Melbourne - Landscape Prints
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Item Ships From: Melbourne
Palazzo Pitti, Florence, Italy. 18th century architectural view engraving
By Ferdinando Ruggieri
Located in Melbourne, Victoria
'Facciata del Palazzo Reale de Pitti' (Florence)
Etching with engraving by Ferdinando Ruggieri (1691 - 1741).
From 'Scelta di architetture antiche e moderne della città di Firenze'...
Category
Early 18th Century Naturalistic Melbourne - Landscape Prints
Materials
Engraving, Etching
Strandpflanzen (Beach plants), German antique botanical print
Located in Melbourne, Victoria
Chromolithograph, circa 1895.
245mm by 300mm (sheet).
Central vertical fold as issued.
Category
Late 19th Century Art Deco Melbourne - Landscape Prints
Materials
Lithograph
High Cliff in Hampshire, 18th century English country house engraving, 1784
By William Watts
Located in Melbourne, Victoria
'High Cliff in Hampshire, the Seat of the Earl of Bute'
Engraved by William Watts (1752-1851) after Collander.
From Watts's 'The Seats of the Nobility and Gentry, in a Collection o...
Category
18th Century Naturalistic Melbourne - Landscape Prints
Materials
Engraving
Heveningham Hall in Suffolk, 18th century English country house engraving, 1782
By William Watts
Located in Melbourne, Victoria
'Heveningham Hall in Suffolk, the Seat of Sir Gerard Wm. Vanneck Bart.'
Engraved by William Watts (1752-1851) after Thomas Hearne.
From Watts's 'The Seats of the Nobility and Gentr...
Category
18th Century Naturalistic Melbourne - Landscape Prints
Materials
Engraving
Charlton House in Wiltshire, 18th century English country house engraving, 1782
By William Watts
Located in Melbourne, Victoria
'Charlton House in Wiltshire, the Seat of the Earl of Suffolk'
Engraved by William Watts (1752-1851) after Thomas Hearne.
From Watts's 'The Seats of the Nobility and Gentry, in a C...
Category
18th Century Naturalistic Melbourne - Landscape Prints
Materials
Engraving
Osterley Park, Middlesex, 18th century English country house engraving, 1784
By William Watts
Located in Melbourne, Victoria
'Osterley Park in Middlesex, the Seat of Mrs Child'
Drawn and engraved by William Watts (1752-1851).
From Watts's 'The Seats of the Nobility and Gentry, in a Collection of the most...
Category
18th Century Naturalistic Melbourne - Landscape Prints
Materials
Engraving
Hill Hall in Essex, 18th century English country house engraving, 1780
By William Watts
Located in Melbourne, Victoria
'Hill Hall in Essex, the Seat of Wm. Smyth Bart'
Engraved by William Watts (1752-1851) after Thomas Sandby.
From Watts's 'The Seats of the Nobility and Gentry, in a Collection of t...
Category
18th Century Naturalistic Melbourne - Landscape Prints
Materials
Engraving
Claremont, in Surrey, 18th century English country house engraving, 1782
By William Watts
Located in Melbourne, Victoria
'Claremont in Surry, the Seat of Lord Clive'
Engraved by William Watts (1752-1851) after George Barrett.
From Watts's 'The Seats of the Nobility and Gentry, in a Collection of the ...
Category
18th Century English School Melbourne - Landscape Prints
Materials
Engraving
Wrotham Park in Middlesex, 18th century English country house engraving, 1781
By William Watts
Located in Melbourne, Victoria
'Wrotham Park in Middlesex, the Seat of George Byng Esq'
Drawn and engraved by William Watts (1752-1851).
From Watts's 'The Seats of the Nobility and Gentry, in a Collection of the...
Category
18th Century Naturalistic Melbourne - Landscape Prints
Materials
Engraving
Cadland Park in Hampshire, 18th century English country house engraving, 1780
By William Watts
Located in Melbourne, Victoria
'Cadland Park in Hampshire, the Seat of Rob.t Drummond Esq'
Engraved by William Watts (1752-1851) after George Barrett.
