Illinois - Art

The Snowman Wilsall, Montana - 2023 All prints are on 315gsm Hahnemühle Photo Rag Baryta Paper and varnished after processing to give both endurance and ...

The Snowman Wilsall, Montana - 2023 All prints are on 315gsm Hahnemühle Photo Rag Baryta Paper and varnished after processing to give both endurance and ...

The White Turf St. Moritz, Switzerland - 2023 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the...

The White turf St. Moritz, Switzerland - 2023 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the...

The Goats of St. Moritz St. Moritz, Switzerland - 2023 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered...

Switzerland St. Moritz, Switzerland - 2023 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 A...

Switzerland St. Moritz, Switzerland - 2023 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 A...

The Goats of St. Moritz St. Moritz, Switzerland - 2023 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered...

St. Moritz St. Moritz, Switzerland - 2023 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 52 x 63 inches 71 x 87 inches I photographed luge and bobsleigh in the Calgary Olympics way back in 1988, so spending some time with the St Moritz Tobogganing Club, or the Cresta Club as it is more commonly known, was not all new territory. But my goal was very different this time around; this was an art project, not sports photography. St. Moritz is fabled for its glamor, its authenticity, its frivolity and its thrill chasing. It is a Peter Pan playground that remembers that life is for living. No part of the fabric of this community embraces these values more than the Cresta Run...

St. Moritz St. Moritz, Switzerland - 2023 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 52 x 63 inches 71 x 87 inches I photographed luge and bobsleigh in the Calgary Olympics way back in 1988, so spending some time with the St Moritz Tobogganing Club, or the Cresta Club as it is more commonly known, was not all new territory. But my goal was very different this time around; this was an art project, not sports photography. St. Moritz is fabled for its glamor, its authenticity, its frivolity and its thrill chasing. It is a Peter Pan playground that remembers that life is for living. No part of the fabric of this community embraces these values more than the Cresta Run...

James? St. Moritz, Switzerland - 2023 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Availab...

James? St. Moritz, Switzerland - 2023 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Availab...

Dracula St. Moritz, Switzerland -2023 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 52 x 66 inches 71 x 92 inches There is a strong collective who would vote Dracula Club in St. Moritz as the best night club in the world. If they are out voted, they will ascribe the loss to demographics and ignorance and will hold out on their conviction to their dying day. I think I may be one of those unflinching disciples and I have been to a few night clubs in my life. I am not a member, but I have the context to admit that there are truly no places quite like it. The famed devotees of St Moritz may just be right. The cavernous and yet cohesive chalet is a microcosm of St Moritz, a town known from the outside for its prosperity and glamour, but from the inside for its frivolity and loose governance. If there is a decadence in town, it is dwarfed by the lightness of touch. The Dracula Club is Chitty Chitty Bang Bang...

Dracula St. Moritz, Switzerland -2023 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 52 x 66 inches 71 x 92 inches There is a strong collective who would vote Dracula Club in St. Moritz as the best night club in the world. If they are out voted, they will ascribe the loss to demographics and ignorance and will hold out on their conviction to their dying day. I think I may be one of those unflinching disciples and I have been to a few night clubs in my life. I am not a member, but I have the context to admit that there are truly no places quite like it. The famed devotees of St Moritz may just be right. The cavernous and yet cohesive chalet is a microcosm of St Moritz, a town known from the outside for its prosperity and glamour, but from the inside for its frivolity and loose governance. If there is a decadence in town, it is dwarfed by the lightness of touch. The Dracula Club is Chitty Chitty Bang Bang...

Cresta St. Moritz, Switzerland -2023 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 52 x 75 inches 71 x 105 inches What makes the Cresta Club in St Moritz unique is not the racetrack, or the setting, but its members. I knew from the moment that I undertook this project, that a single photograph would fail if I didn’t convey, not just a sense of place, or the sport itself, but a sense of “Club”. The Cresta Club, officially known as the St Moritz Tobogganing Club, has been in existence since 1887 and remains one of St Moritz’s most exclusive institutions - and there are quite a few. It has a very British stamp to it and there is a sense of being at an old boys reunion at Harrow, but it welcomes all nations and all characters. For what could be a rather stuffy golf club culture, it is defined by its lack of stuffiness. It is a Club where people have fun and refuse to grow up and surely that should always be applauded. My dilemma was how to take a picture that was authentic, fun and told a story of its members. I needed the track and a rider, but I also needed the faces in the crowd. For safety reasons these subjects tend to be mutually exclusive. The solution was for me to positioned just down the track from the start and roped in like a mountaineer so that I didn’t travel down the course on my backside with my cameras. I knew already how treacherous it is as I slipped in my early morning reconnaissance and lost a tooth. The Cresta Run...

