Europe Vases

Handmade vase in bronze.

Top condition and pure elegance Art Nouveau vase. For the collectors of museum quality and condition Art Nouveau ceramics. This stunning Art Nouveau vase is decorated with the mos...

A wonderful Japanese Meiji period (1868-1912) Bronze overlay vase. Having exquisite and amusing scenes in relief, patinated and overlay of a Dog of Foo, a Frog fishing in a Lotus lea...

The vase is of important dimensions and optimally proportioned to a height of cm. 31 wide cm. 22 of considerable thickness weight. Vase in excellent condition free from breakage and ...

21st Century hand carved clear crystal and golden bronze potiche. This potiche is finely chiseled lost wax castings and hand ground crystal. On request to customer can modificate the...

Fantastic mid-century design vase by ''Edelstein'', Bavaria. Vases with this kind of shape at the rim are commonly known as fish-mouth vases. Minimalistic, balanced shape with an ult...

A very good quality Meiji period (1868-1912) Japanese patinated bronze vase, depicting two seated dogs below a Bamboo plant.

The heart collection is the result of the extravagant creativity of two innovative designers, who are inspired especially by the human body. This collection is made by beautiful p...

The heart collection is the result of the extravagant creativity of two innovative designers, who are inspired especially by the human body. This collection is made by 4 beautiful...

Contemporary Bronze Swan neck vase by Rick Owens 2007 Dimensions: L 20 x W 20 x H 71 cm Materials: Bronze Weight: 4.5 kg Available in black finis...

Contemporary bronze vase - Evase by Rick Owens 2007 Dimensions: L 20 x W 20 x H 18 cm Materials: Bronze Weight: 4.2 kg Available in Black, Gold and Nitrate finish. Rick Owe...

Hand-formed and hot finished blown glass vase made with the rigadin technique.

19th Century, Pair of Italian Lacquered Bronze Vases Pair of vases in bronze lacquered with fake porphyry with applications in chiseled and gilded bronze, Rome, late nineteenth cent...

Meet our Antique Miniature Bronze Champleve Vases – tiny time travelers from the late 1800s! Crafted by skilled hands, these petite wonders tell tales of a bygone era. Picture them g...

A pair of early 19th century Regency period bronze and ormolu classical vases with well detailed leaf and reeded detail having scroll handles supported on stepped socle ending on oct...

Made by the JINGFA Beijing Cloisonné Factory in China, 1970s. The vase itself is bronze with a rubbed brass finish and the bodies of the pieces are covered in the most exceptional Cl...

Empire pair of tall gilt bronze ornamental vases, Medicis-shaped model richly decorated with finely chiseled palms, laurels crowns, gadroons and women masks patterns. Early 19th cent...

Vase designed and produced by GAB, Guldsmedsaktiebolaget, Sweden, 1930s. Stamped with makers mark. Made in cast bronze.

21st century hand carved amber crystal and golden bronze bowl. This bowl is finely chiseled lost wax castings and hand-grounded crystal. The golden bronze rhinoceros on the base was...

Beautiful pair of Chinese porcelain vases. On a blue background of stylized clouds, two cartouches display a design of pairs of swallows flying among flowering branches. The reverse ...

A Meiji period bronze hanging flower vase, in the form of a junk with a high prow and shaped stern, with a central well and three hanging chains.

21st century hand carved clear crystal and golden bronze centrepiece. This Centrepiece has got the porcelain base with pure gold decorations and hand-grounded crystal. On request to...

Deep blue Vetro dei Dogi Murano glass vase with gold work, made in the 1980s Ø 17 cm Ø 13 cm h 23 cm

Large lidded vase with a gadrooned wall with acanthus leaves and pine node. Marbre griotte and gilt bronze.

The Liminal collection is about the threshold between consciousness and unconsciousness, and also refers to the place between the bronze and glass. The state between liquid and solid, referring to both metal and glass, alludes to the place where two people meet and collaborate. Glass artist Michiko Sakano blows directly into Darcy Miro...

