California

This Is An Antique Craftsman Quarter Sawn Oak Or Tiger Oak Wood Single Dining Chair or Single Desk Chair With An Upholstered Black Vinyl Seat. The Tiger...

This impressively sized urn is marked on the bottom, “Sarreguemines/1906//H”, “Made in Germany” with the Lorraine Coat of Arms . Nicolas-Henri Jacobi along with his two partners esta...

Turn-of-the-century oval initial "S" gold filled on the silver pin with a laurel wreath border featuring a pin-back design. Crafted with intricate detailing, it showcases delicate cu...

This Victorian platinum ring centers an approximately .70 carat oval cut blue sapphire in a sleek bezel setting, showcasing refined simplicity and antique elegance. Crafted around th...

The semi-attached leather cushion flanked by dramatic flared openwork arms with intricate inlay over a similar openwork apron and turned elements creating an elaborate latticework; w...

A Fine Pair of French 19th/20th Century Louis XV-XVI Style 'Belle Époque' Giltwood Carved Bergères, attributed to Maison Jansen (House of Jansen). The recently upholstered and resto...

Delicate, feminine drop necklace created in the 1900s. Made of 14 karat (tested) yellow gold and silver and set with old rose cut and Old European cut diamonds. The pear-shape rose c...

1900s White Lace Sheer Mesh Blouse. Machine lace trim and hand done tension lace

Signed lower left, 'G. Giardiello' for Giuseppe Giardiello (Italian, 1877-1920) and painted circa 1900. A skilled late 19th century Italian landscape painter, little is known about ...

Gorgeous turn of the 20th Century Mount Shasta landscape by Anna Carver Bingham (American, 1849 - 1924), 1901. Several deer gather around calm waters that...

This beautiful eight-petal flower is embellished with seed pearls that range in size to fit within the curved lines of the petals. The pearls are bead set, with the smaller pearls at...

This antique Crescent ring with Enamel Sphinx is true Egyptian style circa 1900. This ring is set with Rubies and rose cut Diamonds, with a bit of enamel on the sphinx itself. Thi...

A heavy solid bronze ship's light with thick red and blue-green prism glass lenses. Heavily patinated bronze. 19th century lantern was originally a kerosene lamp. Recently rewired fo...

Stunning Art Nouveau intricately carved dark wood frame. In original "as is" condition with minor scratching and chipping. Gustav Klimt print of "The Kiss" as a bonus.

An impressively designed game table featuring a pivoting handkerchief top opening to reveal an intricately inlaid surface centering a removable center...

A wonderful, sinuously carved coral cameo ring Art Nouveau period. The circa 1910 masterpiece features a Sardinian coral of a lovely and rich color depicting a beautiful woman with f...

A French 19th-20th century Louis XVI style giltwood carved three-piece salon suite frames. The ornately carved set comprising of a settee and a pair of fauteuils a la Reine (armchair...

Set of twelve Mintons soup bowls made for Tiffany & Co New York, c. 1900. Each bowl made in England has a 22k gold encrusted design around the rim su...

Antique Louis XVI style gilt wood settee with Aubusson style upholstery, circa 1900. The back with Aubusson style upholsterery with a foliate carved gilt wood frame, an Aubusson upho...

A very fine French Louis XV style Belle Époque mahogany and tulipwood ormolu-mounted vitrine cabinet with a Brêche violette marble top, attributed to François Linke (1855-1946). The ...

In very good condition. Total weight is 6.6 grams. Totally is all diamond 0.80 ct. Please contact for any questions..

1906 Original Watercolor Painting of Mision de San Carlos Borromeo de Carmelo (Mission Carmel) Historically accurate watercolor painting of Carmel historic landmark Mission Carmel i...

An Impressive and Rare American Aesthetic Movement Six-Piece Silver-Plated Coffee and Tea Service. The ornately designed service with griffon finials and raised on a tapered and foo...

Victorian demantoid garnets rose-cut diamonds pearls and 18k yellow gold salamander brooch circa 1900. * The Victorian Demantoid Garnet, Rose-Cut Diamond and Pearl 18k Yellow Gold...

A pair of French Louis XV style "Semainier" tall chest commodes with a Brêche d'Alep marble top. The slender walnut and tulipwood body, each fitted with seven drawers with gilt bronz...

In very good condition. Total weight is 7.6 grams. Totally is diamond 0.78 ct. The diamond is has H-I-J color and s1-s2-s3 clarity. Ring size is US 9.5 We can make any size. Box is n...

