Africa - Portrait Drawings and Watercolors

François-Édouard Picot (French, 1786 – 1868) Ancient Greek Comedy Play • Pencil Drawing on laid paper behind decorative matting, visible image, ca. 10.5 x 15.5 cm • Modern Glased frame, ca. 27 x 33 cm • Signed "Picot fecit" lower left • As we photographed through glass, there are reflections in the images Worldwide shipping is complimentary - There are no charges for handling & delivery Here we have the somewhat unusual, yet typical subject matter François-Édouard Picot was interested in depicting. Shown is a scene from an ancient Greek comedy play. The previous owner has noted on the back, that this image was copied from an ancient Greek stone relief. François-Édouard Picot was born on the 10th of October in 1786 in Paris, France. He studied with various masters and became well known for his historical and mythological subjects. In 1812 he won the second prize in the Prix de Rome competition and after that success, went on to exhibit at the Paris Salon, where in the year 1819 he won a first-class medal for his neoclassical L'Amour et Psyché, which today hangs in the Louvre in Paris. He regularly exhibited his work in the salon up to 1839. He taught several young great artists at his elitist studio and was known for accepting only very few students, which included William Bouguereau, Gustave Moreau, Cabanel and Paul Seignac...

"Planes of the Head" by Lu Haskew Graphite on Paper 14x12" framed, 10x8" image size ABOUT THE ARTIST: Lu considered it a must to work with live models once ...

This is an Art Deco original illustration drawing, hand-painted with ink and gouache on paper, designed by French artist Edouard Halouze. The artwork features two stylish female mode...

Original Art Deco fashion drawing, ink, and wash on Vellum paper by French artist G. Ferro. The artwork features a stylish male model with a typical Art Deco overcoat. The piece is s...

Original drawing by Lauren Rinaldi float mounted in the pictured simple white frame measuring 17in x 14in. Lauren Rinaldi works using unbiased portraits of women’s bodies as a veh...

A fine 18th century French pastel portrait on paper of an aristocrat wearing the order of St Louis, inferring that the sitter had been in the military serving the King. The pastel is unsigned but to the the back is a piece of the original backing paper with a notation to the Baronne de Minck. The paper has been backed with a type of vellum, It is presented in a plain gilt wood frame on a period stretcher under 18th century glass. The artist has used the pastel to create a wonderful soft velvety texture so characteristic of this medium which became so popular for portraits in the 18th century. A charming rendition of a typical 18th century nobleman...

"Veneer" is an original oil pastel, ballpoint pen, color pencil, and graphite on arches paper work by Lauren Rinaldi. This piece ships in the pictured archival custom frame. The pape...

Signed: by Richard Geiger (1870 – 1945), Austrian - Hungarian painter. Also pencils inscriptions on reverse with date 33 (1933). By the 1920s, he worked illustrating books, bookplates and posters. His paintings included portraits, nudes, genre paintings, and mythological scenes, but he was known for his illustrations, especially his carnival motifs. Spectacular masterwork. Size app.: 18 x 23.3 cm (roughly 7.1 x 9,2 in), framed 31.7 x 36.4 cm (roughly 12.5 x 14.3 in). Very Good condition, minimal age wear. In person actual painting may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Please study good resolution images for overall cosmetic condition. Glass will be removed prior to shipment for safe transit. Weight of app. 0,5 kg (without glass!) is going to measure some 2 kg volume weight packed for shipment. R. Geiger was born in Vienna. He first attended a drawing school and then studied at the Academy of Fine Arts Vienna, where he studied under Christian Griepenkerl and August Eisenmenger. He studied sculpture with Fritz Klimsch at the Academy of Arts in Berlin. There he took part in the exhibitions of the Academy with his portrait busts and sculptures. In Paris he studied at the Julian Academy and worked in the studio of François Flameng...

Carrie Bradshaw in the kitchen with a hat by Manuel Santelices Ink pen and watercolor on paper Image size: 9 in. H x 12in. W One of a Kind Unframed...

'Sailors in Marseille', gouache on art paper, French School (circa 1960s). Ever since the 6th century, there have been fishermen selling their catch in the Old Port of Marseille while sailors from visiting vessels have always enjoyed a night on the town. Today the Old Port is the city’s beating heart, a vital part of Marseille. In this work, the artist depicts a solo French sailor crossing paths with his American counterpart. The Frenchman sports his cap with iconic pom pom rouge while the American sailor is dressed in his white 'Cracker Jack...

Untitled Portrait , 1973 by David Manzur Graphite on paper 10.7 x 8 inches Unframed ____ He was born in Neira, Caldas, and completed his early studies at the School of Fine Arts in ...

A drawing by Fernando Botero. "Dibujo a la Manera de Velasquez" is a portrait, charcoal and pastel on cardboard in an earth-tone palette by Latin American artist Fernando Botero. It is signed upper right, "Sobre Velazquez Botero -1-27-60 Para Rita. el recuerdo de uno payaso". Fernando Botero, best known for his voluptuously rotund human figures, was born in Medellín, Colombia on April 19, 1932. His father died when he was young, and he was raised by his mother, along with his two brothers. He attended a Jesuit school in Medellín and from the age of 12 to 14, he attended a matador training school. The bull fight became a recurring theme in Botero’s early work and while he was in his early teens, he sold his pictures of bull fights in front of the arena. By the time he was 16 years of age, Botero was working as an illustrator for the local magazine El Colombiano. He also began writing articles about art theory, one of which, entitled Picasso and Non-Conformity in Art, led to his expulsion from the Jesuit school for its endorsement of Cubism. One of Botero’s important early works, Woman Crying...