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Item Ships From: Bay Area
The Great Sphinx & Pyramids, Giza, Egypt: A 19th C. Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "The Great Sphinx, Pyramids of Gizeh" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, publ...
Category
1840s Realist Bay Area - Interior Prints
Materials
Lithograph
The Roman Colosseum: A Framed 18th Century Etching of the Interior by Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta dell'interno dell'Anfiteatro Flavio detto il Colosseo" (View of the interior of the Flavian Amph...
Category
1760s Old Masters Bay Area - Interior Prints
Materials
Etching
Standing Ovation - conceptual vignette with velvet curtain and marble floor
By Frank Schott
Located in San Francisco, CA
Standing Ovation by Frank Schott
60 x 48 inches (152 x 122cm)
signed edition of 7
40 x 32 inches (102 x 81cm)
signed edition of 25
archival fine ar...
Category
21st Century and Contemporary Contemporary Bay Area - Interior Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée
Chez Panisse Restaurant Birthday Celebration: Original Goines Graphic Art Poster
By David Lance Goines
Located in Alamo, CA
This original graphic art lithographic poster entitled "Chez Panisse Restaurant and Cafe" was created by David Lance Goines in 1989 in his Berkeley studio...
Category
Late 20th Century Bay Area - Interior Prints
Materials
Lithograph
The Great Hall at Karnak, Luxor, Egypt: A 19th C. Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Great Hall at Karnac, Thebes" by David Roberts, from his Egypt and Nubia volumes of the larg...
Category
1840s Realist Bay Area - Interior Prints
Materials
Lithograph
LA Parking - large scale photograph of midcentury urban architectural element
By Frank Schott
Located in San Francisco, CA
LA Parking by Frank Schott
a burst of red in an urban landscape of striking minimalism
from a series of photographs capturing the mid century modern architecture and architectural el...
Category
21st Century and Contemporary Contemporary Bay Area - Interior Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment
Vatican Hallway designed by Raphael: 18th C. Hand-colored Engraving by Volpato
By Giovanni Volpato
Located in Alamo, CA
This is an original 18th century hand-colored copper-plate engraving by Giovanni Volpato after a drawing by Camporesi. It was the frontispiece for volume one of the rare and valuable...
Category
Late 18th Century Old Masters Bay Area - Interior Prints
Materials
Engraving
Ancient Roman Marble Vase: 18th C. Piranesi Etching Vaso Cinerario di Gran Mole
By Giovanni Battista Piranesi
Located in Alamo, CA
"Vaso Cinerario di Gran Mole. Le Teste dei Giovenchi mostrano di reggere it pesante Festone composto di Frutti Fiori Grans ed use. Il tuto Necefsario all Vita Umana. Il Restante degl...
Category
1760s Old Masters Bay Area - Interior Prints
Materials
Etching
Dendera, Egypt, Dec 7th, 1838: David Roberts' 19th C. Duotone Lithograph
By David Roberts
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Dendera, Dec 7th, 1838" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in...
Category
1840s Realist Bay Area - Interior Prints
Materials
Lithograph
"The Doorway of Baalbec": A David Roberts' 19th Century Hand Colored Lithograph
By David Roberts
Located in Alamo, CA
"The Doorway of Baalbec" is a 19th century full folio sized duotone lithograph, representing plate 81 in the Egypt and Nubia volumes of David Roberts’ large folio edition, published ...
Category
1840s Realist Bay Area - Interior Prints
Materials
Lithograph
Scene Galante au XVIII eme Siecle #1
By Antoine Calbet
Located in San Francisco, CA
This artwork titled "Scene Galante au XVIII eme Siecle" c.1930 in an aquatint on paper by French artist Antoine Calbet, 1860-1944. It is hand signed in pencil at the lower right corner. The plate mark (image) size is 9.60 x 12.25 inches, framed size is 16.5 x 19.5 inches. Framed in a wooden gold and black frame, with fabric matting. The artwork is in very good condition, frame and matting are in good condition, frame have some minor dents, matting have a small point of discoloration at upper left.
About the artist.
Antoine Calbet is the son of Marie Singlande and Jean-Baptiste Calbet, landowner at a place called Gaubert.
