Hudson

Listing is for UNFRAMED print. Inquire within for framing. Edition of 20. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced...

Beautiful, rare Castiglioni floor lamp. Spun fiberglass "shade" with a chrome base and floor controls. Some minor foxing to the base of the lamp that is consistent with age.

Modern glass side table. Made to order. Beautiful, modern glass side table in ruby glass. Variations of color and translucency of glass will vary, making each piece unique. Dimens...

6-legged armor box made of red lacquer with crest design in gold, and bronze mounted feet. Comes with original lock and key.

A fantastic original oil on canvas by Naohiko Inukai. This is number forty in a series of colored scapes he created in the mid 1960's and is in excellent condition. This work is signed and dated on the reverse It's color changes subtly with the lighting, when properly lit it casts a beautiful warm orange tone throughout the room. Born in 1937 in Kurashiki-city Okayama,Japan. He came to the US around 1960 and returned to Japan around 1982 were he still resides. Education:Cooper Union School of Art and Architecture New York...

"Big Little #144" (Contemporary Abstract Geometric Painting) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in a bright red and white palette acrylic, ...

Moon and bamboo in ink on gold paper with red and black lacquered negoro frame. (Meiji period) Calligraphy reads: Beauty in ink painting with standing woods and branches, like in par...

Ridge (Contemporary Abstract Landscape Oil Painting of Peach Vines and Leaves Against a Blue Sky and Mountain Landscape) by David Konigsberg oil o...

Lacquer on wood. Signature reads: Toshimasa. Solid black lacquer on reverse. Signed original box.

British pop art sculptor, print-maker and teacher, Nicholas Monro, completed this work in the 1970s. Titled "The Flood," it is an original pencil sig...

British sculptor and print-maker, Nicholas Monro, completed this work in the 1970s. Titled "Stone Circle," it is an original pencil signed and numbered silk screen print on paper.

Beautifully painted Japanese two-panel screen with vibrant azalea tree with finches, camellia tree, and yellow azaleas. Mineral pigments and gold dust on gold silk background. Signat...

Minimalist Abstract Geometric standing sculpture in bright red orange with a black steel base "The Gate or Trying to Catch the Rain" by Japanese born arti...

Japanese Two Panel Screen: Mountain Landscape with Calligraphy. Late Edo (c. 1850) painting of a dramatic mountainside carved by a waterfall with a crane flying in the foreground an...

Contemporary abstract geometric painting on 12 x 12 inch wood panel in colorful shades of orange, burnt sienna, with pops of grey and white Goddess of the Subtle...

Contemporary abstract geometric painting on 12 x 12 inch wood panel in colorful shades of orange, burnt sienna, with pops of citron, yellow, white and black Goddess of the Subtle...

Contemporary abstract geometric painting on 12 x 12 inch wood panel in colorful shades of orange, burnt sienna, with pops of hot pink and cobalt blue. Goddess of the Expansion & Mani...

Photo-realist watercolor painting on paper of colorful wooden children's blocks in bright hues of rose pink, golden orange, and blue "Toys" painted by Scott Nelson Foster in 2020 13"...

Jansen carved and painted sofa in the Louis XVI style.

Abstract geometric drawing on paper in bright sunflower yellow and red, with a custom light wood frame 'Yellow and Red Grid' by Donise English 30 x 22 inches unframed, 37 x 29 inches...

Gestural abstract expressionist painting on paper in colorful hues of red, yellow, orange, magenta, and silver "A Statement of Benefits", painted by Bruce Murphy in 2020 36 x 24 in...

Framed still life photograph of a pastel orange and pink rose flower on a crisp white background “Untitled 21” by Chad Kleitsch, this image is part of the artist’s “Botanical Mind” s...

