Connecticut - Landscape Prints
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Item Ships From: Connecticut
Yucca, Botanical, Floral, Cyanotype, Blue, Work on Paper, Flowers
By Cynthia MacCollum
Located in Riverdale, NY
Yucca is a cyanotype Work on paper by Cynthia MacCollum. This original artwork is 31.5 x 8.5 on archival paper. It is currently unframed. Macollum uses actual plants and flowers a...
Category
2010s Contemporary Connecticut - Landscape Prints
Materials
Monoprint
Phlox, Botanical, Floral, Cyanotype, Blue, Work on Paper, Flowers
By Cynthia MacCollum
Located in Riverdale, NY
Phlox is a cyanotype Work on paper by Cynthia MacCollum. This original artwork is 22.5 x 15 on archival paper. It is currently unframed. Macollum uses actual plants and flowers as...
Category
2010s Contemporary Connecticut - Landscape Prints
Materials
Monoprint
Bailey's Beach, Newport, Rhode Island.
By Clifford Isaac Addams
Located in Storrs, CT
Bailey's Beach (Newport, Rhode Island). 1933. Etching. Hausberg 126 state v/vi. Edition 75. 6 x 7 7/8 (sheet 9 3/8 x 12 3/8). Printed with extensive plate tone with plate tone on 'Va...
Category
Mid-20th Century American Modern Connecticut - Landscape Prints
Materials
Drypoint, Etching
Alington in Wiltshire (The First Swallow).
By Robin Tanner
Located in Storrs, CT
Alington in Wiltshire (The First Swallow). 1927. Etching. Garton 2.iv. 6 3/4 x 8 7/8 (sheet 10 1/2 x 13 1/2). Final state published by in an editon of 12 by Garton & Cooke in 1982 (Nicolson published an edition of 40 in 1927). In states iii and iv, the swallow of the title was removed. In state iv, the sky was re-etched and the cross-hatching was slightly finer. Signed in pencil.
Garton writes, page 11: "The design was based on the Anglican chapel-of-ease is the farmyard of Bulisge at Allinston near Chippenham....The print was originally entitled The First Swallow, but the swallow was burnished out before the 1927 edition....Fifty years later new work was effected in the worn-out areas of the sky and distance to produce prints which, in his opinion, were better than those of the original edition."
Robin Tanner was an English artist, etcher, and printmaker. He followed the visionary tradition of Samuel Palmer and English neo-romanticism. His etchings began following night-school classes at Goldsmiths College, London. He had been inspired by the major Samuel Palmer retrospective exhibition organized by Martin Hardie...
Category
1920s Modern Connecticut - Landscape Prints
Materials
Etching
The Gothic Spirit
By John Taylor Arms
Located in Storrs, CT
The Gothic Spirit (also called A Gargoyle, A Gothic Spirit). 1922. Etching and stipple. Fletcher 120. 11 5/8 x 7 (sheet 15 1/4 x 11 1/4). Gargoyle Series #8. Edition 130. Illustrated...
Category
1920s American Modern Connecticut - Landscape Prints
Materials
Drypoint, Etching
Angel with Spread Wings, Peter Max
By Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937)
Title: Angel with Spread Wings
Year: circa 1998
Medium: Silkscreen and watercolor on Arches paper
Size: 11 x 15 inches
Condition: Excellent
Inscription: Sign...
Category
1990s Pop Art Connecticut - Landscape Prints
Materials
Mixed Media, Watercolor, Screen
Trespass, Julian Stanczak
By Julian Stanczak
Located in Fairfield, CT
Artist: Julian Stanczak (1928-2017)
Title: Trespass
Year: 1979
Edition: 106/175, plus proofs
Medium: Silkscreen on Somerset paper
Size: 26.75 x 22.5 inches
Condition: Good
Inscriptio...
