France

18th chest with 2 rows of drawers in cross-shaped walnut XVIIIth top of pink marble beak of corbin, work attributable to the cabinetmaker Grenoblois Pierre Hache.

Rare 18th century jars cabinet walnut French work. 4 shelves. Feet reinforced.

"Louis XVI Period Fan" Fan from the Louis XVI period "the triumph of marriage" representing Amphitrite, goddess of travel, looking nostalgically at Ps...

Le montreur de marmotte, vers 1780-1790 Éventail plié, la feuille double en papier gravé. Au centre, une famille profite d’un jardin animé par une bouquetière et un jeune montreur de...

Impressive Louis XV centre table of generous proportions. The elaborately carved walnut base is 18th century. The top was replaced, circa 1900s with a serpentine top of Vert des Alpe...

This masterly frontispiece study, executed with a very sure hand, testifies to the survival of the great Baroque taste in 18th century Venice. It could be one of the very last works by Giovanni Antonio Pellegrini: the few lines that cross the papal arms evoke those of Benedict XIV, who became pope in 1740, one year before the artist's death. 1. Giovanni Antonio Pellegrini and the European influence of Venetian history painting in the 18th century Giovanni Antonio Pellegrini was born in Venice in 1675 and trained in the studio of the Milanese painter Paolo Pagani (1655 - 1716). Pagani, who had been living in Venice since 1667, took him to Moravia and Vienna from 1690 to 1696. After a stay in Rome from 1699 to 1701, Pellegrini married Angiola Carriera in 1704, the sister of the great pastelist Rosalba Carriera. From 1708 onwards, Pellegrini left Venice and began an extensive tour of Europe: he worked in England between 1708 and 1713, where he met great success, particularly at Kimbolton Castle and Castle Howard. He then worked in Germany and the Netherlands, then in Bohemia and Austria, before returning briefly to England in 1719. In 1720 he was in Paris where he decorated the ceilings of the Royal Bank for John Law...

In this drawing, inspired by his stay in Naples in 1765, William Marlow presents us with a view of Cape Posillipo, to the west of Naples, an essential stage during the Grand Tour. Th...

Rare and wonderful painted table with a square top, raised on baluster legs with a surround stretcher. Deep drawer in the recessed apron, with the date painted: "Anno 1785". The top ...

"Regiment Standard Of The Old Regime, Eighteenth Century." Regimental standard of the Ancien Régime, from the 18th century. Fleurs de lys at the corners,...

In this lively and fresh drawing, probably taken from one of the artist's notebooks, Pajou presents us with a composition freely inspired by antiquity, as a souvenir of a visit to th...

Baromètre-thermomètre Louis XVI en bois doré et sculpté à décor d’un vase à l’antique et de guirlandes de laurier. Ep.XVIIIè. H.100 L.43.

Arriving in Rome in June 1735 as a resident at the Royal Academy, Pierre was unable to attend the Winter Carnival festivities of 1735, which he nevertheless immortalised in an engrav...

Small wall lamp dragon in 18k gilt bronze with 5 arms of lights in the Louis XV style. We have one pair in stock however we can produce them made to measure and in other finishes su...

This dual-light wall lamp is emblematic with carving details that evoque a hunter's quiver of arrows.

This lantern has three lights and entirely made of bronze. It is adorned with several carving details and gilding which give it a royal look.

With three lights, this lantern is a mix between the sleek design of a modern lantern and a Classic design with its decorative pine cone decorative touch.

Girandole three lights with cristal.

Exceptional Louis XV chest of drawers called "commode sauteuse" in rosewood veneer, violet wood and stained wood, curved on three sides and topped by a Royal marble top. It opens in ...