Graphic abstract painting on paper in complementary shades of peach, light orange, and red with details of pale sage green "Untitled 1" by Jenny Kemp, painted in 2019 gouache on paper, unframed 15 x 11 inches Signed verso Jenny Kemp’s abstract paintings are inspired by the artist’s desire to represent unseen phenomenon. With intricate and calculated line-work, the artist builds parallel layers against opaque backgrounds, while shifts in color and shape call attention to organic forms that give reference to the human body or atomic structures. Precise lines seem to vibrate the transitions of color in shades of ruby and blush red complemented by amorphous forms in peach and light orange. Two circles of pale sage green contrast against the areas of red and orange. The drawing is currently unframed, measuring 15 x 11 inches. About the artist: Jenny Kemp received a BS in Art from the University of Wisconsin - Madison and an MFA in Painting from the University at Albany. Her work has been exhibited in galleries and museums across the country, most recently at Gold/Scopophilia* in Montclair, NJ and the Mandeville Gallery at Union College in Schenectady, NY. She has been featured in publications such as 100 Painters of Tomorrow published by Thames & Hudson, New American Paintings, The Huffington Post, Seattle’s City Arts, New York Times, and The New England Review. Kemp is also a recipient of the 2015 NYFA fellowship in painting and the 2015 Emerging Artist Award recipient from the Art Center of the Capital Region in Troy, NY. She sits on the board of Collar Works, an art space dedicated to the support of emerging and under-represented artists exhibiting challenging and culturally relevant contemporary artworks in Troy, NY where she lives and works. EDUCATION MFA - Painting, University at Albany, SUNY 2012 BS - Art, University of Wisconsin, Madison 2002 EXHIBITIONS 2019 Gold / Scopophilia* Art on Paper, Pier 36, NYC Steady Curve Gold / Scopophilia*, Montclair, NJ (solo) 2018 Slow Grow Mandeville Gallery, Union College, Schenectady, NY (solo) FENCE + ECHO, Far x Wide, Brooklyn, NY (curated by Jes Cannon) Crazy Beautiful III, Kenise Barnes Gallery, Larchmont, NY Three Square, Geoffrey Young Gallery, Great Barrington, MA (curated by Phil & Sue Knoll) 2017 When We Were Young: Rethinking Abstraction from the University at Albany Art Collections (1967-present) University at Albany Art Museum, Albany, NY Surface 4, ARENA at Brooklyn Dermatology, Brooklyn, NY (curated by Renée Riccardo) The Whitney Houston Biennial: Greatest Love of All, Chashama, NYC (curated by Christine Finely) 2016 Reality is Wrong, Dreams are Real, David&Schweitzer Contemporary, Brooklyn, NY (curated by Phil and Sue Knoll) Squared, Geoffrey Young Gallery, Great Barrington, MA (curated by Phil & Sue Knoll) Something Else, The Painting Center, New York, NY (curated by Dee Shapiro and Miriam Brumer) Living Color, Art Center of the Capital Region, Troy, NY (2 person) 2015 Howdy Doody, Collar Works, Troy, NY (curated by Leona Christie) Remains to be Seen, Geoffrey Young Gallery, Great Barrington, MA (curated by Phil & Sue Knoll) Painting Parallels, GRIDSPACE, Brooklyn, NY (solo) Double Vision, Laffer Gallery, Schuylerville, NY (2 person) Mohawk Hudson Invitational Albany Center Gallery, Albany, NY Snowbirds Kenise Barnes Gallery, Larchmont, NY Valentine’s Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA (curated by Phil & Sue Knoll) Variations in Paint (invitational), The Painting Center, New York, NY 2014 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Mohawk Hudson Regional, Albany Institute of History and Art (juror: Stephen Westfall) Tracery, PS209 Gallery, Stone Ridge, NY Connections Todd Art Gallery at Middle Tennessee State University, Murfreesboro, TN (2 person) Perceptions Opalka Gallery at Sage College, Albany, NY Modern Artists Carrie Haddad Gallery, Husdson, NY 2013 Second Nature Albany Airport Gallery, Albany, NY Admit One Collar Works Gallery, Troy, NY Works by Jenny Kemp and Richard Harrington Gallery 105, curated by MCLA Gallery 51, N. Adams, MA An Early Spring Carrie Haddad Gallery, Hudson, NY 2012 Recent work and new paintings on paper Fulton Street Gallery (solo) FISSURE GalleryEll online exhibition, curated by Amanda Kates In Orbit Little Gallery at Sage College of Albany. Albany, NY. Works on Paper Carrie Haddad Gallery, Hudson, NY MFA National Competition First Street Gallery, NYC. Juror: John Yau BioLogical Salem Art Works Carry House Gallery, Salem, NY MFA Thesis Exhibition University at Albany Art Museum, Albany, NY 2011 Back to School Fulton Street Gallery, Troy, NY Fence Select The Art Center of the Capital Region, Troy, NY. Juror: Carrie Haddad Honorable Mention Chain Letter Samson Projects, Boston, MA SUNY Best of Show New York State Museum, Albany, NY Members Only Collar Works Gallery, Troy, NY Fountain Art Fair Pier 66, New York, NY Nathan Meltz with Jenny Kemp and Doug Holst...