From Watts's 'The Seats of the Nobility and Gentry, in a Col...
Category
18th Century English School Melbourne - Landscape Prints
Materials
Engraving
Copped Hall in Essex, 18th century English country house engraving, 1781
By William Watts
Located in Melbourne, Victoria
'Copped Hall in Essex, the Seat of John Conyers Esq'
Drawn and engraved by William Watts (1752-1851).
From Watts's 'The Seats of the Nobility and Gentry, in a Collection of the mos...
Category
18th Century Naturalistic Melbourne - Landscape Prints
Materials
Engraving
Englefield Green, Surrey, 18th century English country house engraving, 1784
By William Watts
Located in Melbourne, Victoria
'The Seat of Sir John Elvill Bar.t at Englefield Green in Surry'
Engraving William Watts (1752-1851) after Thomas Malton.
From Watts's 'The Seats of the Nobility and Gentry, in a C...
Category
18th Century Naturalistic Melbourne - Landscape Prints
Materials
Engraving
Bluebell Wood, John Hall Thorpe colour woodcut, c1920
By John Hall Thorpe
Located in Melbourne, Victoria
Colour woodcut. C1922.Signed in pencil below the image.
Hall Thorpe's colourful and decorative woodcuts were very popular in the 1920s and 1930s. He was ...
Category
1920s Art Nouveau Melbourne - Landscape Prints
Materials
Woodcut
Rome, General View from the Cupola of St Peter's, Italy. Tinted lithograph
By Felix Benoist
Located in Melbourne, Victoria
'Roma, Veduta generale presa della Cupola di San Pietro'
Tinted lithograph by Philippe Benoist after Felix Benoist. Figures by Bayot. From a French series titled 'Rome dans Sa Gran...
Category
Late 19th Century Victorian Melbourne - Landscape Prints
Materials
Lithograph
Piccadilly Circus, London, etching by Frederick Farrell, circa 1920
Located in Melbourne, Victoria
Signed in pencil below the image by the artist. Blind stamps of etching societies lower left just under the image.
Frederick Farrell was a Scottish etcher specializing in architectu...
Category
1920s Other Art Style Melbourne - Landscape Prints
Materials
Drypoint, Etching
Vue d'une partie du Lac de Geneve, Switzerland, engraving, circa 1780
Located in Melbourne, Victoria
French copper-line engraving depicting the Lake of Geneva, Switzerland.
From 'The Scenery and Science of Switzerland illustrated', by Antoine Baron de Zurlauben (1720-1795) & Jean B...
Category
1780s Naturalistic Melbourne - Landscape Prints
Materials
Engraving
Durham Cathedral, C19th English topographical engraving, by Samuel Read, 1884
By Samuel Read
Located in Melbourne, Victoria
'Durham Cathedral'
Wood-engraving after Samuel Read. From 'The Illustrated London News'.
Samuel Read was an English illustrator who provided many illustrations for the Illustrated...
Category
Late 19th Century Naturalistic Melbourne - Landscape Prints
Materials
Engraving
Campi Phlegraei - View of a section of a part of the cone of Astruni, Italy
By Pietro Fabris
Located in Melbourne, Victoria
Campi Phlegraei - View of a section of a part of the cone of Astruni taken at the entrance of this volcano
Copper-line engraving with gouache. 1776.
...
Category
Late 18th Century Naturalistic Melbourne - Landscape Prints
Materials
Engraving
Cortile del Palazzo di Venezia, Rome, Italy. Lithograph
By Philippe Benoist
Located in Melbourne, Victoria
'Cortile del Palazzo di Venezia, Colla Chiesa di San Marco'
Tinted lithograph by Eugene Ciceri after Felix Benoist. Figures by Bayot. From a French series titled 'Rome dans Sa Gran...
Category
Late 19th Century Victorian Melbourne - Landscape Prints
Materials
Lithograph
Remains of Henry II's Palace, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Remains of Henry II's Palace, as it stood in Woodstock Park in 1714'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author a...