A French 19th/20th Century Empire Revival Style Mahogany and Gilt-Bronze Mounted Three-Piece Study or Office Suite, comprising of a desk with leather top, a horse-shoe-shaped armchai...

Old 17 Mile Drive, Carmel California Landscape Early 1900s Oil on Linen Gorgeous early 20th century landscape of rugged Carmel Old 17 Mile Drive coastline by Frank Lucien Heath...

Turn of the century Art Nouveau Chatelaine Belt Clip features a delicate portrait of a female, framed by flowing, organic lines reminiscent of nat...

Antique French 18k Rose Gold, Rose Cut Diamond & Sapphire Bangle Bracelet Circa 1900s Here is your chance to purchase a beautiful and highly collectible antique bangle. The lengt...

A Rare Tall Pompeiian Style 19th-20th century gilt patinated bronze tripod torchere Floor Lamp fitted with a molded glass shade. The tall fluted center column, topped with decorated ...

Eugène Galien-Laloue (1854-1941) "Theatre du Chatelet" watercolor and gouache on paper signed 'E Galien Laloue' lower left, within a giltwood and gesso c...

In very good condition. Total weight is 1.7 grams. Totally is diamond 0.35 ct. The diamond is has F-G color and vvs-vs clarity. Ring size is US 7.5 We can make any size. Please conta...

This beautiful carved coffee table from the 1900s is made from solid rosewood and showcases the beautiful details of burl wood on its top surface. Traditional Chinese carvings flow a...

A French 19th-20th century Louis XV style wrought iron and parcel-gilt eighteen-light crystal (cut-glass) chandelier. The black painted frame with twelve candle arms and six interior...

