Belgium - Art

This painting is a perfect example of lyrical abstraction and a choice painting out of the best period of Vlerick's career. Ineffable, 1962 Oil on Masonite board 91,5 x 61,5 cm (without frame) 93 x 63 cm (framed) Signed and dated Top Right ‘P. Vlerick 1962’ with title, signature place and date at the back: Ineffable P. Vlerick Afsnee 1962 Pierre Vlerick’s work shows some resemblance to Willem de Kooning’s. While the Dutch American was famed for the wild manner in which he treated his canvas, Pierre Vlerick showed some more restraint, but making a painting was in any case a slow process of stopping and starting and revising. His exploration is meant to result in a correct proportion of colour fields and streaks, often applied layer upon layer. All his colors have a luminous intensity. It was mainly Bonnard’s colorful work that inspired Vlerick to compose his own singular range of colors of slightly tingling yellows, greens, oranges and bits of blue here and there. Abstraction is emphasized by his use of color. Colors not associated with objects from daily life often dominate the composition: purple, for instance. This is the basis for his continuing abstraction, ending up as color fields combined with organic elements depicted with the vaguest of contours. Though both artists create a very metropolitan, say even worldly art, their work evokes nature. De Kooning has been called a master of ‘abstract landscape’. The structure of Vlerick’s works, too, is very vegetable and organic. No wonder he referred to his paintings as his ‘gardens’. Neither artist allowed his garden to remain empty: de Kooning created a female figure looking like a cross between a floozy and the mother goddess. Vlerick imagined a woman who is enjoying her body. Vlerick’s approach to abstract art is the same as de Kooning’s; they refuse to paint in a figurative manner, yet at the same time do not wish to renounce referring to reality. De Kooning once put it very accurately during an interview when he conceded that painting the human figure any longer was absurd(in the post-war period), but also stated that it would be even more absurd not to do it. The only way out of this ambiguous dilemma is the deconstruction of the human figure. Not in order to reject it, but to show it in all its fragility. Pierre Vlerick’s exceptional artistic talents were already recognized while he was studying at the Ghent Academy (1940-1944) whereupon graduating he received a gold medal. In 1947-1948 Vlerick enrolls at the “la Grande Chaumière Academy”, a Parisian private academy which attracts lots of foreign artists thanks to the reputation of its most important teachers such as Maurice Denis (1870-1943). Denis was one of the founding fathers of “the Nabis” and is also considered to be the godfather of abstract art by many artists and art critics. Maurice Denis is famous for his quote: "Remember that a painting, before it is any kind of representation, is essentially a flat surface covered with colors in a certain collected order." At La Grande Chaumière, Vlerick is challenged to develop a pictorial language of his own. Vlerick develops a way to translate the observed reality into visions of color and form, which can be situated somewhere on the axis between the figurative and the abstract. Reality is decomposed and reconstructed into a complete new representation. After a trip to Spain in 1955 the painter evolves towards the use of brighter colors. At the Brussels World Exhibition of 1958 (Expo 58) Vlerick is for the first time confronted with real works of 17 American artists (William Baziotes, James Brooks, Sam Francis, Arshile Gorky, Adolph Gottlieb, Philip Guston, Grace Hartigan, Franz Kline, Willem de Kooning, Robert Motherwell, Barnett Newman, Jackson Pollock, Mark Rothko, Theodoros Stamos, Clyfford Still, Bradley Walker...

Cosola Demetrio (1851-1895) Demetrio Cosola lived his entire short life between Chivasso and Turin. At the age of eighteen he entered the Accademia Albertina in Turin, where he becam...

Paul Jean Clays Bruges 1819 – 1900 Brussels Belgian Painter ‘Full Speed Ahead’ Signature: Signed bottom right and dated 1858
 Medium: Aquarelle Dimen...

Charles Verbrugghe Bruges 1877 – 1974 Paris Belgian Painter 'Terrace View dei Cappuccini, Convento di Amalfi' Signature: signed middle right Medium: oil on board Dimensions: image ...

View of a Busy Street in Dusseldorf Kasimir Luigi Ptuj, Slovenia 1881 – 1962 Grinzing, Austria Austro-Hungarian Painter Signature: Signed bottom middle Medium: Coloured drawing Dim...

