Denmark - Still-life Paintings
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Item Ships From: Denmark
1943 War Period Textured Still Life Of Table With Oranges And Bottle
Located in Frederiksberg C, DK
Presenting a charming and decorative composition painted in 1943 by Danish artist Evan Wulff. This stilleben painting unveils a rustic table adorned simply with a wine bottle and two...
Category
1940s Modern Denmark - Still-life Paintings
Materials
Cotton Canvas, Oil
"Life´s to short to take advice from a cushion", 2019.
By Banksy
Located in Helsingør, DK
Aerosol spray via stencil on second hand cushions. Including all paperwork from GDP plus original shipping Receipt from Pest Control to first owner.
Ca 40 x 40 cm each (2)
Original...
Category
2010s Street Art Denmark - Still-life Paintings
Materials
Fabric
"Phoenix Purple" Contemporary Realistic Detailed Pink And Yellow Rose Portrait
Located in Frederiksberg C, DK
Presenting a contemporary, serene acrylic painting of a single flower exuding a joyous elegance. The up-close pink flower composition is delicately portrayed with thin and controlled brushstrokes, providing a realistic and immersive viewing experience. The soft and subtle nuances of pink, and the bright yellow tucked in soft green bed...
Category
Early 2000s Contemporary Denmark - Still-life Paintings
Materials
Acrylic, Canvas
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Provenance:
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Private Collection, New York, 2013-2020
This seventeenth century Spanish still-life of a laden table, known as a bodegón, stands out for its dramatic lighting and for the detailed description of each object. The artist’s confident use of chiaroscuro enables the sliced-open squash in the left foreground to appear as if emerging out of the darkness and projecting towards the viewer. The light source emanates from the upper left, illuminating the array, and its strength is made apparent by the reflections on the pitcher, pot, and the fruit in the basket. Visible brush strokes accentuate the vegetables’ rough surfaces and delicate interiors. Although the painter of this striking work remains unknown, it is a characteristic example of the pioneering Spanish still-lifes of the baroque period, which brought inanimate objects alive on canvas.
In our painting, the knife and the large yellow squash boldly protrude off the table. Balancing objects on the edge of a table was a clever way for still-life painters to emphasize the three-dimensionality of the objects depicted, as well a way to lend a sense of drama to an otherwise static image. The knife here teeters on the edge, appearing as if it might fall off the table and out of the painting at any moment. The shape and consistency of the squash at left is brilliantly conveyed through the light brush strokes that define the vegetable’s fleshy and feathery interior. The smaller gourds—gathered together in a pile—are shrouded partly in darkness and stand out for their rugged, bumpy exterior. The stoneware has a brassy glaze, and the earthy tones of the vessels are carefully modulated by their interaction with the light and shadow that falls across them. The artist has cleverly arranged the still-life in a V-shaped composition, with a triangular slice of cheese standing upright, serving as its pinnacle.
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