Florida - Nude Drawings and Watercolors

This sexy joke cartoon with thought balloons and some bathroom humor was done by the brilliant humorist cartoonist for Mad Magazine, Al Jaffee. The joke's...

Sotheby's New York . work is elegantly matted and framed with the Sotheby's sticker on verso

Barbara Nessim is an artist/ illustrator who has contributed to Harper's  Bazaar, Esquire, New York Magazine, Rolling Stone, Time, Ms among others. She ...

Signed, "A Rackham" lower right Sotheby's New York Arthur Rackham is widely regarded as one of the leading illustrators from the 'Golden Age' of British book illustration Rackham...

Fabry's captures the hight of elegance in his loose style. Conte crayon, watercolor on watercolor paper Signed lower right Private collection Other works by this artist: ca. 1940 - ...

Untitled, 1984 by Enrique Grau Graphite on paper Signed in the lower right corner. Great condition. Provenance: Private collection. Image size: 12 in H x 9 in W Unframed ____ Enriq...

Untitled II, 1984 by Enrique Grau Graphite on paper Signed in the lower right corner. Great condition. Provenance: Private collection. Image size: 12 in H x 9 in W Unframed ____ En...

Reclining Nude.Early modernist line drawing, by American artist William S. Schwartz, c. 1940, gouache painting, signed with initials, framed. (size includes frame). Work is reminisce...

Para Celso, 1984 by Enrique Grau Graphite on paper Image size: 23 in H x 18 in W Signed in the lower right corner. Great condition with flaws. Provenance: Private collection. Unfram...

Untitled III, 1984 by Enrique Grau Graphite on paper Signed in the top right corner. Great condition. Provenance: Private collection. Image size: 12 in H x 9 in W Unframed ____ Enr...

Untitled IV, 1992 by Enrique Grau Graphite on ight cardboard Image size: 17 in H x 14 in W Signed and dated in the top right corner. Great condition with flaws. Provenance: Private ...

Untitled- Penis by Celso Castro-Daza Aquacolor Crayon on archival paper Image size: 48 in. H x 39.5 in. W Sheet size: 59.5 in. H x 44 in. W Unique 1996 Drawing on paper is his bas...

Jose antonio, Martes 7 de julio 2016, by Celso Castro Crayon Pastel on archival paper Image size: 60 H in. x 38 in. W Unframed On The back of the painting: Abstract, 1986 Pencil a...

Jose el velezolano Sabado 25 de junio, 2016 by Celso Castro Crayon and pastel on cardboard Image size: 40 H in. x 29 in. W Unframed ____________ Undefined by medium, Celso Castro’s...

Untitled, 1997 by Celso Castro-Daza Pencil on archival paper Image size: 39 in. H x 48 in. W Sheet size: 45 in. H x 59 in. W Unique Drawing on paper is his basic work tool, some ...

Edwin Carrillo, 24 de junio, 2016 by Celso Castro Charcoal on cardboard Image size: 40 H in. x 29 in. W (Erase signature with white paint) Unframed ____________ Undefined by medium...

Original conte crayon drawing of a reclining female nude on tinted archival paper by the American artist, Renate Duncan. Signed lower left. Artist full name and address verso. Circa ...

Original conte crayon drawing of a sitting female nude on tinted archival paper by the American artist, Renate Duncan. Signed lower left. Circa 1980. Condition is excellent. The art...

Artist: Justin Liam O'Brien Title: Seated Nude and Landscape Medium: Graphite on Paper Size: 10 x 7 Inches Year: 2021 Notes: Hand Signed, Titled and Date...

Famed Art Deco Sculptor Boris Lovet-Lorski depicts his signature "Stallion." in this stunningly elegant drawing. It features a nude female that is compositionally and spiritually in...

Untitled, 1996 by Celso Castro Pencil on archival paper Image size: 39 H in. x 48 in. W Sheet size: 43 H in. x 59 in. W Unframed ____________ Undefined by medium, Celso Castro’s w...

Pedro Pablo 1998, by Celso Castro Black crayon on archival paper Image size: 40 H in. x 48 in. W Sheet size: 45 H in. x 59 in. W Unframed ____________ U...

Recanato y compañero, viernes 3 de junio 2016, by Celso Castro Crayon Pastel on archival paper Image size: 59 H in. x 39.5 in. W On the back of the painting: Untitled, 1986 Crayon...