A truly rare and beautiful 1960’s vintage Italian Studio Del Campo Vintage bronze, glass and iridescent purple enamel spherical vase. The four future founders of Studio Del Campo b...

Solid bronze vase by Guldaktiebolaget, most likely designed by Jacob Ängman. Swedish grace / Art Deco, 1920/30s. Normal patina, signs of age and w...

Pair of large Japanese Porcelain Cone Shape Vases with Imari decoration Important mounts in ormolu and gilded metal, the base decorated with a laurel wreath, the upper part of falling leaves and a frieze of knotted ribbon. The mounts signed Gagneau, 115 R. Lafayette. Circa 1860 With their original aluminium bulb cover and original gilding Vase it self Height 47 cm The Gagneau Company is one of the most famous lighting factories in Paris in the nine-teenth century, established in 1800 at 25 rue d'Enghien in Paris and later at 115 rue de Lafayette. She has participated in many exhibitions throughout this century. She began in 1819 with the Exposition des Produits de l'Industrie and later participated in the Universal Exhibitions where she was part of the jury in the category of art bronzes (class 25) at the Universal Exhibition in Paris in 1889. "Imari" was simply the trans-shipment port for Arita wares, from where they went to the for-eign trading outposts at Nagasaki. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, after kaolin was discovered in 1616. A popular legend attributes the discovery to an immigrant Korean potter, Yi Sam-Pyeong (1579–1655), although most historians consider this doubtful. After the discovery, some kilns began to produce revised Korean-style blue and white porcelains, known as Early Imari, or "Shoki-Imari". In the mid-17th century, there were also many Chinese refugees in northern Kyushu due to the turmoil in China, and it is said that one of them brought the overglaze enamel coloring technique to Arita. Thus Shoki-Imari developed into Ko-Kutani, Imari, and later Kakiemon, which are sometimes taken as a wider group of Imari wares. Ko-Kutani was produced around 1650 for both export and domestic market.Kutani Ware is characterized by vivid green, blue, purple, yellow and red colors in bold designs of landscapes and nature. Blue and white porcelain pieces continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are ac-cordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon-style Imari, which was produced for about 50 years around 1700. Kakiemon was characterized by crisp lines, and bright blue, red and green designs of dramatically stylized floral and bird scenes. Imari achieved its technical and aes-thetic peak in the Kakiemon style, and it dominated the European market. Blue and white Kakiemon is called Ai-Kakiemon. The Kakiemon style transformed into Kinrande in the 18th century, using underglaze blue and overglaze red and gold enamels, and later additional colors. Imari began to be exported to Europe when the Chinese kilns at Jingdezhen were damaged in the political chaos and the new Qing dynasty government halted trade in 1656–1684. Ex-ports to Europe were made through the Dutch East India Company, and in Europe the des-ignation "Imari porcelain" connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China resumed export to Europe, since Imari was not able to compete against Chinese products due to high labor costs. By that time, however, both Imari and Kakiemon styles were already so popular among Eu-ropeans that the Chinese export porcelain copied both, a type known as Chinese Imari. At the same time, European kilns, such as Meissen and English potteries such as Johnson Bros. and (Royal) Crown Derby, also imitated the Imari and Kakiemon styles. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe.Thus, in the western world today, two kinds of true Japanese Imari can...

Pair of oratory vases of the Louis-Philippe period in Paris porcelain with golden highlights and polychrome decoration in reserves of Elegantes representing two young women in a fore...

Coppia di Vasi Impero in Bronzo con Anse a Cigno realizzati in Italia, inizio 1800, coppia di eleganti vasi da centro di gusto Impero, di forma circolare, su base squadrata, corpo im...

The vases have a baluster shape and are richly decorated with foliage and acanthus. The foot is multiple and decorated, the shoulder has a band of peripheral foliage with mounted and...

A beautiful one-of-a-kind hand crafted vase by Viennese artist Carl Auböck V. Read the artists statement below. "The vase "luna futura" is the largest vessel I have yet created. Th...