Trained at the School of Fine Arts in Montpellier by Édouard - Antoine Marsal (1845-1929) where he learned drawing, this illustrator and illustrator, a painter of nudes and gallant scenes, was very popular during his lifetime.
Antoine Calbet is then admitted to the School of Fine Arts in Paris in the studio of Alexandre Cabanel (1823-1889). He was a member of the admission jury of the Beaux-Arts from 1913 to 1930. He began to exhibit in 1880 and became a member of the Society of French Artists . He was the friend of his compatriot of Lot-et-Garonne, the President of the Republic Armand Fallières , for which he drew the menus of his meals, which made him known in Parisian salons.He illustrated works by Jean Lorrain , Henri de Regnier , Pierre Loues 3 and for periodicals like L'Illustration .
Selected museums and collections
Dallas , Dallas Museum of Art : Back woman...
Category
Mid-20th Century Realist Bay Area - Interior Prints
Materials
Aquatint
The Card Game: An Early 17th Century Engraving by A. Voet after Cornelis de Vos
By Alexander Voet
Located in Alamo, CA
A 17th century engraving entitled "The Card Game" by old master artist Alexander de Voet after a painting by Cornelis de Vos, created in 1632. The pain...
Category
1630s Old Masters Bay Area - Interior Prints
Materials
Engraving
Church of St. Costanza, Rome: An 18th Century Piranesi Architectural Etching
By Giovanni Battista Piranesi
Located in Alamo, CA
This is a framed 18th century Giovanni Battista Piranesi etching entitled: "Veduta interna del Sepocro di Santa Costanza, fabbricat...
Category
1770s Old Masters Bay Area - Interior Prints
Materials
Etching
Approach of the Simoon, Giza, Egypt: Original 19th C. Lithograph by D. Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Approach of the Simoon, Desert of Gizeh" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, ...
Category
1840s Realist Bay Area - Interior Prints
Materials
Lithograph
"Inside of a House in Nootka Sound" (Canada) from Captain Cook's 3rd Voyage
By John Webber
Located in Alamo, CA
"The Inside of a House in Nootka Sound" is an engraving created by William Sharp (1749-1824), from a drawing by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. It is Plate 65 in "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", the official British Admirality sanctioned journal published upon completion of the voyage in London in 1784 by Strahan & Cadell.
This engraving is presented in a Koa wood frame and a white mat. There are occasional tiny faint spots, but the print is otherwise in very good condition. Koa wood is legendary in Hawaii. Not only is this amazing wood native to Hawaii, but it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa.
There are three other engravings listed form the official journal of Captain Cook's 3rd voyage available that are presented in identical Koa wood frames and mats. They would make a wonderful grouping for a display of 2, 3 or 4 prints. Please see listings: LU117324682432, LU117324684022, LU117324684062. A discount is available for a grouping depending on the number of items included.
Nootka Sound is on the west coast of Vancouver Island, British Columbia, Canada. It was explored by Captain Cook in 1778 after he discovered Hawaii during his 3rd voyage. He originally named it King George's Sound, but did record Nootka Sound, which he thought was its native name. Hawaii was originally called The Sandwich Islands in honor of The Earl of...
Category
1780s Realist Bay Area - Interior Prints
Materials
Engraving
A Rare 19th Century Honore Daumier Caricature from the "Types Parisiens" Series
By Honoré Daumier
Located in Alamo, CA
This is a rare 19th century satirical lithograph by Honoré-Victorin Daumier entitled "Types Parisiens, L'InstItuteur: Votre fils me fera honneur!....c'est un joli sujet!!!", No. 24 (Parisian Types, The Institutor: Your son will be my honor! ... it's a nice subject !!), published in Paris in the satirical magazine La Caricature, May 24, 1840 by Aubert et Cie. It depicts a man presenting his son to another man, presumably a teacher or school headmaster, who politely states that it would be an honor to take care of such a nice boy, as he watches the boy picking his nose. An apparent teaching poster or map hangs on the wall in the background.
This rare Daumier lithograph...
