London - Tray Tables

WAS Benson stamped mark. A very large Arts and Crafts copper lily pad tray.

Hans Wegner Tray Table with Reversable Top Model 'pp 35' Tray Table With Reversible Top. Solid Ash. C.1970s Dimension: H 48 X D 53.5/61 Cm.

Lovely antique silver gallery tray with a boat-shaped and hand pierced gallery, decorated with intricate stylised scrolling foliage and flowers. The border features a pretty applied ...

Created by designer Severin Hansen for the Danish manufacture Haslev this incredible piece is wonderfully unique. Made from hardwood the sleek and elegant frame creates an unassuming...

A large modernist Art Deco tray in chrome-plated brass and mirrored glass plate by Jacques Adnet for La Compagnie des Arts Français. French, c. 1930s.

This is a truly exceptional antique English Edwardian mahogany and satinwood marquetry oval two tier 'etagere', in the manner of Edwards & Roberts, circa 1890 in date. Crafted from the best flame mahogany, note the wonderful grain to the wood and the beautifully inlaid decoration with musical trophies within scrolling foliage and kingwood crossbanding. Masterfully inlaid with Sheraton influences, this etagere has an elegant refined look. The removable glass bottomed tray can be used to serve drinks, etc. It is raised on elegant square section tapering outswept legs with a shaped cross stretcher. The craftsmanship and finish are second to none. THE BOTANICAL NAME FOR THE MAHOGANY THAT THIS ITEM IS MADE OF IS SWIETENIA MACROPHYLLA AND THIS TYPE OF MAHOGANY IS NOT SUBJECT TO CITES REGULATION AND DOES NOT CONTAIN ANY RESTRICTED MATERIALS. Condition: In excellent condition having been beautifully cleaned and waxed in our workshops, please see photos for confirmation. Dimensions in cm: Height 84 x Width 89 x Depth 55 Dimensions in inches: Height 33.1 x Width 35.0 x Depth 21.7 Edwards & Roberts was founded in 1845, and had premises at 21 Wardour Street London. By the 1892 they occupied more than a dozen buildings in Wardour Street, where they continued to trade until the end of the century. They became one of the leading London cabinet makers and retailers working in a variety of styles, both modern and revivalist. Their business also involved retailing, adapting and restoring the finest antique furniture and there are many examples of their earlier furniture with later embellishments bearing their stamp. Edwards & Roberts specialised in marquetry, inlay and ormolu. Marquetry is decorative artistry where pieces of material (such as wood, pewter, or brass silver) of different colours are inserted into surface wood veneer to form intricate patterns such as scrolls or flowers. The technique of veneered marquetry had its inspiration in 16th century Florence. Marquetry elaborated upon Florentine techniques of inlaying solid marble slabs with designs formed of fitted marbles, jaspers and semi-precious stones. This work, called opere di commessi, has medieval parallels in Central Italian "Cosmati"-work of inlaid marble floors, altars and columns. The technique is known in English as pietra dura, for the "hardstones" used: onyx, jasper, cornelian, lapis lazuli and colored marbles. In Florence, the Chapel of the Medici at San Lorenzo is completely covered in a colored marble facing using this demanding jig-sawn technique. Techniques of wood marquetry were developed in Antwerp and other Flemish centers of luxury cabinet-making during the early 16th century. The craft was imported full-blown to France after the mid-seventeenth century, to create furniture of unprecedented luxury being made at the royal manufactory of the Gobelins, charged with providing furnishings to decorate Versailles and the other royal residences of Louis XIV. Early masters of French marquetry were the Fleming Pierre Golle and his son-in-law, André-Charles Boulle, who founded a dynasty of royal and Parisian cabinet-makers (ébénistes) and gave his name to a technique of marquetry employing brass with pewter in arabesque or intricately foliate designs. Etagère is a piece of light furniture which was extensively made in France during the latter part of the 18th century. It consists of a series of stages or shelves for the reception of ornaments or other small articles. Like the what-not it was very often cornerwise in shape, and the best Louis XVI examples in exotic woods are exceedingly graceful and elegant. In modern usage, an étagère is often used to refer specifically to a long-legged shelf unit that fits over a bathroom toilet...

Liberty and Co. Stamped English Pewter 0881. An Arts and Crafts pewter tray. In original unpolished condition.

Antique English Ebonised Lacquered Papier Mache Tray On Stand Serving Table With Mother of pearl inlay. Victorian, C.1850 In very good condition, with expected signs of wear commensu...