Desnudo con medias, sábado 4 de junio, 2016 by Celso Castro-Daza Pastel and Crayon or archival paper Image size: 59 H in. x 40 in. W On the back of the painting: Portrait figurati...

The Old Man from the last expo, 2016 by Celso Castro-Daza Crayon pencil on archival paper Paper size: 59 H in. x 43 in. W Image size: 54 H in. x 40 in. W On The back of the painti...

Poncho viernes 27 de mayo 2016, by Celso Castro Crayon Pastel on archival paper Image size: 59 H in. x 39 in. W Unframed ____________ Undefined by medium, Celso Castro’s works each...

Untitled, 1986 Diptych Reverse, by Celso Castro Daza Crayon on archival paper Image size: 39.5 H in. x 59 in. W On the back of the painting: Recanato y compañero, viernes 3 de juni...

Provenance: Hinckley & Brohel Gallery Jonathan Shahn, Born 1938 has been making sculpture, drawings and prints of the human figure since the early 1960s. He teaches at the Art Studen...

"Nude in Blue" Part of my Nude in Interior series. Female nude, ultramarine blue tempera on blue gray paper, inspired by Matisse. 70x50cm / 27.5x19.5in Shipped rolled in a tube from...

Jamie, is an American artist born in Washington, D.C. in 1970. He was educated in the Metropolitan Washington D.C. area and received his art instruction from the prestigious Corcoran...

Genre: German Expressionist Subject: Three Noble figures, Noblesse Medium: etching, watercolor paint (I have seen this described as an aquatint and have seen this without color, so i am assuming it is watercolor paint applied to it) Surface: Paper Circa 1920's This is hand signed lower right. the edition is 7/100 Mat measures 15 X 11. window opening about 7 x 7 Julius Mordecai Pincas (March 31, 1885 – June 5, 1930), known as Pascin Jules Pascin, or the "Prince of Montparnasse", was a Bulgarian artist known for his paintings and drawings. He later became an American citizen. His most frequent subject was women, depicted in casual poses, usually nude or partly dressed. Pascin was educated in Vienna and Munich. He traveled for a time in the United States, spending most of his time in the South. He is best known as a Parisian painter, who associated with the artistic circles of Montparnasse, and was one of the emigres of the School of Paris. Having struggled with depression and alcoholism, he committed suicide at the age of 45. Julius Mordecai Pincas was born in Vidin, Bulgaria, the eighth of eleven children, to the Sephardic Jewish family of a grain merchant named Marcus Pincas. Originally from Ruse, the Pincas family was one of the wealthiest in Vidin; they bought and exported corn, rice, maize and sunflower. His mother, Sofie (Sophie) Pincas, belonged to a Sephardic family, Russo, which had moved from Trieste to Zemun, where she and her husband lived before moving to Vidin and where their older children were born. The family spoke Ladino Judaeo-Spanish at home. In 1892, he moved with his parents to Bucharest, where his father opened a grain company, "Marcus Pincas & Co". Pascin worked briefly for his father’s firm at the age of fifteen, but also frequented a local brothel where he made his earliest drawings. His first artistic training was in Vienna in 1902 at age seventeen. In 1903 he relocated to Munich, where he studied at Moritz Heymann's academy. He studied briefly in Berlin where he befriended the Dada artist George Grosz. In 1905 he began contributing drawings to Simplicissimus, a satirical magazine published in Munich. Some portraits recall Otto Dix and Balthus. Because his father objected to the family name being associated with these drawings, the 20-year-old artist adopted the pseudonym Pascin (an anagram of Pincas). He continued to contribute drawings to a Munich daily until 1929. In December 1905, Pascin moved to Paris becoming part of the great migration of Jewish and Eastern European artists to that city (Marc Chagall. Chaim Soutine and Modigliani amongst others) at the start of the 20th century. In 1907 he met Hermine Lionette Cartan David, also a painter, and they became lovers. In that same year he had his first solo exhibition at Paul Cassirer Gallery in Berlin. Despite his social life, Pascin created thousands of watercolors and sketches, plus drawings and caricatures that he sold to various newspapers and magazines. He exhibited his works in commercial galleries and in the Salon d’Automne, the Salon des Indépendants, and the exhibitions of the Berlin Secession and at the Sonderbund-Aussstellung in Cologne. Between 1905 and 1914 he exhibited drawings, watercolors, and prints, but rarely paintings. It was not until about 1907–1909 that he produced his first paintings, which were portraits and nudes in a style influenced by Fauvism and Cézanne. He wanted to become a serious painter, but in time he became deeply depressed over his inability to achieve critical success with his efforts. Dissatisfied with his slow progress in the new medium, he studied the art of drawing at the Académie Colarossi, and painted copies after the masters in the Louvre. He exhibited in the United States for the first time in 1913, when twelve of his works were shown at the Armory Show in New York. Pascin relocated to London at the outbreak of World War I to avoid service in the Bulgarian army and left for the United States on October 3, 1914. A few weeks later on October 31, Hermine David sailed for the United States to join him. Pascin and David lived in the United States from 1914 to 1920, sitting out World War I. They visited New York City, where David had an exhibit. Pascin frequented nightclubs, and met artists such as Yasuo Kuniyoshi and Guy Pene du Bois, but most of his time in America was spent traveling throughout the South. He also visited Cuba. He made many drawings of street life in Charleston, New Orleans, and other places he visited. Some of his works of 1915 and 1916 are in a Cubist style, which he soon abandoned. In 1918 Pascin married Hermine David at City Hall in New York City. Their witnesses were Max Weber and Maurice Sterne, friends and painters who both lived in New York. In September 1920, Pascin became a naturalized United States citizen, with support from Alfred Stieglitz and Maurice Sterne, but returned to Paris soon afterward. There he began a relationship with Lucy Vidil Krohg, who had been his lover ten years earlier but had married the Norwegian painter Per Krohg...