Cresta St. Moritz, Switzerland -2023 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 52 x 75 inches 71 x 105 inches What makes the Cresta Club in St Moritz unique is not the racetrack, or the setting, but its members. I knew from the moment that I undertook this project, that a single photograph would fail if I didn’t convey, not just a sense of place, or the sport itself, but a sense of “Club”. The Cresta Club, officially known as the St Moritz Tobogganing Club, has been in existence since 1887 and remains one of St Moritz’s most exclusive institutions - and there are quite a few. It has a very British stamp to it and there is a sense of being at an old boys reunion at Harrow, but it welcomes all nations and all characters. For what could be a rather stuffy golf club culture, it is defined by its lack of stuffiness. It is a Club where people have fun and refuse to grow up and surely that should always be applauded. My dilemma was how to take a picture that was authentic, fun and told a story of its members. I needed the track and a rider, but I also needed the faces in the crowd. For safety reasons these subjects tend to be mutually exclusive. The solution was for me to positioned just down the track from the start and roped in like a mountaineer so that I didn’t travel down the course on my backside with my cameras. I knew already how treacherous it is as I slipped in my early morning reconnaissance and lost a tooth. The Cresta Run...

Badrutt's St. Moritz, Switzerland - 2023 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 52 x 65 inches 71 x 90 inches Local builder, Johannes Badrutt, was the founding father of St Moritz as we know it now and is credited with being the inventor of vast luxury Alpine hotels. Badrutt established a new level of opulence when he opened the Engadiner Kulm in the 1860s and meanwhile his son, Caspar, bought an existing hotel - The Beau Rivage - in 1884 and officially enlarged it into the Badrutt’s Palace Hotel in 1896. With its vast drawing rooms, elaborate furnishing and Neo Gothic architecture, Badrutt’s soon became an institution. Its clientele was not just the Swiss, but the British upper classes who were drawn to the strong winter suns of St Moritz and all sorts of thrill chasing events on the ice. By the turn of the century, the town was Europe’s winter...

Badrutt's St. Moritz, Switzerland - 2023 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 52 x 65 inches 71 x 90 inches Local builder, Johannes Badrutt, was the founding father of St Moritz as we know it now and is credited with being the inventor of vast luxury Alpine hotels. Badrutt established a new level of opulence when he opened the Engadiner Kulm in the 1860s and meanwhile his son, Caspar, bought an existing hotel - The Beau Rivage - in 1884 and officially enlarged it into the Badrutt’s Palace Hotel in 1896. With its vast drawing rooms, elaborate furnishing and Neo Gothic architecture, Badrutt’s soon became an institution. Its clientele was not just the Swiss, but the British upper classes who were drawn to the strong winter suns of St Moritz and all sorts of thrill chasing events on the ice. By the turn of the century, the town was Europe’s winter...

Durango, Colorado - 2023 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 20 Photographing a famo...

Durango, Colorado - 2023 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 When we shoot in th...

Durango, Colorado - 2023 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 In the mountains of America, my experience is that the really cold conditions tend to be on cloudless days first thing in the morning, particularly at sunrise when the temperature briefly dips. Operating when it is frigid is a real examination, not just of one’s hunger to get the shot but one’s fluency with the camera. Hand warmers are such a wonderful invention. This morning, up on the Durango & Silverton narrow gauge railroad, was one such occasion. The storm had cleared and was replaced by a cloudless sky and frigid temperatures. At sunrise we were down to around -15°F or -26°C and these conditions offered so much potential for the filmmaker as everything froze - from human beards and human breath to horse breath. I am always nervous of boring people and anything in a picture that defies gravity tends to work for me as it adds energy and dynamism. The props I had that morning gave every chance to fully embrace this modus operandi - especially if my camera was pointed directly either side of the rising sun. My cowboy - who is a dead ringer for Rip from the Yellowstone Series - is a charming Texan called Cole Nallion rather than Cole Hauser who plays Rip Wheeler. Cole worked as a cowboy extra and handler in another Taylor Sheridan series - 1883 - and it is easy to see why he and Sam Elliott got along. This one split second image caught my notice straight away as there is an anonymity to his face. We don’t need to see his eyes, because this is not a story about him per se, it is a story about the loosely governed wild west, where cowboys like him often made a living from doing shady things. He is playing to a genre before he is playing himself. The photograph has a Red Dead...

