Europe - Paintings

Oil on canvas representing fishermen returning from fishing and bringing fish to a table in the foreground covered with fish in the style of a still life. France, 1930s.

Painting "Boat at sea", oil on canvas. Signed E. Svaneby Year : 1931 Very good condition. dimensions height 40 cm width 48 cm without frame, height 30 cm, width 38 cm

Mountain landscape, oil on canvas. Very good condition. dimensions: height 39 cm, width 48 cm without frame 25 cm x 34 cm

Beautiful oil painting on masonite board, signed and dated 1938. Signed painting but unidentified artist. A splendid particular still life with flowers within a glass bell. Excellent...

Painting "Boat at sea", oil on canvas. Signed E. Svaneby Year : 1931 Very good condition. height 40 cm, width 49 cm without frame H.29 cm W.38 cm

Refined French pastel painting of the first half '900 depicting "young woman" signed,the author demonstrates an admirable ability 'in painting the complexion,the parts of the body an...

This stunning painting was created by the French artist Paul Jouve (1866-1924) in the 1930's and depicts two parrots. Paul Jouve was an illustrator and sculptor who had a lifelong p...

Sensuale Dipinto a pastello eseguito da Fried Pal negli anni 30 in puro stile Art Deco. L'autore riesce in maniera egregia a unire due motivi ricorrenti del periodo,il nudo e il dina...

The painting "The Weavers", oil on canvas, signed David Jacobsen. dimensions : height 35 cm, width 30 cm without frame, height 20 cm, width 15 cm

Painting of sailing ship Origin : Denmark, early XX century Paintor : signed F. Nyborg Dimensions: Frame: height 54 cm / width 74 cm Image...

Painting "Winter Landscape", Finn Wennerwald. Origin : Denmark, early XX century Paintor : signed Finn Wennerwald Dimensions: Frame: height 54 cm / width 74 cm Image: height 43 cm /...

Still life painting, oil on canvas. Origin : Poland, early XX century Paintor : signed : R Demek Woźniki Dimensions: dimensions: height: 73 cm, width: 53 cm without frame, height 6...

Artist: Giotto Sacchetti Italian (Genova 1887- 1950) Oil painting on board Date: 1937 Artwork dimensions: 55 x 42cm Signed: front upper left corner "Giotto Sacchetti" Offered unfram...

Splendid French oil painting "Vase with Flowers" signed, executed in the 1930s.The author's naturalistic conception is truly remarkable, this painting is an explosion of colors,the o...

Stupendous pastel painting designed by Fried Pal in the 1930s,the theme of the nude in the Art Deco period was of important relevance,the author in this painting demonstrates great s...

French oil painting "Female Nude" from the 1930s signed Chavarot,the author succeeds in excellently depicting one of the characteristic motifs of the period,female sensuality,using a...

Still life painting, oil on canvas. Origin : Poland, early XX century Paintor : signed : R Demek Woźniki Dimensions: dimensions: height: 73 cm, width: 53 cm without frame, height 6...

The painting "March of soldiers". Origin : Denmark, early XX century Paintor : signed Dimensions: Frame: height 50 cm / width 74 cm image: height 43 cm / width 63 cm

Painting "Flowers in a vase" signed B. Billz Unknown painter Origin : Scandinavia early XX centry Very good condition. dimensions : with frame height 52 cm width 45 cm without frame...

Dimensions: Frame: height 71 cm / width 102 cm Image: height 62 cm / width 94 cm

Dimensions: Frame: height 38 cm / width 48 cm Image: height 32 cm / width 42 cm

Painting "Forest landscape". Very good condition. Oil on canvas dimensions : with frame: height 60 cm, width 49 cm without frame H. 45 cm x W. 35 cm

Painting "Rural landscape". Origin : Denmark, early XX century Paintor : unknown Dimensions: Frame: height 71 cm / width 81 cm Image: height 55 cm / width 64 cm

Picture " Fishing port " . Oil on canvas. dimensions height 36 cm, width 56 cm without frame, height 29 cm, width 49 cm

Refined oil painting "Portrait of a man with raincoat "executed in France in 1934,the author manages to fully capture the sensual gaze of the protagonist who seems to be watching us ...

Painting "Talk of fishermen", oil on canvas. Good condition - indentation in the canvas dimensions height 31 cm width 39 cm without frame, height 18 cm, width 26 cm

Refined watercolor painting executed by Elie Camoisson in 1931.The author belonging to the Société Lyonnais des Beaux-Arts,demonstrates in this work a truly unique and original style...