Study of a sultry and seductive reclining platinum blond Pin Up with a wide-brimmed sun hat. Most likely done for Playboy. This work is very finely rendered and looks better the ...

Seating on Armchair, nude, pencil and tempera on paper, inspired by Matisse. Part of Nude in Interior series. Size is 27.5x19.5in / 70x50cm on heavy watercolor paper, with ultramari...

Artist: Emilia Castañeda (Spanish, 1943-) Title: "Nude in Negligee" *Signed by Castaneda in pencil lower right Circa: 1980 Medium: Original Pen & Ink and Watercolor Drawing on wove paper Framing: Recently framed in a contemporary gold moulding from Spain and double matting from Holland. All archival Framed size: 23.75" x 20" Image size: 12.25" x 8.5" Condition: In excellent condition Biography: Emilia Castañeda Martínez (born 7 November 1943) is a Spanish painter. She was born in Madrid, but moved to Barcelona with her family as a child. She began training in 1956 at the academy of the painter Víctor Esteban Ripaux and at Escola de la Llotja in 1959 and Escuela Massana in 1969. By the 70s she had finished her studies and became a professional painter. Her works focus on the nude, generally placed in an abstract and dreamlike background that include objects that offer clues to the story told by the central figures. Her work has been compared with that of modernists such as Gustav Klimt, Anglada Camarasa...

Duchándome, May 22nd / Duchandose, May 27th-Duchandome/Duchandome En Cuerpo Ajeno 2018 by Celso Castro-Daza From the Duchándome Series Watercolor and ink on an archival paper Individual size: 19.5 in. H x 13.75 in. W Overall Size: 39 in. H x 27.5 in. W Both works are one of a kind Unframed Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. ____________ Undefined by medium, Celso Castro’s works each carry the presence of the artist’s hand through the transparency of their process. Castro’s oeuvre is strongly divided between his photomontage assemblies and watercolor paintings: the prior is marked by the labor-intensive deconstruction of portrait photographs and the latter, by the seemingly frenzied recreation of a past encounter rendered in the drips and scribbles of paint and ink. Both discriminating in what they reveal of the subject, his photomontage and watercolor portraits exude raw sexuality through the combination of Castro’s mark-making and gaze. Celso Castro’s work is a bare-bulb erotic photo foray into the underbelly of Colombia’s drug world. Castro’s labor-intensive, photo-collage works of drug kingpins, smugglers, hitmen, countrymen, street vendors, soldiers, paramilitaries, kidnappers, and pimps pose showing with pride their erect penises...

