Hudson

Untitled White 1, 2018 12" X 14" mixed media on board This abstract geometric composition on wooden board, part of the "Unititled White" series, features a playful grid motif that ...

Created in China soon after the turn of the century, circa 1900-1920 this large pair of garden seats are made from hand-cast and formed terracotta. One can see the handprints in the ...

Small abstract expressionist style monotype in navy blue, green, light violet, and soft yellow 'Untitled 4' by Jenny Nelson Monotype, mad...

View from the Train, 2019 24" X 40" x 1", oil on canvas This contemporary oil painting depicting a metropolitan view is the work of realist painter Patty Neal. The painting offers an intimate view of the city, as seen from a window, as it peeks from behind two metal structures. The dark browns and bright golds beautifully compliment the dusty blue, gray sky. Neal works highlight everyday city scenes, utilitarian infrastructure, and industrial or electrical apparatus. Artist statement: A life is an accumulation of experiences: visual, emotional and mental. By compartmentalizing these snippets of life we create boundaries. The focus of my work for many years has been the exploration of these various life aspects and how they are bound together or bound from each other. My process is often literally composed of boundaries. I make a painting by putting together multiple panels, or I segment a single panel into separate visual spaces. The works are made up of pieces or elements of city and landscape. While exploring the concepts of boundaries I play with visual “reality.” Sometimes I combine images that are upside down with those that are not and juxtapose images from different contexts. Literal boundaries, such as walls fences, expanses of water and highway median strips are also used. My intent is to invite viewers to look beyond these boundaries to see the possibilities of a connected whole. About the artist: Solo Exhibitions 2011 "Interior/Exterior", Carrie Haddad Gallery, Hudson, New York 2008 ”Landscape Revisited”, 1870 Gallery, Belmont 2005 Nomad Rug Gallery, San Francisco 2004 "Landscapes"@Klein's, San Francisco 2004 "Landscape Renewed," Space 743, San Francisco 2003 Exploding Head...

Hand colored screen print of a colorful New Jersey sunset made in 1977 by Bill Sullivan Signed, bottom left 43 x 31 inches in natural wood frame This 1970's hand colored landscape print...

Rene Buthaud woman in green dress, signed and dated 1924 mixed-media on paper Provenance: The artist, collection Michel Fortin, Paris: Collection of Stephen Engel, Florida: Literatur...

My works give the viewer the sense of flying through them, hovering, as the earth shifts in subtle twists and turns. This slightly unsettling vantage point merges with vivid color, p...

31 x 61 x 1 inches oil on canvas, framed with thin black wood stripping This is a contemporary landscape painting of Guadalupe Hill, a 3,317-metre (10,883 ft) high hill...

Woman, Women, Fashion, Beach, Black and White, Sand, Swimmer, Pose, Hips, Body, Bathing suit, figurative, female, feminine

charcoal, oil, graphite on paper, unframed 11 x 12.5 inches, $1500 black and white landscape drawing, atmospheric landscape, s...

Color still life photograph of bougainvillea pink flowers with figurative olive branches and colorful shotgun shells on a beige and white background Bougainvillea & Shotgun Shells, 2...

Rat King Augury (Round Pastel Drawing on Indian Handmade Cotton Paper by Kahn & Selesnick) 41 inch diameter, unframed pastel, conte crayon on paper Kahn & Sel...

This very nice carved plaque of good size comes from China and was made circa 1900. The stone is a rich combination of dark, light and emerald green. Sliced from a boulder washed and...

Abstract still life photograph of a magenta cana lily flower on a white sky background Photograph printed on Japanese Kozo paper infused with encaustic Edition 1/12, 36 x 22.5 inche...

Study For Cole Porter Paintings (Oil Painting of City Skyline w/ Sailboat) by Bill Sullivan 12 x 20 inches oil on canvas, framed with thin blonde ...

Academic style figurative oil painting of two muscular football players Painted by Mark Beard as Bruce Sargeant Oil on canvas, signed upper right 20 x 16 inches unframed, 26 x 22 in...

Large cocktail table with curved legs and marble inlay set in an irregular geometric pattern. France, 1950's.