Category
Mid-19th Century Other Art Style Bay Area - Interior Prints
Materials
Lithograph
Hallelujah - large format photograph of baroque Italian palazzo fresco ceiling
By Frank Schott
Located in San Francisco, CA
mesmerizing baroque details in a long forgotten Mediterranean architecture masterpiece discovered in baroque Sicily, Italy
50 x 44 inches /...
Category
21st Century and Contemporary Contemporary Bay Area - Interior Prints
Materials
Archival Pigment, Photographic Paper, Archival Paper, Giclée
Four 19th Century Hand Colored Engravings Depicting English Royal Residences
By Charles Wild
Located in Alamo, CA
Four hand colored etchings and aquatints depicting interiors within English royal residences, including "The Blue Velvet Room at Carlton House", "The Queen's Library at Frogmore", "T...
Category
1810s Academic Bay Area - Interior Prints
Materials
Engraving
Pantheon ( Rome ) - large scale photograph of iconic architectural elements
By Frank Schott
Located in San Francisco, CA
Pantheon (Rome) by Frank Schott
from a series of monochromatic and timeless photographic observances of iconic architectural and interior references around Rome's historical center
...
Category
21st Century and Contemporary Contemporary Bay Area - Interior Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée
Tiberias from the Walls: David Roberts' 19th C. Hand-colored Lithograph
By David Roberts
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Tiberias from the Walls, Saffet (Safed) in the Distance" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1841. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered among the greatest lithographically illustrated works issued in the 19th century.
This page from Roberts' 19th century publication includes a half-folio hand-colored lithograph of a view of the town of Tiberias and with the town of Safed on the hill in the distance. They lie along the Sea of Galilee...
Category
1840s Realist Bay Area - Interior Prints
Materials
Lithograph
Hallelujah - large format photograph of baroque Italian palazzo fresco ceiling
By Frank Schott
Located in San Francisco, CA
mesmerizing baroque architectural details in a long forgotten Italian palazzo discovered in Mediterranean Sicily, Italy
Hallelujah by Frank Schott
40...
Category
21st Century and Contemporary Contemporary Bay Area - Interior Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée
William Hogarth's "Analysis of Beauty": A Set of Two Framed 18th C. Engravings
By William Hogarth
Located in Alamo, CA
The two plates in this set were created utilizing both engraving and etching techniques by William Hogarth in 1753, originally as illustrations of his book on aesthetics, entitled "Analysis of Beauty". Due to their popularity, these plates were later published separately. The publication line in the lower right reads: "Designed, Engraved, and Publish'd by Wm. Hogarth, March 5th 1753, according to Act of Parliament." Hogarth's original copper plates were refurbished where needed by James Heath and engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's copper plates were used for printing. Most were melted during World War I for the construction of bombs.
These large folio sized "Analysis of Beauty" engravings are presented in antiqued gold-colored frames with double mats; the outer silk mats are light brown-colored and the inner mats are dark brown. Each frame measures 27.38" x 31.25" x 1.13". There is one tiny spot in the right margin of plate 1 and another in the lower margin; the latter could be from the printing process. The prints are otherwise in excellent condition.
The "Analysis of Beauty" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Fine Arts Museums of San Francisco.
The first engraving (Plate 1) depicts a courtyard of statues which is filled with some of the most famous works of classical sculpture. The most important sculptures are surrounded by less impressive works. The Medicean Venus (#13) is in the center with a statue of Julius Caesar (#19) to the right, elevated on a pulley with a short, overdressed Brutus stands over the falling Caesar. The Apollo Belvedere (#12) is next. A judge stands to the right with his foot on a cherub (#16). Another crying cherub holds a gallows and wipes his tears with the judge's robe.
A sphinx (#21) and the drunken Silenus (#107) are below the Venus. Michaelangelo's torso (#54) and a statue of Antonius (#6) are seen in the foreground. The Farnese Hercules (#3) and a bust of another Hercules (#4) under two statuettes of Isis are also included in the scene.
The key to these objects is included in the form of a serpentine line winding around a cone (#26), Hogarth's "Line of Beauty". For Hogarth the winding line is an essential element of beauty in art. Hogarth's theory of beauty is communicated in this plate.
Plate 2 is thought to represent the Wanstead Assembly, with the Earl of Tynley and his household. It is an adaptation of a scene in the Happy Marriage series, which complements Hogarth's Marriage à la Mode...
