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Item Ships From: Amsterdam
Village Northern Bali, 1906
Located in Amsterdam, NL
Premises in North Bali, 1906 Signed with initials and titled bottom left and fully signed, bottom right Pencil and ink on paper, 10.5 x 18 cm Black ebonized frame with white mount ...
Category

Early 1900s Art Nouveau Amsterdam - Landscape Drawings and Watercolors

Materials

Graphite, Paper

Portrait of artist Ida Bagoes Ketut Diding, Bali, 1937
Located in Amsterdam, NL
Ida Bagoes Ketut Diding, Artist on bali 1937 Signed with initials, dated and titled, bottom centre Black chalk on paper, 29 x 31 cm Literature: Ernst Braches en J.F. Heijbroek, W....
Category

1930s Art Nouveau Amsterdam - Landscape Drawings and Watercolors

Materials

Graphite, Paper

Devotion in the Dessert near the pyramids of Gizeh, circa 1919
By Marius Bauer
Located in Amsterdam, NL
Marius Bauer (1867-1932) ‘Devotie in de Woestijn’ (Devotion in the Dessert near the pyramids of Gizeh, circa 1919) Signed lower right and titled lower left Watercolour on paper, H...
Category

Early 20th Century Impressionist Amsterdam - Landscape Drawings and Watercolors

Materials

Paper, Pencil, Watercolor, Ink

Beach of Kusambe, Bali 1937
Located in Amsterdam, NL
Four outrigger proa’s on the beach of Kusambe, Bali, 1937 Signed with initials, dated and described with location bottom left Pencil and ink on paper, 29.7 x 35 cm In ebonized frame with white mount WILLEM OTTO WIJNAND NIEUWENKAMP (1874-1950) Nieuwenkamp was born on July 27th 1874 in Amsterdam. His father owned sailing ships sailing to Indonesia and hearing the stories of the returning captains evoked in the young Nieuwenkamp an obsession for distant lands and adventure. After a failed attempt by his father to have his son make a career in his business, Nieuwenkamp attended the Academy for Decorative Art in Amsterdam. However, he left within one year to go his own way. He was an autodidact and a great experimenter with new techniques, particularly in the art of etching. Nieuwenkamp was a very focused man with the discipline of a scientist tempered by the sensitivity of an artist, a lust for adventure, a natural appreciation for ethnic arts and an enormous ambition to tread new paths. In 1898 he visited Indonesia for the first time and on his second visit in 1903-1904 he went on to Bali and became the first foreign artist to love Bali and the Balinese with a passion. Having secured agreements with several museums in the Netherlands to obtain Balinese art and objects for their collections, Nieuwenkamp immediately started to purchase and order a wide range of ethnographic art and objects from local artists and craftsmen. Through his drawings and books, he gave an excellent impression of Balinese art and culture at that time. Since 1854 Northern Bali was under Dutch...
Category

1930s Art Nouveau Amsterdam - Landscape Drawings and Watercolors

Materials

India Ink, Paper, Pencil

Four Balinese, Bali (1910)
Located in Amsterdam, NL
Four Balinese, 1910 Signed and dated bottom left Pencil and ink on paper, 15.6 x 23 cm In ebonized frame with white mount. Literature: W.O.J. Nieuwenkamp, Zwerftochten op Bali, Amsterdam, 1910, p. 36 WILLEM OTTO WIJNAND NIEUWENKAMP (1874-1950) Nieuwenkamp was born on July 27th 1874 in Amsterdam. His father owned sailing ships sailing to Indonesia and hearing the stories of the returning captains evoked in the young Nieuwenkamp an obsession for distant lands and adventure. After a failed attempt by his father to have his son make a career in his business, Nieuwenkamp attended the Academy for Decorative Art in Amsterdam. However, he left within one year to go his own way. He was an autodidact and a great experimenter with new techniques, particularly in the art of etching. Nieuwenkamp was a very focused man with the discipline of a scientist tempered by the sensitivity of an artist, a lust for adventure, a natural appreciation for ethnic arts and an enormous ambition to tread new paths. In 1898 he visited Indonesia for the first time and on his second visit in 1903-1904 he went on to Bali and became the first foreign artist to love Bali and the Balinese with a passion. Having secured agreements with several museums in the Netherlands to obtain Balinese art...
Category