This pair of very unusual cast stone baskets are centered with a large starfish on the top. This is a form we have never seen in 40 years in the business. The baskets are well articu...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 5 CURRENT EXHIBITION - runs through May 6, 2018. Any framed photographs purchased during the show will be afte...

Watercolor on archival paper 23 x 17 inches in white-painted custom wood frame with 8ply mat 19 x 13 inches unframed This whimsical watercolor drawing on archival paper was made by the creative duo Nicholas Kahn & Richard Selesnick as part of their series "Madame Lulu's Book of Fate", wherein the artists celebrate the carnivalesque with a cast of peculiar costumed characters. In this illustration, a cluster of sienna-colored buildings are stacked in the shape of a human figure. Surrounded by a spring-green landscape and bearing flowers--a pale yellow sunflower in one hand, and a bouquet in the others--the figure appears gentle despite its colossal size. The artists' highly stylized approach adds an almost vintage...

Large white wall sconce by Lightolier. Signed, USA, circa 1950. Newly rewired and refinished in white satin powdercoat.

Impressionistic landscape painting of the Hudson River during the wintertime in tones of grey, white, slate, blue, dark brown and green Oil on linen, 22 x 28 inches John Kelly approaches the Hudson Valley landscape with the eye of an architect and the hand of an impressionist. With intense attention paid to form and light, Kelly nevertheless manages to abstract the landscape just slightly, breaking earth, sky, and atmosphere down to their most elemental qualities. In this painting, a body of water, solidified into ice, stretches toward a murky treeline. The painting is composed primarily in a palette of pale blue, gray, and pink, with white, dark green, and gray accents. About the artist: Hudson Valley based painter John Kelly received his education from the Art Institute of Boston and Buffalo State. He has been exhibiting around the northeastern United States since the 1970s. EDUCATION 1973 74 BUFFALO STATE BUFFALO NY 1974 – 77 ART INSTITUTE OF BOSTON EXHIBITIONS 1978 BOSTON CITY HALL GROUP SHOW CURATED BY DAVID VAREANO 1979 MAC READY GALLERY JOHN KELLY, DEBORAH CLARKE 1979 BERKSHIRE MUSEUM REGIONAL CURATED BY KENWORTH MOFFIT 1984 GALLERIE TAUB PHILADELPHIA PA SOLO PAINTINGS 1984 GROUND ZERO GALLERY SURVEY SHOW AT KAMIKAZE 1984 NO LO CONTENDERE GALLERY NYC SMALL WORKS 1985 UNIVERSITY OF MASSACHUSETTS, BOSTON SOLO PAINTINGS 1988 RENNSELAER REGIONAL TROY NY CURATED BY LANGDON QUINN 1995 HUDSON VALLEY COMMUNITY COLLEGE SOLO PAINTINGS 1997 FIRST THINGS GALLERY NYC SOLO PAINTINGS 2014 CHATHAM BOOK STORE GALLERY SOLO PAINTINGS 2015 AWS GALLERY GREAT BARRINGTON MA SOLO PAINTINGS 2017 SPENCERTOWN ACADEMY REGIONAL 2017 CARRIE HADDAD GALLERY HUDSON NY LANSCAPE SHOW 2017 WRIGHT STATE UNIVERSITY DRAWING PERCEPTIONS 1981 FOUNDED MAAPSPACE, PERFORMANCE AND READING SERIES WITH BOOK, PRINTED MATTER AND EXHIBITION SPACE AT THE INSTANT MUSEUM 63 ENDICOTT ST BOSTON,MA CURATED 1983 MAIL ART; DAVID COLE AND PAUL ZELAVANSKY 1984 CONTENT SHOW, PAINTINGS AND XEROX PRINTED MATTER 1985 IS THIS ROMANTICISM PAINTINGS- MAGNUS JOHNSTONE, DENNIS RAFFERTY, PETER HOSS 1985 GROUND ZERO, EAST VILLAGE STENCIL AND STREET ART CURATED BY MARGUERITE VAN COOK AND JAMES ROMBERGER ; JANE BAUMANN, DAVID WOJNOROWICZ, MICHAEL ROMAN...