Oil on canvas 44 x 55 x 2 inches Contemporary white artist made floater frame This listing is available from Carrie Haddad Gallery, based in Hudson, NY. Golden color fills the canva...

Italian burl wood cabinet. Shelf and drawer in each of two sections.

Graphic abstract painting on linen in contrasting shades of teal, sienna, and warm sunflower yellow "Keeper" by Jenny Kemp, painted in 2019 acrylic on linen over panel 14" X 11" unframed Jenny Kemp’s abstract paintings are inspired by the artist’s desire to represent unseen phenomenon. With intricate and calculated line-work, the artist builds parallel layers against opaque backgrounds, while shifts in color and shape call attention to organic forms that give reference to the human body or atomic structures. Waves of yellow contrasts against earth toned hues of sienna and teal while precise lines seem to vibrate the transitions of color. The abstract painting is part of a series of paintings on linen that can be hung together. About the artist: Jenny Kemp received a BS in Art from the University of Wisconsin - Madison and an MFA in Painting from the University at Albany. Her work has been exhibited in galleries and museums across the country, most recently at Gold/Scopophilia* in Montclair, NJ and the Mandeville Gallery at Union College in Schenectady, NY. She has been featured in publications such as 100 Painters of Tomorrow published by Thames & Hudson, New American Paintings, The Huffington Post, Seattle’s City Arts, New York Times, and The New England Review. Kemp is also a recipient of the 2015 NYFA fellowship in painting and the 2015 Emerging Artist Award recipient from the Art Center of the Capital Region in Troy, NY. She sits on the board of Collar Works, an art space dedicated to the support of emerging and under-represented artists exhibiting challenging and culturally relevant contemporary artworks in Troy, NY where she lives and works. EDUCATION MFA - Painting, University at Albany, SUNY 2012 BS - Art, University of Wisconsin, Madison 2002 EXHIBITIONS 2019 Gold / Scopophilia* Art on Paper, Pier 36, NYC Steady Curve Gold / Scopophilia*, Montclair, NJ (solo) 2018 Slow Grow Mandeville Gallery, Union College, Schenectady, NY (solo) FENCE + ECHO, Far x Wide, Brooklyn, NY (curated by Jes Cannon) Crazy Beautiful III, Kenise Barnes Gallery, Larchmont, NY Three Square, Geoffrey Young Gallery, Great Barrington, MA (curated by Phil & Sue Knoll) 2017 When We Were Young: Rethinking Abstraction from the University at Albany Art Collections (1967-present) University at Albany Art Museum, Albany, NY Surface 4, ARENA at Brooklyn Dermatology, Brooklyn, NY (curated by Renée Riccardo) The Whitney Houston Biennial: Greatest Love of All, Chashama, NYC (curated by Christine Finely) 2016 Reality is Wrong, Dreams are Real, David&Schweitzer Contemporary, Brooklyn, NY (curated by Phil and Sue Knoll) Squared, Geoffrey Young Gallery, Great Barrington, MA (curated by Phil & Sue Knoll) Something Else, The Painting Center, New York, NY (curated by Dee Shapiro and Miriam Brumer) Living Color, Art Center of the Capital Region, Troy, NY (2 person) 2015 Howdy Doody, Collar Works, Troy, NY (curated by Leona Christie) Remains to be Seen, Geoffrey Young Gallery, Great Barrington, MA (curated by Phil & Sue Knoll) Painting Parallels, GRIDSPACE, Brooklyn, NY (solo) Double Vision, Laffer Gallery, Schuylerville, NY (2 person) Mohawk Hudson Invitational Albany Center Gallery, Albany, NY Snowbirds Kenise Barnes Gallery, Larchmont, NY Valentine’s Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA (curated by Phil & Sue Knoll) Variations in Paint (invitational), The Painting Center, New York, NY 2014 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Mohawk Hudson Regional, Albany Institute of History and Art (juror: Stephen Westfall) Tracery, PS209 Gallery, Stone Ridge, NY Connections Todd Art Gallery at Middle Tennessee State University, Murfreesboro, TN (2 person) Perceptions Opalka Gallery at Sage College, Albany, NY Modern Artists Carrie Haddad Gallery, Husdson, NY 2013 Second Nature Albany Airport Gallery, Albany, NY Admit One Collar Works Gallery, Troy, NY Works by Jenny Kemp and Richard Harrington Gallery 105, curated by MCLA Gallery 51, N. Adams, MA An Early Spring Carrie Haddad Gallery, Hudson, NY 2012 Recent work and new paintings on paper Fulton Street Gallery (solo) FISSURE GalleryEll online exhibition, curated by Amanda Kates In Orbit Little Gallery at Sage College of Albany. Albany, NY. Works on Paper Carrie Haddad Gallery, Hudson, NY MFA National Competition First Street Gallery, NYC. Juror: John Yau BioLogical Salem Art Works Carry House Gallery, Salem, NY MFA Thesis Exhibition University at Albany Art Museum, Albany, NY 2011 Back to School Fulton Street Gallery, Troy, NY Fence Select The Art Center of the Capital Region, Troy, NY. Juror: Carrie Haddad Honorable Mention Chain Letter Samson Projects, Boston, MA SUNY Best of Show New York State Museum, Albany, NY Members Only Collar Works Gallery, Troy, NY Fountain Art Fair Pier 66, New York, NY Nathan Meltz with Jenny Kemp and Doug Holst...

