Asia - More Prints

Yayoi Kusama Dots Infinity (1986). Edition 57/100 Screenprint [2 screens, 2 colors] Signed, titled, dated and numbered 53/100 in pencil by the artist 28 x 32 cm [11 ¹/₃₂ x 12 ¹⁹/₃₂ ...

Chiharu Shiota Connection with Universe (2019) Edition 25/40 Lithograph 30 × 40 cm

Yayoi Kusama Dots Infinity (1986). Edition 53/100 Screenprint [2 screens, 2 colors] Signed, titled, dated and numbered 53/100 in pencil by the artist 28 x 32 cm [11 ¹/₃₂ x 12 ¹⁹/₃₂ ...

Yayoi Kusama Lemon Squash from the Specially Bound Edition, Edition 73/150. Lithograph [2 plates, 2 colors, 2 runs]. Numbered, titled in Japanese, dated and hand signed by the artis...

Bokan - camouflage pink, 2009 by Takashi Murakami Offset print, numbered and signed by the artist 19 11/16 × 19 11/16 in 50 × 50 cm Edition 71/300 About the Artist: Takashi Murakami is best known for his contemporary combination of fine art and pop culture. He uses recognizable iconography like Doraemon and cartoonish flowers and infuses it with Japanese culture. The result is a colorful body of work that takes the shape of paintings, sculptures and animations. In the 1990s, Murakami founded the Superflat movement in an attempt to expose the "shallow emptiness of Japanese consumeristic culture." The artist plays on the familiar aesthetic of mangas, Japanese-language comics, to render works that appear popular and accessible, all the while denouncing the universality and impersonality of consumer goods. Murakami has done collaborations with numerous brands and celebrities including Kanye West, Louis Vuitton...

71221 Cyanotype on hot pressed 300gms watercolour paper 31 x 42 cm Shin-Young Park is a Korean-born New Zealander who moved to Auckland with her family at 16, and to Singapore in 20...

51121 Cyanotype on hot pressed 300gms watercolour paper 31 x 42 cm Shin-Young Park is a Korean-born New Zealander who moved to Auckland with her family at 16, and to Singapore in 20...

301121 Cyanotype on hot pressed 300gms watercolour paper 31 x 42 cm Shin-Young Park is a Korean-born New Zealander who moved to Auckland with her family at 16, and to Singapore in 2...

201021 Cyanotype on hot pressed 300gms watercolour paper 31 x 42 cm Shin-Young Park is a Korean-born New Zealander who moved to Auckland with her family at 16, and to Singapore in 2...

151021 Cyanotype on hot pressed 300gms watercolour paper 31 x 42 cm Shin-Young Park is a Korean-born New Zealander who moved to Auckland with her family at 16, and to Singapore in 2...

101221 Cyanotype on hot pressed 300gms watercolour paper 31 x 42 cm Shin-Young Park is a Korean-born New Zealander who moved to Auckland with her family at 16, and to Singapore in 2...

Compelling set of 6 etchings from an exciting new talent, Indian Artist Sonal Varshneya Ojha. The 6 works come from a series of 25 works, Edition 4/7...

Compelling set of 7 etchings from an exciting new talent, Indian Artist Sonal Varshneya Ojha. The 7 works come from a series of 25 works, Edition 4/7. The full Edition is available o...

Compelling set of 7 etchings from an exciting new talent, Indian Artist Sonal Varshneya Ojha. The 7 works come from a series of 25 works, Edition 4/7. The full Edition is available o...

Compelling set of 25 etchings from an exciting new talent, Indian Artist Sonal Varshneya Ojha. The 25 works are Edition 4/7. Editions 1, 2 & 3 have already sold, Edition 2 has been purchased by a Museum Collection in Belgium. Loved by private clients and Interior designers alike, Sonal has exhibited at International art fairs and exhibited with leading Galleries. Vachik, Edition 4/7, 25 Etchings on Archival paper, dated 2022, signed and titled under each piece in pencil 65" x 50" (depending on hanging layout), without framing, comprising 25 etchings. Each etching, sheet size 17" x 14", image size 13" x 10" 2022 Signed, Editioned, dated and titled in pencil Provenance: From the artist's studio Sonal is a storyteller. Her primary medium of choice is printmaking, exquisite etchings whose protagonists jump off the page to tell their stories. Like all good narratives that lucidly roll from one tale to the other the artist works in series. Be it her Kissa Goi or her new Vachik stories, each work comprises of many parts, all fitting together as one large work, or, equally as pleasing, as individual works that may or may not speak to each other in any combination of pattern. Sonal lives and works in Lucknow, in India, the City famous for its tradition of Ghazal poetry. In past times the poems were displayed in Diwan's (illustrated books) a calligrapher and artist would be commissioned to illustrate the poems. Sonal references these traditions and we can see traces of this in her contemporary images. Ghazal's delight and employ elements of playfulness, anecdote and surprise. They take their audience on a bitter-sweet journey and Sonal invites us to do the same. The artist explains that in the evenings the women gather on the roof terraces of her town to tell the tales that are passed from the older generations to the younger women. These are stories that primarily revolve around the woman and their everyday role in a patriarchal society. These tales become mixed with the contemporary, both local and global events that effect the lives of the women. At first glance there is an anecdotal quality to the visual narratives but look a little longer and you will be rewarded by layer upon layer of meaning. Through the clever use of text and images of objects which may at first appear to be dislocated, each part of the image pulls together the narrative, expanding it into many different levels. In Sonal's own words, 'This work is very close to my heart, a lot of emotions are attached to this work. Some such feelings that awakened for the first time and they were priceless. I have lived that time, felt it very closely, whatever happened to me at that time, I have tried my best to make it work. Kajal has a very important role, when there are children and grandmothers complete it, it is said that by applying Kajal in the eyes of the children, the eyes become bigger. Which we call Nazarota which is a small iron vessel. Kashmiri shawls...