Hudson Valley landscape painting of a snowy country scene in the wintertime. Oil on linen, 34 x 26 inches John Kelly approaches the Hudson Valley landscape with the eye of an architect and the hand of an impressionist. With intense attention paid to form and light, Kelly nevertheless manages to abstract the landscape just slightly, breaking earth, sky, and atmosphere down to their most elemental qualities. In this painting, a snowy hillside is rendered in shades of white, cream, and blue, contrasted with the warm sienna and umber hue of the trees and a crimson chair. An expansive winter landscape can be glimpsed just beyond the treetops. About the artist: Hudson Valley based painter John Kelly received his education from the Art Institute of Boston and Buffalo State. He has been exhibiting around the northeastern United States since the 1970s. EDUCATION 1973 74 BUFFALO STATE BUFFALO NY 1974 – 77 ART INSTITUTE OF BOSTON EXHIBITIONS 1978 BOSTON CITY HALL GROUP SHOW CURATED BY DAVID VAREANO 1979 MAC READY GALLERY JOHN KELLY, DEBORAH CLARKE 1979 BERKSHIRE MUSEUM REGIONAL CURATED BY KENWORTH MOFFIT 1984 GALLERIE TAUB PHILADELPHIA PA SOLO PAINTINGS 1984 GROUND ZERO GALLERY SURVEY SHOW AT KAMIKAZE 1984 NO LO CONTENDERE GALLERY NYC SMALL WORKS 1985 UNIVERSITY OF MASSACHUSETTS, BOSTON SOLO PAINTINGS 1988 RENNSELAER REGIONAL TROY NY CURATED BY LANGDON QUINN 1995 HUDSON VALLEY COMMUNITY COLLEGE SOLO PAINTINGS 1997 FIRST THINGS GALLERY NYC SOLO PAINTINGS 2014 CHATHAM BOOK STORE GALLERY SOLO PAINTINGS 2015 AWS GALLERY GREAT BARRINGTON MA SOLO PAINTINGS 2017 SPENCERTOWN ACADEMY REGIONAL 2017 CARRIE HADDAD GALLERY HUDSON NY LANSCAPE SHOW 2017 WRIGHT STATE UNIVERSITY DRAWING PERCEPTIONS 1981 FOUNDED MAAPSPACE, PERFORMANCE AND READING SERIES WITH BOOK, PRINTED MATTER AND EXHIBITION SPACE AT THE INSTANT MUSEUM 63 ENDICOTT ST BOSTON,MA CURATED 1983 MAIL ART; DAVID COLE AND PAUL ZELAVANSKY 1984 CONTENT SHOW, PAINTINGS AND XEROX PRINTED MATTER 1985 IS THIS ROMANTICISM PAINTINGS- MAGNUS JOHNSTONE, DENNIS RAFFERTY, PETER HOSS 1985 GROUND ZERO, EAST VILLAGE STENCIL AND STREET ART CURATED BY MARGUERITE VAN COOK AND JAMES ROMBERGER ; JANE BAUMANN, DAVID WOJNOROWICZ, MICHAEL ROMAN, JOSEPH NECHVATAL...

37 x 84 inches oil on canvas, unframed (thin wood stripping only) Contemporary landscape oil painting of the beach in Cape Cod, Massachusetts. Deep blue tidal pools form in the for...

Modern, Fauvist style landscape oil painting of Upstate New York Catskill Mountains "Top of Leeds Athens Road," painted en plein air by Dan Rupe Signed on the back in red oil paint ...

This photograph was previously on display at Robin Rice Gallery as a part of the annual Summertime Salon. Tanya Malott has a talent for capturing the beauty of nature-many times thr...