Duchándome en cuerpo Ajeno May 30th, by Celso Castro-Daza From the Duchándome Series Watercolor and ink on paper Image size: 19.5 in. H x 13.75 in. W Unframed ____________ Undefined by medium, Celso Castro’s works each carry the presence of the artist’s hand through the transparency of their process. Castro’s oeuvre is strongly divided between his photomontage assemblies and watercolor paintings: the prior is marked by the labor-intensive deconstruction of portrait photographs and the latter, by the seemingly frenzied recreation of a past encounter rendered in the drips and scribbles of paint and ink. Both discriminating in what they reveal of the subject, his photomontage and watercolor portraits exude raw sexuality through the combination of Castro’s mark-making and gaze. Celso Castro’s work is a bare-bulb erotic photo foray into the underbelly of Colombia’s drug world. Castro’s labor-intensive, photo-collage works of drug kingpins, smugglers, hitmen, countrymen, street vendors, soldiers, paramilitaries, kidnappers, and pimps pose showing with pride their erect penises...

Two Women by George Tooker is a psychologically engaging portrait of contrasts. An untidy, older, overweight woman is seen slumped in a chair, asleep and lost in a dream. Her head ti...

"Silence", pencil and ultramarine tempera on paper, inspired by Matisse. Part of Nude in Interior series. Large drawing. Shipped rolled in a tube, directly from the artist's studio....

"Entangled", pencil and ultramarine tempera on paper, inspired by Matisse. Couple in love. Part of Nude in Interior series. Large drawing. Shipped rolled in a tube, from Florida, ...

Amazing fantasy group male nude composition by American artist, Robert Frederick Vorreyer (1924-2016). Graphite pencil on paper, image measures 15 x 27 inches; 27.5 x 40.5 inches framed. signed and dated lower right. Excellent condition with no damage or conservation. VORREYER, Robert Frederick Robert Frederick Vorreyer (August 25, 1924 - January 27, 2016) was truly a master of graphic media. The power and dynamics of Robert's graphics are in the use of negative space in the skillful rendering of the human form. Handled with great sensitivity and dignity, the figures seem to be alive with a sharpness that challenges the eye of the beholder. Robert was born in Downers Grove, a suburb of Chicago, IL and graduated from the Downers Grove High School with and art scholarship to an accredited college. He attended the University of Illinois, the Brooklyn Museum Art School, the Royal Academy in London as well as studying independently with various artists. Robert was a World War II special service artist in Camp Robinson, AR and eventually became the art director for TLVA Infantry/Airborne School in Fort Benning...

Duchándome May 28th, by Celso Castro-Daza From the Duchándome Series Watercolor and ink on paper Image size: 19.5 in. H x 13.75 in. W Unframed ____________ Undefined by medium, Celso Castro’s works each carry the presence of the artist’s hand through the transparency of their process. Castro’s oeuvre is strongly divided between his photomontage assemblies and watercolor paintings: the prior is marked by the labor-intensive deconstruction of portrait photographs and the latter, by the seemingly frenzied recreation of a past encounter rendered in the drips and scribbles of paint and ink. Both discriminating in what they reveal of the subject, his photomontage and watercolor portraits exude raw sexuality through the combination of Castro’s mark-making and gaze. Celso Castro’s work is a bare-bulb erotic photo foray into the underbelly of Colombia’s drug world. Castro’s labor-intensive, photo-collage works of drug kingpins, smugglers, hitmen, countrymen, street vendors, soldiers, paramilitaries, kidnappers, and pimps pose showing with pride their erect penises...

The artist renders the image of a sitting woman using delicate contour lines similar to Matisse. The artist avoids use of color, light and shadow emphasizing the contour of the figure.

Dreaming, pencil and ultramarine tempera on paper, inspired by Matisse. Part of Nude in Interior series. Nude shown in a Victorian interior, in a cinematic view. In a distorted persp...

"Sensory Experience", pencil and ultramarine tempera on paper, inspired by Matisse. Part of Nude in Interior series. Large drawing. Shipped rolled in a tube, from Florida, US. Artist Statement "I started by painting interiors, being interested in space and perspective through my studies. These scenes evolved, when I added the human figure. I focused more on the human figure and its relation to the background. The human figure is more present than ever in my paintings now. As a woman artist I’ve been preoccupied with the female form and its imagery. One of my goals was to capture the solitary moments and the nude’s relation to the surrounding space. My interest turned from depicting the space to rendering the atmosphere and the scene as a whole, the feeling a woman adds to the environment: warmth, desire, joy, a feeling of power and control, or the opposite – sadness, despair. Here is a collection of figurative paintings, exploring the nudes in interior spaces, seeing the nudes from my perspective, as a woman artist, considering the physical and spiritual realities of a woman’s body, in a new level of intimacy. My paintings are the opposite of objectifying a woman’s or a man’s anatomy. Painted works, featuring female nudes and a also men nudes...