J. Malcher, the painting "wash over the water". Origin : German, early XX century Paintor : signed : J Malcher - Munchen Dimensions: Dimensions: height 30 cm / width 51 cm

Oil painting by an artist from the 1930s-1950s. Nude scene of a woman. Oil on wooden panel. Unsigned. The painting technique is strongly reminiscent of the famous German painters of ...

Fine danish expressive / abstract oilpainting 1930s-1950s. Oil on canvas. Signed back "P-Østergard".or " P-Ødtgård " Original frame. Incl frame: H. 80 cm / W. 70 cm / D. 4 cm pain...

Oil on plywood panel representing a nude woman, from the back, hair undone, sitting on a stool in front of a mirror whose reflection does not reflect the face of the model. Great se...

A small seascape in pencil and watercolor by the French post-impressionist painter Frank William Boggs (1900-1951). He mainly painted under the pseudonyms Frank-Will and later in lif...

Søren Christian Bjulf (1890-1958), Denmark. A dockyard scene with figures. Fishmongers in conversation with fishermen by the dock (Gammel Strand) in Copenhagen. Oil on canvas. 1930s...

Painted by Swedish artist Ellis Wallin this framed oil on canvas shows a charming study of an interior. The room in the foreground shows a fireside scene, a comfortable pair of leat...

We are delighted to offer for sale this lovely original circa 1930s Belgium oil on canvas of young boy in a cap which is part of a suite I have seven of these lifestyle, natural D...

We are delighted to offer for sale this lovely original circa 1930's Belgium oil on canvas of young boy smoking which is part of a suite Please note the delivery fee listed is jus...

Stunning collage with constructivist motifs by Camille Bryen (1907-1977) on a black and white nude photograph print by Rémy Duval. Dated 1937, monogrammed CB bottom left. This work is an early work by famous artist Camille Bryen. Camille Bryen is the artist name of Camille Briand, he was born in Nantes...

Letourneux Yvonne – Storm in Provence. Measures: 22cm x 33cm - unframed 34cm x 45cm - with frame. Oil on canvas - 1930s. The stormy sea, the leaden color of the water, the ...

Italian antique Oil pastel painting of a landscape, 1932 Oil pastel painting representing a natural landscape: two trees in the foreground and mountains in the background. In a finely worked dark wood guillochè frame. 1932. Signed and dated lower right. Very good conditions, it has light marks on the frame. Measurements in cm 42 x 5 x 33 H This fantastic painting...

Lazarska Stéfania (1887-1977) – Polish painter from the école de Paris Beautiful portrait representing a smiling woman wearing a hairstyle and hat typical of the 1930s. In its original Montparnasse...

Painting of Jesus on the cross, Engraving on Paper, circa 1930 Unknown artist In original condition, with some visible signs of previous use a...