Category
Mid-18th Century Old Masters Bay Area - Interior Prints
Materials
Engraving, Etching
The Great Pyramids of Giza, Egypt: A 19th C. Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Pyramids of Geezeh" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in Lon...
Category
1840s Realist Bay Area - Interior Prints
Materials
Lithograph
Bazaar of Coppersmiths, Cairo, Egypt: Original 19th C. Lithograph by D. Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Bazaar of the Coppersmiths, Cairo" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, publis...
Category
1840s Realist Bay Area - Interior Prints
Materials
Lithograph
Persephone I - muted still life of a timeless environmental interior vignette
By Erik Pawassar
Located in San Francisco, CA
Large scale original photograph from Erik Pawassar's body of works 'Persephone', a series of environmental still-life photographs of timeless palimpsest impressions
62 x 48 inches (157 x 122cm)
signed edition of 7
40 x 31 inches (102 x 79cm)
signed edition of 25
24 x 19 inches (61 x 48cm)
signed edition of 25
archival fine art pigment print
signed & numbered by artist on certificate label
____________________________
Erik Pawassar's work focuses on the beauty of the disregarded or mundane object. The subjects for his striking and captivating visuals are typically set in the most ordinary environments, drawing the viewer into a charged but serene experience based on composition, palette and formal lines. Saturated in color, the nominal subjects gather a haunting and mesmerizing quality, creating a poignant pretext for the making of a formal color photograph.
Decisively capturing the traces left by humanity, Pawassar's images are filled with a sense of universal nostalgia and pay homage to the passage of time and the extinguished moment, referencing documentary and street photographers like Henri Cartier-Bresson, Sebastian Salgado, Raghubir Singh...
Category
21st Century and Contemporary Contemporary Bay Area - Interior Prints
Materials
Archival Paper, Photographic Paper, Archival Pigment, Giclée, Archival Ink
Pantheon (Rome) - large scale photograph of iconic architectural elements
By Frank Schott
Located in San Francisco, CA
Pantheon (Rome) by Frank Schott
from a series of monochromatic and timeless photographic observances of iconic architectural and interior references around Rome's historical center
...
Category
21st Century and Contemporary Contemporary Bay Area - Interior Prints
Materials
Archival Paper, Photographic Paper, Archival Pigment, Giclée
Mujere
By Raul Soldi
Located in San Francisco, CA
This artwork "Mujere" c.1960 is an original color silkscreen by noted Argentinian artist Raul Soldi, 1905-1994. It is hand signed and numbered 12/15 P.A in pencil by the artist. The image size is 22.75 x 17 inches, sheet size is 26.65 x 21.5 inches. It is in very good condition, colors are fresh and bright.
About the artist:
Raúl Soldi was born in Buenos Aire in 1905.
He was an argentine plastic artist of recognized international experience.
In 1920 he began drawing and painting. He makes reproductions of Quinquela Martín...
Category
Mid-20th Century Expressionist Bay Area - Interior Prints
Materials
Screen
Parmigiani Amica: An 18th Century Engraving and Etching by Strange After Mazzola
Located in Alamo, CA
This is an 18th century engraving and etching entitled "Parmigiani Amica" by Robert Strange after a painting by Girolamo Francesco Maria Mazzola, better known as Parmigianino, who lived during the Renaissance period. It was published in London in 1774. As the inscription states, the painting was in the collection of the King of Naples at the time the engraving was made. The engraving depicts a half-length portrait of a young woman, known as Parmigiani's Amica (meaning "female friend" in Italian). She is depicted wearing a simple but elegant dress with a low-cut neckline, which reveals her delicate features and graceful neck. Her hair is arranged in a simple yet stylish manner. She is turning to the right to look lovingly at her infant, which she is holding with her right arm. She is touching the baby's mouth with her left hand. The background of the engraving is plain and unadorned, allowing the viewer to focus entirely on the subject of the portrait. The result is a beautiful and timeless image that captures the essence of Renaissance portraiture.
