Continental US - Art

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the Mourlot atelier and published in an edition of 2000. The image size is 7 1/2 x 9...

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Diane Arbus, Electa Editrice Portfolios, 1979. Published by Unite...

This is a poster titled Carolina Shout by Romare Bearden originally was created in 1967. Carolina Shout captures the vibrant energy and cultural significance of African American lif...

Héliogravure on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Joan Miró, Femmes, 1965. Published by Maeght Éditeur, Paris; printed ...

Larry Poons Midget Racer, 1963 Colored Pencil on Graph Paper Signed, titled, and dated by the artist on the lower right front Original frame with gallery label included Provenance: H...

Duayne Hatchett ((1925-2015). Banner, 1958. Welded metal, sculpture measures 11 h. x 9 w. x 3.75 d. inches. Measuring a total of 17.5 inch high on base. Base measures 5.5 x 5.5 by 6 ...

"La Protesta" - 1943 Linocut on Paper "La Protesta" (from the portfolio "25 Prints of Leopoldo Méndez") shows the struggle of the working class in Mexico during the 1930s and 1940s....

Artist : Romare Bearden Title; Bopping at Birdland (stomp time) Year: 1979 Size: 33 ¼ x 24 inches Lithograph on Arches Paper Edition; Signed in pencil and marked 114/175 (Gelburd/Ros...

Amedeo Modigliani, After, Italian (1884 - 1920) - L'Amazone, Year: of original: 1909, Medium: Lithograph, stamp signed and numbered in pencil, Edition: 101/150, Size: 30.25 x 22....

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, XXe Siècle, n°26, May 1966. Published ...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, A Los Toros Avec Picasso, 1961. Published by André Sauret, éditeur, Paris; prin...

Artist: MARC CHAGALL Title: Moses & the Burning Bush (FROM STORY OF THE EXODUS) Medium: Lithograph on arches paper Image Size: 18.50x13.50 inches paper size: 20 x 15 inches Released:...

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Diane Arbus, Electa Editrice Portfolios, 1979. Published by Unite...

This original museum poster titled Two Candles was created for the Fast Forward exhibition at the Dallas Art Museum in 1995. The artwork featur...

"Nu Assis I" is a large serigraph reproduction by Henri Matisse, utilizing his renowned cut-out technique. Released by Silvio Zamorani Editore in Italy, this print has the approval o...

Up for sale is a beautiful large oil on canvas painting by the Famous Italian Artist Antonio De Vity (1901-1993) depicting a Paris street view. Signed lower right corner De Vity. Wi...

Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...

Louise Delorme (b. 1928). Vase of Flowers, 1969. 26 x 36 inches; 27 x 37 inches framed. Signed lower left. Titled and dated on verso. Excellent condition.

Paper Size: 39 x 8.5 inches ( 99.06 x 21.59 cm ) Image Size: 37 x 8 inches ( 93.98 x 20.32 cm ) Framed: No Condition: A: Mint Shipping and Handling: We ship Worldwide. For Do...

Artist: After Guillaume Coustou, French (1677-1746) Title: Cheval de Marly Medium: Bronze Sculpture, signature inscribed Size: 22 x 19 x 9 in. (55.88 x 48.26 x 22.86 cm) This be...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, In Memory of M...

Cartoon sketch, ca. 1955. Pencil on paper, sheet measures 8.5 x 11 inches. Unsigned with editor's notations. From a group of sketches meant to be preliminary drafts for editor appro...

Composition with Red, Blue, Black, Yellow, and Gray by Piet Mondrian was originally painted in 1921. This period falls within Mondrian's mature phase, where he refined his abstract s...

Paper Size: 29.5 x 37.5 inches ( 74.93 x 95.25 cm ) Image Size: 21.6 x 36 inches ( 54.864 x 91.44 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additio...

Original off set lithograph in black and white with hand colored tinting by the artist. Artist signed, titled and numbered by the artist 47/250. Condition is excellent. Under glass...

Lithograph on vélin paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the album, Les Cavaliers d'Ombre; Sous le Manteau de Feu, 1956. Pub...

Myanmar (Burma) Mandalay Standing Buddha Title: Standing Buddha Medium: Painted hand-carved wood sculpture with gold and jewel detailing Size: 60 x 26 x 8 in. (152.4 x 66.04 x 20.32...

This stunning piece of art titled “Bateaux a Carnac" is a captivating original work by renowned artist Yolande Ardissoner. Ardissoner was mostly known for her playful and sophisticat...

