London

Truly capturing the Art Deco essence is this diamond cluster ring. To the centre sits a substantial old cut diamond weighing 1.50 carat. It is J in colour and VS1 in clarity. Surroun...

A glorious 1920s solitaire engagement ring highlighting a 0.94 carat old cut diamond. This sparkling diamond has been graded as G in colour and SI1 in clarity. Set within a classic '...

AN EXTREMELY RARE GEORGE III APPLE CORER WHICH WAS MADE IN LONDON CIRCA 1786-90 BY HAMPSTON & PRINCE. The Corer has a tubular form with a reeded band where the blade meets the han...

This complete set of seven etchings and drypoint is hand signed in pencil by the artist "L. Ury" at the lower right margin of each print. It was printed circa 1920 in a limited edit...

This classic engagement ring dates to the art deco era. A lovely 0.61 carat old cut diamond is the centrepiece, it is I colour and SI1 clarity. Six platinum claws securely hold the d...

JAKOB STEINHARDT 1887-1968 Zerków, Germany 1887-1968 Nahariya, Israel (German/Israeli) Title: Jewish Family Wintery Swiss Town, circa 1920/30 Technique: Hand Signed Double-sided ...

Here we have a scintillating vintage diamond bombe ring excellently exemplifying a style which was popularised in the 1920s. This ring features a centralised round brilliant cut diam...

Two daisies adorn this lovely art deco ring. The intertwining flowers are studded with diamonds, with a 0.05 carat diamond in the centre and six diamonds as petals. The diamonds tota...

Gouache Image size: 5 x 4 inches (13 x 10 cm) Acid free mount and oak frame As well as being an accomplished artist and illustrator, Gerald Spink worked an aeronautical engineer for Hawker Engineering in Kingston-on-Thames. He designed artwork for a number of travel and advertising posters, for such clients as Southern Railways...

This beautiful Art Deco ring dates back to the 1920s with the 1.02 carat old cut diamond is set in a delicate petal like mount, creating a subtle illusion of a bigger diamond. Estima...

This ring features a rub over set diamond weighing 0.50 carat in the centre. The diamond is a hand cut old cut diamond estimated as an I in colour and SI2 in clarity. The surrounding...

A beautiful 0.45 carat transitional cut diamond is showcased in this Art Deco Engagement Ring. The diamond is F colour and VS2 clarity. It is claw set in the patterned platinum shoul...

This very fine and beautiful Sauceboat stands on an oval pedestal foot decorated with applied beading and a band of bright cut designs. The high, elongated, main body also displays a...

This art deco bracelet features a row of alternating pearls and transitional cut diamonds. The five diamonds total to 1.50 carat, and are G colour and VS2 clarity. They diamonds are ...

JANKEL ADLER 1895-1949 Lodz 1895-1949 London (Polish / British) Title: Still Life with Fish and Bottle, circa 1920's Technique: Original Signed Oil, Sand and Gouache on board...

Art Deco diamond drop earrings. A matching pair, each surmounted with a round old cut diamond in an open back grain setting, two in tota...

A 20th century bronze of a beautiful young gypsy maiden with a tambourine after the model by Claudius Marioton (1844-1919). The name Marioton and the number 126 are inscribed on the ...

FEDOR LOEVENSTEIN LOWENSTEIN 1901-1947 (Czech / French) Title: Portrait of a Man with Hands on Table, early 1920’s Technique: Original Hand Signed, Numbered and Titled Woodcut on thin paper Paper Size: 28 x 22 cm / 11 x 8.7 in Plate Size: 14.8 x 10 cm / 5.8 x 3.9 in Additional Information: This work is hand signed in pencil by the artist "F. Loevenstein" at the lower right margin. It is also tilted in Cyrillic "ИАН ИАNCON" (probably Jan Jansson) and numbered "22" in pencil at the lower left margins. This work was printed in the early 1920's in a small edition. Our impression is number 22 from the edition. Originally from Czechoslovakia, Fédor Löwenstein...

Ruby and diamond tassle earrings. A matching pair of earrings, each set with ten square and triangular step cut natural unenhanced rubies, all twenty in open back rubover settings wi...