Durango, Colorado - 2023 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 20 I am not ashamed of the fact that I often have an audience in my mind when I take a shot. In this case in the Diamond Belle Saloon in Durango, Colorado, my instincts were that it would appeal more if the frame was busy because my experience with this famous old wild west bar is that it is always something of a gathering place for all those who like a drink. It is how bars should be and is celebrated as such. I want the audience to say; “I wish I was in that bar that night” or even “we need more interesting people...

Durango, Colorado - 2023 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 “Other nations have tried to check the fulfillment of our manifest destiny...

Durango, Colorado - 2023 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 “Other nations have tried to check the fulfillment of our manifest destiny...

Durango, Colorado - 2023 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 20 I am not ashamed of the fact that I often have an audience in my mind when I take a shot. In this case in the Diamond Belle Saloon in Durango, Colorado, my instincts were that it would appeal more if the frame was busy because my experience with this famous old wild west bar is that it is always something of a gathering place for all those who like a drink. It is how bars should be and is celebrated as such. I want the audience to say; “I wish I was in that bar that night” or even “we need more interesting people...

Durango, Colorado - 2023 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 In the mountains of America, my experience is that the really cold conditions tend to be on cloudless days first thing in the morning, particularly at sunrise when the temperature briefly dips. Operating when it is frigid is a real examination, not just of one’s hunger to get the shot but one’s fluency with the camera. Hand warmers are such a wonderful invention. This morning, up on the Durango & Silverton narrow gauge railroad, was one such occasion. The storm had cleared and was replaced by a cloudless sky and frigid temperatures. At sunrise we were down to around -15°F or -26°C and these conditions offered so much potential for the filmmaker as everything froze - from human beards and human breath to horse breath. I am always nervous of boring people and anything in a picture that defies gravity tends to work for me as it adds energy and dynamism. The props I had that morning gave every chance to fully embrace this modus operandi - especially if my camera was pointed directly either side of the rising sun. My cowboy - who is a dead ringer for Rip from the Yellowstone Series - is a charming Texan called Cole Nallion rather than Cole Hauser who plays Rip Wheeler. Cole worked as a cowboy extra and handler in another Taylor Sheridan series - 1883 - and it is easy to see why he and Sam Elliott got along. This one split second image caught my notice straight away as there is an anonymity to his face. We don’t need to see his eyes, because this is not a story about him per se, it is a story about the loosely governed wild west, where cowboys like him often made a living from doing shady things. He is playing to a genre before he is playing himself. The photograph has a Red Dead...

Durango, Colorado - 2023 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 When we shoot in th...

Durango, Colorado - 2023 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 20 Photographing a famo...

Rwanda, 2019 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 59 inches 67 x 83 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "This portrait taken at around 11,000 feet in Volcanoes National Park, Rwanda was as hard earned as any portrait I have taken. It can be a slog up the mountain in the rainy season and even when you encounter a silverback, so many variables that are beyond anyone’s control have to work in the favor of the artist. Firstly, I prefer cloud cover, as a strong sun scattering shafts of intense light through the canopy of the rainforest is not a good bedfellow for portraiture. Secondly, I always prefer some degree of room to work with and 50% of my trips up that hill have not given me that opportunity - the vegetation is just too dense - on the ground and above. I do need some light to play with to help my depth of focus. Thirdly, the silverback has to play ball - and that is not easy - in my experience the earlier the encounter in the day, the greater the opportunity of meeting an alert and compliant gorilla. This is the son of Kwitonda - a famous silverback who passed away recently and it is this son who is now the Governor...

Iceland, 2018 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 83 inche...

South Africa, 2020 Montana, USA 2020 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 55 inches 67 x 77 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "Working with a wide-angle lens from a cage in a river in lion territory is an abnormal way to spend the day, and a very low percentage way to take a photograph of note. Lions do...

Saturday Night Live Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Si...

The Getaway Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 20 Availabl...