Frans Van Holder Ixelles 1881 – 1919 Geneva Belgian Painter 'Portrait of a Young Woman in White – The Artist’s Wife' Signature: Signed top left and dated 1906 Medium: Oil on canvas Dimensions: diameter: image size 96 cm, frame size 120,50 cm Biography: Van Holder Frans, born in Brussels in 1881, emerged as a prominent post-Impressionist painter during the Belle Epoque and Art Nouveau era. Initially a painter-decorator in his father’s workshop, he contributed to the adornment of Brussels’ bourgeoisie interiors, setting the stage for his alignment with the Art Nouveau movement. Van Holder studied under Alfred Cluysenaar at the Saint-Gilles Academy. His artistic evolution embraced Impressionist principles, influenced by luminosity proponents like Manet and Pissarro. After formal training at the Sint-Gillis Academy and travels through Spain, Italy, and Switzerland, Van Holder returned to Brussels in 1905, joining the esteemed ‘Pour l’Art’ association. Rejecting theoretical constraints, he prioritized harmony in his art, viewing color as a musical composition requiring rhythm and balance. Van Holder’s mastery extended to intimate post-impressionist portraits, notably capturing the Brussels aristocracy like the Wolfers family...

Silvia De Marchi (b. 1967, Melzo, Italy) is an Italian painter currently based in Italy. Her artistic practice reflects a deep exploration of materiality and sensory experience, movi...

Silvia De Marchi (b. 1967, Melzo, Italy) is an Italian painter currently based in Italy and represented by the Grège Gallery. Her artistic practice reflects a deep exploration of mat...

My work is about emergence. In my art, I convey the sense of courage and difficulty of emergence of our own inner being. It is a universal desire, insofar as we show our talent, our ...

A Landscape with Two Roosters Hoess Eugen Immenstadt 1866 – 1955 Langenwang German Painter Signature: Signed bottom right and dated 27 Medium: Oil on canvas Dimensions: Image size 72 x 94 cm Biography: Hoess Eugen Ludwig was born in 1866 in Immenstadt, Germany. He was a painter of landscapes and hunting scenes. He painted not only oil paintings but also watercolours and made etchings. Hoess passed the entrance examination at the Academy of Fine Arts in Munich. He was a student of master teachers and artists Kirchbach, Raupp, v. Hackl and Ritter v. Herterich. In 1889 he moved to Frankfurt and in 1891 he returned to Munich. In 1898 he went on study trips to Sweden, Austria and Italy and returned to his hometown. Two years later he had his first exhibition in Munich with paintings of hunting scenes...

Oil on canvas portrait painting of Diana Spencer as a child (Lady Di, ex of King Charles of England).

A Scorpionfish Madyol Jacques Brussels 1871 – 1950 Belgian Painter Signature: Signed bottom left, verso inscribed and dated "La rascasse 1935" Expo Ja...

Beautiful painting of a still life with fruit and white soup tureen, restored and cleaned in good condition. Very special painting for collectors! Additional information: Title: S...

Moritz Berg is a young german artist born in 1994. He graduated in architecture and urban planning from the university of Stuttgart. He is currently based in Stuttgart, where he crea...

Cogen Felix Sint-Niklaas 1838 – 1907 Brussels Belgian Painter 'Return from Fishing' Signature: Signed bottom right Medium: Oil on canvas Dimensions: Image size 45 x 80 cm, frame siz...

Lying Lion (Ca 1900) A fine bronze sculpture of a lion lying on a rock. This statue by Josuë Dupon (1864 -1935) has a brown reddish patina with green high...

Georges Redon (1869-1943) is a famous French painter, draftsman, caricaturist, poster designer and engraver. Art Nouveau portrait oil on canvas mounted on panel "The elegant with the...

View of a Venetian Harbor oil painting on wood panel 2Oth C Additional information about the work: Title: View of a Venetian Harbor Medium: oil on wooden panel Signature: not sign...

MAGDALENA SPASOWICZ Studied painting under prof. Jan Cybis and graphic arts with prof. Tadeusz Kulisiewicz at the Academy of Fine Arts in Warsaw. She received her diploma in 1953. He...

Summer in Provence 20.0 x 23.5 x 1.0, 2.0 lbs Oil on canvas Hand signed by artist Artist's Commentary: About the Artist: Pol Ledent was born in 1952 i...

Baes Emile Brussels 1879 – 1953 Paris Belgian Painter Female Nude Signature: Signed bottom right Medium: Oil on canvas Dimensions: Image size 65 x 54 cm Biography: Baes Emile was b...

Blue still life 27.56 x 20.0 x 1.0, 4.0 lbs Oil on canvas Hand signed by artist Artist's Commentary: "My paintings (oil or watercolor) are always inspired by my countryside. I just hope the viewers will find a peaceful feeling when they look at it. In my abstract paintings, I try to find a balance in shapes and colors which will be eyecatching." About the Artist: Pol Ledent...