MOISE KISLING 1891-1958 Krakow, Poland 1891- 1953 Sanary, France (Polish/French) Title: Seated Nude / Nu Assis, 1923 Technique: Original Hand Signed and Numbered Lithograph i...

Henri Matisse Figure assise, blouse transparente 1929 Lithograph on Japon paper, Edition of 25 Paper size: 64.5 x 50 cms (25.4 x 19.7 ins) Image size: 53.5 x 44.8 cms (21 x 17 5/8 i...

EMILE OTHON FRIESZ 1879-1949 Le Havre 1879-1949 Paris (French) Title: Miarka, the Mulatto, 1924 Technique: Original Stamp Signed Charcoal and pen...

FEDOR LOEVENSTEIN LOWENSTEIN 1901-1947 (Czech / French) Title: Portrait of an Old Man, 1922 Technique: Original Hand Signed, Titled, Dated and Dedicated Woodcut on thin paper Paper Size: 19.2 x 14.5 cm / 7.5 x 5.7 in Image size: 14.5 x 11.7 cm / 5.7 x 4.5 in Additional Information: This work is hand signed and dated in pencil "Fedor Loevenstein '22" at the lower margin It is also tilted and inscribed in Cyrillic in pencil at the lower left margins. There is an additional text in French at the far lower right margin. This work as printed in 1922 in a small edition. Originally from Czechoslovakia, Fédor Löwenstein...

RAOUL DUFY 1877-1953 Le Havre 1877-1953 Forcalquier (French) Title: The Admiral’s Ball Le Bal chez l'amiral, ca. 1925 Technique: Original Hand Signed and Numbered Lithograph on Wove Paper Paper size: 32.5 x 39.5 cm. / 12.8 x 15.6 in. Image size: 20.5 x 29 cm. / 8.1 x 11.4 in. Additional Information: This original lithograph is hand signed in pencil by the artist "R Dufy...

MIKHAIL LARIONOV 1881-1964 Tiraspol 1881 - Fontenay-Aux-Roses/Paris 1964 (Russian) Title: Composition, 1923 Technique: Original Lithograph in Colours on paper size: 50 x 34 cm / 1...

RAOUL DUFY 1877-1953 Le Havre 1877-1953 Forcalquier (French) Title: The Admiral’s Ball Le Bal chez l'amiral, ca. 1925 Technique: Original Hand Signed and Numbered Lithograph on Wove Paper Paper size: 32.5 x 39.5 cm. / 12.8 x 15.6 in. Image size: 20.5 x 29 cm. / 8.1 x 11.4 in. Additional Information: This original lithograph is hand signed in pencil by the artist "R Dufy...

FEDOR LOEVENSTEIN LOWENSTEIN 1901-1947 (Czech / French) Title: The Father, Early 1920's Technique: Original Hand Signed, Titled, Dated and Dedicated Woodcut on thin paper Paper Size: 22.5 x 16.3 cm / 8.8 x 6.4 in Plate Size: 15 x 10 cm / 5.9 x 3.9 in Additional Information: This work is hand signed in pencil by the artist "Fedor" at the lower margin. It is also tilted in cyrillic "батюшка" (Father) and numbered "17" in pencil at the lower left margins. This work was printed in the early 1920's in a small edition. Our impression is number 17 from the edition. Originally from Czechoslovakia, Fédor Löwenstein...

JACOB EISENSCHER 1896-1980 Czernowitz 1896-1980 Tel Aviv (Ukrainian/Romanian/Israeli) Title: Bar Scene, 1919-1925 Technique: Original Hand Signed Wo...

Fear Ridden by Orovida Pissarro (1893 - 1968) Etching 12.8 x 17.5 cm (5 x 6 ⅞ inches) Signed and dated lower right Orovida 1926 Inscribed lower left Final state no. 12/23 and titled ...

Watercolour, initialled lower right Image size: 15 x 13 inches (38 x 33 cm) Acid free mount and hand made modern frame. Little-known painter and etcher who studied at Goldsmith's c...