Category
1970s Op Art Connecticut - Landscape Prints
Materials
Screen
Purple Wind
By Alex Katz
Located in Fairfield, CT
Alex Katz was born in 1924 to a Jewish family in Brooklyn, New York, as the son of an émigré who had lost a factory he owned in Russia to the Soviet revolution. In 1928 the family moved to St. Albans, Queens, where Katz grew up. From 1946 to 1949 Katz studied at The Cooper Union in New York, and from 1949 to 1950 he studied at the Skowhegan School of Painting and Sculpture in Skowhegan, Maine. Skowhegan exposed him to painting from life, which would prove pivotal in his development as a painter and remains a staple of his practices today. Katz explains that Skowhegan's plein air painting gave him "a reason to devote my life to painting." Every year from early June to mid-September, Katz moves from his SoHo loft to a 19th-century clapboard farmhouse in Lincolnville, Maine. A summer resident of Lincolnville since 1954, he has developed a close relationship with local Colby College. From 1954 to 1960, he made a number of small collages of still lifes, Maine landscapes, and small figures. He met Ada Del...
Category
21st Century and Contemporary Pop Art Connecticut - Landscape Prints
Materials
Screen
The Workshop (Stirling)
By Sir David Young Cameron, R.A.
Located in Storrs, CT
The Workshop (Stirling). 1905. Etching and drypoint. Rinder 369 state .ii/iv.Image: 8 3/16 x 12 (sheet 8 5/16 x 12). No published edition. A rich impression with drypoint burr printe...
Category
Early 20th Century Modern Connecticut - Landscape Prints
Materials
Drypoint, Etching
Jacob’s Vision, Guillaume Azoulay
By Guillaume Azoulay
Located in Fairfield, CT
Artist: Guillaume Azoulay (1949)
Title: Jacob’s Vision
Year: 2003
Edition: 44/50, plus proofs
Medium: Pigment print on wove paper
Size: 23 x 18 inches
Condition: Good
Inscription: Si...
Category
Early 2000s Pop Art Connecticut - Landscape Prints
Materials
Archival Pigment
The Shadowed Valley.
By Sir Frank Short
Located in Storrs, CT
Sir Frank Short, R.A., P.R.E. 1857-1945. The Shadowed Valley. 1927. Mezzotint. Hardie 128. 14 3/8 x 19 3/8 (sheet 19 x 24). A rich, glowing impression p...
Category
1920s Modern Connecticut - Landscape Prints
Materials
Mezzotint
Farmyard
By Herbert Gordon Warlow
Located in Storrs, CT
Farmyard. c. 1925. Etching and drypoint. 5 1/2 x 11 (sheet 10 x 15 1/4). Edition 75, #54. A rich impression with plate tone printed on cream wove paper. Signed and numbered in pencil...
Category
Early 20th Century Modern Connecticut - Landscape Prints
Materials
Drypoint, Etching
Seascape Diptych 23, Large Blue Horizontal Woodcut Print of Water, Ocean Waves
By Eve Stockton
Located in Kent, CT
This large, horizontal diptych of two woodcut prints on paper evokes the peacefulness of ocean waves depicted in shades of blue, bright royal blue offset by soft, pale blue tones. Th...
Category
2010s Contemporary Connecticut - Landscape Prints
Materials
Archival Ink, Watercolor, Archival Paper, Color Pencil, Monotype, Woodcut
From Knoedler's Window MCMXXXV
By John Taylor Arms
Located in Storrs, CT
From Knoedler's Window MCMXXV. 1935. Etching and Aquatint. Fletcher catalog 293 stateiv/v. Image: 5 1/16 x 4 15/16 (sheet 12/7/8 x 9 1/8). Edition 271 in this state (total edition 3...
Category
1920s American Modern Connecticut - Landscape Prints
Materials
Aquatint, Etching
Old Colony Statehouse, Newport, Rhode Island
By Clifford Isaac Addams
Located in Storrs, CT
Old Colony Statehouse, Newport, Rhode Island. c. 1931-1933. Etching. Hausberg 187. iii. 7 7/8 x 6 (sheet 12 1/2 x 9 1/4). Printed on the full sheet of cream wove paper with deckle ed...