Mid-Century Modern abstract sculpture of a white painted abstract geometric wooden object "Motherlode" by Leon Smith, c. 2007 Acrylic painted wood with wood base 10 x 9 x 2 inches This small, mid-century modern style abstract sculpture made of white painted wood is perfectly suited for a tabletop, pedestal, or mantle piece and recalls designs associated with the Post Modern movement. Curved pieces of white painted wood pair elegantly with a natural wood base. The geometric shape is able to rotate around the base, inviting interesting shadows at every angle. Artist Statement: Why I construct sculptures is somewhat of a mystery to me. I suspect, in some ways, it is a continuation of childhood play, where invention, improvisation and often a sense of mischief, are a key. The simple abstract shapes that I choose to work with give me the greatest freedom to manipulate and discover new forms without being bound by specific representational imagery. The opposing qualities of form are what engage me most. Balance vs. precariousness, stability vs. movement, and the organic vs. the inorganic. I play with these elements until another dimension appears and until the form is pleasing to me. I'm partial to the double take, the paradox, but only if the work's formal qualities con sustain interest and delight over a long period of time. About the artist: Born in Australia, it was Smith's first career as a dentist that taught him to make carvings and moldings. His sense of humor and that of his wife, Elaine, are at the epicenter of Smith's playful designs and titles. Riffing on simple, abstract shapes gives him the freedom to discover new forms and ideas. "The opposing qualities of form are what engage me most. Balance versus precariousness, stability versus movement, and the organic versus the inorganic. I'm partial to the double take, the paradox, but only if the work's formal qualities can sustain interest and delight over a long period of time. Smith's childlike energy knows no bounds, producing work that is at once amusing and sophisticated. Sure, he's 83 years old, but hold on tight when he drives you around in his golf cart...

Icarus #1 (Contemporary Nude in Sky Photograph Based of Traditional Greek Myth) 18 x 30 inches unframed archival digital print Inspired by the story of Ica...

Little Blue, 2020 Encaustic & collage on thin edged board 12" X 12" This abstract geometric composition on wooden board features a playful geometric motif that is inspired by the artist's interest in architecture and blueprint drawings. The geometric forms are made in a more painterly, gestural manner rather than with a hard edge. Paint is not heavily built up upon the surface but it certainly exhibits a tactile quality which is characteristic of the artist's aesthetic. English's work celebrates the quirky, unexpected qualities of shapes and colors. About the artist: Donise English is a Poughkeepsie-based artist who received her MFA from Bard College and is currently a Professor of Studio Art at Marist College in Poughkeepsie, NY. Artist Statement: I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Resume: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie,NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS Finalist, “Saatchi Showdown” 2010 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 SELECTED JURIED/INVITATIONAL EXHIBITIONS 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”, Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture, Pattern, Fragment”, Krause Gallery, Moses Brown School Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”, Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”, Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition, Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”, Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery, Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

Chinese Gray Scholar's Rock, of naturalistic form, on early 19th century rosewood stand.