66 Degrees North Námafjall Geothermal Area, Iceland - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 54 inches 67 x 76 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "Developing a concept that ticks the boxes creatively and then executing that concept are emphatically two different jobs, which is why making a picture is a longer process than taking a picture. Many years ago, the exceptional work of British photographer Tim Flach, drew my attention to the hot springs of Myvatn in the north of Iceland. This remote area is geologically angry and in deep winter...

The Rookie Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 20 Available sizes: 48 x 66 inches 67 x 94 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "A treasure trove of characters in a dive bar saloon in Western Montana. The question is, who would you want as your partner? Do you go for perceived experience or looks? The suave gentleman on the left looks the part, but he could be a little callow and raw. It may pay to go with the menace to his left. Looks can be deceiving. The wolf carries an assertive confidence and seems to be holding court, but he is, after all, a wolf. Singer and entertainer Ciara looks too good to be playing pool and surely she can’t have much experience hustling in pool bars? It’s beneath her. But how can you turn her down? The answer is to go with the character on the left - he is one of the best performing rookies of all time. Russell Wilson’s Rookie year at the Seattle Seahawks (the 2012 season) was the stuff of legends. He was named NFL Rookie of the Year and took the Seahawks to within one game of the Superbowl. (This despite being 75th in the 2012 NFL draft). He only had to wait 12 months to cement his status. In early 2014, Wilson led the Seahawks to their first Superbowl victory in which they trounced the marginal favourites, the Denver Broncos...

I am Black Panther Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 20 Available sizes: 48 x 74 in...

The Superhero South Africa, 2019 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available si...

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 54 inches 67 x 76 inche...

Succession Dinokeng, South Africa - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Avail...

The Old Man And The Sea Anguilla and South Africa - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated...

Catwalk Dinokeng, South Africa - 2021 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 20 Availabl...

Dead Man's Chest Anguilla, Caribbean - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the fro...

Beach Bums Anguilla, Caribbean - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Availabl...

The Quick and The Dead Montana, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 83 inches 63 x 113 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "In my experience, the most visually pleasing single street wild west towns in America are found in the states of California, New Mexico, Colorado, Arizona and Montana. There are no real secrets here, which is why film studios tend to focus on five or six specific locations. There is a skew in my work towards shooting in Montana for two reasons: firstly, I have a far more established network of contacts and friends in Western Montana than in the states further south...

The Residents Montana, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 67 inches 67 x 95 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "I just can’t bring myself to drift from my default position of wanting wild west saloon images to be long of menace. I see no reason to introduce a mood of levity and laughter as these were bad ass days in loosely governed frontier towns marooned in the middle of nowhere. With alcohol and women came danger, perhaps it was always so. Of course, I am being postmodern and playful with the composed close ups; almost to the point of being cartoonish. But why dumb things down when we are simply telling stories. On this set, high in the Crazy Mountains of Montana, we cast three of my favourite cowboys - Ty Mitchell and Ryan Marshall from West Texas and Mad Jack from Virginia City...

The Sheriff's Daughter Montana, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the f...

Hot Chicks Montana, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition ...

It Was the Whiskey Talking Montana, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 ...

Mamas Don't Let Your Babies Grow Up To Be Cowboys Montana, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 57 inches 67 x 81 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "The cowboy is the most enduring symbol of America and cowboy culture remains integral to many US states such as Texas, Colorado and Montana. In filming our anthology to the Wild West, we have had a regular cast of half a dozen working cowboys...

66 Degrees North Námafjall Geothermal Area, Iceland - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 54 inches 67 x 76 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "Developing a concept that ticks the boxes creatively and then executing that concept are emphatically two different jobs, which is why making a picture is a longer process than taking a picture. Many years ago, the exceptional work of British photographer Tim Flach, drew my attention to the hot springs of Myvatn in the north of Iceland. This remote area is geologically angry and in deep winter it is fairly inhospitable, but in the summer, it becomes something of a tourist resort for the local Icelandics and all too crowded for how we operate. We would always choose inhospitable over crowded. I have filmed here in the winter in the past, but struggled to do justice to the uniquely raw ecosystem. As always there is an element of knowing how to get it right by initially getting it hopelessly wrong. In particular, this is not a safe place without engaging locals, because the ground underneath, much like Yellowstone in Wyoming, is not to be taken for granted. To be brave and work close to the geysers needs permits and guides. But in 2022, we finally had our rewards. The weather plays such a big role in the field; no more so than up here at 66 degrees north where the Norse Gods granted my wish for strong winds and good light. It was the wind that amplified the trail of steam and allowed me to work a comfortable distance from the source without losing the effect. It was then up to me to work the strong late afternoon light to the best of my advantage. The end result is a strong image and certainly authentic. Its stripped back and visceral mood lives and breathes the wildest of Icelandic sagas. There are horse...