Category
Early 20th Century American Modern Connecticut - Landscape Prints
Materials
Etching
The Cow Shed
By Kerr Eby
Located in Storrs, CT
The Cow Shed. 1946. Etching, aquatint, and sandpaper ground. Giardina 211. 9 5/8 x 15 1/8. Edition 100. Tape marks at the margin edges, well away from the image. A rich impression printed on cream wove paper with full margins. Signed and annotated 'imp' (imprimit) in pencil, indicating a proof printed Eby. Housed in an 18 3/4 x 24-inch archival mat, suitable for framing.
Eby is known for his stark and lovely landscapes of Connecticut in the winter. He first got to know Connecticut when he spent several summers at the artist’s colony at Cos Cob immediately before the First World War. There he became friends with the American Impressionist artist Childe Hassam, who was almost thirty years older than Eby. Eby and Hassam had a close working relationship, with the younger artist providing the older artist with technical advice on etching and the use of his etching press.
Following the War, Eby married Frances Sheldon, whom he had met in Cos Cob, and the couple eventually settled in a pre-Revolutionary War saltbox...
Category
Mid-20th Century American Modern Connecticut - Landscape Prints
Materials
Etching
Sequential Chroma, Julian Stanczak
By Julian Stanczak
Located in Fairfield, CT
Artist: Julian Stanczak (1928-2017)
Title: Sequential Chroma
Year: 1978
Edition: 2/175, plus proofs
Medium: Silkscreen on Somerset paper
Size: 30.25 x 25.75 inches
Condition: Good
Inscription: Signed and numbered by the artist.
Notes: Printed by Vistec Graphics, Rochester; published by London Arts Group, Detroit.
JULIAN STANCZAK (1928-2017) A student of Josef Albers and one of the leaders of the Op Art Movement, Stanczak was included in the Museum of Modern Art’s 1965...
Category
1970s Op Art Connecticut - Landscape Prints
Materials
Screen
Pool House, Limited Edition Print, Mid-Century Modern, Architecture, Framed
By Andy Burgess
Located in Riverdale, NY
Pool House by Andy Burgess is a limited edition Lithography, chine collé. It is an edition of 30, signed and numbered. It is 6/30. It is 29 1/2 x 37 inches, framed to 32 x 39.75 in a light wood frame with UV glass. This print is published by Tandem Press, Madison, Wisconsin
Andy Burgess (b. 1969), a London-born painter and collage artist, is best known for his colorful explorations of modernist and mid-century architecture as well as his mosaic-like collages created using vintage matchbooks...
Category
2010s Contemporary Connecticut - Landscape Prints
Materials
Lithograph
Twixt Dawn and Day
By Sir Frank Short
Located in Storrs, CT
Twixt Day and Dawn. 1919. Aquatint. Hardie catalog 165 state ii. Image 9 7/8 x 11 1/2 (sheet 13 9/16 x 16 7/8). A masterly inked impression produces subtle lighting variations throu...
Category
Early 20th Century Modern Connecticut - Landscape Prints
Materials
Aquatint
Champs (Fields); from the Carnegie Hall Centennial Fine Art portfolio
By Joan Mitchell
Located in Fairfield, CT
Artist: Joan Mitchell (1925-1992)
Title: Champs (Fields); from the Carnegie Hall Centennial Fine Art portfolio
Year: 1990
Edition: 60, plus 13 artist’s p...
Category
1990s Abstract Expressionist Connecticut - Landscape Prints
Materials
Lithograph
Out of My Window. (Vista; My Own; De Ma Fenêtre)
By John Taylor Arms
Located in Storrs, CT
Out of My Window. (Vista; My Own; De Ma Fenêtre). 1916. Etching. Fletcher 4, Library of Congress 254. 7 x 5 9/16 (sheet 9 3/8 x 9 1/2). Edition 75. Good condition apart from two re...
Category
20th Century American Modern Connecticut - Landscape Prints
Materials
Etching
Guardians of the Spire (Amiens Cathedral Number 2)
By John Taylor Arms
Located in Storrs, CT
Guardians of the Spire (Amiens Cathedral Number 2). 1921. Etching. Fletcher 102. 6 3/4 x 9 7/8 (sheet 8 7/8 x 13 3/4). Gargoyle Series #4. Edition 75. Illustrated: Dorothy Noyes Arms...