Red chalk drawing of a reclining Female nude Signed and dated by Frank Dobson This drawing, never before on the market, comes from an important European private collection and is beautified by an antique frame in gilded wood, in almost perfect condition. The painting is also protected by glass Dimensions whit frame cm 71 x 58.5 Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Frank Owen Dobson (London 1886 – 1963) was a British artist and sculptor. Dobson began as a painter, and his early work was influenced by cubism, vorticism, and futurism. After World War I, however, he turned increasingly toward sculpture in a more or less realist style. Throughout the 1920s and the early 1930s he built a reputation as an outstanding sculptor and was among the first in Britain to prefer direct carving of the material rather than modelling a maquette first. The simplified forms and flowing lines of much of his sculptures, particularly his female nudes, showed the influence of African art. From 1946 to 1953 Dobson was Professor of Sculpture at the Royal College of Art. He was elected to the Royal Academy in 1953. While Dobson was one of the most esteemed artists of his time, is now seen as one of the most important British sculptors of the 20th century. Dobson grew up in Clerkenwell where attended school in Forest Gate. After eighteen months in Reynolds-Stephen's studio, Dobson moved to Devon and then to Cornwall where he lived, for two years, by selling landscape paintings. In 1906 he obtained a scholarship to study at the art institute in Hospitalfield House in Arbroath and studied there for four years. From 1910 to 1912 Dobson attended the City and Guilds of London Art School in Kennington, after which he returned to Cornwall. In Newlyn, he met Augustus John who used his influence and contacts and in, or around, 1915 Dobson created his first sculpture, a small piece in wood. In 1915, during the First World War, Dobson enlisted in The Artists Rifles and served in France from October 1916. In April 1918 he married Cordelia Clara Tregurtha. Dobson was formally invalided out of the Army in November 1918 and by then had already submitted several drawings to the British War Memorials Committee. Dobson set up a studio in the Tregurtha family home in Newlyn but towards the end of the war he took a studio in Manresa Road in Chelsea and would live there until the start of the Second World War. Throughout the 1920s Dobson focused increasingly on sculpture, exhibited work in several influential exhibitions and played a leading role in a number of artistic groups. He was the only sculptor to take part in the 1920 Group X exhibition. Dobson was a founding member of the London Artists Association and spent three years as President of the London Group between 1923 and 1927. He made bronze portraits of several public figures. At the Group X exhibition he exhibited two sculptures and studies of Ben Nicholson and his bronze head of H. H. Asquith was shown at the Leicester Galleries in late 1921. Other subjects included Osbert Sitwell, Lydia Lopokova and Tallulah Bankhead. Dobson exhibited at the Venice Biennale in both 1924 and in 1926, was featured in the 1925 Tri-National Exhibition which visited London, Paris and New York and was also included in the 1926 European artists exhibition that toured America and Canada. In March 1927 he had his first major one-man exhibition when the Leicester Galleries exhibited twenty-three of his sculptures and several bronzes. In 1930 the Tate purchased a larger-than-life sculpture from Dobson and erected it outside the gallery on Millbank. During the early 1930s Dobson continued to receive portrait commissions, most notably for Sir Edward Marsh and the actress Margaret Rawlings. Dobson worked in other media including textiles and silver, as well. His silver gilt cup, Calix Majestatis, to mark the coronation of George VI and Queen Elizabeth is now in the Royal Collection. During 1933 Dobson fractured his left arm which greatly limited his ability for heavy carving and his last monumental stone carving was to be Pax, which was first shown at the London Group in 1935. At the start of World War Two, Dobson and his second wife [Caroline] Mary Bussell, whom he had married in 1931, moved to Bristol, where a large retrospective of his work was held in March 1940. Dobson lived in the city throughout the Bristol Blitz and like several other artists painted the ruins of churches destroyed in the bombing. Dobson contacted the War Artists' Advisory Committee and offered his services as both a painter and sculptor. WAAC were reluctant to offer sculpture commissions but eventually did offer Dobson a short-term contract for two portrait busts of Naval personal. Later WAAC commissioned some paintings, including one of workers arriving for work at a factory that had been relocated to a tunnel. Dobson was appointed head of sculpture at the Royal College of Art in 1946, a post he held until his retirement in 1953. For the Festival of Britain site on the South Bank of the Thames in 1951, Dobson created London Pride. The sculpture was originally exhibited as a plaster cast but was later, after Dobson died, cast as a bronze and placed in front of the Royal National Theatre in 1987. Among his last commissions were a bronze head of Sir Thomas Lipton and the zodiac clock...

Framed handapinted antique publicity from 'Cafes Tupinamba' Monkey with antique wood frame. Manufactured in Spain, circa 1930. In original condition with minor wear consistent ...

Framed Print of Filomena, engraving on paper, circa 1930 Unknown artist In original condition, with some visible signs of previous use and age, preserving a beautiful patina. ...

Portrait of a woman, Art Deco, 1930 Portrait of a woman, painting on wood panel with its original frame, unsigned, Art Deco, 1930. Painting - h: 59 cm, w: 42 cm Frame - h: 70 cm, ...

Oil painting on canvas depicting a mountain landscape in Divisionist technique, 1920s. It is unsigned; in style and subject it is close to the works of Brescian painter Edoardo Togni...

Bilston Golf Club Watercolour, H.E. Lewis Driving. A charming golf watercolour of H. Lewis (the club professional at Bilston Golf Club) driving from th...

Art Deco pastel painting nudes in a landscape by Georges Lavergne. Signed and dated 1936. Ink, crayon and pastel on paper. France. Contemporary frame. Size: H. 68 cm. x L. 89.5 c...

Dipinto Olio su Tavola Artista L.Bencini Descrizione: Dipinto olio su tavola del pittore italiano del XX secolo L.Bencini, il dipinto raffigura un...

This Impressionist painting, shows a landscape with a lake in Austria. On the lake are boats and in the background you can see the snow-covered mountains. A very beautiful and coher...