Pair (2) Magnificent French Sevrés floor vases with gilt bronze. Highly decorative French vases in the Sevrés manner. Magnificent and lush flower painting on a bulbous form flanked...

A pair of fine glazed blue porcelain gilt bronze-mounted table lamps, France, early 20th century. Porcelain vase raised on beautifully elaborate bronze base. Both porcelain vases are...

A Large And Rare Pair of ‘Neo-Grec’ Style Multipatinated Bronze Amphora Vases by Ferdinand Levillain and Ferdinand Barbedienne. Signed to the cast ‘F. Levillain Fecit 1880’ and ‘F. Barbedienne’. This large pair of multipatinated vases are of amphora form modelled in the ‘Neo-Grec’ style with trumpet shaped necks and scrolling handles terminating in masks; the vases are raised on circular spreading bases put down on plinths. Each vase is finely ornamented with laurel leaves and garlands to the neck, the main body with a superb banded frieze cast in low relief depicting the Centauromachy. In the Centauromachy, the Lapiths battle with the Centaurs at the wedding feast of Pirithous. An enduring classical theme linked with the idea of culture versus nature, the Centauromachy was widely depicted in ancient Greece from the Southern Metopes of the Parthenon Freieze to the Temple of Apollo Epikourious at Bassai, it also appears as a subject on numerous Attic vases such as the Ilioupersis krater. A popular theme for artists from the Renaissance onwards it was depicted by amongst others, Michelangelo, Piero di Cosimo, Luca Signorelli, Sebastiano Ricci...

21st Century hand carved amber crystal and golden bronze potiche. This potiche is finely chiseled lost wax castings and hand ground crystal. On request to customer can modificate the...

Made in Italy, 1946. By Flavio Poli for Seguso, "Corrosi" series, model 12502. It is made in blown glass and features gold fleck inclusion. The external part has corroded texture. Th...

21st Century hand carved clear crystal and golden bronze potiche. This potiche is finely chiseled lost wax castings and hand ground crystal. On request to customer can modificate the...

Pair of vases glazed ceramic and hand-painted, with bronze elements. Second Half of the Nineteenth Century PERIOD Second Half of the nineteenth century MATERIALS Glazed ceramic and...

An antique French champlevé enamelled vase with a polished gilt metal body upheld by two putti in gilt bronze on a white marble base, the border decorated with a turquoise champlevé...

An unusual pair of French vases hand painted in bright enamel colours of scenes of putti drinking and having fun . Decorated on a dark background with allegorical emblems on the bac...

The exceptional bronze casting, in stunningly intricate detail, on this beautiful sculptural piece has been attributed to master metalworker Ferdinand Barbedienne. The piece takes th...

Made in Italy, 1970s. This wonderful vase / bottle is made in pink encased Murano glass with gold leaf. It is a vintage piece, therefore it might show slight traces of use, but it c...

A beautiful, decorative Art Deci vase in bronze patinated zinc, manufactured in Denmark by Just Andersen. Stylized pattern and nice patina. Normal signs of a...

19th century monumental Sèvres pomp vase with bronze mounting France, around 1890 Two-piece with lid. Bronze mount with a square stand, lateral women's masks and a small cone crown....

Important neo-Greek vase in the shape of an Amphora, made in two patina bronze. The body is decorated with a rich continuous frieze in bas-relief presenting a procession of characters carrying their offerings to the temple, underlined by a decoration of theatrical masks among olive trees. The 's'-scroll handles decorated with grape vines, resting only on the shoulder of the vase, are supported by a ram’s head. Numerous palmettes and friezes adorn the whole. Resting on a molded marble circular base. Biography Ferdinand Levillain (Paris, 1837-1905) studied under the sculptor Jouffroy (1806-1882), before making his debut in 1861 at the French Artists Salon where he continued to exhibit until 1903. At the 1867 Universal Exhibition in Paris, he was praised for a Neo-Greek style bronze cup he made for the firm Blot and Drouard. He was not to become really famous, however, until 1871 thanks to his association with the great bronze founder Ferdinand Barbedienne, who began to exhibit Neo-Greek style lamps...