Category
1920s American Modern Connecticut - Landscape Prints
Materials
Drypoint, Etching
Rue Furstenberg
By James Abbott McNeill Whistler
Located in Storrs, CT
Rue Furstenberg. 1894. Lithograph. Way 59; Levy 90; Tedeschi, Stratis and Spink catalog 97. Only state. 8 7/8 x 6 1/4 (sheet 14 1/4 x 8 7/8). A fine ...
Category
Late 19th Century Impressionist Connecticut - Landscape Prints
Materials
Lithograph
Charing Cross Bridge from My Window
By Joseph Pennell
Located in Storrs, CT
Charing Cross at Night. 1909. Mezzotint. Wuerth 510. 11 7/8 x 10 (sheet 15 x 10 3/4). Edition probably 30. Printed on 'Rome'cream laid paper, probably fr...
Category
Early 20th Century American Modern Connecticut - Landscape Prints
Materials
Resin, Aquatint
Royal Insurance Building of Canada. (Royal Globe Insurance Company Building)
By Louis Conrad Rosenberg
Located in Storrs, CT
Royal Insurance Building of Canada. (Royal Globe Insurance Company Building) 1927. Drypoint. 12 x 6 1/2 (sheet 17 1/2 x 10 1/2). A rich impression with selective plate tone printed in black/brown ink on cream wove paper. Signed in pencil. Housed in a 20 x 16-inch archival mat, suitable for framing.
Rosenberg's first published print of 1927 was a drypoint of the Royal Insurance Building of Canada in New York. From his personal journal, we know that it was executed on January 18th in London and that 108 proofs were printed on 'modern' paper and signed.
The alternate name of the building is the Royal Globe Insurance Company Building. It is located in the financial district of Manhattan, 150 William Street to Gold...
Category
1920s American Modern Connecticut - Landscape Prints
Materials
Drypoint
Wall Street
By Joseph Pennell
Located in Storrs, CT
Wall Street. 1904. Etching. Wuerth 344. 11 3/4 x 7 7/16 (sheet 15 1/2 x 10 1/4). Edition about 75. A rich, tonal impression printed on Japanese mulberry paper. Signed in pencil. Hous...
Category
Early 20th Century American Modern Connecticut - Landscape Prints
Materials
Drypoint, Etching
Potpourri en Ciel
By Alexander Calder
Located in Fairfield, CT
Artist: Alexander Calder (1898-1976)
Title: Potpourri en Ciel
Year: 1975
Medium: Lithograph in colors on wove paper
Edition: 90, plus proofs
Size: 29...
Category
1970s Modern Connecticut - Landscape Prints
Materials
Lithograph
The Cornfield
By John Constable
Located in Storrs, CT
Mezzotint by David Lucas (1802 - 1881) after the painting by John Constable. Shirley catalog 3 state 6.iv. Christopher Lennox-Boyd state vi/vi. London: Republished Feb.y 15, 1853, by Thomas Boys (of the late Firm of Moon, Boyd & Greaves,) Printseller to the Royal Family, 467, Oxford Street - Paris. E.Gambart & C. 9 Rue d'Orleans au Marais,-Depose. Originally Published July 1.1834. Image 22 1/4 x 19 1/2, plate 26 3/4 x 20 3/8, sheet 30 3/4 x 24 3/8. A rich impression printed on sturdy wove paper with full margins, mounted on archival paper. A few unobtrusive scrapes and folds, one horizontally across the center of the image, and a faint water stain in the top right-hand image and margin. Signed in the plate.
Housed in a double archival mat and a Hogarth 36.50 x 30.50 x 1.25-inch Hogarth frame with gilded corner ornaments.
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The Cornfield depicts Fen lane as it leads from East Bergholt towards Dedham; a village in the borough of Colchester. A flock of sheep are followed by a dog as the path winds towards figures active in a cornfield. A boy, prone and with his face on the surface of a stream, slakes his thirst. The church in the distance is thought to have been an invention on Constable's part.
