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22,600
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Period: 1750s
Period: 1610s
The Ornament - Etching by Charles-Antoine Jombert - 1755
Located in Roma, IT
The Ornament is a woodcut print realized by Charles-Antoine Jombert in 1755. Good conditions. The print was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - M...
Category

1750s Modern Europe

Materials

Etching

Angels - Etching by Nicholas Cochin - 1755
Located in Roma, IT
Angels is an etching realized by Nicholas Cochin in 1755. Good conditions with slight foxing and aged margins. Signed in the plate. The etching was ...
Category

1750s Modern Europe

Materials

Etching

Animal's Digestive System - Etching by Lorenz Heister - 1750
Located in Roma, IT
Animal's digestive system is an etching realized by Lorenz Heister in 1750. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la ...
Category

1750s Modern Europe

Materials

Etching

Interior of Animal - Etching by Lorenz Heister - 1750
Located in Roma, IT
Interior of animal is an etching realized by Lorenz Heister in 1750. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la descrip...
Category

1750s Modern Europe

Materials

Etching

Animal's Urogenital System - Etching by Lorenz Heister - 1750
Located in Roma, IT
animal's urogenital system is an etching realized by Lorenz Heister in 1750. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la...
Category

1750s Modern Europe

Materials

Etching

Eyes - Etching by Jean François Poletnich - 1755
Located in Roma, IT
Eyes is an etching realized by Jean Francois Poletnich in 1755. Signed in the plate. Good conditions with foxing. The artwork is depicted through confident strokes. The etching was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - Méthode pour apprendre le dessein, ou l'on donne les regles générales de ce grand Art.. enrichie de cent planches representant differentes parties du Corps Humain.. et quelques etudes d`Animaux & de Paysage. Paris: C.A. Jombert, 1755” The plates of this important study were mainly dedicated to anatomical studies, physiognomy and proportions, many taken from works by famous artists such as Raphael, Guido Reni and Titian, as well as classical works including the Farnese Hercules and the Medici Venus.
Category

1750s Modern Europe

Materials

Etching

Eyes - Etching by Jean François Poletnich - 1755
Located in Roma, IT
Eyes is an etching realized by Jean Francois Poletnich in 1755. Signed in the plate. Good conditions with foxing and folding. The artwork is depicted through confident strokes. T...
Category

1750s Modern Europe

Materials

Etching

Ears - Etching by Jean François Poletnich - 1755
Located in Roma, IT
Ears is an etching realized by Jean Francois Poletnich in 1755. Signed in the plate. Good conditions with foxing. The artwork is depicted through confident strokes. The etching was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - Méthode pour apprendre le dessein, ou l'on donne les regles générales de ce grand Art.. enrichie de cent planches representant differentes parties du Corps Humain.. et quelques etudes d`Animaux & de Paysage. Paris: C.A. Jombert, 1755” The plates of this important study were mainly dedicated to anatomical studies, physiognomy and proportions, many taken from works by famous artists such as Raphael, Guido Reni and Titian, as well as classical works including the Farnese Hercules and the Medici Venus.
Category

1750s Modern Europe

Materials

Etching

Portrait - Etching by Jean François Poletnich - 1755
Located in Roma, IT
Portrait is an etching realized by Jean Francois Poletnich in 1755. Signed in the plate. Good conditions with foxing and folding. The artwork is depicted through confident strokes...
Category

1750s Modern Europe

Materials

Etching

Methode Pour Le Dessein - Etching by Jean François Poletnich - 1755
Located in Roma, IT
Methode Pour Le Dessein is an etching realized by Jean Francois Poletnich in 1755. Good conditions with foxing. The artwork is depicted through confident strokes. The etching was ...
Category

1750s Modern Europe

Materials

Etching

Anatomy Studies - Etching by Nicholas Cochin - 1755
Located in Roma, IT
Anatomy Studies is an etching realized by Nicholas Cochin in 1755. Good conditions with foxing and folding. The artwork is depicted through confident...
Category

1750s Modern Europe

Materials

Etching

Anatomy Studies - Etching by Nicholas Cochin - 1755
Located in Roma, IT
Anatomy Studies is an etching realized by Nicholas Cochin in 1755. Good conditions with foxing and folding. The artwork is depicted through confident strokes. The etching was real...
Category

1750s Modern Europe

Materials

Etching

Anatomy Studies - Etching by Nicholas Cochin - 1755
Located in Roma, IT
Anatomy Studies is an etching realized by Nicholas Cochin in 1755. Good conditions with foxing and folding. The artwork is depicted through confident...
Category