"Luis Miguel Valdes (Cuba, 1949) 'Homenaje a Servando XVIII', 1986 drawing, mixed media, lithograph on paper 18.6 x 14.1 in. (47 x 35.6 cm.) ID: VAL-3G1986-18"

"Luis Miguel Valdes (Cuba, 1949) 'Homenaje a Servando XIV', 1986 drawing, mixed media, lithograph on paper 18.6 x 14.1 in. (47 x 35.6 cm.) ID: VAL-3G1986-14"

The Torrent Part of my Blue Nude series, inspired by Matisse. Ultramarine tempera on paper. Shipped rolled in a tube, directly from the artist's studio. Registered airmail. 19.5x27.5...

Siesta 100x70cm / 39x27.5in Nude in Interior, pencil and ultramarine tempera on paper, inspired by Matisse. Large drawing. Shipped rolled in a tube, from Florida, US. Artist Statement "I started by painting interiors, being interested in space and perspective through my studies. These scenes evolved, when I added the human figure. I focused more on the human figure and its relation to the background. The human figure is more present than ever in my paintings now. As a woman artist I’ve been preoccupied with the female form and its imagery. One of my goals was to capture the solitary moments and the nude’s relation to the surrounding space. My interest turned from depicting the space to rendering the atmosphere and the scene as a whole, the feeling a woman adds to the environment: warmth, desire, joy, a feeling of power and control, or the opposite – sadness, despair. Here is a collection of figurative paintings, exploring the nudes in interior spaces, seeing the nudes from my perspective, as a woman artist, considering the physical and spiritual realities of a woman’s body, in a new level of intimacy. My paintings are the opposite of objectifying a woman’s or a man’s anatomy. Painted works, featuring female nudes and a also men nudes...

Image dimensions: 5 ½ x 3 ½ inches Framed dimensions: 12 ⅛ x 10 ⅜ inches Inscribed at lower left: JS 220 Our drawing is also referred to as Young Boy Adjusting His Sandal, and is illustrated in the catalogue for Sargent's 1928 exhibition of drawings at Grand Central Art Galleries in New York. It is an example of an early study from life executed c. 1874-8.* Sargent drew continuously from an early age and had benefited from the emphasis on drawing at the Accademia delle Belle Arti in Florence where he entered the life class in 1870. He arrived in Paris on May 16th, 1874, with a large portfolio of drawings...

"Solitude", pencil and ultramarine tempera on paper, inspired by Matisse. Part of Nude in Interior series. Large drawing. Shipped rolled in a tube, directly from Florida, US. 39x27.5in / 100x70cm Artist Statement "I started by painting interiors, being interested in space and perspective through my studies. These scenes evolved, when I added the human figure. I focused more on the human figure and its relation to the background. The human figure is more present than ever in my paintings now. As a woman artist I’ve been preoccupied with the female form and its imagery. One of my goals was to capture the solitary moments and the nude’s relation to the surrounding space. My interest turned from depicting the space to rendering the atmosphere and the scene as a whole, the feeling a woman adds to the environment: warmth, desire, joy, a feeling of power and control, or the opposite – sadness, despair. Here is a collection of figurative paintings, exploring the nudes in interior spaces, seeing the nudes from my perspective, as a woman artist, considering the physical and spiritual realities of a woman’s body, in a new level of intimacy. My paintings are the opposite of objectifying a woman’s or a man’s anatomy. Painted works, featuring female nudes and a also men nudes, in a reversal of the male-artist/female-muse pattern, validate the feminine experience, defining myself through it. I was interested in how one experiences the body in a sensual form, and later focused on my own body, as I experience it myself, looking into the mirror and reconnecting. My work challenges the tradition of the nude by capturing my point of view, the gaze of a female painter, by using photography, drawings, sketches, and painting on canvas, for, both physical and psychological exploration. My art tries to create a visual language for emotion, beauty, feelings of intimacy and in the same time autonomy, captured with paint and vivid colors. My intense interest in color and the gestures of the brush strokes are the means I see and convey the subjects in space, as living, passionate beings." Paula Craioveanu

"Luis Miguel Valdes (Cuba, 1949) 'Homenaje a Servando IX', 1986 drawing, mixed media, lithograph on paper 18.6 x 14.1 in. (47 x 35.6 cm.) ID: VAL-3G1986-09"