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First exhibited at the Royal Academy in 1826, Constable's The Cornfield became one of the artist's most celebrated works. It was reproduced in mezzotint by David Lucas in 1834 and sold by J. McLean and Hodgson, Boys and Graves, and Rudolph Ackermann. This print, however, derives from a posthumous collection of Constable's works entitled 'English Landscape Scenery,' edited by H.G. Bohn and published by Thomas Boys in 1853. The series consisted of forty mezzotint engravings on steel plates; all of which were produced by Lucas.
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The Cornfield is one of Constable’s best-known works. It was also the first of his pictures to enter a public collection. Shortly after his death in 1837, a committee was set up to subscribe towards the purchase of a painting for the nation, and The Cornfield was bought for the National Gallery for 300 guineas. The list of subscribers included the poet William Wordsworth, the scientist Michael Faraday...
Category
19th Century Romantic Connecticut - Landscape Prints
Materials
Mezzotint
"Coming Home!" 1987 America's Cup GABLE, John
Located in Bristol, CT
Classic colour plate 'Coming Home!' pub 1987 (#1097/2500) by John Gable depicting the decisive battle for the starting line in the final race of the America's Cup sailed off Fremantl...
Category
1980s Connecticut - Landscape Prints
Materials
Lithograph
La petite marine -- Souvenir de Medway. (Little Seascape, a Remembrance of the M
By Félix Hilaire Buhot
Located in Storrs, CT
La petite marine -- Souvenir de Medway. (Little Seascape, a Remembrance of the Medway). 1879. Etching, drypoint, false biting, aquatint, and stop-out. Bourcard-Goodfriend catalog 15...
Category
1870s Modern Connecticut - Landscape Prints
Materials
Drypoint, Etching, Aquatint
The Fair
By James Abbott McNeill Whistler
Located in Storrs, CT
The Fair. 1895-96. Lithograph. Way 92, Levy 144, Tedeschi, Stratis and Spink 135 state ii. Image 9 1/4 x 6 1/2 (sheet 13 x 9 5/8). A fine impression printed on antique cream-laid paper. Way lists 15-lifetime impressions (Goulding printed...
Category
Late 19th Century American Modern Connecticut - Landscape Prints
Materials
Drypoint, Etching
"Off To Draw" 1951 Fox-Hunt Monkton, MD by Edward S. Voss
Located in Bristol, CT
Edward S. Voss M.F.H. Monkton, MD
"Off To Draw"
Color lithograph on paper
Published 1951 by My Lady's Manor Ltd Monkton, Maryland
Signed in plate to lower right
Print Sz 11 1/4"H x 14"W
Frame Sz 19 1/4"H x 21 3/4"W
Edward (Ned) Voss rode in point-to-points (his last ride came at age 64 in 1957) and campaigned steeplechase horses like *Golpista, Flying Artist and *Atamisqui with trainer Burley Cocks. Atlanta Hall was also home to Belgian draft horses and purebred Angus cattle...
Category
1950s Connecticut - Landscape Prints
Materials
Lithograph
Lilac, Gene Davis
By Gene Davis
Located in Fairfield, CT
Artist: Gene Davis (1920-1985)
Title: Lilac
Year: 1980
Medium: Silkscreen on Arches paper
Edition: 247/250, plus proofs
Size: 22.5 x 28.5 inches
Condition: Good
Inscription: Signed a...
Category
1980s Abstract Geometric Connecticut - Landscape Prints
Materials
Screen
Automne (Autumn)
By Georges Rouault
Located in Storrs, CT
Automne (Autumn). 1938. Aquatint print in colors. Chapon/Rouault 288C. 19 1/2 x 25 1/2 ( sheet 22 5/8 x 30 3/4). Edition 175, #58. Published by Vollard. A rich impression with brigh...
Category
Mid-20th Century Expressionist Connecticut - Landscape Prints
Materials
Aquatint, Color
Yellow Jack, Gene Davis
By Gene Davis
Located in Fairfield, CT
Artist: Gene Davis (1920-1985)
Title: Yellow Jack
Year: 1979
Medium: Silkscreen on Arches paper
Edition: 232/250, plus proofs
Size: 22.5 x 25 inches
Condition: Good
Inscription: Sign...