A Fine Pair of French 19th/20th Century Gilt-Bronze Sculptures of "The Marly Horses" (Now turned into lamps) After the original by Guillaume Coustou (French, 1677-1746). The large pair of equestrian bronze sculptures, finished in a gold patina, each depicting rearing horses with their groom, both raised on oval a black slate and Bardiglio marble bases and fitted with modern electrical twin-light brass fittings and cream colored shades. The base on an ebonized wooden platform. Circa: Paris, 1900-1920. Sculpture & Base Height: 31 1/4 inches (79.8 cm) Base Width: 21 3/4 inches (55.3 cm) Base Depth: 12 3/4 inches (32.4 cm) Height to top of (Adjustable) shade fitting: 48 1/4 inches (122.6 cm) Shade Height: 15 inches (38.1 cm) Shade Width: 26 inches (66.1 cm) Shade Depth: 20 inches (50.8 cm) The original Marly Horses are two 1743–1745 Carrara marble sculpted groups by Guillaume Coustou. They were commissioned by Louis XV of France for the trough at the entrance to the grounds of his château de Marly. Coustou's last works, they were intended to replace two other sculpted groups, Mercury on Pegasus and Pegasus, Renown of Horses, both by Antoine Coysevox, which had been removed to the Tuileries Gardens in 1719. Louis XV chose the modellos in 1743 and the full-size sculptures were completed in only two years, being installed at Marly in 1745. They proved highly successful in reproduction, particularly on a smaller scale, and prefigured Théodore Géricault and other Romantic artists' obsession with equestrian subjects. The Marly horses were later also used as the central motif of the monochrome 819-line RTF/ORTF test card which was used on TF1 from 1953 until 1983. The originals were moved to the place de la Concorde in Paris in 1794 and Louis-Denis Caillouette (1790–1868) restored them in 1840. In 1984 it was concluded that the annual military parades on 14 July were damaging the sculptures and they were replaced by marble copies produced by Michel Bourbon in the studio of a subsidiary of Bouygues. The latter also gained the right to an extra copy, which was placed in Bouygues's social building. The original sculptures were moved to a former courtyard in the Richelieu wing of the Louvre Museum, which was renamed the 'cour Marly' in their honour, whilst Bourbon's two main copies were moved to the originals' first site near the trough at Marly, with work overseen by the architect Serge Macel. Guillaume Coustou the Elder (29 November 1677, Lyon – 22 February 1746, Paris) was a French sculptor of the Baroque and Louis XIV style. He was a royal sculptor for Louis XIV and Louis XV and became Director of the Royal Academy of Painting and Sculpture in 1735. He is best known for his monumental statues of horses made for the Chateau of Marly, whose replicas now stand in the Place de la Concorde in Paris. Coustou was a member of a family of famous sculptors; his uncle, Antoine Coysevox, was a royal sculptor; his elder brother, Nicolas Coustou was a sculptor, and his son Guillaume Coustou the Younger also become a noted royal sculptor. Like his older brother, he won the (Prix de Rome) of the Royal Academy which entitled him to study for four years at the French Academy in Rome. However, he refused to accept the discipline of the academy, gave up his studies, set out to make his own career as an artist. He worked for a time in the atelier of the painter Pierre Legros, and eventually returned to Paris. Upon his return to Paris, he assisted his uncle Coysevox in making two monumental equestrian sculptures, Fame and Mercury, for the Château de Marly, the new residence of Louis XIV near the Palace of Versailles, where he went to escape the crowds and ceremony of the Palace. He later (1740–1745), made his own horses, The Horses of Marly, his most famous works, to replace them. The horses reinvent the theme of the colossal Roman marbles of the Horse Tamers in the Piazza Quirinale, Rome. They were commissioned by Louis XV in 1739 and installed in 1745 at the Abreuvoir ("Horse Trough") at Marly. The horses were considered masterpieces of the grace and expressiveness of the French Late Baroque or Rococo style. After the Revolution they were moved from Marly to the beginning of the Champs-Élysées on the Place de la Concorde. The originals were brought indoors for protection at the Louvre Museum in 1984. In 1704 Coustou was received into the Académie royale de peinture et de sculpture. The work he made to mark his entrance was Hercules on the Pyre, now in the Louvre. It displays the special hallmark of the Baroque, a twisting and rising transverse pose, as well as highly skillful carving. He rose to become Director of the academy in 1733. Another of his major works from his later career, the statue of Maria Leszczynska, (1731)is on display at the Louvre. Coustou also created two colossal monuments, The Ocean and the Mediterranean among other sculptures for the park at Marly; the bronze Rhone, which formed part of the statue of Louis XIV at Lyons, and the sculptures at the entrance of the Hôtel des Invalides. Of these latter, the bas-relief representing Louis XIV mounted and accompanied by Justice and Prudence was destroyed during the Revolution, but was restored in 1815 by Pierre Cartellier from Coustou's model; the bronze figures of Mars and Minerva (1733–34), on either side of the doorway, were not interfered with. In 1714 for Marly he collaborated in two marble sculptures representing Apollo Chasing Daphne (both at the Louvre), in which Nicolas Coustou sculpted the Apollo and Guillaume the Daphne. About the same time he was commissioned to produce another running figure in marble, a Hippomenes designed to complement an Atalanta copied from the Antique by Pierre Lepautre...

Antique Louis XV style fruit wood desk with brass mounts and leather top, circa 1900. With a rectangular top with rounded corners, inset with leather, 3 frieze drawers with brass hardware, resting on cabriole legs ending in brass sabots. Hand dove tailed drawer construction. Probably imported by John Nelson Antiques...

A Very fine French 19th century Louis XV Style Ormolu-Mounted Kingwood, Satinwood and Fruitwood Parquetry Kidney-Shaped secrétaire de dame (Lady's desk or writing table) with an enam...

Set of 3 Art Nouveau Sterling silver vanity tools. American circa 1900. Each piece features a female figurine. Tools include, button hook, shoe horn with brass horn and roller. Weighted Sterling...

A Fine French 19th-20th Century Louis XVI Style Mahogany, Tulipwood and Gilt-Bronze (Ormolu) Mounted Belle Époque Guéridon Circular Side-Table with a Parquetry Top, by François Linke (1855-1946). The single-drawer end table inset with a symmetrical parquetry top an ormolu frieze, the apron with bow-tied swagged floral wreaths, the corners with fruit and acorns ormolu mounts, raised on four tapered legs topped with chased rings and inset spigots, all raised on bell-shaped sabots. Signed on top trim: F. Linke. Circa: Paris, 1890-1900. François Linke (1855-1946) was one of the most celebrated ébénistes of his time. Born in Pankraz, Bohemia, Linke moved to Paris in 1875 and six years later established independent ateliers at 170, rue de Faubourg St. Antoine. As was the practice among contemporaries and noteworthy predecessors, such as Alfred Beurdeley and Henry Dasson, Linke initially produced furniture derived from styles popular during the 18th century ancien régime. By 1900, his worldwide reputation as an individualistic master of high quality furniture was already established. However, with a huge display, placing his extravagant pieces in room settings and winning the Médaille d'Or for his Grand Bureau...

