John Singer Sargent

Figure Bending Over

1874

Image dimensions: 24 x 18 inches Framed dimensions: 34 x 28 inches This is a figure and head study for the extreme right figure depicted in Apollo and the Muses, one of the magnific...

Image dimensions: 24 ½ x 18 ¾ inches Framed dimensions: 34 x 28 inches This charcoal drawing is a preliminary study for the figure of Science, the subject that comprises the far ri...

Framed Dimensions: 23h x 30w inches Signature: Signed and dated at lower right: John Whorf 26. Provenance: Estate of Francoise Hermann, Cape Cod, Massachusetts Exhibitions: Adelso...

Framed dimensions: 20 ¾ h x 17 ⅞ w inches "Robert Moskowitz (1935-March 24, 2024) has been described as a significant link between the Abstract Expressionists of the New York School and New Image painters of the 1970s. Moskowitz first gained recognition exhibiting at the Leo Castelli Gallery in the early 1960s. His inclusion in the historic exhibition Art of The Assemblage at The Museum of Modern Art in 1961, signaled his arrival into the contemporary discourse of the time. His work was featured in New Image Painting at the Whitney Museum of American Art in 1978, where together with works by Jennifer Bartlett, Michael Hurson, Neil Jenney...

"Seated Figure" Nude in Pastel and Color Pencil on Paper Beautiful modern figure drawing of a nude woman by Bay Area Artist George Wishon (Ameri...

"Standing Figure" Nude in Charcoal and Color Pencil on Paper Beautiful modern figure drawing of a nude woman by Bay Area Artist George Wishon (A...

Elegant mid century figure study in pastel on brown paper depicting a seated nude woman with a hat and rose, by by American artist Louis Nadalini (Italian, 1927-1995). Signed Nadalini upper right. Presented in a simple wood frame, with new mat and new foam core backing. Image size: 29"H x 19.5"W. Signed and dated "Nadalini 85" lower right. Unframed. ARTFORUM article: Louis Nadalini In the last couple of seasons, San Francisco has lost several of its galleries. Some others have just recently begun operating but often with an entirely new group of artists. Some members of those apparently secure gallery stables that went out of business have found their way into other stables, but a larger group is without a place to show. I decided to look into such a person’s studio in my endeavor to find out what is really happening in the Bay Area art world. I went to see Louis Nadalini. His latest painting continues with the lattice of slats protruding forward with two variations of the painting painted on the sides of the slats which are viewable when standing to either side. This was always a very abstract method and he had quite often painted pure abstractions which centered quietly into hypnotic devices of exceptional color richness, but which gave a kaleidoscopic change as you moved past it. Untitled #42 (the most recent painting) has subject matter and was done in a much more painterly way. The side variations were flat in color, and there were some elements seen only in the side views, a skeleton’s arm and a black hand, for example. Nadalini says that he may abandon the lattice altogether if it gets in his way, but so far it seems to work better than it did with the abstractions. He is enthusiastic about the work he is doing, felt very free about making changes, and was, at the same time still happy about work from several years ago and unwilling to think that older work and new work should not be exhibited together. He hasn’t been thinking about galleries for a while. Nadalini goes to sea periodically which gives him time for contemplation as well as for renewing his resources. by —Knute Stiles...

Mid century watercolor figure study, a lively depiction of a reclining nude woman by Bay Area Figurative Movement artist Hubert Buel (American, 1915-1984)....