1750s Modern Europe

Materials

Etching

Anatomy Studies - Etching by Nicholas Cochin - 1755
Located in Roma, IT
Anatomy Studies is an etching realized by Nicholas Cochin in 1755. Good conditions with foxing and folding. The artwork is depicted through confident strokes. The etching was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - Méthode pour apprendre le dessein, ou l'on donne les regles générales de ce grand Art.. enrichie de cent planches representant differentes parties du Corps Humain.. et quelques etudes d`Animaux & de Paysage. Paris: C.A. Jombert, 1755” The plates of this important study were mainly dedicated to anatomical studies, physiognomy and proportions, many taken from works by famous artists such as Raphael, Guido Reni and Titian, as well as classical works including the Farnese Hercules and the Medici Venus.
Category

1750s Modern Europe

Materials

Etching

Heads Proportion - Etching by Jean François Poletnich - 1755
Located in Roma, IT
Heads Proportion is an etching realized by Jean Francois Poletnich in 1755. Good conditions with foxing and folding. The artwork is depicted through confident strokes. The etching...
Category

1750s Modern Europe

Materials

Etching

Anatomy Studies - Etching by Nicholas Cochin - 1755
Located in Roma, IT
Anatomy Studies is an etching realized by Nicholas Cochin in 1755. Good conditions with foxing and stain. The artwork is depicted through confident s...
Category

1750s Modern Europe

Materials

Etching

Anatomy Studies - Etching by Nicholas Cochin - 1755
Located in Roma, IT
Anatomy Studies is an etching realized by Nicholas Cochin in 1755. Good conditions with foxing and folding. The artwork is depicted through confident strokes. The etching was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - Méthode pour apprendre le dessein, ou l'on donne les regles générales de ce grand Art.. enrichie de cent planches representant differentes parties du Corps Humain.. et quelques etudes d`Animaux & de Paysage. Paris: C.A. Jombert, 1755” The plates of this important study were mainly dedicated to anatomical studies, physiognomy and proportions, many taken from works by famous artists such as Raphael, Guido Reni and Titian, as well as classical works including the Farnese Hercules and the Medici Venus.
Category

1750s Modern Europe

Materials

Etching

Anatomy Studies - Etching by Nicholas Cochin - 1755
Located in Roma, IT
Anatomy Studies is an etching realized by Nicholas Cochin in 1755. Good conditions with foxing and folding. The artwork is depicted through confident...
Category

1750s Modern Europe

Materials

Etching

Anatomy Studies - Etching by Nicholas Cochin - 1755
Located in Roma, IT
Anatomy Studies is an etching realized by Nicholas Cochin in 1755. Good conditions with foxing and folding. The artwork is depicted through confident...
Category

1750s Modern Europe

Materials

Etching

Portrait after Raphael - Etching by Nicholas Cochin - 1755
Located in Roma, IT
Portrait after Raphael is an etching realized by Nicholas Cochin in 1755. Signed on the plate. Good conditions. The artwork is depicted through confident strokes. The etching was...
Category

1750s Modern Europe

Materials

Etching

The Study of Hand after Bouchardon - Etching by Nicholas Cochin - 1755
Located in Roma, IT
The Study of Hand after Bouchardon is an etching realized by Nicholas Cochin in 1755. Signed on the plate. Good conditions. The artwork is depicted through confident strokes. The...
Category

1750s Modern Europe

Materials

Etching

Portrait after Raphael - Etching by Nicholas Cochin - 1755
Located in Roma, IT
Portrait after Raphael is an etching realized by Nicholas Cochin in 1755. Signed on the plate. Good conditions. The artwork is depicted through confident strokes. The etching was...
Category

1750s Modern Europe

Materials

Etching

Landscape - Etching by Pierre Quentin Chedel - 1755
By Pierre Quentin Chedel
Located in Roma, IT
Landscape is an etching realized by Pierre Quentin Chedel in 1755. Good conditions. Signed on Plate. The artwork is depicted through confident strokes. The etching was realized f...
Category

1750s Europe

Materials

Etching

The Ocean - Etching by Pierre Quentin Chedel - 1755
By Pierre Quentin Chedel
Located in Roma, IT
The Ocean is an etching realized by Pierre Quentin Chedel in 1755. Good conditions. The artwork is depicted through confident strokes. The etching was realized for the anatomy stu...
Category