"Luis Miguel Valdes (Cuba, 1949) 'Homenaje a Servando XXV', 1986 drawing, mixed media, lithograph on paper 18.6 x 14.1 in. (47 x 35.6 cm.) ID: VAL-3G1986-25"

"Luis Miguel Valdes (Cuba, 1949) 'Homenaje a Servando XXIV', 1986 drawing, mixed media, lithograph on paper 18.6 x 14.1 in. (47 x 35.6 cm.) ID: VAL-3G1986-24"

"Luis Miguel Valdes (Cuba, 1949) 'Homenaje a Servando VIII', 1986 drawing, mixed media, lithograph on paper 18.6 x 14.1 in. (47 x 35.6 cm.) ID: VAL-3G1986-08"

"Luis Miguel Valdes (Cuba, 1949) 'Homenaje a Servando VI', 1986 drawing, mixed media, lithograph on paper 18.6 x 14.1 in. (47 x 35.6 cm.) ID: VAL-3G1986-06"

Subject: Figures Medium: Other, Charcoal Surface: Paper Country: United States Dimensions w/Frame: 27 1/4" x 20 1/4" without frame 15.25" X22.75" EDUCATION New York Studio School of Painting , Drawing & Sculpture 1973 Empire State College, B.A., Painting and Curatorial Studies 1999 ONE PERSON EXHIBITIONS Mirrors, Gallery Schlesinger, New York, N.Y. 1999 Figures, Gallery Schlesinger, New York, N.Y. 1997 Sexual Monochromes, Gallery Schlesinger, New York, N.Y. 1992 "Paintings", 17th Street Gallery, New York, N.Y. 1976 SELECTED GROUP EXHIBITIONS Family Line- drawings and paintings by Anne Harvey, Jason Harvey and Steven Harvey, New York Studio School, New York, NY 2002 Steven Harvey- Paintings and Bruce Gagnier - Sculpture, Gallery Schlesinger, New York, NY 2000 Woman, Gallery Schlesinger, New York, N.Y. 1999 Water and Light, Mary Gearhart Gallery, New York, N.Y. 1997 Contemporary Figures, M B Modern Gallery 1997 On Air, St. Peterís Church, N.Y. 1997 People , Places and Things: An Exploration of the Portrait, 1996-97 New York Studio School Cafe El Maroc, Jamaica Arts Center 1994 Paintings, Schlesinger Gallery 1993 WFMU Benefit Auction, Germans Van Eck Gallery 1992 Night, Trenkmann Gallery 1991 ACT UP Benefit Auction, Paula Cooper Gallery 1990 Figuring Eros, Director's Annual, Snug Harbor Cultural Center, Staten Island, N.Y. 1990 Erotic America, Galerie Antoine Candeau, Paris, France 1989 Of Another Nature, Loughelton Gallery, N.Y.C. 1988 New Territories in Art: Europe/America, curated by Achille Bonito Oliva, Francavilla Al Mare, Italy 1987 Spatial FX, Annina Nosei Gallery 1987 Paint/Film, Bess Cutler Gallery 1987 Melancholy, Anne Plumb Gallery 1987 Group Invitational, Schlesinger Gallery 1986 Thought Objects, Cash/Newhouse Gallery 1985 Saloon/Salon, Bill Rice Gallery 1985 Steven Harvey has worked as an art advisor, art dealer, curator, and writer for over 25 years. He is the director of Steven Harvey Fine Art Projects in NYC, a gallery focused on contemporary painting, which he founded in 2007. SHFAP moved to the lower east side in 2011. It exhibits contemporary artists including Susanna Coffey, Kurt Knobelsdorf, Sangram Majumdar, Stuart Shils, Gideon Bok, Eleanor Ray...

Standing Nude, Pencil signed and dated March 25, 21. in beautiful vintage frame. George Kenneth Hartwell painter and illustrator was born in Fitchburg 1891-1949, Massachusetts. He studied at the Art Students' League in New York City under Kenneth Hayes Miller, Edward Hopper, and George Bellows. His work was exhibited at the Art Institute of Chicago (1923), the Society of Independent Artists (1923), Salons of America (1928 and 1934), Library of Congress (1944-46), the Laguna Beach Art...

SUMMER - female nude - by Paula Craioveanu - original sepia drawing Part of my Nude in Interior series. Sepia ink drawing on watercolor paper inspired by Ma...