Benelux

Consolein golden wood, marble, 19th.c Sweden. (circa 1800).  

An extremely high quality early Empire four pillar table precision regulator mantel clock. This hight quality clock is made by the famous clock maker Dieudonné Kinable, circa 1800. Q...

Antique French chestnut table with 3 drawers in completely original condition. Beautiful aged patina. Can be used as a console table or as a serving table in a large kitchen. Origin...

Console In Golden Wood, Marble, Sweden ( Circa 1800 )

Large oil on canvas, "Jesus presents his wounds to Saint Thomas" or "the disbelief of Saint Thomas" after the triptych of Rockos by Rubens, Copy circa 1800 Modern frame

Greek orthodox icon (painted around the year 1800). At the top: "Mother of God of the Unfading Flower” Left bottom: Saint George Middle: The Mother of God in Paradise Right: Saint ...

Belgium / 1800s / antique / ceramics / pot / brown glazed This exquisite large rustic brown pot with elegantly crafted handles on top is a true masterpiece of ceramic artistry. Han...

A scene of White Horse Hill, which is located in the county of Berkshire. The text in the image states: "Engrav'd for England Display'd" and "View of White Horse Hill in the County ...

Beautiful early 19th century (around 1800) copper bathtub. Made in France in the Empire style. This is an Asymmetrical bathtub that you use while sittin...

This engraving is part of a collection showcasing the beauty of England and Wales, a series that was common in the 18th and 19th centuries to celebrate and document the picturesque landscapes and significant towns of Britain. The text provided in the last image offers several details: 1. The title of the engraving is "BRIDGENORTH. Shropshire." 2. It was engraved by J. Greig from a drawing by the late E. Dayes. 3. The engraving was published in London by Vernor, Hood & Sharpe Poultry, February 1st, 1807. 4. It was created for "The Beauties of England and Wales." The artwork depicts Bridgnorth, a town in Shropshire, England. The engraving would have been intended to capture the charm and appeal of Bridgnorth, with its notable bridge and surrounding architecture. Engravings like this one were often collected by those who appreciated the artistry of such views and by those who were interested in the topographical and historical significance of the location. E. Dayes (the late Edward Dayes) was a well-known artist of the period, and J. Greig was the engraver who transferred Dayes' artwork into the medium of engraving. The publication date of February 1st, 1807, places this work in the early 19th century, a time when such engravings were a popular form of mass media, providing a visual understanding of places that many people might not have the opportunity to visit themselves. The engraving serves as both an artistic and historical record, capturing Bridgnorth in the early 19th century with a level of detail and craftsmanship that is characteristic of the period's topographical art...

An original hand-colored engraving of Norwich in England. The text within the image provides several pieces of information about the print: 1. "NORWICH." - This is the title of th...

This engraving is the orginal frontispiece of a book, entitled "Description des nouveaux jardins de la France et de ses anciens chateaux," which translates from French as "Descriptio...

Beautiful unique and antique Louis XV front fireplace mantel from the 19th Century. Made out of marble stone.

This illustration depicts two shrikes, specifically identified as "Lanius Spinitorquus Lin.," which is likely an old scientific name used in the past. The text "Drondrecher 1.Mannche...

This antique engraving in frame depicts various mythical creatures and heraldic symbols in old original hand-coloring. Itresembles the style of Friedrich Justin Bertuch. Friedrich Justin Bertuch (1747–1822) was a German publisher and patron of the arts who is well-known for his "Bilderbuch für Kinder" (Picture Book for Children), which was published in multiple volumes from 1790 to 1830. This extensive work included thousands of hand-colored illustrations covering a wide array of subjects, from animals and plants to costumes, mythological figures, and more. The images depicted in the engraving include: 1. A large bird with spread wings at the bottom of the image, possibly an eagle, which is a common symbol of power and is widely used in heraldry. 2. A rooster with dragon-like wings and a tail, standing on a pedestal, which might be a chimera or a cockatrice, creatures often found in mythology and heraldic emblems. 3. A phoenix or a peacock, burning with flames around it, symbolizing rebirth and immortality, next to a tent and a figure in medieval clothing...

Beautiful Empire mahogany architects table by Jean-Joseph Chapuis (1765-1864). Jean-Joseph Chapuis (born in Brussels) was a famous furniture maker. He obtained a master craftsman ti...

Beautiful antique marble stone Louise XVI fireplace mantle from the 19th Century to place in front of the chimney.

