Manhattan - More Folk Art

Gustavian Swedish 18th century plate rack with original gorgeous rosemåling painting, circa 1800, origin: Northern Sweden.

An Eastern European Kethubah Strikingly Decorated in Papercut Form, and with the Central Traditional Hebrew Text of a Most Uncommon Petite Appearance. Uni...

Brass Hanukkah Lamp, Salonika, Greece, 19th century. Openwork backplate with scrolled branches; three stylized flowers support central triangular c...

Antique basketry bowl of woven rattan, reed, and bamboo. Wonderful geometric illustrations and complex weaving technique with honeycomb center. This basket bowl is a utilitarian ite...

Feast your eyes on our Bone Inlaid Pattern Wall Art in Blue Resin. This isn't just art; it's a mesmerizing blend of tradition and contemporary design. Imagine multiple Celtic dragons...

Pewter passover tray, Germany, 18th century. The outer rim has wriggle- work engraving of the order of the Seder service, along with a pair of birds fl...

Modern "Folk Art" crocodile made of cast fiberglass, in distressed white paint surface. Large scale makes this an impressive decorative item, probably circa 1960s. This item is built...

Hand painted wood "apples" on cast iron base - supported by wrapped wire "branches", highly decorative - and well made.

An early 19th century French carved bantam sporting a crown, well carved in pine. Good detailing to face, plumage, tail feathers and feet. Possibly originally from a ring toss game...

Very special Baroque box with carved decorations of mythical creatures and figurative scenes Carved monogrammed initials "HPP" + Family Crest, origin: Gudbrandsdal, Norway, circa 174...

Hand carved wooden Torah pointer, Germany, circa 1880. Folk Art Judaica. Every item in Menorah Galleries is accompanied by a Lifetime "Certificat...

An Intricate Jerusalem Textile, made in Jerusalem, 1886. Double-sided large pouch. Wool thread embroidered on cotton net. One side has a lion and stag holding flags reading “Jerusalem” in Hebrew, which flank a crowned Ten Commandments. Titled in Hebrew “Swift as a deer, strong as a lion” (Ethics of the Fathers 5:20). “Jerusalem” is seen in large lettering, atop a pair of birds and flowers. Top scene of the reverse side is titled “Mount of Olives”, amongst a plethora of olive trees, and a cluster of buildings is titled “Chulda the Prophetess”, (where her and others tombs reside). Main scene is titled “The Western Wall”, which features the wall and outer structures with turrets and Cyprus trees. The Hebrew date of “1886” is revealed on the bottom corners. This delicate textile, incredibly vibrant in color after 130 years of being created, is a masterful, exceedingly rare work of art produced in Jerusalem by an unknown woman --- likely quite young, a teenager --- as a gift to an unknown individual. Too complex to be a “tourist trinket”, as we know of one other similarly-made textile that is in the collection of the Israel Museum, and is dated 1876: see the book “Jewish Folk Art: From Biblical Days to Modern Times”, page 122. A clue to where perhaps this was made is in the depiction of the lion and stag holding flags, as they are identical to those featured on the crest of Moses Montefiore. In the 19th century, Montefiore gave enormous sums of money to purchase land for Jewish settlements and establish schools in Palestine. This textile most likely hailed from a school for girls funded by Montefiore, and was made as either a gift for Montefiore himself, or another wealthy donor. As to the actual purpose of this textile, since it is in the form of a large pouch, its intended purpose might have been to hold a tallit (prayer...

Cast brass Hanukkah Lamp, Galicia, 18th century. The backplate is cast and pierced featuring dense scrollwork. The side panels fitted with two servant lights, fronted by a row of eight oil fonts. Scholars theorize that these Polish Chanukah Lamps that bear two servant lights (as opposed to the singular servant light normally found on a Chanukah Lamp), served a purpose, having been used on one of the days that Chanukah fell on the Sabbath, as Sabbath Candlesticks. This lamp was made by the technique known as "sand casting". This process begins with a wooden mold that was carved out to create negative space, which in turn is used to make the inverse form or shape to be used for the casting of metal. The mold is pressed into fine sand mixed with clay, then removed, and molten brass poured into the impression. When a mold wears out, a casting from that mold is often used as the mold for the next generation. Those later lamps...

Scandinavian drinking tankard with exceptionally beautiful painting, origin: Dalarna, Sweden, circa 1800, incised with Farmer's Marks on Bottom: JH / SH The word "tankard" originall...

Antique Hanukkah lamp, cast brass, rivets, Algeria, circa 1880. Crescent-shaped back plate, with eight gates, a vase with flowers, apertures in veget...

Snipping a profile from paper with scissors, and mounting the result to a contrasting sheet of paper, became a popular diversion among the European and American upper classes in the ...

The backplate is cast and featuring a deer in the center surrounded by open scrollwork. The side panels fitted with two servant lights, fronted by a row of eight oil fonts. Scholars theorize that these Polish Chanukah lamps that bear two servant lights (as opposed to the singular servant light normally found on a Hanukkah Lamp...

Rare Alsace carved wooden Torah Pointer (YAD), 18th century. The body of the pointer is engraved in its first part with a decoration of palmettes and stripes. It then continues with...

Brass Hanukkah lamp Menorah, Poland, circa 1810. Cast in Bench form, on four feet. The backplate is cast and pierced featuring scrollwork. This lamp was made by the technique known as "sand casting". This process begins with a wooden mold that was carved out to create negative space, which in turn is used to make the inverse form or shape to be used for the casting of metal. The mold is pressed into fine sand mixed with clay, then removed, and molten brass poured into the impression. When a mold wears out, a casting from that mold is often used as the mold for the next generation. Those later lamps...

Feast your eyes on our Bone Inlaid Pattern Wall Art in Blue Resin. This isn't just art; it's a mesmerizing blend of tradition and contemporary design. Imagine multiple Celtic dragons...