Still life photograph of purple and white clam shells on pale grey and beige background archival pigment print, made in 2007 by David Halliday 10 X 15 inches unframed Edition of 25 In this series, Halliday captures the beauty of 'the ordinary' in still lifes of various objects and vegetation arranged against simple backgrounds. This nautical themed still life of deep purple and white clam shells beside a piece of drift wood is set on a light grey table top against a cream colored wood wall. The subtle color palette extenuates the various textures and gentle shadows cast on the objects. About the artist: American, b. 1958, Glen Cove, NY, United States, based in Schodack Landing, NY, United States Elegant still lifes bathed in natural light, so masterfully composed one could forget that it is, in fact, a photograph – this is how we’ve come to recognize David Halliday’s work. The artist first gained recognition for his sepia toned silver gelatin prints of common place objects and food staples, emphasized by sublime balances of form, texture, and shadow one could liken to classical painting. In more recent years the artist began embracing his subject matter with modern pops of color in surreal arrangements; vegetables and fruits eccentrically coupled with fish nets and cutlery balanced on undefined tabletops, seeming to float in midair. Now the photographer is retracting his lens to encompass the studio itself as his subject. In a self-portrait of sorts, Halliday skillfully combines elements of his craft in a modest interior view. Halliday was one of the first artists Carrie Haddad began representing when she opened the gallery 27 years ago. Since then he has exhibited nationally and in Europe. He now lives and works in Schodack Landing by way of New Orleans and Nantucket. Resume Born 1958, Glen Cove, New York Lives in Upstate New York EDUCATION 1998 Penland School of Crafts, Penland, North Carolina 1988 The Maine Photographic Workshops, Rockport, Maine 1976-79 Syracuse University, New York 1974-76 Wooster School Community Art Center, Danbury, Connecticut SELECTED SOLO EXHIBITIONS 2019 Still Life Like, Carrie Haddad Gallery, Hudson, NY 2018 Group Photography Exhibit, Carrie Haddad Gallery, Hudson, NY 2013 Threadbare/New Photographs, Arthur Roger Galley, New Orleans, LA McMurtrey Gallery, Houston, TX 2012 The Past Still Present, Ogden Museum of Southern Art, New Orleans, LA 2010 Arthur Roger Gallery, New Orleans, LA Wessel+O’Connor Fine Art, Lambertville, NJ Julie Heller Gallery, Provincetown, MA Graficas Gallery, Nantucket, MA 2009 Culinary Delights, San Antonio Museum of Art, San Antonio, TX Two Decades: David Halliday, Carrie Haddad Photographs, Hudson, NY 2008 Arthur Roger Gallery, New Orleans, LA Still-Life, Stephen Cohen Gallery, Los Angeles, CA Carrie Haddad Gallery, Hudson, NY Watermark Gallery, Houston TX Strange Fruit: David Halliday and Greg Kuharic...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...

Circular portrait drawing in pastel and conte crayon of a beautiful Medusa Portrait is made on handmade Indian cotton paper 22 inch diameter Signed, verso About the work: In the face of a turbulent political and environmental crisis, the artists make their own appeal to change the future with a series of circular drawings on handmade paper in pastel and conte crayon. Panogolin Bonaparte and Medusa are among the drawings that illustrate the transformation of humans into animals, a fantasy of mankind’s integration with nature. These are presented as votive offerings to the Gods as a last attempt to bargain for a more hopeful future. About the artists: Nicholas Kahn and Richard Selesnick...

"SAW" Small, horizontal still life oil painting of a blue saw against a cream colored backdrop oil on panel, framed in a light wood frame by Matthew Hopkins 12 x 12 inches, 15 x 15 i...

Listing is for UNFRAMED print. Inquire within for framing. Edition 7 of 25 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

Conversation Between Marks, 2020 by Bruce Murphy (Gestural abstract expressionist painting on paper in colorful hues pink, rust, green, yellow, gold, and red) 22" X 12" enamel pain...

Photo-realist oil painting of a red brick building on Madison Street in Manhattan's Lower East Side. oil on wood in artist made dark wood frame 10 x 8 inches This contemporary, rea...

Figurative drawing of a costumed man with two moons on handmade teal colored paper "Der Fled Maus", made by Kahn & Selesnick in 2011 mixed media, graphite, and pastel handmade paper 17 x 17 inches in walnut vintage wood frame with 8ply mat 7.5 x 7.5 inches unframed This whimsical mixed media drawing on handmade teal colored paper was made by the creative duo Nicholas Kahn & Richard Selesnick as part of their series "Truppe Fledermaus", wherein the artists celebrate the carnivalesque with a cast of peculiar costumed characters. In this illustration, a cloaked figure stands in front of a door with the moon, in two different phases, appearng in the background. The artists' highly stylized approach adds an almost vintage touch. The drawing is complemented by a simple vintage walnut frame, and a sturdy wire across the back provides for easy hanging. About Truppe Fledermaus: Kahn & Selesnick’s latest project follows a fictitious cabaret troupe – Truppe Fledermaus (Bat Troupe) – who travel the countryside staging absurd and inscrutable performances in abandoned landscapes for an audience of no one. The playful but dire message presented by the troupe is of impending ecological disaster, caused by rising waters and a warming planet, the immediate consequences of which include the extinction of the Bat, a shamanistic figure representing both nature and humanity. In one sense, the entire cabaret troupe can be seen as a direct reflection of the artists themselves, both entities employing farce and black humor to engage utterly serious concerns. About Kahn & Selesnick: Nicholas Kahn and Richard Selesnick...