Héliogravure on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Joan Miró, Femmes, 1965. Published by Maeght Éditeur, Paris; printed ...

Almendros en Mallorca. original acrylic painting Onofre was born in Sant Joan Mallorca on March 4, 1930, he decided from a very young age for art in all its facets, designer, dancer,...

Lithograph and stencil on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Cahiers d'Art N°24, 1949. Published and printed by Éditions des Cahi...

Paper Size: 15 x 11.5 inches ( 38.1 x 29.21 cm ) Image Size: 15 x 11.5 inches ( 38.1 x 29.21 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Supplemental Condi...

Shot on film a 14" x 11" a black-and-white contemporary gelatin silver print of a female nude with symmetrical proportions that suggest Greek sculptures. A feminine and statuesque su...

Sanchez, Emilio (American, born Cuba, 1921-1999). UNTITLED (HOUSE WITH CHILDREN ON THE ROOF). Watercolor on paper, not dated. Signed in pencil, lower right. 29 3/8 x 22 inches. In ex...

Lithograph and stencil on vélin papier a la cuve du Moulin Richard de Bas spécialement filigrané pour cette édition paper. Signed in the plate and unnumbered, as issued. Good conditi...

The Spanish Modern and Surrealist artist Joan Miro was one of the great masters of the 20th century. His bold linework and childlike technique set him apart from his contemporaries a...

Marc Chagall (After) and Charles Sorlier (his collaborator and printer) Carmen, Metropolitan Opera, New York City, 1966 Color Lithograph on Arches watermarked Paper with deckled edg...

First edition screen-print designed and created by Robert Motherwell for the Mostly Mozart Festival presented at the Lincoln Center for the Performing Arts in New York City in 1991. ...

Medium: lithograph (after the drawing). Printed in Paris in 1951 at the atelier Dreux-Barry in an edition of 1000. Sheet size: 12 1/4 x 9 1/4 inches (310 x 235 mm). Signed in the pla...

Paper Size: 26.75 x 27.5 inches ( 67.945 x 69.85 cm ) Image Size: 21.75 x 24.5 inches ( 55.245 x 62.23 cm ) Framed: No Condition: A: Mint Additional Details: In "Barbados", McKnight...

Artist: Picasso, Pablo Title: Francoise (B. 401, M. 45) Date: 1946 Medium: Lithograph printed in black ink on wove paper bearing the Arches script watermark. Unframed Dimensions:...

Very nicely painted American impressionist seascape painting. Oil on canvas. Signed. Housed in a period frame. Packed with action and detail. Excellent ready to hang condition. ...

Wayne Thiebaud Cake Slices, for the New SFMOMA (Hand signed by Wayne Thiebaud), 1996 Color Offset lithograph (hand signed by Wayne Thiebaud) B...

Artist: Philippe Noyer Title: L'autruche et la femme ~ The ostrich and the woman Year: 1980 Print: Lithograph 46'' x 31.5'' inches Edition: Signed in pencil and numbered 9/325 Date:...

Vintage poster for the 1982 Summer Festival season of the San Francisco Opera. David Hockney designed the whimsical sets and costumes for the San Francisco Opera's production of Igor...

Adult film star Cal Culver (AKA Casey Donovan) 'After Dark' magazine nude study, photographed in 1972. This is a vintage gelatin silver print, selenium...

This original etching and aquatint is a finely crafted work, signed and numbered out of 95 in pencil by the artist, adding a layer of exclusivity and authenticity. Published by Manus...

Salvador Dali (1904-1989) – Surrealist bronze sculpture by Salvador Dalí depicting an interpretation of the soul of Don Quiote. The sculpture is mounted on...

The Endeavour. c.1935. Pencil and watercolor on watercolor board. 14 3/8 x 20 7/8. Signed in pencil, lower right; titled in pencil, verso. Housed in a subtle 23 1/2 x 36-inch light ...

Original Iolanthe vintage theatre poster: Gilbert and Sullivan Iolante stone lithograph vintage poster. Museum linen backed. Clear, clean, bright. Grade A condition. The poster features a central image of a character dressed in a traditional British Grenadier Guard uniform, complete with a bearskin hat. The character is depicted in a whimsical pose, which aligns with the comedic and satirical nature of the operetta. Above the main figure, there are smaller illustrations of various characters from the operetta, hinting at the fantastical and fairy-tale elements of the story. The title "Iolanthe" is prominently displayed in bold, stylized lettering at the bottom. "Iolanthe, or The Peer and the Peri," is a comic opera by the famous duo W.S. Gilbert and Arthur Sullivan. The opera premiered on November 25, 1882, at the Savoy Theatre in London and is one of their most beloved works. "Iolanthe" tells the story of fairy Iolanthe, who was banished from the fairy kingdom...