Category
Late 18th Century Naturalistic Melbourne - Landscape Prints
Materials
Aquatint, Engraving, Etching
William Chambers Georgian Architecture - Chimney Pieces
Located in Melbourne, Victoria
Copper-line engraving by Pierre Foudrinier (1698-1758) after Sir William Chambers (1723-1796), 1794.
Sir William Chambers (1723-1796) was a renown 18th century British architect. He traveled to China, France and Italy before establishing an architectural practice in London. He became Architect of the King's Works and worked for Augusta, Dowager Princess of Wales, making fanciful garden buildings...
Category
Late 18th Century Victorian Melbourne - Landscape Prints
Materials
Engraving
London Bridge, C18th English aquatint
Located in Melbourne, Victoria
'London Bridge'
Aquatint by JC Stadler after J Farmington.
Published c1795 for Boydell's 'History of the River Thames'. Joseph Constantine Stadler (fl London, 1780-1822) was an eng...
Category
Late 18th Century Naturalistic Melbourne - Landscape Prints
Materials
Engraving
Piazza Colonna, Rome, Italy. Lithograph by Philippe Benoist
By Philippe Benoist
Located in Melbourne, Victoria
'Piazza Colonna Al Corso, Colonna Antonina - Palazzi Chigi e di Monte Citorio'
Tinted lithograph by Philippe Benoist (1813-1881). From a French series titled 'Rome dans Sa Grandeur...
Category
Late 19th Century Victorian Melbourne - Landscape Prints
Materials
Lithograph
William Chambers Georgian Architecture - Chimney Pieces
Located in Melbourne, Victoria
Copper-line engraving by Pierre Foudrinier (1698-1758) after Sir William Chambers (1723-1796), 1794.
Sir William Chambers (1723-1796) was a renown 18th century British architect. He traveled to China, France and Italy before establishing an architectural practice in London. He became Architect of the King's Works and worked for Augusta, Dowager Princess of Wales, making fanciful garden buildings...
Category
Late 18th Century Victorian Melbourne - Landscape Prints
Materials
Engraving
Column of Antoninus Pius, Rome Italy. Jacobs Lauro 17th century engraving
Located in Melbourne, Victoria
Lauro produced a series of engravings of the ancient monuments of Classical Rome with detailed descriptions in Latin below.
180mm by 240mm (plate mark)...
Category
Early 17th Century Old Masters Melbourne - Landscape Prints
Materials
Engraving, Etching
Street Market - Montmatre, France, etching, 1922
Located in Melbourne, Victoria
Monogram and date of etching in the plate bottom left.
220mm by 305mm (platemark) 310mm by 390mm (sheet)
Category
1920s Art Nouveau Melbourne - Landscape Prints
Materials
Drypoint, Etching
La Via Sacra, Rome, Italy. Tinted lithograph, Felix Benoist
By Felix Benoist
Located in Melbourne, Victoria
'La Via Sacra, Arco di Constantino e Tempio di Venere e Roma, colla Meta Sudante, Veduta presa del Colosseo'
Tinted lithograph by Eugene Cicero af...
Category
Late 19th Century Victorian Melbourne - Landscape Prints
Materials
Lithograph
Spaccato del Mauseleo di Ottaviano Augusto, Piranesi Roman etching, 1800
By Giovanni Battista Piranesi
Located in Melbourne, Victoria
From Piranesi’s, Antichità Romane, Paris edition published by Francesco Piranesi.
Piranesi was an Italian architect and etcher. He published series of etchings of archaeological in...
Category
Early 1800s Baroque Melbourne - Landscape Prints
Materials
Etching
French architecture house design lithograph, late 19th century, 1878
By Spiegel
Located in Melbourne, Victoria
'Petits Hotels. Boulevard Berthier 45 et 47, a Paris. Elevations, Coupe et Plans, par Mr Boland, Archte.'
French architectural chromolithograph. From 'La Brique Ordinaire', by J Lac...
Category
Late 19th Century Art Nouveau Melbourne - Landscape Prints
Materials
Lithograph
Nablous, The Ancient Shechem. tinted lithograph after David Roberts, 1855.
By David Roberts
Located in Melbourne, Victoria
'Nablous, The Ancient Shechem', tinted lithograph after David Roberts RA.