Watercolor on archival paper 23 x 17 inches in white-painted custom wood frame with 8ply mat 19 x 13 inches unframed This whimsical, highly stylized watercolor drawing on archival paper was made by the creative duo Nicholas Kahn & Richard Selesnick as part of their series "Madame Lulu's Book of Fate", wherein the artists celebrate the carnivalesque with a cast of peculiar costumed characters. In this illustration, a woman adorned only in pear branch...

Minimalist, abstract three dimensional wall sculpture in dark oxidized metal Temptation Was an Ally, made by Joe Wheaton in 2019 42 x 16 x 7 inc...

Abstract still life photograph of a magenta cana lily flower on a white sky background Photograph printed on Japanese Kozo paper infused with encaustic Edition 1/12, 36 x 22.5 inches...

Nature-Inspired Minimalist Abstract Color Field Painting on 2 Panels in light blue and white with details of earthy brown Acrylic on 2 wood panels Each panel is 36 x 24 x 2 inches Su...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 10. CURRENT EXHIBITION - runs through October 30th, 2016. Any framed photographs purchased during the show ...

Abstracted New York City landscape drawing of urban rooftops and tree tops "Rooftops", created by William Clutz in 1977 30 x 20 inches, charcoal and pastel on paper 33 x 25 inches in light wood frame This framed pastel on paper was made in 1977 by William Clutz. It features an abstracted depiction of New York City rooftops as seen from a high window. Of particular note is the artist's technique with pastel; a wonderful texture and motion is created by closely woven striated lines. Sunlight reflects off brown rooftops and peaking green tree tops. The charcoal and pastel drawing is framed in a natural light wood frame with non-reflective glass and wire backing for installation. About the Artist: Renowned as the “impressionist of the contemporary metropolis”, William Clutz uses the city, in its entirety, as his subject. Pedestrians crossing streets become stars of the stage; the hustle and bustle of traffic and surrounding buildings are the chorus; each play their part in the overall composition. Lighting and color shift this observation of the everyday into a remarkable wonder. “It is surely Clutz”, wrote Gerrit Henry in Art News, 1979, “an artist who has rejected the niceties of representation in favor of the quintessence.” The young artist moved to New York City in 1955 and just four years later had his first solo exhibit at the Condon Riley Gallery. Clutz went on to show in major uptown galleries such as David Herbert, where, notably in 1962 he received a NYTimes review titled, Return of the Figure. That same year, his role in the revival of figuration was further solidified with inclusion in the MoMA group show, Recent Painting USA, The Figure. This was a pivotal turning point from which emerged a 50-year exhibiting career. Resume Born: Gettysburg, PA 1933 Mercersburg, PA 1933-1951 New York City 1955-1996 Education Painting: Thomas Danaher(WPA artist) 1944-51 Mercersburg Academy, PA 1947...

This poster for an exhibition undertaken by the Smithsonian Institution and was produced as a Resident Associates Program Exhibit for the organizations 10th anniversary. The work is pencil signed and numbered 80 of 200. Davis was born in Washington DC in 1920 and died in the city he gave so much to in 1985. A major 20th-century figure in American painting Davis's contributions to Washington were invaluable in helping to establish DC as a center for contemporary art. Davis is also recognized as a prime mover in the national and international Color Abstract Movement and his ascendance to prominence started in the 1960s. He was never formally trained and learned his craft by constant gallery and museum visits and later said that this lack of boundaries from education freed him from any limitation on his work or process. Davis worked within the loosely formed Washington color school of painters which included other artists like Kenneth Nolan...

This pair of jade plates are carved in a very delicate thin form allowing the stones natural striations and color to show through. The polish and luster are...