1910s Art Nouveau Amsterdam - Landscape Drawings and Watercolors

Materials

Pencil, Paper

Market under the Banyan, Bali, 1937
Located in Amsterdam, NL
Market under the Banyan tree, 1937 Signed with initials and dated bottom right Pencil and ink on paper, 28 cm x 34.5 cm Literature: Bruce W. Carpenter, W.O.J. Nieuwenkamp. First ...
Category

1930s Art Nouveau Amsterdam - Landscape Drawings and Watercolors

Materials

Graphite, Paper

Weltevreden, Kebon Sirih, & Vlucht voor de bui (Fleeing the rain)
Located in Amsterdam, NL
Weltevreden, Kebon Sirih, & Vlucht voor de bui (Fleeing the rain) Executed between February 20 and March 2, 1918 Double sided drawing in graphite pencil on paper Images: c. 33 x 5...
Category

1910s Art Nouveau Amsterdam - Landscape Drawings and Watercolors

Materials

Graphite, Paper

Portrait of a Slave Ship: 'Le Negrito à l’ancre. Dans le port de la havanne'
Located in Amsterdam, NL
FRANÇOIS MATHURIN ADALBERT, BARON DE COURCY (1805-1839) 'Le Negrito à l’ancre. Dans le port de la havanne' Indistinctly signed lower left Titled on the mount Pencil and watercolour, heightened with white, on paper, 24.8 x 34.6 cm Literature: The present watercolour will be illustrated in: - Prof. Manuel Garcia’s projected book on the disease and the slave trade provisionally titled “Fighting the Yellow Demon of Fever: The Struggle against Disease in the Illegal Slave Trade”. - Prof. Micael Zeuske’s forthcoming Global history of slave trade. Exhibited: Mexico City, 1998, Palacio Virreinal, El Barón de Courcy, illustrationes de un viaje, 1831-1833, no. 108 Note: Baron de Courcy was in the Caribbean in late 1832 and early 1833, following his tour of Mexico in 1832, on the last leg of his “Grand Voyage...
Category

Mid-19th Century Old Masters Amsterdam - Landscape Drawings and Watercolors

Materials

Watercolor, Paper, Gouache, Pencil

Entrance to the temple at Klungkung, Bali, 1925
Located in Amsterdam, NL
Entrance to the temple at Klungkung, Bali, 1925 With studio seal at the reverse, dated and described, bottom left Black chalk on paper, 53 x 46.5 cm In ebonized frame with white mount Willem Otto Wijnand Nieuwenkamp (1874-1950) Nieuwenkamp was born on July 27th 1874 in Amsterdam. His father owned sailing ships sailing to Indonesia and hearing the stories of the returning captains evoked in the young Nieuwenkamp an obsession for distant lands and adventure. After a failed attempt by his father to have his son make a career in his business, Nieuwenkamp attended the Academy for Decorative Art in Amsterdam. However, he left within one year to go his own way. He was an autodidact and a great experimenter with new techniques, particularly in the art of etching. Nieuwenkamp was a very focused man with the discipline of a scientist tempered by the sensitivity of an artist, a lust for adventure, a natural appreciation for ethnic arts and an enormous ambition to tread new paths. In 1898 he visited Indonesia for the first time and on his second visit in 1903-1904 he went on to Bali and became the first foreign artist to love Bali and the Balinese with a passion. Having secured agreements with several museums in the Netherlands to obtain Balinese art...
Category

1920s Art Nouveau Amsterdam - Landscape Drawings and Watercolors

Materials

Paper, Chalk

Statue of Vishnu Garuda, Bali, 1904
Located in Amsterdam, NL
Statue of Vishnu Garuda, Bali, 1904 Signed with initials Pencil and ink on paper, 21.4 x 21.3 cm Literature: Bruce W. Carpenter, W.O.J. Nieuwenkamp. First European Artist in Bali,...
Category