1750s Modern Europe

Materials

Etching

Landscape - Etching by Pierre-François Laurent - 1755
Located in Roma, IT
Landscape is an etching realized by Pierre-François Laurent in 1755. Good condition. Signed on Plate. The artwork is depicted through confident strokes. The etching was realized ...
Category

1750s Modern Europe

Materials

Etching

Portrait After Michelangelo - Etching by Nicholas Cochin - 1755
Located in Roma, IT
Portrait after Michelangelo is an etching realized by Nicholas Cochin in 1755. Good conditions. Signed in plate. The artwork is depicted through confident strokes. The etching wa...
Category

1750s Modern Europe

Materials

Etching

Portrait after Raphael - Etching by Jean François Poletnich - 1755
Located in Roma, IT
Portrait after Raphael is an etching realized by Jean Francois Poletnich in 1755. Signed in the plate. Good conditions with foxing and stain. The artwork is depicted through confi...
Category

1750s Surrealist Europe

Materials

Etching

Anatomy Studies - Etching by Nicholas Cochin - 1755
Located in Roma, IT
Anatomy Studies is an etching realized by Nicholas Cochin in 1755. Good conditions with slight foxing. Signed in the plate. The artwork is depicted through confident strokes. The...
Category

1750s Surrealist Europe

Materials

Etching

Portrait after Raphael - Etching by Nicholas Cochin - 1755
Located in Roma, IT
Portrait after Raphael is an etching realized by Nicholas Cochin in 1755. Signed in the plate. Good conditions with foxing. The artwork is depicted through confident strokes. The...
Category

1750s Surrealist Europe

Materials

Etching

The Muses - Etching by Nicholas Cochin - 1755
Located in Roma, IT
The Muses is an etching realized by Nicholas Cochin in 1755. Good conditions. Signed in the plate. The etching was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - Méthode pour apprendre le dessein, ou l'on donne les regles générales de ce grand Art.. enrichie de cent planches representant differentes parties du Corps Humain.. et quelques etudes d`Animaux & de Paysage. Paris: C.A. Jombert, 1755” The plates of this important study were mainly dedicated to anatomical studies, physiognomy and proportions, many taken from works by famous artists such as Raphael, Guido Reni and Titian, as well as classical works including the Farnese Hercules and the Medici Venus.
Category

1750s Surrealist Europe

Materials

Etching

18th-Century Miniature Oil Portrait
Located in Madrid, ES
Fine miniature oil painting depicting a lady in period attire from the 18th century. Shows signs of wear due to age. Dimensions: 8 x 6 cm
Category

1750s Antique Europe

Materials

Fruitwood

Pair of 18th century Louis XVth ormolu chenets with parrots
Located in London, GB
A magnificent pair of Louis XVth rococco ormolu chenets. The fire/mercury gilt ormolu in magnificent original condition, shewn unfortunately in these photos uncleaned. Fabulous C scr...
Category

1750s Antique Europe

Materials

Ormolu

Pair of Torciere Milan, c. 1750.
By Non-Standard Furniture and Lighting
Located in Milano, IT
Pair of carved white lacquered and partially gilded cirmol wood lamp stands, supported by a cylindrical rod. Composed of large opposing "C"-shaped volutes, they are carved with curls...
Category

1750s Italian Baroque Antique Europe

Materials

Wood

English 18th Century Gold-Mounted Agate Snuff-Box
Located in Paris, FR
Agate box or snuff-box in of circular form with gently bombé sides, the gold mounted lid is chased with scrollwork. Probably Georges II period. Unmarked gold...
Category

1750s English George II Antique Europe

Materials

Agate, Gold

18th-Century Miniature Engraving – Madrid, 1758
Located in Madrid, ES
Antique engraving dated 1758, framed in its original wooden frame. Origin: Madrid, Spain. Condition: Well-preserved with fine details. Frame: Authentic 18th-century wooden frame. D...
Category