The engraving by Samuel Neele, titled "Portrait of Bennilong," is a significant historical representation from G. A. Cooke's "Modern and Authentic System of Universal Geography," published in circa 1802. It portrays Bennelong, an Eora man from New Holland (now Australia), who learned English and traveled to England with Governor Arthur Phillip in 1792. This image reflects Bennelong's unique position as a cultural intermediary and is a remarkable example of early cross-cultural encounters between Indigenous Australians and Europeans. Some more interesting facts about Woollarawarre Bennelong from an article in the Independent of March 2011: The grave of Woollarawarre Bennelong, an Aboriginal leader who played a key role in early Australian colonial history, has been discovered in a suburban front garden – solving a 200-year-old mystery. One of the first Aborigines to interact with British colonists, Bennelong – a senior member of the Wangal tribe – struck up a friendship with the first governor of New South Wales, Arthur Phillip. When Phillip sailed home to England, he took the Wangal man with him, dressed him in Regency finery and introduced him to London high society. When Bennelong returned to Australia, he was ostracised by the indigenous and European communities. In 1813, having sunk into alcoholism, he died – but exactly where he was buried has been the subject of speculation ever since. Now, after protracted detective work by an environmental scientist, Peter Mitchell, Bennelong's final resting-place has been found, The Sun-Herald newspaper reported yesterday. The discovery represents the missing link in Bennelong's extraordinary story, and is certain to reignite interest in a man who tried to bridge the gap between black and white – a challenge still facing Australians today. Dr Mitchell, the honourary associate professor of physical geography at Sydney's Macquarie University, scoured the archives for references to the grave, which he matched against geographical records to place it in the Sydney suburb of Putney. Surveyors from the local Ryde Council then pinpointed its location, between a front lawn and a central reservation. Before urban sprawl took over, the area was part of the estate of James Squire, Australia's first commercial brewer, who has given his name to a line of popular modern beers. An ex-convict, Squire befriended Bennelong before he died and buried him in his own orchard. The precise location of the grave is being kept secret, until Aboriginal leaders have been consulted about the next steps. Ryde Council wants to use ground-penetrating equipment to explore the site. A Ryde councillor, Vic Tagg, described the find as "fantastic", saying it would rewrite history. Relations between Bennelong and Phillip got off to an unpromising start in 1789, nearly two years after the First Fleet...

This is an 1820 copperplate engraving by Denon, expertly crafted by Hawkesworth, depicting the ruins of the Temple of Hermopolis in Egypt. Ruins of the Temple of Hermopolis, Upper ...

The title for the provided engraving could be "Ceremonial Rites: A Human Sacrifice in Otaheite," capturing the gravity of the depicted event. This print likely illustrates a solemn a...

The image depicts a copperplate engraving of a sea otter from Nootka Sound, located in Quadra and Vancouver Island on the North West Coast of America. This particular engraving was...

The engraving titled "Interview Between Captain Wallis And Oberea, Queen Of Otaheite" captures a pivotal moment between British explorer Captain Samuel Wallis and the Tahitian Queen ...

This engraving presents a profile view of the Sphinx, capturing its grandeur alongside the Pyramids of Giza in Egypt. It is a testament to the ancient ...

The 1801 engraving depicts a figure labeled as "A Savage of the Admiralty Isles in the South Sea." The image portrays a solitary indigenous man standing with a paddle in hand, exudin...

This engraving from George Alexander Cooke's "A Modern and Authentic System of Universal Geography" depicts a New Caledonian warrior in the poised position of throwing a spear. His m...

The engraving depicts the intricately carved inner door of the sanctuary of the Temple of Isis located in Tentyra (modern Dendera), Upper Egypt. This temple was dedicated to the godd...

Title: "Relics of Antiquity: Egyptian Sphinx and Colossal Statues of Canopus" Description: This print showcases two striking images from George Alexander Cooke's "Universal Geograph...

The print is an early 19th-century engraving depicting the Khoikhoi people, historically referred to as the Hottentots, which is an outdated term. The Khoikhoi are indigenous inhabit...

Title: "Social Hierarchy of the Nagai Tartars - An Etching by Geissler, ca. 1800" Description: This etching by Christian Gottfried Heinrich Geissler, titled "Nagai Tartars," is a fine representation of the German School from around the year 1800. It portrays three figures, labeled to indicate their social standing: a woman of distinction, her daughter, and a female servant, numerically annotated as 1, 2, and 3 respectively. The detailed depiction captures the intricate attire and cultural fashion of the period, reflecting the societal structure and familial roles within the Nagai Tartar community. The women are adorned in traditional garments that signify their status and identity, while the setting suggests a backdrop typical of their environment, providing a glimpse into the life of the Tartar people at the turn of the 19th century. The Nagai or Nogai Tartars were part of the Nogai Horde, a confederation that occupied the Pontic–Caspian steppe from about 1500 until they were displaced in the 17th century by the Kalmyks and Russians. They were named after Nogai Khan, a Mongol ruler, and were divided into groups such as the Budjak and Yedisan in the area north of the Black Sea. The Nogais were known to be pastoral nomads who grazed sheep, horses, and camels and were also involved in trade, raiding, and tribute. They spoke a form of Kypchak Turkic and were Muslim, although their religious institutions were not strongly developed. The societal structure of the Nogais was quite fluid, with personal prestige playing a significant role in their political organization. They were historically known for their slave raids across Eastern Europe, which were an important part of their economy. The term "Tatar" broadly refers to Turkic-speaking peoples, mainly found in west-central Russia and other former Soviet Republics. It was originally used to refer to various nomadic groups from the vast Central and Northern Asian region then known as Tartary. The largest Tatar group is the Volga Tatar from the Volga region in Russia. There are several Tatar groups, including the Volga Tatars and the Crimean Tatars, with the latter being subdivided into groups such as the Tats and the Nogai. The Tatars have a rich history that dates back to the 5th century when nomadic tribes in northeastern Mongolia around Lake Baikal were first recognized. They became part of Genghis Khan's army in the 13th century and were known to Europeans as Tatars. Following the disintegration of the Mongol Empire, the Tatars were particularly associated with the western part of the empire, the Golden Horde...