Category
1970s Abstract Geometric Connecticut - Landscape Prints
Materials
Screen
Under the Bridge
By Lawrence Wilbur
Located in Storrs, CT
Under the Bridge. 1985. Etching and drypoint. 9 1/2 x 12 1/8 (sheet 20 1/16 x 22). Edition 27, #13. Printed on cream wove paper, on the full sheet with deckle edges. A rich impression in excellent condition, housed in an archival folder. The etching has never been matted. Titled and numbered in pencil. by the artist; signed and initialed in pencil by the artist's estate. Provenance: the artist's estate A dramatic view of the lower East Side in New York. Housed in an archival folder awaiting your choice of mat and frame.
Painter and printmaker Lawrence Nelson Wilbur...
Category
20th Century American Modern Connecticut - Landscape Prints
Materials
Drypoint, Etching
Old Brownstones -- New York
By Lawrence Wilbur
Located in Storrs, CT
Old Brownstones-- New York. c. 1985. Etching and drypoint. 8 7/ 8 x 12 1/3 (sheet 16 5/8 x 16 1/4). Fourth state. Printed on cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival folder. This etching has never been matted. Provenance: the artist's estate. Signed, titled, and annotated 'Fourth state -- wheel changed to left' and 'Steves' in pencil. A dramatic view of a Manhattan neighborhood.
Painter and printmaker Lawrence Nelson Wilbur...
Category
20th Century American Modern Connecticut - Landscape Prints
Materials
Drypoint, Etching
Double Metamorphosis V, Yaacov Agam
By Yaacov Agam
Located in Fairfield, CT
Artist: Yaakov Agam (1928)
Title: Double Metamorphosis V
Year: 1979
Medium: Silkscreen on Arches paper
Edition: 69/180, plus proofs
Size: 36 x 50 inches
Condition: Good
Inscription: ...
Category
1970s Op Art Connecticut - Landscape Prints
Materials
Screen
White Fronted Geese Flying above Reeds and Water.
By Ohara Koson
Located in Storrs, CT
White-Fronted Geese Flying above Reeds and Water. c. 1933. Shikishiban: 10 10/16 x 9 1/16 (sheet 10 14/16 x 9 12/16). Signed and sealed Shoson. Publisher: Watanabe Shozaburo. Illustrated: Crows, Cranes & Camellias, S11.6, p. 197. Stamped "made in Japan" verso, indicating that it was printed for the United States after 1921. A fine impression with subtle shading and gauffrauge in the 2 large birds' feathers. Based on the body markings, these actually appear to be mallard ducks, not geese. Good olor and condition Housed in a 20 x 16-inch archival mat.
Koson Ohara...
Category
Early 20th Century Showa Connecticut - Landscape Prints
Materials
Color, Woodcut
Bassin d'Apollon, Versailles (Fountain of Appollo, Versailles).
By Mortimer Menpes
Located in Storrs, CT
Bassin d'Apollon, Versailles (Fountain of Appollo, Versailles). Drypoint. Menpes 364. 7 1/8 x 9 1/8 (sheet 8 13/16 x 10 7/8). A very rich impression with drypoint burr and plate tone...
Category
Early 20th Century Modern Connecticut - Landscape Prints
Materials
Drypoint, Etching
"Coronation Cup" 1987 GILBERT, Painted Terence [Painted by]
Located in Bristol, CT
Plate Sz: 16 3/4"H x 25"W
Frame Sz: 23 3/4"H x 31 3/4"W
Pencil signed: LL
Published 1992 by Thomas Ross Limited Binfield, England
England v. North America at The Guard's Polo Club, Windsor Great Park.
In the presence of Her Majesty Queen Elizabeth II to whom this plate is, with permission, respectfully dedicated by the publishers-Thomas Ross.
England
(Dark Blue)
1. William Lucas...
Category
1990s Connecticut - Landscape Prints
Materials
Lithograph
!["Coronation Cup" 1987 GILBERT, Painted Terence [Painted by]](https://a.1stdibscdn.com/terence-gilbert-prints-works-on-paper-coronation-cup-1987-painted-by-terence-gilbert-pencil-signed-ll-for-sale/a_12601/1626456131168/1_master.JPG?width=240 "terrance gilbert")
Dark House (Philadelphia).