This 1906 octagon gold-filled wristwatch with a case Fahys Bristol. The watch showcases a unique octagonal case crafted in gold-filled silver with geometric patterns. Protected by a domed crystal, the watch's intricate mechanical movement. A collector's treasure, this antique timepiece is a great example of the turn-of-the-century design. Case Size 30mm, Case Thickness 15 mm...

the shapely arching crest surmounted by a floral cluster emanating floral and foliate vines cascading around the perimeter surrounding gold painted chinoiserie decoration on a black ...

Set of 2 antique majolica plates, made around 1900 in France. The plates have a bird and cherries on the front with a scrolling detail around the ed...

A French 19th-20th century Louis XV style blonde-stainwood and gilt bronze-mounted two-drawer commode with marble top, Paris, circa 1900. Measures: Height 33 1/8 inches (84.1 cm) ...

In very good condition. Total weight is 2.8 grams. Totally is diamond 0.12 ct. The diamond is has J color and s1-s2 clarity. The box is not included. Please contact for any questions.

A very fine French 19th-20th century Louis XV style tulipwood and mahogany marquetry gilt bronze-mounted petit-bureau de dame (secretary). The bombe´ structure surmounted by a pair o...

A large pair of continental 19th-20th century porcelain cachepot vases, Planters or Wine Coolers, each decorated with mountain and lakefront scenes with horse drawn carriages and a p...

A pair of Victorian silver and 14k gold earrings, featuring antique cushion cut diamonds. These dazzling gems are bezel set in silver, enforced with eight prongs. The yellow gold l...

Charming impressionistic painting with allegorical theme of pale horse coming to shore by Cash Arthur Bond (American, 1876 - 1952), circa 1900. Signed "C.A. Bond" lower left corner. ...

Hans Zatzka, Austrian (1859-1945) A Fine Oil on Canvas "Portrait of Haunz Javorasky Als Knabe Dressed as a Sailor" within a carved gildwood frame. The charming portrait depicts a sea...

In very good condition. Total weight is 6.6 grams. Totally is rose cut diamond about 0.50 ct. Totally is old cut diamond 0.30 ct. The old cut diamond is has H color and s2 clarity. T...

A fine French Louis XV style gilt bronze and cut-glass nine-light chandelier. The elongated body with cut-glass (crystal) pendants surmounted with eight candle arms and a centre fros...

A fine pair of French 19th-20th century Louis XV style gilt-bronze surtout-de-Table plateau centerpieces by the Parsian Orfèvre Paul Canaux et Cie. The ovoid shaped gilt-bronze bodie...

FACTORY / HOUSE: Waltham Watch Company STYLE / REFERENCE: Hunters Case METAL / MATERIAL: 14Kt, Yellow Gold Filled CIRCA / YEAR: 1901 DIMENSIONS / SIZE: Diameter 46mm MOVEMENT / CALIB...

Antique Native American Navajo woven basket. Handcrafted and made from all natural fibers. Excellent condition. Shape is superior condition.

Signed lower right, “Ch. Henrida” for Charles Henrida (French, 1854-1924) and painted circa 1900. Unframed and displayed in a beveled, ivory mat with gilt inner slip. Matted dimens...

A beautiful and substantial painting of a distant view of snow capped Mount Shasta "in the style of" Lorenz Griffith (American, 1889-1968). Unsigned. Disp...

A very fine and palatial French 19th/20th century Christofle & Cie Louis XV style silvered figural centerpiece, fitted with an oval diamond-cut-glass center-dish, attributed to Bacca...

"Inundation" after Carl Fredrik Kiörrboe - Dogs During a Flood Oil on linen painting of a family of dogs in a flood by Carl Fredrik Kiöerboe (Danish, 1799-1876). A mother dog calls for help during a flood. Titled "ÖVERSVÄMNING" Inundation or Flood translation. Well painted rendition of the artists work. Carl Fredrik Kiöerboe (1 June 1799, Christiansfeld - 2 January 1876, Dijon) was a Danish-born Swedish artist who specialized in paintings with animals...

Rug Number 31990 Size 3' 5" x 16' 6" Design Malayer Collection Antique/Vintage Material Wool Texture Pile Weave Origin Iran Age Antique/Vintage