Signed in stone lower right. Printed title below the image. Roberts travell...
Category
Mid-19th Century Victorian Melbourne - Landscape Prints
Materials
Lithograph
Piazza e Basilica de Santi Apostoli, Rome, Italy. Lithograph, Philippe Benoist
By Philippe Benoist
Located in Melbourne, Victoria
'Piazza e Basilica de Santi Apostoli. Palazzi Odescalchi e Colonna'
Tinted lithograph by Philippe Benoist (1813-1881). From a French series titled 'Rome dans Sa Grandeur', circa 18...
Category
Late 19th Century Victorian Melbourne - Landscape Prints
Materials
Lithograph
Baroque 17th century German fountain design engraving print by Boeckler
By Georg Andreas Böckler
Located in Melbourne, Victoria
Baroque 17th century German fountain design
Copper-line engraving, published in 1664 in Nuremberg. From 'Architectura Curiosa Nova' by George Andreas B...
Category
Mid-17th Century Baroque Melbourne - Landscape Prints
Materials
Engraving, Etching
Palazzo e Giardini del Vaticano, Rome Italy. Tinted lithograph, Felix Benoist
By Felix Benoist
Located in Melbourne, Victoria
'Palazzo e Giardini del Vaticano. Veduta generale presa dalla Cupola di San Pietro'
Palace and gardens of the Vatican, taken from the Cupola of St Peter's,
Tinted lithograph by P...
Category
Late 19th Century Victorian Melbourne - Landscape Prints
Materials
Lithograph
View of Blackfriars Bridge from Somerset Place, C18th English aquatint
Located in Melbourne, Victoria
View of Blackfriars Bridge from Somerset Place'
Aquatint by JC Stadler after J Farmington.
Published c1795 for Boydell's 'History of the River Thames'. Joseph Constantine Stadler (...
Category
Late 18th Century Naturalistic Melbourne - Landscape Prints
Materials
Engraving
Rockbear House, Devon, English Regency country house colour aquatint, 1818
Located in Melbourne, Victoria
'Rockbear House, Seat of Thos Porter Esq'.
Rockbear House was originally built c. 1760-70 and owned by Sir John Duntze, the wealthy Exeter woollen merchant and banker. About 1820 t...
Category
Early 19th Century Victorian Melbourne - Landscape Prints
Materials
Engraving, Etching, Aquatint
Paris - Cirque de L'Imperatrice, French lithograph, 1861
By Felix Benoist
Located in Melbourne, Victoria
'Cirque de l'Imperatrice aux Champs-Elysses', tinted lithograph by Felix Benoist (1818-1896).
From a series of lithographs depicting the famous buildings of Paris - 'Paris dans sa S...
Category
Late 19th Century Naturalistic Melbourne - Landscape Prints
Materials
Lithograph
The Hall & Chapel, Oriel College. Oxford University. Antique C19th engraving
Located in Melbourne, Victoria
'The Hall & Chapel, Oriel College'
Engraving by John Le Keux after Frederick Mackenzie, 1837. From James Ingram's 'Memorials of Oxford'.
135mm by 175mm ...
Category
19th Century Naturalistic Melbourne - Landscape Prints
Materials
Engraving
Vue de la Ville et du Lac de Geneve, Switzerland, copper-line engraving, c1780
Located in Melbourne, Victoria
French copper-line engraving depicting the Town and Lake of Geneva, Switzerland.
Claude-Louis Chatelet was a distinguished French painter, draftsman an...
Category
1780s Naturalistic Melbourne - Landscape Prints
Materials
Engraving
Portico D' Ottavia e Pescheria, Rome Italy. Tinted lithograph, Felix Benoist
By Felix Benoist
Located in Melbourne, Victoria
'Portico D' Ottavia e Pescheria'
Tinted lithograph by Eugene Ciceri after Felix Benoist (1813-1881), with figures by Bayot. From a French series titled 'Rome dans Sa Grandeur', cir...