Compelling set of 5 etchings from an exciting new talent, Indian Artist Sonal Varshneya Ojha. The 5 works come from a series of 25 works, Edition 4/7. The full Edition is available on our 1stDibs store. Editions 1 and 2 have already sold, Edition 2 has been purchased by a Museum Collection in Belgium. Loved by private clients and Interior designers alike, Sonal has exhibited at International art fairs and exhibited with leading Galleries. Vachik, Edition 4/7, Etching on Archival paper, dated 2022, signed and titled under each piece in pencil 17" x 70" (depending on hanging layout), without framing, comprising 5 etchings. Sheet size 17" x 14", image size 13" x 10" 2022 Signed, Editioned, dated and titled in pencil Provenance: From the artist's studio. Sonal is a storyteller. Her primary medium of choice is printmaking, exquisite etchings whose protagonists jump off the page to tell their stories. Like all good narratives that lucidly roll from one tale to the other the artist works in series. Be it her Kissa Goi or her new Vachik stories, each work comprises of many parts, all fitting together as one large work, or, equally as pleasing, as individual works that may or may not speak to each other in any combination of pattern. Sonal lives and works in Lucknow, in India, the City famous for its tradition of Ghazal poetry. In past times the poems were displayed in Diwan's (illustrated books) a calligrapher and artist would be commissioned to illustrate the poems. Sonal references these traditions and we can see traces of this in her contemporary images. Ghazal's delight and employ elements of playfulness, anecdote and surprise. They take their audience on a bitter-sweet journey and Sonal invites us to do the same. The artist explains that in the evenings the women gather on the roof terraces of her town to tell the tales that are passed down. These are stories that primarily revolve around the woman and their everyday role in a patriarchal society. These tales become mixed with the contemporary, both local and global events that effect the lives of the women. At first glance there is an anecdotal quality to the visual narratives but look a little longer and you will be rewarded by layer upon layer of meaning. Through the clever use of text and images of objects which may at first appear to be dislocated, each part of the image pulls together the narrative, expanding it into many different levels. In Sonal's own words, This work is very close to my heart, a lot of emotions are attached to this work. Some such feelings that awakened for the first time and they were priceless. I have lived that time, felt it very closely, whatever happened to me at that time, I have tried my best to make it work. Kajal has a very important role, when there are children and grandmothers complete it, it is said that by applying Kajal in the eyes of the children, the eyes become bigger. Which we call Nazarota which is a small iron vessel. Kashmiri shawls...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

I've Left My Love Far Behind. Their Smell, Every Memento…, 2010 by Takashi Murakami Offset print, signed and numbered by the artist 26 ³/₁₆ × 18 ³/₄ in 66.5 x 47.5 cm Edition 105/30...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edi...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

Offset print with high gloss varnishing Edition of 300 21.7 in Diameter Signed and numbered on the front Mint

Offset lithograph with cold stamp Edition of 300 Signed and numbered in ink lower right Mint, as issued Sold in the original packaging

Offset lithograph Edition of 300 Signed and numbered on the front Mint, as issued Sold in the original Kaikai Kiki box

Silkscreen Edition of 100 (Edition number unknown as the print is unopened, to preserve condition) Signed and numbered on the front Mint, as issued Sold in the original KaiKai KiKi p...

Silkscreen Edition of 100 Signed and numbered on the front Mint

Silkscreen Edition of 100 Signed and numbered on the front Mint, as issued Sold in the original KaiKai KiKi packaging

Silkscreen Edition of 100 Signed and numbered on the front Mint, as issued Sold in the original KaiKai KiKi packaging Our mission is to connect art collectors to opportunity. Whethe...

Offset lithograph Edition of 300 Signed and numbered on the front Mint, as issued Sold in the original Kaikai Kiki box

Broken Family, 2020 by Matt Gondek Giclée fine art print, edition 93/100 60.3 x 47.5cm (not considering the frame) 23 ⁴⁷/₆₄ x 18 ⁴⁵/₆₄ (not considering the frame) Hand signed and num...

Silkscreen Edition of 100 Signed and numbered on the front Mint, as issued Sold in the original KaiKai KiKi packaging

Silkscreen Edition of 100 Signed and numbered on the front Mint, as issued Sold in the original KaiKai KiKi packaging

Silkscreen with gold leaf and platinum leaf Edition of 300 Signed, titled, dated and numbered on the front Mint, as issued Sold in the original KaiKai KiKi packaging

Deconstructed Homer, 2020 Open edition giclée fine art print on 320gsm Somerset museum smooth rag paper 30.3 x 45.9 cm 11 7/8 x 18 1/8 in Hand signed by the artist on the lower right...

Deconstructed Homer, 2020 Open edition giclée fine art print on 320gsm Somerset museum smooth rag paper 30.3 x 45.9 cm 11 7/8 x 18 1/8 in Hand signed by the artist on the lower right...

Silkscreen with cold stamp Edition of 300 Signed and numbered on the front Mint, as issued

Kamal Mitra - Untitled - 10 x 13 inches (unframed size) Etching on Paper Inclusive of shipment in a roll form. About Kamal Mitra’s Works : While pursuing his Bachelors (Painting) ...

LOT:20230913S01 Screenprint Signed, numbered and the artist's blindstamp Edition 279 of 300 2019 Accompanied by a Pest Control COA

LOT:20221006N01 Signed, dated 2021 and numbered by the artist Edition 103 of 200 Provenance: Gallery Delaive, Amsterdam