By Earl Horter
Located in Storrs, CT
c. 1932. Aquatint. 10 1/4 x 11 (sheet 12 5/8 x 15 1/2). A rich impression printed with plate tone on countermarked French wove paper. Unsigned; annotated 'Dark House (Aqua)' in Horter's hand. Another impression is in the Library of Congress. Housed in a 16 x 20-inch archival mat, suitable for framing.
Earl Horter...
Category
Mid-20th Century American Modern Connecticut - Landscape Prints
Materials
Etching, Aquatint
From the Ponte Vecchio
By John Taylor Arms
Located in Storrs, CT
From the Ponte Vecchio, Florence. 1925. Etching and aquatint. Fletcher catalog 159. state ii. Image: 11 1/8 x 15 1/4 (sheet 13 3/8 x 18 1/4). Edition 160 in this state (total edition...
Category
1930s American Modern Connecticut - Landscape Prints
Materials
Etching, Aquatint
Sea Trout of the Solway
Located in Bristol, CT
Classic angling colour plate No.10 by Sir William Jardine (1800-1874) depicting 'Sea Trout of the Solway'
Print Sz; 16 3/4"H x 25 3/4"W
Frame Sz ...
Category
19th Century Connecticut - Landscape Prints
Materials
Lithograph
"Into the Light, " Limited Edition Print - 24 x 36
By Daniel Pollera
Located in Westport, CT
This Limited Edition print titled, "Into the Light," by Daniel Pollera. It is printed on canvas and ships rolled with natural edges. It can be stretched upon arrival - please see ima...
Category
2010s Realist Connecticut - Landscape Prints
Materials
Digital
Water Study 43
By Frances Ashforth
Located in Fairfield, CT
unique monotype
Category
2010s Connecticut - Landscape Prints
Materials
Monotype
Cudham, Kent
By Graham Sutherland
Located in Storrs, CT
Cudham, Kent. 1924. Etching. Tassi 15; Cooke 20. 3 1/8 x 4 (sheet 4 3/8 x 6 7/16). Edition of 42, including some artist's proofs. Published by the Twenty-One Gallery in London. Slight paper loss in the top left-hand corner. A rich impression with plate tone, printed by the artist on antique laid paper...
Category
Early 20th Century Modern Connecticut - Landscape Prints
Materials
Etching
"Passing Time, " Framed Limited Edition Giclee Print, 30" x 40"
By Daniel Pollera
Located in Westport, CT
This contemporary realist Limited Edition print by Daniel Pollera is rendered from the perspective of a view from a beach house porch, looking out toward a body of water. Two Adirond...
Category
2010s Realist Connecticut - Landscape Prints
Materials
Digital
The Trawler
By Arthur John Trevor Briscoe
Located in Storrs, CT
The Trawler. 1926. Etching. Hurst 176. 9 7/8 x 13 7/8 (sheet 11 3/8 x 15 3/4). Edition 75, #71. Mat line outside the image; otherwise excellent condition.A fine impression with plate tone, printed on antique cream laid paper. Signed and numbered in ink. Housed in a 16 x 20-inch archival mat, suitable for framing.
In 1899 Briscoe acquired a studio in Malden, Essex, and bought a 3 ton cutter which, with his young family, he would spend eight or nine months a year, sailing to Calais, along the Belgian coast and through the Dutch waterways, constantly sketching and painting in both oil and watercolor.
In 1922, after a meeting with the etcher James McBey, Briscoe returned to etching once more producing plates of some of his sea sketches. The two artists sailed together in Briscoe's, forty-ton yacht, the "Golden Vanity...
Category
1920s Modern Connecticut - Landscape Prints
Materials
Drypoint, Etching
WADING I (BLUE)
By Isca Greenfield-Sanders
Located in Fairfield, CT
Direct to plate photogravure and aquatint. Edition of 40.