This listing is for the unframed photograph. The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...

CURRENT EXHIBITION - runs through September 10th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer order...

Abstract mixed media encaustic painting, blood orange encaustic with dark red saffron fibers on wood panel 14 x 14 x 1.5 inches, ready to hang as is Sturdy d-ring is on the back for...

Pair of French 19th century demilune tables.

16 x 16 x 2 inches encaustic (wax) on wood panel HERD is a square, abstracted painting in rich encaustic (pigmented wax) on wood panel. The background is a creamy, olive green with...

This finely made English regency period metamorphic bookcase-desk is also of an interesting and useful small scale. The mahogany construction is done in a clean simple straight-grain...

oil on canvas on unique artist made stretcher 36 x 74 inches This curved canvas was painted by abstract artist Christopher Engel in 2006. The abstract expressionist style painting contains dramatic splashes of dark umber against a vivid orange and yellow background. A sturdy wire spanning the back of the painting provides for instant, professional-quality hanging. Christopher Engel is represented by Carrie Haddad Gallery based in Hudson, NY. Artist Statement: The Fan Shaped Paintings evolved from the process of mixing paint in paper coffee cups. As I noticed the intriguing arrangement and patterns of color and shapes in the mixing cups I began to set the cups aside to save those images. Years later, I began unfolding the stacks of cups I had saved to see the images and patterns of color. I was also attracted to the fan-like shape of the opened cups. The spontaneous nature of the color and shapes on my palette of “coffee cups” became the genesis of the creation of the Fan Paintings. SOLO SHOWS: 2017 Carrie Haddad Gallery, Hudson, NY 2016 Carrie Haddad Gallery, Hudson, NY 2014 Commons Gallery Margaretville, NY 2014 Zoom Gallery, Fleishmanns, NY "Selections" 2006 Erpf Gallery, Arkville, NY “A Selection of Works” 2004 The Commons, Margaretville, NY “Survey from the 1980s to 2004 1991 Roxbury Arts Group, Roxbury, NY 1987 Soho Gallery, Seattle, WA, “Selected Works” 1986 Hundredwaters Gallery, Seattle, WA, “New Works” 1982 Hallwalls Gallery, Buffalo, NY, “Rites of Passage” GROUP SHOWS: 2017 WAAM Woodstock, NY “Abstract Evocative” 2014 Zoom Gallery, Fleishmanns, NY "Summer Show" 2011 Byrdcliffe Members Show 2010 Byrdcliffe Members Show 2010 Byrdcliffe Small Works Show 2010 Woodstock Artist Association and Museum Show 2008 Woodstock Artist Association and Museum Gray Matter Show 2008 Woodstock Artist Association and Museum Inside/Outside the Box 2008 Woodstock Artist Association and Museum Small Works on Paper 2004 Roxbury Arts Group, Roxbury, NY, “Now, Then and Before” 2003 Roxbury Arts Group, Roxbury, NY, 1994 Hallwalls Gallery, Buffalo, NY, “Men in Suits” 1989 Print Show, Ward-Nasse Gallery, NY 1988 Hundredwaters Gallery, Seattle, WA, “Art and Religion” 1987 New York Print Fair, Eldindean Press 1986 Summit Show, Seattle, WA 1986 Pierot Gallery, Seattle, WA 1985 Donnally Books Gallery, Seattle, WA, “Woodcuts” 1985 Fourwalls, Hoboken, NJ 1983 Sharpe Gallery, NY, “Self-Image” RESIDENCIES: 2012 and 2011 Byrdcliffe June Artist’s Residency Programs HONORS: Elected to the board of