Painting made in oil on panel, 91 x 55 cm, by artist Giuseppe Mincato around the 1930s. The work entitled "Salsedine" depicts a female figure with red hair, candied and luminous skin wearing a light blue...

Coastal landscape, Oil on canvas painting, circa 1930s, Ludwig Heinrich Jungnickel Ludwig Heinrich Jungnickel was an Austrian painter and...

Corrado Mezzana (Italian 1890-1952) well known painter Oil in canvas, museum quality piece Title: "Georgica" (official archive) Artwork dimensions: 132 x 102cm Period: 1931 Signed: C. Mezzana (Lower left corner) Decipting a late 1800s country scene (Sardegna) with 5 figures in the period fashion induments. The boy is playing his "Zampogna" (Tipical Sardinia ancient instrument as a Highlands pipe - Uilleann Bag pipe) meantime the four "georgica's" carefully are lessoning him Conditions: Absolutely beatiful with extensive conservative work done including; deep cleaning (old varnish/dirt removed), wax method partial (border) relining, minor retouching and a fresh coat of Damar Offered unframed I will consider fair offers from serious buyers only. Note: Available circa 45 high-resolution images regarding this gorgeous piece. Feel free to message me if you wanna see even more details and other frames of it. Provenance - Mezzana archive Last ownership (Monti Family - Milano) bought in 1953 Original title and production year (1931) received directly from his grandson which after attested his originality, send me a picture of a antique previous "study" regarding a left couple of "Georgiche" (or Contadine Aka: countrygirls) before this original painting were produced - SEE LAST PICTURE ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ Research and Sources The Sacred Heart of CM, in Christian Art , XI (1923), 6, pp. 161 s .; CM, in Revue moderne , 15 apr. 1925, pp. 13 s .; Il Glauco by C. M. , In Corriere d'Italia , 28 May 1927; The new chapel of the relics in S. Croce, in L'Osservatore Romano, 18th apr. 1930; M. Mirabella, The Virgil stamps , in Fiamma viva , XI (1931), pp. 229-235; P. Scarpa, The monumental crypt to the military chaplains in the church of S. Caterina in Magnanapoli , in Il Messaggero , 1st November. 1933; N. Pende, Art and Typological Science in the Sacred Heart of CM , in Roman Rassegna , IX (1937), pp. 31-35; MG Franci, The Vatican issues of the war years , in the philatelic yearbook , Rome 1945, pp. 29-34; E. Diena, Parla CM, the artist of our stamps , in Italy philatelic , IV (1946), 22-23, pp. 245-251; Est-ce vraiment possible ?, in L'Observateur de Genève , XX (1951), 1, p. 6; Artisan candidates in Rome. C. M. , In Italian Craftsmanship , V (1952), 9, p. 4; E. Amadei, Memory of CM The man and the artist , in Il Quotidiano , 24 w. 1952; L. Palermo, Philately. Memory of CM , in Il Giornale , Oct. 17. 1952; R. Michetti, E. Martire and C. M., Rome 1953, pp. 11-15; CM Exhibition postuma (catal.), Rome 1953 (with extensive bibliography); R. Michetti, C. M. , In Faith and Art , 1953, n. 4, pp. 107-114; Vice, C. M. , In Il Giornale d'Italia , 12 April 1953; F. Zeri, Italian stamps ... , History of Italian art , IX, 1, Torino 1980, pp. 315-318; O. Orsini, The stamp in history and art , Rome 1981, pp. 117, 142, 144, 147, 150; F. Filanci - L. Mezzana Zilli, The art of the stamp: CM , Bologna 1990; H. Waga, Known and Unknown Life of the Virtues at the Pantheon, Rome 1992, pp. 51, 80; P. Mezzana, The Popes in the stamps of C. M. , In Il Dialogo , II (2005), 4, p. 18. ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ Buy with confidence. Your experience is really important to me. Please note: To maintain the integrity of these valuable pieces this lot will be shipped fully insured, professionally boxed, and offered with a traceable shipping freight worldwide WHICH is already included in the freight cost presented for your location. 100% satisfaction guaranteed or your money back Have a look for more original art pieces in my shop. Photographs in this listing are image quotations from the work that is offered for sale. © Copyright holder. ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ BIO He was born in Rome on 7 June 1890 by Giuseppe, an official of the Post Office, and Rosa Morelli. In 1906, at the same time as his high school studies, he attended the studio of the landscape painter P. Joris. The training then continued at the free school of the nude at the Institute of Fine Arts (1908-10) and at the University of Rome, where he graduated in jurisprudence in 1912 with the thesis Legislation of Fine Arts and Antiquities published the following year in Rome. Starting from 1906, the first charcoal portraits are also documented ( CM , 1953, p.11) and from 1911 the works with a social subject such as Port unloaders ( ibid. , Table 1). In 1914 Mezzana got in touch with G. Giovannoni and F. Hermanin, through which he developed a keen interest in architecture. In the same year he participated with naked Man in the painting competition of the Regia Accademia di S. Luca (Rome, Accademia di S. Luca, inv. 957) and obtained the qualification to teach drawing in technical schools and artistic institutes. Moreover, he exhibited the oil painting Rinascita at the exhibition of the Society of amateurs and lovers of fine arts in Rome, which saw him annually present until 1928 with the Consecration of Chinese bishops (1927, reprinted in CM ... , 1983, pl. 9). In the same period, in tune with the widespread taste in the capital of those years, Mezzana matured a predilection for the crepuscular atmospheres ( Dante al Monastero del Corvo , 1914, Rome, Mezzana collection), represented with a connatural sentimental vein and a spelling dry and sharp. In 1915 he was invited to the San Francisco International Exposition, where he presented the Antoninian Baths and began to teach drawing in the Michelangelo Buonarroti circle and in the ornamental arts school of the Municipality of Rome. During the war period Mezzana suspended the activity of scholar and artist to devote himself to the organization of the military hospital De Merode of Rome (1916-17) and was then an artillery officer (1917-18). In 1919 he married Albertina Giorelli, with whom he had six children, and began working as a production designer in the production company Tespi film in Rome (1919-22). In 1922 he created the first framework of social engagement, Glauco (1922; Rome, Mezzana collection), with a clear symbolist imprint, in the wake of the masonry works of A. De Carolis and A. Calcagnodoro. The evocative and didactic approach is characteristic of the works of Mezzana, especially in this period ( Elegi abiectus esse in Domo Dei , 1926, CM ... , 1953, plate 7), with the exception of landscapes, where he expressed his best artistic qualities, painting with scrupulous respect for the truth ( Dogliani , 1928, ibid ., plate 11). In the same years, he carried on the work of a publicist and from the pages of the Catholic magazine Gioventù nuova (1914-24) he came to the heart of the issues of historical-artistic philology. He also continued his exhibition activity by participating in the second and third Rome Biennial in 1923 and 1925. In the latter he exhibited a collection of decorations and the sketch for the altarpiece, Christ between s. Catherine of Siena and s. Margherita Alaquoque (1922), realized for the chapel of the Sacred Heart in the Basilica of S. Maria sopra Minerva. At the same climate and in the same period belong the tempera dedicated to the life of s. Giovanni Bosco (1929, Turin, Institute of the Salesians) and the cartoons for the stained glass and mosaics of the chapel of the relics in S. Croce in Gerusalemme in Rome ( CM ... , 1953, plate 13), pervaded by a pictorialism and expressive sentimentality pathetic tones. From the beginning of the Thirties, the main focus of interest was the commitment to artistic issues as a scholar and conservative. Designed, assisted by A. Muñoz, the crypt under the church of S. Caterina Magnanapoli (1933) and obtained the setting up of the hall of industry and craftsmanship at the Augustan Show of Rome (Rome, 1937). Especially after 1930 Mezzana devoted himself to the study of a series of great figures: Leonardo da Vinci, GL Bernini, Giotto di Bondone...

Beautiful oil painting on canvas 1910s. A splendid italian mountain landscape with river. Signed by Cesare Bentivoglio important italian artist. Per...

Rayograph He´liogravure by Man Ray for Compagnie Parisienne de Distribution d'Electricite´, 1931. Printed in Heliogravure and signed in the negative 500 copies. Man Ray (1890–...

In a white Frame, an original oil Painting. Representing a child's bust. It has been made in France circa 1930. Art deco period.

A Continental brass marble-topped coffee table, of rectangular form with a pinkish marble top raised upon four waisted and sharply tapering square section legs, decorated with stippl...

Beautiful oil painting on canvas 1930s. A splendid italian mountain landscape. Not recognized artist. Perfect for collectors who love mountain landscapes. Excellent pictorial quality...