Category
2010s Connecticut - Landscape Prints
Materials
Aquatint, Paper, Photogravure
Pink Mountain
By Isca Greenfield-Sanders
Located in Fairfield, CT
Etching on paper. Edition of 35.
Category
2010s Connecticut - Landscape Prints
Materials
Etching, Paper
Warning Camp
By Graham Sutherland
Located in Storrs, CT
Warning Camp. 1924. Etching. Tassi 9; Cooke 15. 5 1/8 x 6 1/8 (sheet 8 1/8 x 10 1/2). Edition of 62 in two states. Published by Twenty-One Gallery, London. A fine impression printed on cream-colored laid paper with wide margins. Excellent condition. A scarce early image printed by the artist. Signed in pencil. .his early etching by Sutherland is extremely rare. Housed in a 20 x 16-inch archival mat.
Warningcamp is a small village and civil parish in the Arun District of West Sussex, England. It is located to the north-east of Arundel, on the east bank of the River Arun...
Category
Early 20th Century Modern Connecticut - Landscape Prints
Materials
Etching
York Avenue, Sunday Morning.
By Armin Landeck
Located in Storrs, CT
York Avenue, Sunday Morning. 1939. Drypoint. Kraeft 78. 7 3/4 x 12 7/8 (sheet 8 x 12). Edition 100. Provenance: Estate of David Llewellyn Reese, New York. ...
Category
1920s American Modern Connecticut - Landscape Prints
Materials
Drypoint, Etching
Netherton Chapel
By Frederick Landseer Griggs, R.A., R.E.
Located in Storrs, CT
Netherton Chapel. 1935. Etching. Comstock 53.v. 5 11/16 x 4 3/8 (sheet 8 15/16 x 6 1/2). Edition 85 in this state (total edition 88-89). Illustrated Fine Prints of the Year, 1936; Print Collector's Quarterly 26 (1939): 286. A fine impression on white laid paper with a partial crown watermark. Signed in pencil. Housed in a striking 11 1/2 x 10 7/8 wood and champagne gold frame.
According to Comstock "The subject is a small memorial chapel, now much more ruinous than the etching shows, near Bredon Hill...
Category
Mid-20th Century Modern Connecticut - Landscape Prints
Materials
Etching
The Little Wheelwright's
By James Abbott McNeill Whistler
Located in Storrs, CT
The Little Wheelwright's. 1886. Etching. Kennedy 245; Glasgow 242. 2 1/2 x 3 3/4 (sheet 5 1/8 x 6 1/8). There was no lifetime edition. Glasgow lists only 13 other known impressions. A fine impression printed in black ink on white laid paper. Monogrammed with the butterfly in the plate. Housed in a 10 X 11 1/2 X 1-inch gold leaf period carved Celtic...
Category
Mid-19th Century American Impressionist Connecticut - Landscape Prints
Materials
Etching
Wareham, Dorset
By Stanley Roy Badmin
Located in Storrs, CT
Beetles 36. 5 1/4 x 6 1/4 (sheet 9 1/4 x 11 1/4). Edition 50 for the Print Collector's Club. Exhibited: Royal Academy, 1934; Royal Society of Painter-Etchers and Engravers, 1934 and ...
Category
Early 20th Century Modern Connecticut - Landscape Prints
Materials
Etching
"Village Green, " Limited Edition Giclee Print, 48" x 48"
By Elwood Howell
Located in Westport, CT
This abstract landscape limited edition print by Elwood Howell features a warm, yellow and orange-hued landscape with a high horizon line and warm undertones. What appears to be a sm...
Category
2010s Abstract Connecticut - Landscape Prints
Materials
Canvas, Digital
Enchanted Doorway, Venezia (La Porta della Carta, Venezia '29)
By John Taylor Arms
Located in Storrs, CT
Enchanted Doorway, Venezia (La Porta della Carta, Venezia '29). 1930. Etching. Fletcher catalog 227 state ii. 12 3/8 x 6 9/16 (sheet 15 13/16 x 9 15/16). Edition 148 in this state (...
Category
1920s American Modern Connecticut - Landscape Prints
Materials
Etching