Early 1900s Art Nouveau Amsterdam - Landscape Drawings and Watercolors

Materials

Pencil, Paper, India Ink

Incoming Rain, Bali, 1937
Located in Amsterdam, NL
Incoming rain, Den Pasar, Bali 1937 Signed with initials, dated and titled, bottom right Black chalk and ink on paper, 42 by 46 cm Literature: Ernst Braches en J.F. Heijbroek, W.O...
Category

1930s Art Nouveau Amsterdam - Landscape Drawings and Watercolors

Materials

Graphite, Paper

Part of the ring-wall of the Taj Mahal, Agra, India, 1914
Located in Amsterdam, NL
Part of the ring-wall of the Taj Mahal, Agra, India, 1914 Signed with initials and dated bottom right Black chalk on paper, 45.5 x 53 cm Literature: Ernst Braches en J.F. Heijbro...
Category

1910s Art Nouveau Amsterdam - Landscape Drawings and Watercolors

Materials

Chalk, Paper

Borobudur, Java, Indonesia (1937)
Located in Amsterdam, NL
Graveyard with in the background the Borobudur, 1937 Signed with initials and dated bottom left Pencil and ink on paper, 33 x 29 cm In ebonized frame with white mount Literature: ...
Category

1930s Art Nouveau Amsterdam - Landscape Drawings and Watercolors

Materials

Paper, Ink, Graphite

Stone Statue, Madura, India, 1914
Located in Amsterdam, NL
Stone statue in the temple at Madura, India, 1914 Signed with initials and dated, bottom left Pencil on paper, 25.4 x 16.7 cm Literature: Ernst Braches en J.F. Heijbroek, W.O.J. ...
Category

1910s Art Nouveau Amsterdam - Landscape Drawings and Watercolors

Materials

Pencil, Paper

Denpasar, Bali (1937)
Located in Amsterdam, NL
Entrance to a house in Denpasar, Bali, 1937 Signed, dated and titled bottom left Pencil and ink on paper, 19 x 26 cm Literature: Ernst Braches en J.F. Heijbroek, W.O.J. Nieuwenka...
Category

1930s Art Nouveau Amsterdam - Landscape Drawings and Watercolors

Materials

Graphite, Paper

Wobbly bridge, Tabanan, Bali, 1937
Located in Amsterdam, NL
Wobbly bridge, Tabanan, Bali, 1937 Signed with initials bottom right and dated, bottom left Pencil and ink on paper, 22 x 26.3 cm In ebonized frame with white mount Willem Otto Wi...
Category

1930s Art Nouveau Amsterdam - Landscape Drawings and Watercolors

Materials

India Ink, Paper, Pencil

Stone Statue, Madura, India, 1914
Located in Amsterdam, NL
Stone statue in the temple at Madura, India, 1914 Signed with initials top right Pencil on paper, 21.2 x 16.7 cm Literature: Ernst Braches en J.F. Heijbroek, W.O.J. Nieuwenkamp,B...
Category

1910s Art Nouveau Amsterdam - Landscape Drawings and Watercolors

Materials

Pencil, Paper

1854 Funeral of R. Williams at Gyokusen-ji Temple, Shimoda, with Commodore Perry
Located in Amsterdam, NL
Wilhelm Heine (Dresden 30 January 1827-Löbnitz 5 October 1885) ‘Funeral of Robert Williams in the cemetery of the Temple Gyokusen-ji at Shimoda in April 1854’ With a sticker on the reverse of the frame by Coupil & Co. 1855 Watercolour on paper, H. 57 x W. 92 cm Depicted is the Bay of Shimoda with seven American ships including the two paddle-wheel warships USS Mississippi and Susquehanna. On the Gyokus- en-ji temple grounds on the right is the coffin in the middle with the remains of US marine Robert Williams, ready to be lowered into the grave. Looking on from the left are the Buddhist monks and Japanese officials who joined the first Christian funeral on Japanese soil. Around the grave are US marines, Commodore Perry...
Category

Mid-19th Century Amsterdam - Landscape Drawings and Watercolors

Materials

Paper, Ink, Watercolor, Gouache

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