1750s Antique Europe

Materials

Paper

Table Low Sofa Vintage 1950s Map Isle of Man John Speed 1610 Thomas Durham 1595
Located in BUNGAY, SUFFOLK
- The juxtaposition of modern design and this ancient map create a unique small table and conversation piece - This is the first map featuring the Isle of Man on its own. - It is also the first map of the Island based on an actual survey, undertaken by Thomas Durham 1595 and was first published by Speed in 1605-1611 and reprinted many times over the next century. This is the second state or print from 1610. The map is inset within a fruitwood box frame with a glass top. Supported by tapering stick legs. The map is based on a survey (and presumably a MS map) by Thomas Durham, of whom nothing is known other that he was paid by Sir Thomas Gerrard to make a survey of the Island. This survey, almost certainly for military purposes, arose from the disputed possession of the Island during which time Elizabeth had assumed control in order to prevent the Scots or the Spanish from using the Island as a base. Speed had used the Durham Map in his slightly earlier 4-sheet wall map showing invasions and battles of c1603/4 [ref: Shirley #261] - there are some differences from this 1605/10 map - Port Eran (rather than Earn on 1605);Knockalo point (= Contrary Hd) not on 1605;Spalbrecke shown west of Calf rather than E as on 1605/10. Thus it is possible that the Durham Map had even more detail than Speed used in his derived version. In sea are four mythical beasts with riders: to NW of Island Unicorn with Scottish flag...
Category

1610s English Mid-Century Modern Antique Europe

Materials

Paper

18th Century French Fauteuil de la Reine Armchair Nutwood
Located in Münster, DE
Armchair, so called Fauteuil à la Reine, rococo around 1750, walnut carved, foliage and rocaille motifs, cover with petit point embroidery, this from the 1st half of the 19th century...
Category

1750s French Rococo Antique Europe

Materials

Nutwood

Commode, Parigi metà del XVIII secolo
By Non-Standard Furniture and Lighting
Located in Milano, IT
Commode a due cassetti continui con catena a scomparsa. Il mobile è bombato grazie ad una mossa sia verticale sia orizzontale, completamente impiallacciato in Bois de Rose quadripart...
Category

1750s French Other Antique Europe

Materials

Marble

Playing children, hand carved
Located in 'S-HERTOGENBOSCH, NL
Hand carved playing children, original painted white. There is missing a part, a tree of life or something similar (see picture 6).
Category

1750s Dutch Baroque Antique Europe

Materials

Wood

Oxford Christ Church and Carfax 18th century engraving by John Donowell
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category

1750s Europe

Materials

Engraving

George III Period Mahogany Library Armchair
Located in London, GB
A mid-18th century George III period golden mahogany library Gainsborough armchair having unusual set back arms with carved scrolled acanthus decoration supported on chamfered square...
Category

1750s English Chippendale Antique Europe

Materials

Mahogany

Set of 2 Ornaments 19th Century
Located in Udenhout, NL
Set of 2 Ornaments from the 19th Century from France.
Category

1750s French Antique Europe

Materials

Sandstone

A Pair of 18th Century Dutch Brass & Wrought Andirons
Located in London, GB
A pair of 18th century Dutch brass and wrought andirons. The vase shaped finials are supported on scroll feet faced with engraved central mask. Restored. Circa 1750.
Category

1750s Dutch Other Antique Europe

Materials

Brass, Iron

Air Twist Georgian Wine Glass c1750
By Georgian House 1
Located in Tunbridge Wells, GB
Heading : Air twist stem Georgian wine glass Period : George II - c1750 Origin : England Colour : Clear Bowl : Round funnel Stem : A five-ply spiral band outwith a spiral core Foot :...
Category

1750s British George II Antique Europe

Materials

Blown Glass

Bowl Large Dairy Fruitwood Folk Vernacular, 18th Century
Located in BUNGAY, SUFFOLK
An exceptional, large 18th century treen turned fruitwood dairy bowl with a rich lustrous patina Provenance: Collection of the late Geoffrey Harley, Pickwick End, Corsham The f...
Category

1750s English Baroque Antique Europe

Materials

Fruitwood

Important pair of Louis XV-era bowed and walnut-root dressers
Located in Cesena, FC
Pair of Italian (Venetian) Louis XV dressers. Important pair of Lombardy Venetian dressers from the Louis XV period (mid-1700s). Of wavy, rounded shape on front and sides, entirely ...
Category

1750s Italian Louis XV Antique Europe

Materials

Nutwood

Fine George II Half Pint Mug Made in London in 1758 by Thomas Moore
Located in London, GB
The mug stands on a circular spreading foot decorated with reeding. The main body is baluster shaped in form, with an everted rim. This example has a plain s...
Category

1750s English Antique Europe

18thC French Provincial Serpentine Walnut Commode
Located in Staffordshire, GB
Circa 1750 18thC French Provincial Walnut Commode with Serpentine Shaped Top, Drawers & Marquetry Star Inlay. Exceptional colour and patination sku 987...
Category