Middle Eastern copper coffee table. Round tray table finely handcrafted, etched, hammered and incised with Moorish designs, faces, l...

This nice 1970's Italian serving folding table in the style of the Pier Fornasetti with removable tray in red lacquered wood with a brass handles and sabots and brass bar in the mid...

This charming mid-century teak trolley is a perfect blend of Scandinavian elegance and everyday practicality. Compact and beautifully crafted, the piece features a rich teak frame wi...

This exceptionally beautiful and rare silver-inlaid brass tray stand dates from the medieval period, when the Mamluks ruled Egypt and Syria (1250-1517). The Mamluks originated as slave-soldiers, who served the Muslim caliphs and Ottoman Empire. With time, the Mamluks became a powerful military caste, and they managed to take control and establish themselves as rulers of certain areas within the Abbasid caliphate. The Mamluk dynasty commissioned great works of art and architecture, particularly in Cairo, the capital city of Egypt, which was described in the 14th Century as ‘the centre of the universe and garden of the world’ (Ibn Khaldun, 1382). This tray stand is of biconical form, with a raised central band and flared base and rim. It is decorated with scrolling vines, overlaid with Thuluth inscriptions and roundels. On the lower body, the roundels contain floral motifs, and in the upper, stylised depictions of birds. The Thuluth inscriptions praise the patron, referring to him as ‘The High authority, the Lordly, the Possessor’, and ‘the learned’. The underside of the rim is engraved with a heraldic medallion, possibly the patron’s symbol. In the middle ages, when this piece was made, this item would have stood in a grand interior, supporting a tray full of fruit and fine food. The owner of this lavish piece which still bears traces of its original silver inlay would likely have been an Amir (prince) or some other important figure who was close to the Sultan in the Mamluk court. Mamluk tray...

Lapis lazuli, malachite and silvered bronze étagère jewellery case table Italian, 19th Century Height 95cm, width 41cm, depth 29cm The finest ma...

Designed and signed by J W Dibble, this is a stylish silver drinks or cocktail serving tray from the Art Deco period and bears a George V silver anniversary hallmark. The heavy-gauge...

Art Deco silver drinks or cocktail tray of octagonal form and decorated with a chevron pattern border and inset with stylised c-chaped wood handles; all typical design motifs that pe...

Liberty and Co made by William Haseler. A pair of Arts and Crafts pewter trays with shamrock decoration and hearts to the handles. stamped Made i...

Hugh Wallis. An Arts & Crafts oval copper tray with rope twist edge and chased floral decoration to the centre. Stamped HW in a square. Hugh Wallis was ...

Liberty and Co. A large Arts and Crafts pewter tray with riveted style heart shaped handles. Stamped Tudric 042.

Margret Gilmour school. An Arts and Crafts Glasgow School brass pin or card tray with Celtic interlaced decoration. Its triangular shape continues with tri-angular Celtic decoration ...

A 19th century satinwood etagere with three tiers. Made with inlaid satinwood and brass trim, with brass castors finishing the legs, and with a butto...

Large oval antique silver-plated gallery tray The surface of the tray is beautifully hand engraved with sections of quadriform scolls, tendrils of foliage, blossoms, bellflowers and ...

A fine mid eighteenth century Chippendale supper table, with serpentine tambour front, the top extending with a flap opening to each side, with single drawer to the frieze with origi...

Produced by Zanotta, Milan, 1990s. Cast iron base, anti-scratch embossed paint, anthracite color; conical element in replex, anthracite-colored recycled plastic with support rod ...

Antique English 19th century Sheraton Revival Mahogany Tray Table. circa 1890. In very good condition commensurate with age.

Saracinesca table podium by Oeuffice Edition: 12 + 2AP 2013 Dimensions: 75 x 32 x 19 cm Materials: Black oxide steel, solid brass and black marble of ormea. An overlapping col...

This fine satinwood tea table is made by the highly celebrated Parisian cabinetmaker Francois Linke (French, 1855-1946). The table features a glass tray of rectangular shape which si...

This beautiful table was created in England in the Victorian period by the acclaimed cabinetmakers, Edwards & Roberts. The company were based in London, where they established a name for themselves creating fine quality, fashionable pieces in 18th and 19th century English and French styles. This two-tiered table — with its elegant cabriole legs and wonderful floral marquetry designs — is a prime example of fine Edwards & Roberts furniture. The table is supported on four curving cabriole legs, which are set on scrolling gilt bronze feet and mounted with gilt bronze grotesque...