The engraving shows the majestic ruins of the Palace of Luxor, located in the village of Luxor near the site of ancient Thebes in Upper Egypt. Luxor was once a flourishing city and t...

This engraving portrays three distinct figures: an Egyptian Mamluk, an Egyptian lady, and an Almee or dancing girl, representative of Egypt's social diversity. The Mamluk stands prom...

Various Articles Implements And Used By The Savages Of New Caledonia In The South Sea Description: This 1801 copperplate engraving from George Alexander Cooke's "Universal Geography" displays various tools and clothing of the indigenous people of New Caledonia in the South Sea. Items depicted include a mask, a basket for containing feathers, a warrior's cap, instruments for tattooing, a club, a spear, and other artifacts integral to the daily and ceremonial life of the New Caledonian people. The engraving provides a visual documentation of the cultural artifacts encountered by explorers like Captain James Cook during their voyages. The print includes various items used by the indigenous people of New Caledonia: 1. A mask, likely used in rituals or ceremonies. 2. A basket for containing feathers, possibly for storage or transport of valuable items. 3. A cap worn by warriors, part of their traditional attire. 4. Tattooing instruments for marking the skin with cultural or status symbols. 5. A club, which could be a weapon or a symbol of power. 6. A spear, used for hunting or as a weapon. 7. An adze, a tool for woodworking...

The engraving shows two Mamluks: one in full military attire, and the other, of a higher order, in full ceremonial dress. The detailed illustration captures the distinctiveness of th...

The engraving titled "Natives Of Caria, A Province Of Anatolia In Turkey In Asia" depicts two individuals from Caria, a historical region in what is now modern Turkey. The attire and...

Title: "The Natives of Otaheite Attacking Capt. Wallis, The First Discoverer of that Island" This engraving depicts a significant historical encounter between the natives of Tahiti ...

A head and shoulders frontal portrait of a man named by Cook as Mourua, of Mangaia, Cook Islands, visited by Cook in March 1777. Title: "Portrait of a Mangean Islander by John Webbe...

Etching and engraving entitled 'A Grandee of Circassia arrayed with his full accoutrements and a Circassian of the lower class, in his shaggy cloak, called Burki'. Lettered 'Geissler...

Offered is this antique coffee table with a single-piece tabletop originating from France. This exceptionally long antique French coffee table with a single-piece tabletop and two dr...

Antique empire table. Beautiful table with ormolu-plated column pedestals and natural stone top. The turned base has inlay work in the shape of a ...

Solid dark wood pantry cabinet, a timeless masterpiece hailing from the Spanish Pyrenees, dating back to the 1800s. This stunning piece features two drawer...

Beautiful grey marble stone Louis XVI fireplace from the 19th Century.

German prayerbook with elaborate silver fittings. 'Algemeines Gesangbuch nebst eiunem Anhang von Gebete und Tekste.(für Gedbrauch in Herzogtum Schleswig) Edited in Kiel A.D. 1800.(...

Nice Belgian bluestone trough from Brussels to place in your garden.

Et of 3 antique Copeland Spode Creamware oval vegetable tureens with lid from ca.1800- The border outside and inside are Handpainted decorate...

German dowry box made for one Friedrich Eggiman in 1802. Hand painted with beautiful fine details. The iron details such as the handles and hinges are forged by hand. The box is made...

Louis XV fireplace mantel in Burgundian stone, and dating from the 19th century Inside dimensions : 120cm wide & 92cm high

Wabi Sabi; Axel Vervoordt; Cabinet: Wardrobe; Dresser; Closet; 19th Century; 1800; Swiss Design; Alpine Cabinet; Monoxylite; Rustic; Travail Populaire; ...

Beautiful Antique marble Louis XV fireplace mantel from the 19th Century to place in front of the chimney. Made out of Rouge Royal Marble.

