Antwerp - Animal Paintings
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Item Ships From: Antwerp
Dutch Old Master - Boy feeding his dove, accompanied by his dog 1765
Located in Aartselaar, BE
A young boy feeding his dove, accompanied by his loyal dog, dated 1765
In this intimate Dutch Old Master painting by P. J. Geerst, dated 1765, a tender moment between a child and hi...
Category
18th Century Old Masters Antwerp - Animal Paintings
Materials
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Large 19th century oil - Deer family in a forest landscape - Castle provenance
Located in Aartselaar, BE
Franz Xaver von Pausinger, A Deer Family in Forest Clearing, 1876 which once hung in Häringe Castle
This luminous oil painting by Austrian master Franz von Pausinger captures the se...
Category
19th Century Romantic Antwerp - Animal Paintings
Materials
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19th century painting of a shepherd with his flock of sheep - countryside moon
Located in Aartselaar, BE
Romantic 19th century painting of a shepherd with his flock attributed to Hippolyte Paul Vayson
Hippolyte Paul Vayson is a French painter and engraver born on December 4, 1841 in Go...
Category
19th Century Romantic Antwerp - Animal Paintings
Materials
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19th century painting Deer family in a forest landscape - Romantic Stag Doe
By Wilhelm Kuhnert
Located in Aartselaar, BE
19th century German romantic painting of a deer family in a snowy forest by Wilhelm Kühnert
A majestic stag stands sentinel at the edge of a sun-drenched clearing, his gaze locked w...
Category
19th Century Romantic Antwerp - Animal Paintings
Materials
Canvas, Oil
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Seymour's love of art was matched only by his love of horses. He began spending time at racetracks early on, and before long found himself absorbed in the sport - drawing, painting, owning, breeding, and racing horses. His art proved popular among the prominent sporting families of the day, eventually garnering Seymour patrons in Sir William Jolliffe and Charles Seymour, 6th Duke of Somerset...
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In ancient Greek mythology, Orpheus was celebrated for his extraordinary musical talent and his ability to charm and enchant all living creatures with the melodies of his lyre. Legend has it that wherever Orpheus traveled, he was accompanied by a menagerie of animals drawn to the uplifting strains of his music.In lush forests and verdant meadows, Orpheus would sit beneath the shade of ancient trees, strumming his lyre and filling the air with melodies that stirred the hearts of all who heard them. Birds would perch on branches, their songs blending harmoniously with Orpheus's own, while deer and rabbits emerged from their hiding places to listen, their eyes shining with wonder and delight.Even the fiercest of beasts, such as lions and wolves, would approach Orpheus with caution, only to be soothed by the gentle rhythms of his music. They would lie down beside him, their wild instincts tempered by the tranquility of the melodies, creating scenes of rare harmony and peace in the natural world.Orpheus's ability to connect with animals through his music was a testament to the universal power of art and creativity. His story serves as a reminder of the profound bond that exists between humans and the natural world, and the transformative impact that music and beauty can have on our lives.
Jacob Bouttas, born in Antwerp, Belgium, in 1660, hailed from a family of artists with a rich artistic tradition. Like his father and teacher Frederic Bouttats II and his grandfather Frederic Bouttats I, he was strongly influenced by Jan Bruegel the Elder and the Brueghel-spirit echoes through his oeuvre. He specialized in painting landscapes with biblical and mythological scenes populated by small figures and animals (visible in, amongst other collections, Munich, Alte Pinakothek; Dijon, Musée des Beaux-Arts). A series of twelve coppers dedicated to the creation of the world according to the Genesis story, from the separation of light and darkness to the descent of Adam is preserved in the Museum of Navarra.
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Measurements:
75 * 95 cms. Framing options available.
Antwerp hands panelmark visible verso, indicating a date of creation of the panel in the first half of the 17th century, after 1620. Panels were expensive at the time, especially this size and approved by the Antwerp panelmalers guild. A similar composition (measuring ca. 73 * 105cms) was offered at a leading auction house in Vienna in 2003 as attributed to Jacob de Backer...
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