View of a Village Square Vukmanovic Stefan Belgrade 1924 – 1995 Degernau Serbian Painter Signature: Signed bottom middle Medium: Oil on panel Dimensions: Image size 45 x 60 cm Biography: Vukmanovic (Vucmanovic) Stefan was born in 1924, in Belgrade, former Yugoslavia. He was a Serbian painter of landscapes and town scenes. Vukmanovic studied at the Munich Academy of Fine Arts with the master teacher and artist Charles Crodel (1894 – 1973). He was a member of the Munich Secession. In this statement of principles, the artists declared their intentions to move away from outmoded principles and a conservative conception of what art was. Throughout the 1930s, many political ideologies (Marxism, Socialism, Capitalist Democracy, Communism and Fascism) were engaged in struggles for dominance, and epitomised the political atmosphere of the era. Surrealism art...

A beautiful large bronze sculpture of a proud standing mare. Old sand cast created during the artist Josuë Dupon's lifetime. Josuë Dupon (also Josué or Josue Dupon) was a Flemish sculptor and engraver. His work also includes painting and graphics. He received his training through evening classes at the academy of Roeselare and Antwerp (1884) and later at the National Institute of Fine Arts (1887). In 1891, he won a gold medal with the monumental sculpture group Samson kills the lion and was runner-up in the Prix de Rome for sculpture. From that year on, his work appeared regularly in exhibitions at home and abroad. His reputation was such, that he became one of a select group of sculptors allowed by King Leopold II to carve statues in Ivory, which was imported from the Congo, the Belgian colony. In 1893 his exceptionally refined ivory statue of Diana was bought by the Antwerp Royal Museum of Fine Arts, which also acquired his spectacular bronze Vulture defending its prey a year later. Working in every genre and mastering every technique and material, Josuë Dupon became best known as a sculptor of exotic animals. He was equally capable of faithfully expressing anatomical detail as of rendering the animals' nature. Josuë Dupon was a technically faultless realist, with a sense of the dramatic, a feeling for decorative complexity and a tendency towards idealizing. The placement of his camel driver and two bronze groups at the entrance to Antwerp Zoo confirmed this reputation as animalier. The career that Dupon subsequently built, brought him numerous important awards and an appointment as professor at the Antwerp Academy, a tenure he held between 1905 and 1934. Besides animals, he sculpted busts, war memorials and public monuments. For one of the largest sculptural monuments and the largest fountain in the city of Buenos Aires, called Monument of the Two Congresses, he collaborated with his good friend, the Belgian sculptor Jules Lagae. Josuë Dupon created several statues of mighty condors for this monument. At the start of his career his conception of art was strongly influenced by traditional 19th century artistic ideals. After the turn of the century his compositions and surface treatment changed and became more modern. He met Rembrandt Bugatti around 1905 or 1906 in the 'Jardin des Plantes' in Paris and invited him to Antwerp. Bugatti began travelling to Antwerp in 1906 to observe and sculpt the inhabitants of its zoo, which was then considered the best in the world, and Dupon allowed Bugatti to stay with him during several of his early visits. As such Dupon became a friend and a bit of a father figure to Rembrandt Bugatti. Dupon did not play a very active part in artistic movements or associations. Dupon remains an important sculptor not only through his body of work but also because of the influence he exercised through interactions and collaboration with other sculptors such as Lagae, Bugatti and Bourdelle but also because he trained leading sculptors such as Albéric Collin (1886-1962), Willy Kreitz...

"Trompe L’Oeil of Two Ducks" by Clesse Louis Brussels 1889 – 1961, Belgian Painter Dimensions: Image size 55 x 45 cm, frame size 62 x 52 cm Signature: Signed bottom right Medium: Oil on panel Biography: Clesse Louis Liévin Théophile was born on June 15 in 1889 in Ixelles (Brussels). He was a Belgian Post-Impressionist and Realist painter of landscapes, seascapes, still lifes and portraits. He studied at the Academy of Fine Arts in Brussels. He received advice and encouragement from master teachers and artists Alfred Bastien...

Wainscott (Abstract Painting) Beeswax resin, pigment and oil paint on panel — Unframed. This work is from a series of formal trifold compositions of quiet horizontal abstraction, ba...

This work is offered in ready to hang gallery condition, having been professionally revised.

Oil on canvas painting of a white rose in a vase, called 'Still life'

Giorgio Petracci (born in 1974, Fermo, Italy) is an artist based in Paris, whose work is deeply inspired by the seaside landscapes of his childhood and the personal experiences that ...