"La Tristesse du roi" is a reproduction of Henri Matisse’s 1952 gouache on paper, known for its distinctive cut and collage technique. Reproduced in 1990, this piece reflects Matisse...

GLORIA STUART (1910 – 2010) WATTS TOWERS, 1971 Oil on canvas, signed lower right, 24” x 50 ½”. Gloria Stuart, an Academy Award nominated actress was also a painter, illustrator and printmaker. She most recently portrayed Rose in the blockbuster film “Titanic”. She was a Santa Monica native. In 2013 The Los Angeles Museum of Art, LACMA exhibited a nearly identical painting looking from the south, the same size and frame. Last 5 photos show the example at LACMA. One shows theirs in a distant room with a major Thomas Hart Benton painting in the foreground A VERY IMPORTANT MULTI-LEVELED DOCUMENT OF LOS ANGELES AND HOLLYWOOD CULTURAL HSTORYi The following is from her obituary in the Los Angeles Times upon her death in September 2010 at the age of 100 Gloria Stuart, a 1930s Hollywood leading lady who earned an Academy Award nomination for her first significant role in nearly 60 years — as Old Rose, the centenarian survivor of the Titanic in James Cameron’s 1997 Oscar-winning film — has died. She was 100. .......She devoted much of her time to designing and printing artists’ books (handmade, letter-press printed books in limited editions, with her own artwork and writing). Her work is in the J. Paul Getty Museum in Los Angeles, the Metropolitan Museum of Art in New York City, the Victoria and Albert Museum in London and other museums. Stuart, a founding member of the Screen Actors Guild who later became an accomplished painter and fine printer, died Sunday night at her West Los Angeles home, said her daughter, writer Sylvia Thompson. Stuart had been diagnosed with lung cancer five years ago. “She also was a breast cancer survivor,” Thompson said, “but she just paid no attention to illness. She was a very strong woman and had other fish to fry.” In July the actress was honored at an “Academy Centennial Celebration With Gloria Stuart” at the Samuel Goldwyn Theater in Beverly Hills. “She was a charming and beautiful leading lady in the ‘30s, and I never understood why her career didn’t go further at that time,” film historian and critic Leonard Maltin, who interviewed Stuart on stage at the event, told The Times on Monday. As for Stuart’s high-profile comeback in “Titanic”: “She was thrilled by the attention that that performance brought her and really wanted to win that Oscar. I thought she hit just the right notes in that performance. She was wry and engaging.” As a glamorous blond actress under contract to Universal Studios and 20th Century Fox in the 1930s, Stuart appeared opposite Claude Rains in James Whale’s “The Invisible Man” and with Warner Baxter in John Ford’s “The Prisoner of Shark Island.” She also appeared with Eddie Cantor in “Roman Scandals,” with Dick Powell in Busby Berkeley’s “Gold Diggers of 1935” and with James Cagney in “Here Comes the Navy.” And she played romantic leads in two Shirley Temple movies, “Poor Little Rich Girl” and “Rebecca of Sunnybrook Farm.” But mostly she played what Stuart later dismissed as “stupid parts with nothing to do” — “girl reporter, girl detective, girl nurse” — and “it became increasingly evident to me I wasn’t going to get to be a big star like Katharine Hepburn and Loretta Young.” After making 42 feature films between 1932 and 1939, Stuart’s latest studio contract, with 20th Century Fox, was not renewed. She appeared in only four films in the 1940s and retired from the screen in 1946. By 1974, “the blond lovely of the talkies” had become an entry in one of Richard Lamparski’s “Whatever Happened to” books. Writer-director Cameron’s $200-million “Titanic” changed that. Stuart played Rose Calvert, the 100-year-old Titanic survivor who shows up after modern-day treasure hunters searching through the wreckage of the sunken ship find a charcoal drawing of her wearing a priceless blue diamond necklace. Stuart’s performance as Old Rose frames the 1997 romantic- drama that starred Leonardo DiCaprio as lower-class artist Jack Dawson...