The engraving is printed on watermarked paper. The sheet measures 16.25" high and 12' wide. The sheet is adhered to paper in its upper corners and it has been removed from the paper in its lower corners. There is some mild discoloration and some wrinkling in the margins, including the lower inscription area, and a small dark spot in the upper margin, which may represent a drop of ink occuring at the time of printing. These issues do not involve the image, which is in very good condition. The print is held by several museums and institutions, including: The Metropolitan Museum of Art in New York, The British Museum in London, The Royal Museums of the UK, The British National Trust...
Category
Late 18th Century Bay Area - Interior Prints
Materials
Engraving, Etching
"Entrance to the Citadel Cairo": David Roberts' 19th C. Hand Colored Lithograph
By David Roberts
Located in Alamo, CA
"Entrance to the Citadel of Cairo" is a 19th century full folio sized duotone lithograph from the Egypt and Nubia volumes of David Roberts’ large folio edi...
Category
1840s Realist Bay Area - Interior Prints
Materials
Lithograph
Hallelujah - large format photograph of baroque Italian palazzo fresco ceiling
By Frank Schott
Located in San Francisco, CA
Epic scale photograph of mesmerizing baroque details in a long forgotten architectural masterpiece discovered in Mediterranean Sicily, Italy
Hallelujah by Frank Schott
66 x 59 inch...
Category
21st Century and Contemporary Contemporary Bay Area - Interior Prints
Materials
Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée
"La Conversation" Large original lithograph
By Jean-Pierre Cassigneul
Located in San Francisco, CA
This art work titled "La Conversation" 1991 is an original color lithograph on wove paper by French artist, Jean Pierre Cassigneul, born 1935. It is h...
Category
Late 20th Century Post-Impressionist Bay Area - Interior Prints
Materials
Lithograph
Fireside Christmas
Located in San Francisco, CA
This artwork titled "Fireside Christmas" c. 1985 is an original color etching by American artist Scott Fitzgerald. It is hand signed, titled and numbered 158/250 in pencil by the artist. Published and printed by the artist. The image (plate mark) size is 11.5 x 17.65 inches, sheet size is 19.25 x 25.25 inches. it is in excellent condition, has never been framed.
About the artist:
Scott Fitzgerald received his Master’s Degree in Arts from California State University Fullerton, and went on to teach drawing and printmaking for 2 years at the university.
During his college years, he focused his study in contemporary art and photography, creating mixed media works often with social comments. It was not until the sophomore year, he discovered the traditional art of etching in his printmaking class. Immediately, he embraced the complex and difficult technical process of making prints from etching on copper plates.
Scott Fitzgerald established himself as a prominent printmaker in the next few years. With a strong interest in history, he accepted a commission to produce a series of etching depicting 15 Orange County historical landmarks. Besides producing very intricate prints in various sizes, he has engaged in many special projects. He worked with renowned English printer John Randle to produce a group of etchings...
Category
Late 20th Century American Realist Bay Area - Interior Prints
Materials
Etching
Abu Simbel Temple to Ramesses II in Egypt: A 19th C. Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "The Great Temple of Aboo Simble, Nubia" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, p...
Category
1840s Realist Bay Area - Interior Prints
Materials
Lithograph
Pillar of Absalom near Jerusalem: David Roberts' 19th C. Hand-colored Lithograph
By David Roberts
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Absaloms Pillar, Valley of Schoshaphat" by David Roberts, from his Egypt and Nubia volumes of the large folio editi...
Category
1840s Realist Bay Area - Interior Prints
Materials
Lithograph
Scene Galante au XVIII eme Siecle #2
By Antoine Calbet
Located in San Francisco, CA
This artwork titled "Scene Galante au XVIII eme Siecle" c.1930 in an aquatint on paper by French artist Antoine Calbet, 1860-1944. It is hand signed in pencil at the lower right corner. The plate mark (image) size is 9.60 x 12.25 inches, framed size is 16.5 x 19.5 inches. Framed in a wooden gold and black frame, with fabric matting. The artwork is in very good condition, frame and matting are in good condition, frame have some minor dents, matting have a small point of discoloration at upper left.
About the artist.
Antoine Calbet is the son of Marie Singlande and Jean-Baptiste Calbet, landowner at a place called Gaubert.