Woodstock Artist Association and Museum AWARDS: 2011 Woodstock Artist Association and Museum 3rd Annual Regional Show Honored for Best Abstract Painting in Show 2011 Woodstock Artist Association and Museum March Group Show Honorable Mention 1985 Grant from Change, Inc. Full Tuition Scholarship, Art Center College of Design COLLECTIONS: Bruno Bischofberger, Zurich, Switzerland Carol Pulin, Print Curator Smithsonian, Washington, DC Elizabeth Hahn, Print Specialist Christies, NYC Mary Lou Knode, Print Department MOMA, NYC Kathy Caraccio, Print Maker and Publisher of Etchings, NYC Leslie and Stuart Reiser, Wayne, NJ. Rouse Corporation, New York, NY Robert...

This stool is done in oak with great color and deep rich hand carving. Created in the last decade of the 19th century, the stool's apron is carved in a twisted ribbon that centers on...

Listing is for FRAMED print. Edition 1 of 15. CURRENT EXHIBITION - runs through September 4th, 2016. Any framed photographs purchased during the show will be available after September 4th. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: Since the early ‘90s, gallerist Robin Rice and designer Antony Todd...

Stylish, Italian Modern dining table with decorative inlaid design top, brass stretcher and brass sabots. Circa 1950's. Newly restored. No ...

Japanese Two Panel Screen: Pheasants in an Abstract Landscape. Taisho period (1912-1926) bold, almost graphic painting of pheasants and other bir...

This large and impressive Mandarin food storage box is very detailed and well-constructed. The case, made of finely carved wood, houses five different stackable storage boxes. Each b...

Midcentury burl veneer table.

Listing is for UNFRAMED print. Inquire within for framing. Edition of 15. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: Every year, the gallery owner curates the show to best exemplify the 56 exhibited artists’ strengths and aesthetics, remaining cohesively linked by Robin’s extensive knowledge of her artists and of photography. “This is my favorite exhibit, even though it takes months to curate and a week to install,” says Robin. “It is my curatorial showcase.” From floor to ceiling, the walls of the gallery rooms are a mosaic of nearly a hundred photographs, their various sizes, color schemes and subject matter expertly laid out to fit together like the pieces of an eclectic puzzle. This year’s invitational image, “Beach Samba” by Patricia Heal, is a portrait of a woman in a large, orange-red sunhat, whose downward gaze obscures her face entirely. Blurring the line between photography and painting, the color palette and uniquely large grain pattern of the photograph is reminiscent of Georges Seurat’s pointillism...

Pair of Italian consoles with marble inset top.

Lemon wood table.

A Mid to Late 19th Century American gilded mirror. Maintains original blue glass mirror.

This pair of bronze urns originally made in the 19th century as mantel garnitures have now been set up on bronzed metal bases for added drama. The casting is good and has a continuin...

An interesting pair of gilt bronze Egyptian Revival candlesticks with a very architectural feel and dramatic facial reliefs and the lower pylon shaped base embellished with central m...

A three-drawer commode with burled veneer inset panels. Satinwood stringing and fruitwood body.