Europe

17th-century canter cabinet all original. Large and impressive 17th-century solid walnut canter cabinet with ebonized frames. The front of the cabinet has 2 columns at the sides ...

AN UNUSUAL, FLEMISH, BAROQUE, OAK, SPLIT, GATELEG, OVAL TABLE WITH ORIGINAL IRONWORK & SINGLE DRAWER, 5ft - The turnings are architecturally inspired and the split leg creates a par...

N. 48 fir ceiling boards, painted with tempera, showing geometrical and floral patterns. This kind of ceiling boards were mounted on joists also decorated and painted. Period: end ...

The wine taster stands on a narrow circular foot and has slightly baluster sides, and everted rim. The sides are decorated with punch bead bands, as w...

Royal House Antiques Royal House Antiques is delighted to offer for sale this exceptionally rare, 1662 dated, Northern English hand carved from solid oak Wainscot armchair with the ...

Cylindrical enameled metal umbrella stand in blue & black with white relief decoration. Good condition: some chips of enamel near the base, as shown in the pictures.

Set of six dining chairs, model 'Rungstedlund' PJ 34 by Ole Wanscher for P. Jeppesen, St. Heddinge, mahogany, blue upholstery, Denmark, 1960s. This classic set of six dining chair...

Rare set by Jules Wabbes for the Belgian Royal Suite on the A980 ship called "the Godetia". This exceptional set includes 2 sofas, 2 royal clubs and 2 false corners 45 degrees. Each...

Preparatory Drawing (sanguine on paper, 42 x 28 cm) by Francesco Furini for the making of the Saint Sebastian, ordered by the prince Lorenzo de' Medic...

These charming three-legged beech folk style chairs embody a timeless aesthetic that effortlessly bridges the gap between rustic simplicity and enduring craftsmanship. Handcrafted wi...

Italian Baroque painted and lacquered wooden sculpture of a kneeling figure. Circa 1650.  

Teak wood chest with rich gilt copper applications of decorative scrolls and foliage, and probably two drooping tulips for the decoration in the center of the work top. Handles for t...

Tapestry Louis XIV, 17th century.

Earthenware Corolla Vase Attributed To Luc Lanel, 1940S. Narrow Brown Exterior Extending To A Body With A Wide Gold Band. The Callused Appearance Highlights The Ivory-Glazed Interior...

Oil on oak panel Image size: 24 1/2 x 41 1/4 inches (62.25 x 104.75 cm) 19th Century Handmade frame POA Jan Brueghel the Younger Jan Brueg...

Study of a dog Oil on paper laid down on panel, 17.5 x 25.5 cm Provenance Private collection, the Netherlands Note: We are grateful to Mr Fred Meijer for his attribution to Ludolf de Jongh Ludolf de Jongh was the son of a shoemaker. When his father moved to Rotterdam, the young Ludolf decided to learn art rather than shoemaking and became a pupil of Cornelis Saftleven. Later he studied under Anthony Palamedes in Delft and still later with Jan van Bijlert in Utrecht. In 1635 he travelled to France with Francis Bacon. Seven years later, in 1642, he returned to the Netherlands when he heard that his mother had fallen ill. He set up a shop in Rotterdam, and his earliest signed paintings date from that year. According to Houbraken, his travels had caused him to speak French so fluently, that his parents had to learn French in order to speak with him. De Jongh’s work shows a strong influence from the Utrecht school of Caravaggio admirers, especially Jacob Duck...

Rembrandt van Rijn (1696-1669), La circoncision dans l’étable, 1654 Etching on watermarked paper. Beautiful artist’s proof, signed and dated in plate higher-left : “Rembrandt 1654”...