Trained at the School of Fine Arts in Montpellier by Édouard - Antoine Marsal (1845-1929) where he learned drawing, this illustrator and illustrator, a painter of nudes and gallant scenes, was very popular during his lifetime.
Antoine Calbet is then admitted to the School of Fine Arts in Paris in the studio of Alexandre Cabanel (1823-1889). He was a member of the admission jury of the Beaux-Arts from 1913 to 1930. He began to exhibit in 1880 and became a member of the Society of French Artists . He was the friend of his compatriot of Lot-et-Garonne, the President of the Republic Armand Fallières , for which he drew the menus of his meals, which made him known in Parisian salons.He illustrated works by Jean Lorrain , Henri de Regnier , Pierre Loues 3 and for periodicals like L'Illustration .
Selected museums and collections
Dallas , Dallas Museum of Art : Back woman...
Category
Mid-20th Century Realist Bay Area - Interior Prints
Materials
Aquatint
The Dancing Girls of Cairo, Egypt: Original 19th C. Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "The Ghawazees, or Dancing Girls of Cairo" by David Roberts, from his Egypt and Nubia volumes of the large folio edition,...
Category
1840s Realist Bay Area - Interior Prints
Materials
Lithograph
Listen
Located in San Francisco, CA
This artwork titled "Listen" 1998 is an original color lithograph on paper by noted American artist David Hollowell, b.1951. It is hand signed and num...
Category
Late 20th Century Surrealist Bay Area - Interior Prints
Materials
Lithograph
Interior of the Temple Abu Simbel, Egypt: A 19th C. Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Interior of the Temple of Aboo Simbel" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, pu...
Category
1840s Realist Bay Area - Interior Prints
Materials
Lithograph
Minarets of Metwaleys, Cairo, Egypt: Original 19th C. Lithograph by D. Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Minarets and Grand Entrance of the Metwaleys, at Cairo" by David Roberts, from his Egypt and Nubia volumes of the large ...
Category
1840s Realist Bay Area - Interior Prints
Materials
Lithograph
Colossi of Memnon, Thebes, Egypt: A 19th C. Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Thebes" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1849. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century.
The print depicts a view of the imposing pair of sitting...
Category
1840s Realist Bay Area - Interior Prints
Materials
Lithograph
Edward Williams "A College Scene" After Thomas Rowlandson Color Engraving C.1787
By Thomas Rowlandson
Located in San Francisco, CA
Edward Williams "A College Scene" After Thomas Rowlandson Color Engraving C.1787
Late 18th century hand colored engraving after Thomas Rowlandson
A scene of a young student asking ...
Category
Late 18th Century Bay Area - Interior Prints
Materials
Engraving
G. Paterson "Dinner Party at a Mandarin's House" Engraving After T. Allom c.1840
Located in San Francisco, CA
G. Paterson "Dinner Party at a Mandarin's House" Original Engraving After T. Allom C.1840
Original engraving
Dimensions 8" wide x 5" high
The frame measures 20.5" wide x 18.5" hig...
Category
Mid-19th Century Realist Bay Area - Interior Prints
Materials
Engraving
Coffee Shop of Cairo, Egypt: Original 19th C. Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "The Coffee-Shop of Cairo" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in Lo...
Category
1840s Realist Bay Area - Interior Prints
Materials
Lithograph
Gate of the Metwalis, Cairo, Egypt: Original 19th C. Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "The Gate of the Metwalis, or Bab Zuweyleh, Cairo" by David Roberts, from his Egypt and Nubia volumes of the large folio ...
Category
1840s Realist Bay Area - Interior Prints
Materials
Lithograph
The Sphinx & Pyramid, Giza, Egypt: Original 19th C. Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Side View of the Great Sphinx" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published ...
Category
1840s Realist Bay Area - Interior Prints
Materials
Lithograph
View of Cairo, Egypt: A 19th C. Framed Hand-colored Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Tombs of the Memlooks, Cairo" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, publis...
Category
1840s Realist Bay Area - Interior Prints
Materials
Lithograph
18th Century Etching of Ancient Roman Architectural Objects by Giovanni Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
A. Tigna Protensa Super Media Epistylia, B. Praecisiones Tigorum Quaqua Versus Extrinsectus Apparentium, C. Opae Extremitates Tigorum Contintes, Fig. I, plate 88 from "Vasi, Candelab...