Stephen Harty, Untitled (Bird Abstraction), gouache, 1953. Signed and dated lower left. A fine, meticulously rendered, mid-century, modernist gouache painting, with fresh colors on 1...

Helen Frankenthaler Variation II on Mauve Corner (Harrison, 17), 1969 Lithograph in colors on Chatham British paper Signed, dated and numbered 14/21 in graphite pencil on the front Published by ULAE, West Islip, NY, with their blind stamp Frame included Accompanied by gallery issued Certificate of Guarantee Lithograph in colors on Chatham British paper Signed, dated and numbered 14/21 in graphite pencil on the front Published and printed by ULAE, West Islip, NY, with their blind stamp Literature: Frankenthaler, A Catalogue Raisonné: Prints 1961-1994, Harrison, no. 17, ppg. 106-109 Accompanied by gallery issued Certificate of Guarantee Elegantly floated and framed in a museum quality wood frame under UV plexiglass Measurements: Framed: 23.75 (vertical) x 28.75 (horizontal) x 2 inches Artwork: 20 inches (vertical) x 25 inches (horizontal) “What concerns me when I work is not whether a picture is a landscape… or whether somebody will see a sunset in it. What concerns me is, did I make a beautiful picture?” - - Helen Frankenthaler This is Frankenthaler's first silkscreen, produced for the portfolio New York Ten, which includes works by other New York-based artists at the time such as Roy Lichtenstein, Jim Dine, Tom Wesselmann and Claes Oldenburg. (She created her first lithograph in 1961) Other examples of this edition are found in the permanent collections of the Museum of Modern Art, MOCA Chicago, the Metropolitan Museum, the Philadelphia Museum, the Art Institute of Chicago, and numerous regional museums and institutions in the United States and worldwide. Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

"Water in swimming pools changes its look more than any other form. If the water surface is almost still and there is a strong sun, then dancing lines with the color of the spectrum appear everywhere." - - David Hockney David Hockney Offset Lithograph poster (Deluxe Hand Signed Limited Edition) on Parsons Diploma Parchment Paper, accompanied by COA from the Publisher and Olympic Committee 36 × 24 inches Pencil signed and unnumbered from the Edition of 750 (there was a separate, larger unsigned edition) Unframed Also accompanied by gallery issued Certificate of Guarantee One of the most coveted, historic and popular David Hockney limited editions created - beloved by American and international collectors alike: The official edition of this work is 750, but the publisher famously destroyed unsold editions after the Olympic Games and only about 200-250 are said to remain. This hand signed limited edition iconic Hockney work was printed as one of the fifteen Official Fine Art Olympic Posters for the 1984 Olympic Games in Los Angeles. (the XXIII'rd Olympiad). It depicts an aerial view of a swimmer under rippling water broken up into 12 squares. A statement released by the 1984 Olympic committee explains the set as follows - "The posters commissioned for the 1984 Olympics contain an enlightened selection of the best American artists with special emphasis on those who work in Southern California...As the Games develop, transpire and pass into memory, these fifteen posters contain the images, forms and symbols that will represent the 1984 Olympics in the museums, galleries, homes and the minds of people all over the world.” This work is NOT to be confused with the ubiquitous plate signed poster of the same image, which was printed on different paper in an open edition.) In 1982, the Olympic Committee commissioned 15 artists to create posters for the 1984 Games in Los Angeles. Hockney designed this offset lithograph depicting Olympic swimming. It was printed on Parsons Diploma Parchment paper in 1982, in an edition of 750, hand signed in pencil by the artist. Even though this print was published in an edition of 750, after the first marketing blitz, the publisher destroyed the remaining portfolios of signed prints - literally discarding hundreds of them in the dumpster. The Olympic Committee commissioned these portfolios to celebrate and promote the 1984 Olympics, and nobody expected the individual prints to have such enduring value. As the executives running the short-term promotional campaign were neither prophets nor curators, they saw no reason to hold on to these huge prints...

Zincograph on Vélin Bouffant paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Non Vouloir, 1942. Published by Éditions Jeanne Bucher, Paris; printed...

This lithograph is part of my private collection. It is original and pencil signed and numbered by the artist.

Artist Name: Barbara Kwasniewska Year: 1969 Medium Type: etching Size-Width Size-Height: 22.5'' x 30" inches Signed Edition Size: Signed, Titled, and Numbered 2/75 Barbabra Kwas...