Abstracted landscape photograph of clouds and blue sky on three panels Japanese Kozo paper infused with encaustic on 3 panels, each panel is 36 i...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 15 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin Rice. For decades, Robin has exhibited a wide variety of photographers at the gallery but never her own work. As the show’s title denotes, “It’s About Time.” The opening reception will be held on Wednesday, January 23rd from 6pm to 8pm. The exhibit runs through March 17, 2019. While her photography spans five decades and multiple continents, Rice maintains a cohesive, candid voice that carries throughout all of her work. Observing the world around her in a cinematic way, she possesses an uncanny ability to recognize and capture moments of beauty and the spontaneity of the human spirit. By evoking a wonderstruck sensibility, Rice expresses a deep-rooted love for both people and landscapes using her distinct bohemian style. In this salon-style retrospective, Rice uses an “old school” approach and shoots with her Nikon on Tri-X film. When creating her art, she insists, “the camera has a mind of its own.” The scenes captured in her photography are unedited and thus born purely from the magic of the in-camera composition. In the invitational image, “Tree Farm, Long Lane, East Hampton, NY”, 1999, a naked woman wearing nothing but a large straw hat is captured from behind, centered between a long line of trees on either side, as she bikes down the lane. In another image, “Bubbles, Piazza Rondanini, Roma”, 1995, friends linger before a vine-covered building, extending their arms up in joyful wonder, catching bubbles descending from above. Receiving her first camera at the age of 11, she has since been an avid fine art photographer. After moving from Philadelphia to New York in 1976, Rice was immediately swept up in the electrifying, fast-paced art world of the city. In 1977, Discoworld Magazine hired her to photograph the opening night of Studio 54. After enjoying 23 years of success as a commercial photographer, she shifted her career to become a gallerist, opening The Robin Rice Gallery in 1990. Curating 175 shows, Robin developed her own “school” of artists, cultivating a keen eye for curating and in doing so enriching the aesthetic of her own fine art photography. Despite devoting much of her energy to the gallery, Rice has never stopped creating her own art, and has exhibited in several galleries nationally and abroad. Influenced by photographer and gallerist Alfred Stieglitz, who curated the art of others and exhibited his own work, Rice is ready to showcase her photography on her own turf. In her spare time, Robin has recently taken up DJing: you can often find DJ Redshoes spinning vinyl at her loft in Beacon. Black & White, Portrait, Women, Montauk, NY, New York, Equestrian, Horse farm, American, Rural, Farm, Fashion, Horse Stable...

Naive style still life painting of colorful fruit and a brown vase on a grey background Oil on canvas 9 x 12 inches unframed Signed lower left This modern, abstracted naive style s...

The Robin Rice Gallery proudly announces SUMMERTIME Salon 2018, an annual photography exhibit featuring gallery artists as well as a few newcomers. This year’s opening reception will...

A finely cut and polished crystal regency style Waterford Louise Kennedy bowl . The Regency shape is a time-honored style for good English cut crystal a...

This oil on canvas en plein air landscape painting was painted by Hudson Valley based artist, Judy Reynolds. The composition features a barren corn field in winter layered with cream...

Modern, Fauvist style landscape oil painting of Upstate New York cityscape "31 Washington Street", painted en plein air by Dan Rupe Signed on the back in red oil paint 24 x 30 inche...

Three Figures (Black & White Abstract Graphite Drawing in Contemporary Frame) by David Dew Bruner Abstract graphite drawing on paper in custom black wood frame 50 x 54 inches 54 x 60...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...

Framed minimalist aerial landscape photograph of apple trees and shadows against bright white snow 'Apple Orchard and Shadows Near Sodus, NY', 2011 Archival digital print, Edition ...

Small abstract geometric drawing of circular white moons on a gray graphite background with grid patterns “The Moons of Jupiter (Study I)” by Hudson Valley artist, David Dew Bruner,...

Gestural abstract expressionist painting on paper in dark green, teal, and soft gold "The Potential of Chance 1", made by Hudson Valley artist, Bruce Murphy, in 2020 10 x 8 inches, e...

16 3rd St. Athens NY 22 x 18 inch oil on linen Artist Signature on Reverse Dan Rupe's beautiful color palette captures the streets where he lives with vibrancy and life, adding int...

This image is currently on display at the Robin Rice Gallery in the Summertime Salon 2018. It depicts the strength and beauty of nature with a whale jumping from the ocean water. The...