Category
Mid-18th Century Old Masters Bay Area - Interior Prints
Materials
Etching
Chez Panisse 21st Birthday Celebration: Limited Ed. Goines Graphic Art Poster
By David Lance Goines
Located in Alamo, CA
This original limited edition graphic art lithographic poster entitled "Chez Panisse Twenty-First Birthday" was created by David Lance Goines in 1992 in h...
Category
Late 20th Century Bay Area - Interior Prints
Materials
Lithograph
James Dobie "The New Will" Color Engraving After Walter Dendy Sadler c.1894
Located in San Francisco, CA
James Dobie "The New Will" Color Engraving After Walter Dendy Sadler c.1894
Original 19th century color engraving
Engraved by James Dobie after artwork b...
Category
Late 19th Century Bay Area - Interior Prints
Materials
Engraving
Ancient Roman Medici Marble Vase: An 18th Century Etching by Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
This large 18th century etching by Giovanni Battista Piranesi is entitled "Vaso antico di Marmo adornato di eccellenti Sculture si nella parte anteriere che nell' opposta, le quail r...
Category
1770s Old Masters Bay Area - Interior Prints
Materials
Etching
Ruins of the Temple of Kom Ombo, Egypt: A 19th C. Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Ruins of Kom Ombo" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in London by...
Category
1840s Realist Bay Area - Interior Prints
Materials
Lithograph
The Letter-Writer, Cairo, Egypt: Original 19th C. Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "The Letter-Writer" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in London by...
Category
1840s Realist Bay Area - Interior Prints
Materials
Lithograph
"Allegory of Justice": A 17th Century Old Master Engraving by van Swanenburg
By Willem van Swanenburg
Located in Alamo, CA
This old master engraving entitled "Allegorie op de Rechtspraak" is by Willem van Swaanenburg after a painting by Joachim Wtewael, published by Ch...
Category
Early 1600s Old Masters Bay Area - Interior Prints
Materials
Engraving
Four Koa Wood Framed 18th C. Engravings from Captain Cook's 3rd Voyage Journal
By John Webber
Located in Alamo, CA
A grouping of four framed engravings of Hawaii, Tahiti, Tonga and Vancouver Island from the atlas of the official British Admiralty sanctioned journal of Captain Cook's 3rd Voyage entitled "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", published upon completion of the voyage in London in 1784 by Strahan & Cadell. These engravings were made from drawings by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. The set of engravings includes: "A Canoe of the Sandwich Islands, the Rowers Masked", Plate 65 in the atlas; "A Dance in Otaheite" (Tahiti), Plate 28; "King of the Friendly Islands" (Tonga), plate 20; "Inside of a House in Nootka Sound" (Canada), plate 42.
These engravings are professionally framed in Koa wood, the same wood as was used to make the canoes of the ancient Hawaiians. Koa wood is legendary in Hawaii. Not only is this amazing wood native to Hawaii, but it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa.
These four engravings would make a wonderful grouping for a display of 2, 3 or 4 prints. They may be purchased separately or in groups on 1stDibs. Their listing Reference #'s are: LU117324682432, LU117324682022, LU117324684052 and LU117324684062. A discount is available for a grouping depending on the number of items included.
Hawaii was discovered by Captain Cook (1728-1779) during this voyage. Hawaii was originally called The Sandwich Islands in honor of The Earl of Sandwich...
Category
1780s Other Art Style Bay Area - Interior Prints
Materials
Engraving
A Pair of Framed 19th Century Colored Lithographs of Tudor Scenes by Joseph Nash
By Joseph Nash
Located in Alamo, CA
This is a pair of framed 19th century tinted lithographs with hand-coloring entitled "Gallery Over the Hall, Knowle, Kent" and "Terrace Bramshill, Hants" by Charles Joseph Hullmandel (1789-1850) after drawings by Joseph Nash (1809-1878), from "Mansions of England in the Olden Time", published in London in 1839-1849. Nash's publication consists of a series of views of Tudor domestic architecture, which Nash said depicted "the most characteristic features of the domestic architecture of the Tudor Age, and also illustrating the costumes, habits, and recreations of our ancestors." The scenes of the aristocratic ladies and gentlemen (including Henry VIII and Queen Elizabeth I), who are depicted inhabiting the rooms of these great houses, were taken directly from the portraits on the walls.