21st Century hand carved clear crystal and golden bronze vase. This vase is finely chiseled lost wax castings and hand-grounded crystal. On request to customer can modificate the col...

21st Century hand carved clear crystal and golden bronze vase. This vase is finely chiseled lost wax castings and hand-grounded crystal. On request to customer can modificate the col...

Rare bronze vase attributed Evan Jensen made in Denmark in the 1930s. The vase is made by a unknown danish caster called Antika but is a typical Evan Jensen shaped vase and has typical Evan Jensen detail. The vase is in good condition with a beautiful original patina. Art Deco, short for the French Arts Décoratifs, and sometimes just called Deco, is a style of visual arts, architecture, and product design, that first appeared in France in the 1910s (just before World War I), and flourished in the United States and Europe during the 1920s and 1930s. Through styling and design of the exterior and interior of anything from large structures to small objects, including how people look (clothing, fashion and jewelry), Art Deco has influenced bridges, buildings (from skyscrapers to cinemas), ships, ocean liners, trains, cars, trucks, buses, furniture, and everyday objects like radios and vacuum cleaners. It got its name after the 1925 Exposition internationale des arts décoratifs et industriels modernes (International Exhibition of Modern Decorative and Industrial Arts) held in Paris. Art Deco combined modern styles with fine craftsmanship and rich materials. During its heyday, it represented luxury, glamour, exuberance, and faith in social and technological progress. From its outset, Art Deco was influenced by the bold geometric forms of Cubism and the Vienna Secession; the bright colours of Fauvism and of the Ballets Russes; the updated craftsmanship of the furniture of the eras of Louis XVI and Louis Philippe I; and the exoticized styles of China, Japan, India, Persia, ancient Egypt and Maya art. It featured rare and expensive materials, such as ebony and ivory, and exquisite craftsmanship. The Empire State Building, Chrysler Building, and other skyscrapers of New York City built during the 1920s and 1930s are monuments to the style. In the 1930s, during the Great Depression, Art Deco became more subdued. New materials arrived, including chrome plating, stainless steel and plastic. A sleeker form of the style, called Streamline Moderne, appeared in the 1930s, featuring curving forms and smooth, polished surfaces. Art Deco is one of the first truly international styles, but its dominance ended with the beginning of World War II and the rise of the strictly functional and unadorned styles of modern architecture and the International Style of architecture that followed. This vase is the perfect detail for any interior from the modern Wabi Sabi style...

Sculptural teardrop shaped vase has a rough texture of burlap imprinted on part of the surfaces contrasted with a highly polished smooth finish of the bronzes. Signed with trademark ...

Importante paire de vases balustre en opaline couleur jade et monture en laiton doré, à épaulement orné de guirlandes de lauriers sommées par une galeri...

Pair of Vases "Rocaille" by Colo Material: Bronze, golden polish Dimensions: H 37 x Ø 10 cm Weight: 12kg/item Type: Limited edition 1/8 + 4 AP Available now.

Bronze vase in a shape of a tree stump made in Austria in the 1970s.

For sale is a special vase made by Baccarat. Fine engraved elephant tooth shaped heavy glass in fitted in a heavy brass mounting.The slightly bent glass cylinder has been gilded with...

Golden Bronze Coupe by Rick Owens 2007 Dimensions: L 20 x W 20 cm Materials: Bronze Weight: 3 kg The gold edition is an exclusivity of Galerie Philia Rick Owens is a Californ...

The Rolling Vase #2 is the result of the sculptural work made from our Atelier in order to generate a dialogue between two really different and contrasting materials. The Travertine ...

A Pair of Gilt-Bronze And Rouge Griotte Marble Vases and Covers. By Ferdinand Barbedienne, Paris. Designed in the Neo-Grec style these elegant vases stand atop Rouge Griotte marb...

18th century Pair of Large Italian Neoclassical Gilt Bronze Vases The pair of neoclassical vases was made in Italy in the end of 18th ce...