FEDOR LOEVENSTEIN LOWENSTEIN 1901-1947 (Czech / French) Title: Beggars / Bettler, early 1920’s Technique: Original Hand Signed, Inscribed, Dedicated and Titled Woodcut on thin wove paper Paper Size: 28.5 x 20.5 cm / 11.3 x 8 in Plate Size: 15 x 10 cm / 5.9 x 3.9 in Additional Information: This work is hand signed and dated in pencil by the artist "F. Loevenstein 22" at the lower right margin. It is also tilted "Bettler" (Beggars) and inscribed "Handabzug" (Hand printed) in pencil at the lower left margins. It is dedicated “pour ma chere et jamais ce debacle, Fedor, Zoppot Sommer 22” (for my dear never this debacle [sic], Fedor, Sopot (Poland) Summer (19)22.) This work was hand printed by the artist himself in the early 1920's in a small edition. Originally from Czechoslovakia, Fédor Löwenstein (Munich, 1901 - Nice, 1946) studied art in Germany before moving to Paris in 1923, attracted by its artistic influence. There he mixed with the painter André Lhote from Bordeaux and joined the Groupe des Surindépendants in 1936. His style evolved from Cubism to a form of Romantic abstraction. In 1938, he painted La Chute (The Fall), inspired by the signing of the Munich Agreement ratifying the dismantling of the Czechoslovakia created in 1918. France’s entry into the war drove him to leave the capital for Mirmande, a ruined village in the Drôme region, where Lhote held a summer academy. Löwenstein then divided his time between Mirmande and Nice where his mother and sister lived, but had to take refuge for a time in the Abbey of Aiguebelle. He fell ill in the autumn of 1943 and went to Paris to see a doctor; he died in Nice in 1946. Exhibited: Fédor Lowenstein...

FEDOR LOEVENSTEIN LOWENSTEIN 1901-1947 (Czech / French) Title: Uncle Vanja, early 1920’s Technique: Original Hand Signed, Inscribed and Titled Woodcut on thin wove paper Paper Size: 27.5 x 21 cm / 10.8 x 8.2 in Plate Size: 14.8 x 10 cm / 5.8 x 3.9 in Additional Information: This work is hand signed in pencil by the artist "F. Loevenstein" at the lower right margin. It is also tilted "Onkel Wanja" (Uncle Vanja) and inscribed "Handabzug" (Hand printed) in pencil at the lower left margins. This work was printed in the early 1920's in a small edition. Originally from Czechoslovakia, Fédor Löwenstein (Munich, 1901 - Nice, 1946) studied art in Germany before moving to Paris in 1923, attracted by its artistic influence. There he mixed with the painter André Lhote from Bordeaux and joined the Groupe des Surindépendants in 1936. His style evolved from Cubism to a form of Romantic abstraction. In 1938, he painted La Chute (The Fall), inspired by the signing of the Munich Agreement ratifying the dismantling of the Czechoslovakia created in 1918. France’s entry into the war drove him to leave the capital for Mirmande, a ruined village in the Drôme region, where Lhote held a summer academy. Löwenstein then divided his time between Mirmande and Nice where his mother and sister lived, but had to take refuge for a time in the Abbey of Aiguebelle. He fell ill in the autumn of 1943 and went to Paris to see a doctor; he died in Nice in 1946. Exhibited: Fédor Lowenstein...

Suzanne Fabry Autoportrait au Petit Col Rond (Self-Portrait with a Small Round Neck), c.1925 Charcoal on paper 22 1/4 x 18 1/4 inches signed SUZANNE FABRY (lower right) Brussels-bor...

A modern platinum print from The Royal Geographical Society's first expedition to Mount Everest's summit. Made with extraordinary skill and care by Belgi...

A modern platinum print from The Royal Geographical Society's first expedition to Mount Everest's summit. Made with extraordinary skill and care by Belgi...

A modern platinum print from The Royal Geographical Society's first expedition to Mount Everest's summit. Made with extraordinary skill and care by Belgi...

A modern platinum print from The Royal Geographical Society's first expedition to Mount Everest's summit. Made with extraordinary skill and care by Belgi...

Boulevard Malesherbes at Midday, Paris - Andre Kertesz (Black and White) Stamped with photographer's estate ink stamp on reverse Silver gelatin print, printed c. 1980 9 1/2 x 8 inche...

Baba and Nancy Beaton, circa 1926 - Cecil Beaton (Portrait Photography) Silver gelatin print, printed circa 1926, mounted on board 9 1/2 x 7 1/2 inches Cecil Beaton (1904-1980) had ...