1750s French Antique Europe

Materials

Walnut

George II Lantern Alarm Clock Housed in a Perfectly Proportioned Oak Case
Located in Oxfordshire, United Kingdom
It is most likely that this charming ‘hook and spike’ lantern alarm, circa 1750, was originally commissioned or simply purchased to have its very own ca...
Category

1750s English Antique Europe

Materials

Oak

Pan Topped Air Twist Stem Wine Glass c1750
Located in Tunbridge Wells, GB
Heading : Pan topped air twist stem Georgian wine glass Period : George II - c1750 Origin : England Colour : Clear Bowl : Pan top Stem : Multi spiral air twist with central angular k...
Category

1750s British George II Antique Europe

Materials

Blown Glass

Study in the Antique Style, a neoclassical drawing by Augustin Pajou
Located in PARIS, FR
In this lively and fresh drawing, probably taken from one of the artist's notebooks, Pajou presents us with a composition freely inspired by antiquity, as a souvenir of a visit to th...
Category

1750s Old Masters Europe

Materials

Ink

A pair of George II Cast Sifter Spoons, London, 1754/55 by William Cripps.
By William Cripps
Located in London, GB
AFTER PAUL DE LAMERIE A VERY RARE PAIR OF GEORGE II GRADUATED CAST SIFTER SPOONS UNUSUALLY MODELLED IN A SERVING SPOON SIZE MADE IN LONDON IN 1754/55 BY WILLIAM CRIPPS The cast Sift...
Category

1750s English Rococo Antique Europe

Materials

Sterling Silver

Oil on Canvas English School Marine Scene Eighteenth Century
Located in Madrid, ES
Oil on canvas English school marine scene eighteenth century On the back part it has a label with a note in ink: coast of Scarborough-England E...
Category

1750s Antique Europe

Materials

Canvas

Qianlong Period Blue and White Charger 1736-1795
Located in Tunbridge Wells, GB
Heading : Qianlong period blue and white charger Date : 1735-1795 Period : Qianlong Origin : China Colour : Blue and white Pattern : Painted with concentric narrow and broad bands o...
Category

1750s Chinese Qing Antique Europe

Materials

Porcelain

George II Rococo Irish Milk Jug Made in Dublin by Samuel Welder, circa 1750
Located in London, GB
A Rare & Exceptional George II Rococo Irish Milk Jug Made in Dublin circa 1750 by Samuel Welder. The Jug is of typical Irish design and stands on three unusual paw and shell feet wh...
Category

1750s Irish George II Antique Europe

Materials

Silver, Sterling Silver

Worcester Porcelain Sauce Boat with Cos Moulding c1752
By 1st Period Worcester Dr. Wall
Located in Tunbridge Wells, GB
Heading : Early Worcester porcelain sauce boat Date : c1752 Period : George II Origin : Worcester, England Colour : Polychrome Features: Moulded cos lettuce leaf body with painted ...
Category

1750s British George II Antique Europe

Materials

Porcelain

Countye of Monmouth, Dated 1610
By John Speed
Located in BUNGAY, SUFFOLK
The countye of Monmouth with the situation of the townshire described Anno, 1610 The reverse with Monmouthshire, Chapter VI and an alphabetical list of towns. In a beautiful Flemish oak polished and gilded frame Cartographer: John Speed...
Category

1610s English Baroque Antique Europe

Materials

Paper

Longton Hall Figure of Milkman, circa 1755
By Longton Hall
Located in Basildon, GB
Longton Hall Figure of Milkman, circa 1755, with two pails, one on his head the other by his side, wearing a black tricorn hat, white shirt, yellow and puce spotted neckerchief, puce...
Category

1750s English Rococo Antique Europe

Materials

Porcelain

Air Twist Wine Glass c1750
Located in Tunbridge Wells, GB
Heading : Air twist stem Georgian wine glass Period : George II - c1750 Origin : England Colour : Clear Bowl : Round funnel Stem : A multi ply air twist corkscrew Foot : Conical Pont...
Category

1750s British George II Antique Europe

Materials

Blown Glass

Georgian Sweetmeat Glass with Pedestal Stem c1750
Located in Tunbridge Wells, GB
Heading : Georgian sweetmeat glass with pedestal stem Period : George II Origin : England Colour : Clear Bowl : Double ogee with everted rim Stem : Beaded flattened ball above eight ...
Category

1750s British George II Antique Europe

Materials

Blown Glass

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