Gentleman in Armour beside a Table with Helmut c.1685 Follower or circle of Johann Kerseboom (d.1708) This exquisite Grand Manner work, presented by Titan Fine Art, wa...
Category

17th Century Old Masters Portrait Paintings

Materials

Canvas, Oil

Portrait of Catherine Murray, Countess of Dysart, Roses, Gilded Frame, Van Dyke
By Anthony van Dyck
Located in London, GB
This exquisite Grand Manner work, presented by Titan Fine Art, is an evocative example of the type of portrait in vogue during the seventeenth and eighteenth centuries. Beautifully ...
Category

17th Century Old Masters Portrait Paintings

Materials

Canvas, Oil

Portrait of Frances, Viscountess Scudamore in a Silver Dress & Blue Cloak
By Charles Jervas
Located in London, GB
Portrait of Frances, Viscountess Scudamore in a Silver Dress and Blue Cloak c.1709-1719 By Charles Jervas (1675-1739) This elegant and graceful portrait, presented by Titan Fine Ar...
Category

18th Century Old Masters Portrait Paintings

Materials

Canvas, Oil

Portrait of a Lady by a Woodland Stream Holding a Shell c.1690; Oil on canvas
By Harman Verelst
Located in London, GB
This elegant portrait, presented by Titan Fine Art, depicts a beautiful young lady seated in a wooded area, resting one arm on a rock, before a landscape and a warm evening sky. She is wearing a white smock under russet-coloured silks, loosely held in place by an immense black diamond clasp on the sleeve, and her body is enveloped in a voluptuous swag of azure silk; the costly fabrics and jewels reveal that the sitter was a paragon of a wealthy and privileged society that she belonged to. Much of the attractiveness of this portrait resides in its graceful composition and the beauty of the youthful sitter. The flowing water in the left margin of the picture and the shell that she holds are compositional devises often used at the time to allude to her potential as wife and mother, recalling Proverbs, Chapter 5, Verse 18: “Let thye fountain be blessed, and rejoice in the wife of thye youth”. Symbolism was a key component to many works of this period and contemporary viewers would have deciphered them immediately. Such images exude a sense of status and Augustan decorum, and were highly influential in transmitting these values into the first half of the eighteenth century. Held in a good quality and condition gilded antique frame. Herman Verelst was from a great dynasty of painters, with many members achieving great success. Specialising in portraits and still life paintings, he was one of the legions of foreign-born artists working in England at the time. Today, many of his pictures are given to other artists or are simply relegated to that term “circle of” which is a great disservice because he had an ability to render faces and drapery on par with some of the best artists at the time. Herman’s work is quite distinctive in the way he rendered faces and this particular pose was a favourite. His faces were portrayed with great skill often using the sfumato technique which gave them a very smooth feel to the skin with no hard lines, and many known works by him show that he could also render drapery with great affect. Our painting was painted in the 1690’s. His father, Pieter Hermansz Verelst...
Category

17th Century Old Masters Portrait Paintings

Materials

Canvas, Oil

Portrait of a Lady in White Chemise, Russet & Blue Drapery c.1695, Oil Painting
By Harman Verelst
Located in London, GB
This lavish portrait, painted circa 1695, is an exquisite example of the type of portrait in vogue during the last quarter of the seventeenth century. It is evident that the artist ...
Category

17th Century Old Masters Portrait Paintings

Materials

Canvas, Oil

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