Charles Joseph Hullmandel, was involved in the creation of these lithographs. He was a famous British lithographer, who invented the "lithotint" process, which he named and patented in 1840. This technique, allowing for greater nuance and value gradation than pure lithography, was an ideal means of expression for Nash's historically rich and picturesque depictions of Tudor mansions and their inhabitants. Hullmandel is also remembered for creating many lithographs from the paintings by J. M. W. Turner.
The "Gallery Over the Hall" depicts a great hall with children playing with skittles (wooden pins resembling bowling pins), a doll and what looks to be a St Charles spaniel, while a lady in Tudor attire watches over them next to a massive stone fireplace. Adults are watching from in the distance while a man bows...
Category
Late 19th Century Romantic Bay Area - Interior Prints
Materials
Lithograph
Entrance to the Citadel of Cairo, Egypt: A 19th C. Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "The Entrance to the Citadel of Cairo" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, pub...
Category
1840s Realist Bay Area - Interior Prints
Materials
Lithograph
Colossal Statue Luxor, Egypt: Original 19th C. Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "A Colossal Statue at the Entrance to the Temple of Luxor" by David Roberts, from his Egypt and Nubia volumes of the larg...
Category
1840s Realist Bay Area - Interior Prints
Materials
Lithograph
The Duchess of St. Albans: A 17th C. Portrait After a Kneller Painting
By (After) Sir Godfrey Kneller
Located in Alamo, CA
This is a 17th century engraved mezzotint portrait of the Duchess of St. Albans by John Smith, after a painting by Sir Godfrey Kneller. It was published in London by John Boydell in 1694.
The Duchess of St. Albans (1642-1712) was a woman named Diana de Vere. She was born in 1642, the daughter of Aubrey de Vere, the 20th Earl of Oxford. In 1662, she married Charles Beauclerk, the illegitimate son of King Charles II and his mistress, Nell Gwyn. As a result of her marriage, Diana became the Duchess of St. Albans, and she and Charles had several children together. Diana was known for her beauty and charm, and she was a prominent figure in the court of King Charles II. Despite her husband's illegitimate birth, Diana was highly respected in the royal court and was known for her intelligence and wit. She was a patron of the arts and supported many artists and writers of the time. Diana lived through a tumultuous period of English history, including the Great Fire of London and the Glorious Revolution, which saw King James II replaced by William of Orange. She died in 1712 at the age of 70 and was buried in Westminster Abbey. Descendants of Diana and her husband, who was an illegitimate son of King Charles II, include Diana, Princess of Wales and her son William, Duke of Cambridge.
An author wrote of her: "The line of Vere, so long renown’d in arms,
Concludes with luster in St. Albans’s charms;
Her conquering eyes have made their race complete,
It rose in valor, and in beauty set."
This striking mezzotint engraving depicts Diana, Duchess of St Albans in a three-quarter length pose, standing, wearing loose flowing dress and a wrap. She has a very serene, calm appearance as she is looking straight at the viewer. There is a landscape of trees in the background. The print is adhered in the corners to an archival backing, which is itself adhered in the upper corners to a larger backing. The print is trimmed to just beyond the plate mark. There are areas of discoloration in the margins and in the inscription area, but the print is otherwise in very good condition. The sheet measures 14.5" high and 10" wide. This mezzotint is held by multiple museums and institutions, including The British Museum, The National Portrait Gallery London, The Fine Arts Museum of Boston, The Lewis Walpole Library at Yale, The Yale Center for British Art, The Fitzwilliam Museum at Cambridge and The National Galleries of Scotland. The original Kneller painting is part of the British Royal Collection Trust and hangs in the King's Private Dining Room at Hampton Court Palace.
Sir Godfrey Kneller (1646-1723) was a leading portrait painter of his time, particularly renowned for his depictions of the British aristocracy and royalty. He was born in Lübeck, Germany, and trained in Amsterdam under the painter Ferdinand Bol...
Category
Late 17th Century Bay Area - Interior Prints
Materials
Mezzotint