Category
Late 19th Century Victorian Melbourne - Landscape Prints
Materials
Lithograph
Vesuvius, Naples, Italy. Volcano, engraving with original hand-colouring, 1815
Located in Melbourne, Victoria
Vesuvius, engraving with original hand-colouring, 1815.
From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic collection of I...
Category
Early 19th Century Naturalistic Melbourne - Landscape Prints
Materials
Engraving
French 18th century bucolic scene, soft ground etching, style of Boucher, c1770,
Located in Melbourne, Victoria
Fine soft ground etching printed in a orange / red ink on laid paper. A French etching in the manner of Boucher. A shepherd and shepherdess rest by water among sheep, goats a donkey ...
Category
Late 18th Century Romantic Melbourne - Landscape Prints
Materials
Etching
Cliveden spring, Bucks, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Cliveden Spring, Bucks'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of a...
Category
Late 18th Century Naturalistic Melbourne - Landscape Prints
Materials
Engraving, Etching, Aquatint
Basilica di St Maria Maggiore, Rome, Italy. Tinted lithograph, Philippe Benoist
By Philippe Benoist
Located in Melbourne, Victoria
'Basilica di St Maria Maggiore. Veduta della facciata principale'
Tinted lithograph by Philippe Benoist (1813-1881). From a French series titled 'Rome dans Sa Grandeur', circa 1870...
Category
Late 19th Century Victorian Melbourne - Landscape Prints
Materials
Lithograph
London, England, birds-eye view, chromolithograph, c1870
Located in Melbourne, Victoria
London, England, birds-eye view, chromolithograph, c1870 published by William Collins.
175mm by 225mm (image) 270mm by 335mm (sheet)
Category
Late 19th Century Naturalistic Melbourne - Landscape Prints
Materials
Lithograph
Piazza di Monte Cavallo, Rome, Italy. Tinted lithograph by Philippe Benoist
By Philippe Benoist
Located in Melbourne, Victoria
'Piazza di Monte Cavallo e Palazzo pontificio del Quirinale'
Tinted lithograph by Philippe Benoist (1813-1881). From a French series titled 'Rome dans Sa Grandeur', circa 1870.
B...
Category
Late 19th Century Victorian Melbourne - Landscape Prints
Materials
Lithograph
Durham Cathedral, C19th English topographical engraving, by Samuel Read, 1873
By Samuel Read
Located in Melbourne, Victoria
'Durham Cathedral'
Wood-engraving after Samuel Read. From 'The Illustrated London News'.
Samuel Read was an English illustrator who provided many illustrations for the Illustrated...
Category
Late 19th Century Naturalistic Melbourne - Landscape Prints
Materials
Engraving
Michel Grove, Sussex English Regency country house colour aquatint, 1818
Located in Melbourne, Victoria
'Michel Grove, Seat of Thomas Walker Esq'.
Michel Grove was a house in Sussex which Humphrey Repton was commissioned to landscape.
Published by Rudo...
Category
Early 19th Century Victorian Melbourne - Landscape Prints
Materials
Engraving, Etching, Aquatint
Ashdod. Tinted lithograph after David Roberts, 1855.
By David Roberts
Located in Melbourne, Victoria
'Ashdod', tinted lithograph after David Roberts RA.
Signed in stone lower right. Printed title below the image. Roberts travelled throughout Egypt an...
Category
Mid-19th Century Victorian Melbourne - Landscape Prints
Materials
Lithograph
View of Greenwich from Deptford Yard, Thames, London, C18th English aquatint
Located in Melbourne, Victoria
'View of Greenwich from Deptford Yard, Thames, London'
Aquatint by JC Stadler after J Farmington.
Published c1795 for Boydell's 'History of the River Thames'. Joseph Constantine St...
Category
Late 18th Century Naturalistic Melbourne - Landscape Prints
Materials
Engraving
Basilica di Santa Croce-in-Gerusalemme, Rome, Italy. Lithograph, Felix Benoist
By Felix Benoist
Located in Melbourne, Victoria
'Basilica di Santa Croce-in-Gerusalemme, ed avanzi del Tempio detto di Venere e Cupido'
Tinted lithograph by Eugene Cicero after Felix Benoist (1813-1881...