Unique set of 3 copperplate engravings in charming gold colored frames. Hand colored from the 1807 and 1814. They are from the 2nd and 3rd volum of the world famous Flora Batava. Thi...

Nice French marble stone fireplace mantle 19th Century from France to place in front of the chimney.

Antique print titled 'Menschelijke Offerhande in eene Morai of Otahiti verrigt'. Antique print depiciting a Human Sacrifice, in a Morai, in Otaheite. Originates from 'Reizen Rondom...

Antique print titled 'Castiglione'. Original antique print of the Battle of Castiglione. The Battle of Castiglione saw the French Army of Italy under General Napoleon Bonaparte a...

This writing table was designed and made in England around 1800. It can be folded into a large square table. It comes with a nice antique oak chair ...

Antique print of the state carriage of George III. This print originates from 'The Costume of Great Britain' by William Henry Pyne. Artists and ...

Antique botany print of Eucomis Comosa, also known as pineapple flower, pineapple lily or wine eucomis. This print originates from 'Curtis's botanical magazine'. Artists and Engr...

Antique costume print titled 'Mädchen von Orleans - Jeanne D'Ark. surnommée la Pucelle d'Orleans. 1430'. This print depicts Joan of Arc. Originates from a rare costume book titled 'Sammlung von Trachten bey verschiedenen ältern und neuern Völkern (..)'. Joan of Arc, a peasant girl living in medieval France, believed that God had chosen her to lead France to victory in its long-running war with England. With no military training, Joan convinced the embattled crown prince Charles of Valois to allow her to lead a French army to the besieged city of Orléans, where it achieved a momentous victory over the English and their French allies, the Burgundians. After seeing the prince crowned...

Antique print titled 'Vierv. Dieren XXVI, Quadruped XXVI'. Antique print titled 'Vierv. Dieren XXXII, Quadruped XXXII'. This animal print depicts 1. Ovis Ammon, 2. Ovis Polycerat...

Antique French oak chest trunk Made of solid wood en metal handles. With some great French lilies in the corners of the trunk as details.

Description: Antique print titled 'Vierv. Dieren XXVII, Quadruped XXVII'. This animal print depicts 1. Antilope Redunca, 2. Antilope Oryx, 3. Antilope Scripta, 4. Antilope Cervicapra...

Antique print Australia titled 'Gezigt van de Rivier Endeavour op de Kust van Nieuw-Holland'. View of an encampent on the shore of the Endeavour river on the coast of Australia where the Endeavour boat was beached. Originates from 'Reizen Rondom de Waereld door James Cook (..)'. HMS Endeavour was a British Royal Navy research vessel that Lieutenant James Cook commanded to Australia and New Zealand on his first voyage of discovery from 1768 to 1771. She was launched in 1764 as the collier Earl of Pembroke, with the Navy purchasing her in 1768 for a scientific mission to the Pacific Ocean and to explore the seas for the surmised Terra Australis Incognita or "unknown southern land". Commissioned as His Majesty's Bark Endeavour, she departed Plymouth in August 1768, rounded Cape Horn and reached Tahiti in time to observe the 1769 transit of Venus across the Sun. She then set sail into the largely uncharted ocean to the south, stopping at the islands of Huahine, Bora Bora, and Raiatea west of Tahiti to allow Cook to claim them for Great Britain. In September 1769, she anchored off New Zealand, becoming the first European vessel to reach the islands since Abel Tasman's Heemskerck 127 years earlier. In April 1770, Endeavour became the first European ship to reach the east coast of Australia, with Cook going ashore at what is now known as Botany Bay. Endeavour then sailed north along the Australian coast. She narrowly avoided disaster after running aground on the Great Barrier Reef, and Cook had to throw her guns overboard to lighten her. Endeavour was beached on the Australian mainland for seven weeks to permit rudimentary repairs to her hull. Resuming her voyage, she limped into port in Batavia in October 1770, her crew sworn to secrecy about the lands that they had visited. From Batavia Endeavour continued westward, rounded the Cape of Good Hope on 13 March 1771 and reached the English port of Dover on 12 July, having been at sea for nearly three years. The ship was largely forgotten after her Pacific voyage, spending the next three years hauling troops and cargo to and from the Falkland Islands. She was renamed in 1775 after being sold into private hands, and used to transport timber from the Baltic. Rehired as a British troop transport during the American War of Independence, she was finally scuttled in a blockade of Narragansett Bay, Rhode Island in 1778. Historical evidence indicates the ship was sunk just north of Goat Island in Newport Harbor, along with four other British transports. Relics from Endeavour are displayed at maritime museums worldwide, including an anchor and six of her cannon. A replica of Endeavour was launched in 1994 and is berthed alongside the Australian National Maritime Museum in Sydney Harbour. The NASA Space Shuttle...