Louis Clesse 1889 – Brussels – 1961 Belgian Painter 'Along the Path, Oudenburg' Signature: signed lower right 'Louis Clesse' Medium: oil on canvas Dimensions: image size 80 x 100 c...

Oil on canvas painting of white primroses on a green background

Seascape with Pier and Lighthouse of Monaco Harbour Daens Antoine Brussels 1871 – 1946 Belgian Painter Signature: Signed bottom right Medium: Oil on canvas Dimensions: Image size 3...

Fisherman unloading their catch at Scheveningen Beach Reckelbus Louis Bruges 1864 – 1958 Belgian Painter Bruges School Signature: Signed bottom right Dimensions: Image size 38 x 25...

A structural design with special attention to color and balance original and unique This work will ship well-protected wooden box, the shipment cost is...

Still Life with a Cigars, Playing Cards and Delft Plate Artist 19th - 20th century Influenced by 17th Century Dutch Still Life Painters Signature: Not signed Medium: Aquarelle Dime...

Oil on canvas painting of a balancing man. The artwork is called 'Stay'

A fine quality, twentieth-century bronze model of a roaring lioness by Alberic Collin (Belgian 1886-1962). Prior to casting by the Valsuani foundry it w...

Silvia De Marchi (b. 1967, Melzo, Italy) is an Italian painter currently based in Italy. Her artistic practice reflects a deep exploration of materiality and sensory experience, movi...

Oil on canvas painting of a white primrose

An amazing diptych by Gregorio Botta in which the artist inserted real leaves inside a piece of alabaster and a piece of wax to create this very poetic image

A very rare bronze cast of two battling Rams, by Sirio Tofanari (1886-1969). An old cast with a dark brown shaded patina. On a heavy green marble steppe...

Original painting beach with parasols BLUE DREAM Viviane. By Carole Grandgirard, title and signature on the back of the canvas. Oil on canvas. Contemporary, France 2022. Carole G...

Painting La Tresse by Frédérique Tristant. Mixed media on canvas. France 2024. Frédérique Tristant is a French artist born in Vannes in 1971, who lives and works in Brittany in Mo...

Painting Regarde moi by Frédérique Tristant. Mixed media on canvas. France 2024. Frédérique Tristant is a French artist born in Vannes in 1971, who lives and works in Brittany in ...

Pair of paintings Violette & Capucine by Frédérique Tristant. Mixed media on canvas. France 2024. Also separately available. Frédérique Tristant is a French artist born in Vannes...

Painting MAN AT WORK. By Carole Grandgirard, title and signature on the back of the canvas. Oil on canvas. Contemporary, France 2024. Carole Grandgirard is a French painter born ...

Painting Miami Beach LIFEGUARD STAND. By Carole Grandgirard, title and signature on the back of the canvas. Oil on canvas. Contemporary, France 2023. Carole Grandgirard is a Frenc...

Painting butterflies LES PAPILLONS. By Carole Grandgirard, title and signature on the back of the canvas. Oil on canvas. Contemporary, France 2024. Carole Grandgirard is a French ...

Benjamin SPaRK is a Franco-Belgian artist born in 1969, who lives and works in Brussels. The painting was made as a gift for a friend, as it says on the back 'to my friend Alick'

Unique painting of a man hiding behind a wall and bird. Especially the bright yellow stands out and gives this painting a warm vibe.

Very colourful and modern painting. Acrylic on wood.

Lady in red - sensual photo of a naked lying woman, on panel. Mixed media. Signed by the artist on the back.

Portrait of a man. Oil painting on canvas, signed and located "Roubaix, 1906". In this portrait, all attention is focused on the face, which is intrusively and self-consciously looking ahead. Except for the white collar and pocket handkerchief...

On a quiet Alpine morning, where old stones remember more than they reveal, a young girl walks beneath the crumbling arch of a forgotten gateway. The air is cool, the light pale and ...

Charles Samuel – Thyl Ulenspiegel and Nele (after the Monument to Charles De Coster, 1894) Bronze, marble base, 66 x 61 x 27 cm Cast by Petermann, Brussels A moment of intimacy and d...

Abstract acrylic on wood painting in royal blue, called Number 46

Old oil on canvas glued on cardboard French school of the late 18th century, bearer fagot in a wooded landscape. Pierre-Henri de Valenciennes studied painting at the Royal Academy of...

In this remarkable bronze sculpture, Giacomo Merculiano invites us into a moment of profound stillness and primal grace. Bengal Tiger Licking Its Paw is not a theatrical display of s...