Category
Late 19th Century Victorian Melbourne - Landscape Prints
Materials
Lithograph
Il Campidoglio (Capitoline Hill), Rome. Tinted lithograph, 1870
By Philippe Benoist
Located in Melbourne, Victoria
Tinted lithograph by Philippe Benoist (1813-1881) after Felix Benoist. Figures by Bayot.
From a French series titled 'Rome dans Sa Grandeur', circa...
Category
Late 19th Century Victorian Melbourne - Landscape Prints
Materials
Lithograph
Bassenthwaite Water, from the Western Side, Lake District C19th English aquatint
Located in Melbourne, Victoria
'Bassenthwaite Water, from the Western Side'
Aquatint by William Green, 1804
William Green of Ambleside was a Lake District draughtsman, soft ground e...
Category
Early 19th Century Naturalistic Melbourne - Landscape Prints
Materials
Engraving, Aquatint
Waterfall on Fordingdale beck, Lake District scenery C19th English aquatint
Located in Melbourne, Victoria
'Waterfall on Fordingdale beck, at the foot of Hawes Water'
Aquatint by William Green, 1804
William Green of Ambleside was a Lake District draughtsman...
Category
Early 19th Century Naturalistic Melbourne - Landscape Prints
Materials
Engraving, Aquatint
Killerton, Devon, English Regency country house colour aquatint, 1818
Located in Melbourne, Victoria
'Killerton, Seat of Sir Thos. Dyke Ackland Bt MP'.
Killerton is an 18th-century house in Broadclyst, Exeter, Devon. It was built for the Acland family in 1778. The garden was creat...
Category
Early 19th Century Victorian Melbourne - Landscape Prints
Materials
Engraving, Etching, Aquatint
Henley-bridge, Oxon, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Henley-bridge, Oxon'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aqua...
Category
Late 18th Century Naturalistic Melbourne - Landscape Prints
Materials
Engraving, Etching, Aquatint
Hermes Oak, Windsor Park, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Hermes Oak, Windsor Park'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who p...
Category
Late 18th Century Naturalistic Melbourne - Landscape Prints
Materials
Engraving, Etching, Aquatint
A Cottage in a Cornfield. Mezzotint by David Lucas after John Constable, 1855
By David Lucas
Located in Melbourne, Victoria
'A Cottage in a Cornfield'
Mezzotint on steel by David Lucas (1802-1881) after John Constable (1776–1836).
From 'English Landscape Scenery', 1855. John Constable RA was an English Romantic...
Category
Mid-19th Century Victorian Melbourne - Landscape Prints
Materials
Mezzotint
Coupang : Ile Timor. Divers Travaux Mécaniques. Early 19th century engraving.
Located in Melbourne, Victoria
'Coupang : Ile Timor. Divers Travaux Mécaniques'
Steel-engraving by Friedrich Schroeder (1768-1839) after F Garnier after Alphonse Pellion. Alphonse Pellion, artist and naval draughtsman, was a midshipman aboard l'Uranie on Louis de Freycinet's three-year scientific and ethnographic expedition around the world in 1817-1820.
From Louis Freycinet's 'Voyage Autour du Monde, Entrepris par Ordre du Roi ... Execue sur les Corvettes de S. M. l'Uranie et la Physicienne Pendant les Annees 1817, 1818, 1819 et 1820', published in Paris in 1825.
Louis Claude de Saulces de Freycinet (1779-1842) joined the French Navy in 1793 and was a veteran of the Baudin's voyage of discovery (1801-1803). He also completed the narrative of the expedition which appeared under the title of 'Voyage de Decouvertes aux Terres Australes'. In 1817 de Freycinet successfully lobbied the Government and King Louis XVIII agreed to support a new global campaign. Its mission was to finally determine the shape of the earth and return with detailed reports on geography, people, government, commerce and art of this new world. The 350-ton corvette Uranie had a complement of 120 men and 23 officers including the artist Jacques Arago and a priest. Over the next three years Uranie visited Australia, East Timor...
Category
Early 19th Century Victorian Melbourne - Landscape Prints
Materials
Engraving
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