Cloud Nine Aspen, Colorado, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 37 x 64 inches 56 x 96 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. "Sitting proudly at 11,000 ft up in the sky, Cloud 9...

1880 Monument Valley, Utah, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 39 x 78 inches 53 x 111 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "I have had the idea of this image in my mind for a couple of years. Looking through stills of John Ford’s iconic film, Stagecoach, there was one image from the filming in 1939 that popped up on my screen time and time again - the stagecoach moving right to left with the unmistakable monoliths of Monument Valley in the background. There is no indication as to whether John Wayne was inside the stagecoach, but that mattered little, this was the perfect visual in what many have described as the perfect western. The location of the old still from Stagecoach is on private land right on the Arizona/Utah border not far from the Monument Valley visitor centre and my production team secured permission to film there. It struck me, given the direction of travel was westerly, if we used a wagon as opposed to a stagecoach, we could use the first rays of light to dramatic effect as they diffract through the foreground content. The trick would then be to find a dip in the terrain which would allow for the monolith to pop out above the wagon and horses...

Wagon Wheel Monument Valley, Utah, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on th...

Hostile Territory Monument Valley, Utah, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 70 inches 67 x 104 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "Harry Goulding - a Durango sheepherder by trade - first set eyes on Monument Valley in 1923 and saw its potential and set up a small trading post. Little then happened as the stockmarket crashed in 1929 and America fell into the Great Depression. But in 1939, Goulding learned that a Hollywood Studio was looking for a location to shoot a major Southwestern movie. He persuaded a photographer - Josef Muench - to prepare a booklet of 10 x 8 contact prints of the most dramatic formations of Monument Valley such as the three sisters and Goulding took them to Hollywood and showed them to John Ford. Ford immediately agreed that Stagecoach should be filmed in Monument Valley and over the next 25 years he would shoot nine of his most influential films there. Thanks to Goulding, this extraordinary landscape became integral to the careers of both John Ford and John Wayne. In my scouting of this land of giant cathedrals of sand rose...

NEW TESTAMENT South Sudan, 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 37 x 80 inches 49 x 114 inches "All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "In retrospect, my photograph Mankind, taken in South Sudan in 2014, was a stepping stone in my career. It was authentic, it had a biblical scale to it and could be looked at for a long time. Haunting and hellish one minute and serene and ethereal the next. Mankind elicited an emotional reaction despite how foreign the subject matter was. The editions of the picture sold out quickly and the hammer price at Sotheby’s of $78,000 was then a record for my work. Since 2014, awareness of my art has grown materially, and I am sure this powerful image has played a role. It was taken at a dangerous time in South Sudan’s short history and recently, during 2019 and 2020, the violence got worse. It simply was not safe for foreigners as many areas were loosely governed and guns were round every corner. It was sketchy at best and downright toxic at worst. But since 2021, some calm has returned and tribal skirmishes in the cattle camps are now less common. I thought it was time to return. After all, I’d had eight years to think about what I could do differently. Cameras have certainly improved, and I have a further eight years of experience under my belt. I also had maintained contacts in South Sudan, in particular with those in charge of the large cattle camps to the south of Rumbek. This is no place to go without inside help, security protection and best in class field logistics. There must be a plan and there must be attention to detail. But I knew it would be a mistake to go back and try to copy what I did eight years ago; it would hint at a lack of creative progression and courage. I needed to do better and offer a new story, to go backwards would be damaging at many levels. I had been preoccupied by that fear for some time and I knew that I had to be bold. The Lakes areas of South Sudan are just about on a map, but way off the grid for most. It is the most basic of existences and the only material source of employment is the cattle camps. In 2014, I filmed near the town of Yirol in a camp on a Nile tributary, but this time I wanted to travel further into the interior and find an even bigger camp on the way to Rumbek. My premise was to play on scale and my leaning was always to go bigger not smaller. I am always greedy in the field. The Dinka tribe are the world’s tallest people, their cattle camps are the biggest of their kind and the cattle horns are Jurassic. This is a place to play on the word “big”. My picture, Mankind, had novelty factor because it delivered such an emphatic sense of scale and place. Whilst I was nervous of treading old ground, familiarity is a friend not a foe, that’s why we often use the same talent in our storytelling. I needed to go one step further than I had in 2014, without losing any small individual stories within the image. My sense was that there needed to be even more of a visual overload in the frame and I found it difficult in my preconceptions to escape from the word “panoramic”. The local chiefs and the head of police knew where to take me and my security detail knew how to keep me safe. I would go into largely unchartered land where the Dinka had established a camp of over 10,000 cattle. I have often thought that a photographer in the last eight years would go and try and take their own version of Mankind, but I haven’t seen any. Every week I see monochrome photographs of the big elephants of Kenya, many embracing a ground up approach and then the prints are framed in black wood with a white mount, edition number on left, signature on right. All come with a nice little narrative. Some of this work is excellent, but I think the market may be a little saturated. I am reminded of Warren Buffett’s wonderful prompt, “if you see a bandwagon, you have missed it”. But no work is coming from South Sudan and I think I know why. The simple question is where on earth does a first-time visitor start on the logistics? With East African wildlife, all a photographer needs are a jeep, a guide and some nice camera gear and away they go. Sundowners in their $400 a night camp at 6.30pm and then 1000 photos to download. I am not sure Anthony Bourdain...

NEW TESTAMENT South Sudan, 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 37 x 80 inches 49 x 114 inches "All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. In retrospect, my photograph Mankind, taken in South Sudan in 2014, was a stepping stone in my career. It was authentic, it had a biblical scale to it and could be looked at for a long time. Haunting and hellish one minute and serene and ethereal the next. Mankind elicited an emotional reaction despite how foreign the subject matter was. The editions of the picture sold out quickly and the hammer price at Sotheby’s of $78,000 was then a record for my work. Since 2014, awareness of my art has grown materially, and I am sure this powerful image has played a role. It was taken at a dangerous time in South Sudan’s short history and recently, during 2019 and 2020, the violence got worse. It simply was not safe for foreigners as many areas were loosely governed and guns were round every corner. It was sketchy at best and downright toxic at worst. But since 2021, some calm has returned and tribal skirmishes in the cattle camps are now less common. I thought it was time to return. After all, I’d had eight years to think about what I could do differently. Cameras have certainly improved, and I have a further eight years of experience under my belt. I also had maintained contacts in South Sudan, in particular with those in charge of the large cattle camps to the south of Rumbek. This is no place to go without inside help, security protection and best in class field logistics. There must be a plan and there must be attention to detail. But I knew it would be a mistake to go back and try to copy what I did eight years ago; it would hint at a lack of creative progression and courage. I needed to do better and offer a new story, to go backwards would be damaging at many levels. I had been preoccupied by that fear for some time and I knew that I had to be bold. The Lakes areas of South Sudan are just about on a map, but way off the grid for most. It is the most basic of existences and the only material source of employment is the cattle camps. In 2014, I filmed near the town of Yirol in a camp on a Nile tributary, but this time I wanted to travel further into the interior and find an even bigger camp on the way to Rumbek. My premise was to play on scale and my leaning was always to go bigger not smaller. I am always greedy in the field. The Dinka tribe are the world’s tallest people, their cattle camps are the biggest of their kind and the cattle horns are Jurassic. This is a place to play on the word “big”. My picture, Mankind, had novelty factor because it delivered such an emphatic sense of scale and place. Whilst I was nervous of treading old ground, familiarity is a friend not a foe, that’s why we often use the same talent in our storytelling. I needed to go one step further than I had in 2014, without losing any small individual stories within the image. My sense was that there needed to be even more of a visual overload in the frame and I found it difficult in my preconceptions to escape from the word “panoramic”. The local chiefs and the head of police knew where to take me and my security detail knew how to keep me safe. I would go into largely unchartered land where the Dinka had established a camp of over 10,000 cattle. I have often thought that a photographer in the last eight years would go and try and take their own version of Mankind, but I haven’t seen any. Every week I see monochrome photographs of the big elephants...

The Power Of The Dog The Rocky Mountains - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: ...

The Road Goes On Forever Monument Valley, Utah, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edi...